Items where Division is "Faculties > Faculty of Arts, Science & Technology > Journalism, Media & Performance"

Article

• Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
• Ackroyd, J. (2007) Real play, real feelings and issues of protection: drama in education beyond the classroom. NJ - Drama Australia Journal. 31(1) 1326-5490.
• Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
• Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
• Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
• Braeuninger, R. (2014) Documenting choreographic process: Anne Teresa De Keersmaeker in print and DVD. Dance Chronicle - Studies in Dance and the Related Arts. 37(3), pp. 377-383. 0147-2526.
• Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
• Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
• Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
• Chamberlain, F. (2003) Michael Chekhov: pedagogy, spirituality and the occult. Toronto Slavic Quarterly. Spring(4)
• Duggan, P. (2008) NTQ Book review of: Maaike Bleeker, ed., Anatomy Live: Performance and the Operating Theatre. New Theatre Quarterly. 24(4), pp. 394-395. 0266-464x.
• Duggan, P. (2009) The Touch and the cut: an annotated dialogue with Kira O’Reilly. Studies in Theatre and Performance. 29(3) 1468-2761.
• Duggan, P. (2007) ‘Feeling performance, remembering trauma’. Platform. 2(2), pp. 44-58. 1751-0171.
• Duggan, P. and Wallis, M. (2011) Trauma and performance: maps, narratives and folds. Performance Research. 16(1), pp. 4-17. 1352-8165.
• Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
• Ewu, J. (2007) Crossing the Zaure: Theatre for Development and women in Northern Nigeria. African Performance Review. 1(2 & 3), pp. 75-97. 1753-5964.
• Ewu, J. (1997) Development Communications: Theatre and community action for change. Research in Drama Education. 2(1), pp. 135-140. 1356-9783.
• Jowett, L. (2018) Doctor Who and the politics of casting. Journal of Popular Television. 6(2), pp. 241-256. 2046-9861 .
• Jowett, L. (2018) Doctor Who and the politics of casting. Journal of Popular Television. 6(2), pp. 241-256. 2046-9861.
• Jowett, L. (2017) Horrible histories? Vampire television, period drama and spectacle. Horror Studies. 8(2), pp. 313-328. 2040-3275.
• Jowett, L. (2017) Horrible histories? Vampire television, period drama and spectacle. Horror Studies. 8(2) 2040-3275.
• Jowett, L. (2017) TV 101: tips for teaching television. Critical Studies in Television (CST) Online Blog. 13/01/2017
• Jowett, L. (2018) ‘Is the future going to be all girl?' Doctor Who and the frustrations of a feminist. Critical Studies in Television (CST) Online Blog. 23/03/2018
• Jowett, L., Abbott, S. and Starr, M. (2017) Introduction: Bloodlines: hunting the vampire through TV history. Horror Studies. 8(2) 2040-3275.
• Jowett, L., Abbott, S. and Starr, M. (2017) Introduction: Bloodlines: hunting the vampire through TV history. Horror Studies. 8(2) 2040-3275.
• Jowett, L. E. (2014) The Girls Who Waited? : Female Companions and Gender in Doctor Who. Critical Studies in Television. 9(1), p. 77. 1749-6020.
• Jowett, L. E. (2014) The Girls Who Waited? : Female Companions and Gender in Doctor Who. Critical Studies in Television. 9(1), p. 77. 1749-6020.
• Jowett, L. E. and Frohard-Dourlent, H. (2017) Introduction to Queering the Whedonverses : Interrogating Whedon from a Multiplicity of Queer Perspectives. Slayage: The Journal of the Whedon Studies Association. 15(2), pp. 1-7. 1546-9212.
• Kalpaxi, E. (2018) Sculptor and cetus. Sculptorvox. 1, pp. 84-87. 2515-7329.
• Miller, L. and Whalley, J. (2007) Away from home: the curious domain of passage. Performance Research. 12(2), pp. 66-74. 1352-8165.
• Oddey, A. and Naish, J. (2002) Paper or practice. Contemporary Theatre Review: Special Issue on Practice as Research. 12(4), pp. 9-25. 1048-6801.
• Prior, R. W. (2005) Drama teaching: the teaching of practice: introducing teachers to drama as a learning medium. NJ (Drama Australia Journal). 29(2), pp. 73-82. 1445-2294.
• Prior, R. W. (2014) Editorial. Journal of Applied Arts and Health. 5(1), pp. 3-6. 2040-2457.
• Prior, R. W. (2013) Editorial. Journal of Applied Arts and Health. 4(1), p. 3. 2040-2457.
• Prior, R. W. (2013) Editorial. Journal of Applied Arts and Health. 3(3), pp. 239-242. 2040-2457.
• Prior, R. W. (2012) Editorial. Journal of Applied Arts and Health. 3(1), p. 3. 2040-2457.
• Prior, R. W. (2011) Editorial. Journal of Applied Arts and Health. 2(1), pp. 3-5. 2040-2457.
• Prior, R. W. (2011) Editorial. Journal of Applied Arts & Health. 2(3), pp. 203-206. 2040-2457.
• Prior, R. W. (2010) Editorial. Journal of Applied Arts and Health. 1(3), pp. 237-239. 2040-2457.
• Prior, R. W. (2009) Editorial. Journal of Applied Arts and Health. 1(1), pp. 3-6. 2040-2457.
• Prior, R. W. (2013) Knowing what is known: accessing craft-based meanings in research by artists. Journal of Applied Arts and Health. 4(1), pp. 57-65. 2040-2457.
• Prior, R. W. (2013) Knowing what is known: accessing craft-based meanings in research by artists. Journal of Applied Arts and Health. 4(1), pp. 57-65. 2040-2457.
• Prior, R. W. (2005) Looking around in awareness: playbuilding on HIV-AIDS. Research in Drama Education. 10(1), pp. 55-64. 1470-112X.
• Prior, R. W. (2001) Tension, power and control: creating effective participatory drama. NJ (Drama Australia Journal). 25(2), pp. 23-33. 1445-2294.
• Prior, R. W. (2007) Understanding actor trainers' articulation of their practice. Studies in Theatre and Performance. 27(3), pp. 295-305. 1468-2761.
• Prior, R. W. (2010) Using forum theatre as university widening participation (WP) for social wellbeing agendas. Journal of Applied Arts and Health. 1(2), pp. 179-203. 2040-2457.
• Prior, R. W., Harris, S. and Carter, A. (2014) Valuing tacit knowledge and clear pedagogy: continuing professional development for teachers. Drama Research. 5(1), pp. 1-20. 2040-2228.
• Prior, R. W., Maxwell, I., Szabo, M. and Seton, M. C. (2015) Responsible care in actor training: effective support for occupational health training in drama schools. Theatre, Dance and Performance Training. 6(1) 1944-3927.
• Prior, R. W., Maxwell, I., Szabo, M. and Seton, M. C. (2015) Responsible care in actor training: effective support for occupational health training in drama schools. Theatre, Dance and Performance Training. 6(1) 1944-3927.
• Scott, H. C. (2017) Reflections on work experience: are some newsrooms failing the next generation of journalists? Journalism Education: the Journal for the Association of Journalism Education. 6(1) 2050-3903.
• Scott, H. C. (2017) Reflections on work experience: are some newsrooms failing the next generation of journalists? Journalism Education: the Journal for the Association of Journalism Education. 6(1) 2050-3903.
• Thomas, S., Johnstone, K. and Dodzo, N. (2019) Investigating the feasibility of co-production of digital media with students. Journal of Learning Development in Higher Education. (16) 1759-667X.
• Thursby, M. and Kimberley, E. (2020) Framing the text : Understanding emotional barriers to academic reading. Journal of University Teaching and Learning Practice. 17(2), pp. 1-12. 1449-9789.
• Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165.
• Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
• Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.
• Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
• Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
• Ukaegbu, V. (2012) Review of The Female King of Colonial Nigeria: Ahebi Ugbabe, by Nwando Achebe. Leeds African Studies Bulletin. 74, pp. 103-105. 0024-0249.
• Ukaegbu, V. (2007) Written over, written out: the gendered misrepresentation of women in modern African performances. African Performance Review. 1(1), pp. 7-23. 1753-5964.
• Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
• Walsh, M. (2017) Can an MP become a newspaper editor? The Huffington Post blog. 17/03/2017
• Walsh, M. (2017) Does Osborne’s Evening Standard need to reflect London’s new politics? Huffington Post blog. 09/06/2017
• Walsh, M. (2017) Understanding Labour’s ingenious campaign strategy on Facebook. British Politics and Policy Blog. 10/11/2017
• Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.
• Wiseman-Trowse, N. J. B. (2017) ‘One day I am going to grow wings’: Radiohead’s abject transcendence. Revue LISA. 1762-6153. (Accepted)

Book Section

• Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.
• Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
• Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
• Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
• Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
• Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
• Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices :. Brisbane, Australia: Australian Dance Council and Queensland University of Technology.
• Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices :. Brisbane, Australia: Australian Dance Council and Queensland University of Technology.
• Chamberlain, F. (2007) Gesturing towards post-physical performance. In: Keefe, J. and Murray, S. D. (eds.) Physical Theatres: A Critical Reader. London: Routledge. pp. 117-122.
• Chamberlain, F. and Yarrow, R. (2002) Introduction. In: Chamberlain, F. and Yarrow, R. (eds.) Jacques Lecoq and the British Theatre. London: Routledge. pp. 1-16.
• Duggan, P. (2011) Staging the impossible: severance and separation in the National Theatre’s adaptation of His Dark Materials. In: Barfield, S. and Cox, K. (eds.) Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, North Carolina: McFarland.
• Ewu, J. (1999) Arts and development II: furthering the agenda. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre in Development. Oxford: James Currey. pp. 87-98.
• Ewu, J. (2010) Book review on African Women Playwrights, Kathy A. Perkins (ed.). In: Hutchison, Y. (ed.) African theatre: Vol.9: Histories: 1850-1950. Woodbridge: James Currey. p. 174.
• Ewu, J. and Lakoju, T. (1993) Unmasking the masquerades: the potentials of T.I.E. in Nigeria. In: Jackson, T. (ed.) Learning Through Theatre: New Perspectives on Theatre in Education. 2nd ed. London: Routledge. pp. 165-184.
• Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
• Godfrey, R. (2007) Feminine singularity: the representations of young women in some early Tudor interludes. In: Happe, P. and Husken, W. (eds.) Interludes and Early Modern Society: Studies in Power, Gender and Theatricality. Amsterdam: Rodopi. pp. 141-162.
• Jowett, L. (2010) Biting humor: harmony, parody and the female vampire. In: Comeford, A. and Burnett, T. (eds.) The Literary Angel: Essays on Influences and Traditions Reflected in the Joss Whedon Series. Jefferson, NC: McFarland. pp. 17-29.
• Jowett, L. and Abbott, S. (2019) Victor Fresco's Santa Clarita Diet : Television Horror. In: Bacon, S. (ed.) Horror : A Companion. Peter Lang. pp. 45-52.
• Jowett, L. E. (2019) "Most of you are wondering who the heck I am" : Carmilla (2014-2016, online) as Digital Reimagining of LeFanu’s "Carmilla.". In: Piatti-Farnell, L. (ed.) Gothic Afterlives : Reincarnations of Horror in Film and Popular Media. Lanham, Maryland: Lexington Books. pp. 79-94.
• Lucas, V. K. (2006) 'Shameless' - women, sexuality and violence in British Asian drama. In: Godiwala, D. (ed.) Alternatives Within the Mainstream: British, Black and Asian Theatres. Newcastle: Cambridge Scholars Publishing. pp. 363-380.
• Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
• Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.
• McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. In: Pasi, M. and Otto, B.-C. (eds.) Western Esotericism and Deviance. Leiden, The Netherlands: Brill. (Accepted)
• Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.
• Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.
• Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.
• Mullan, S. J. and Fallow, C. (2021) The Royal Court in the Wake of #MeToo. In: Rudakoff, J. (ed.) Performing #MeToo: How Not to Look Away :. Intellect.
• Oddey, A. (2006) Different directions: the potentials of autobiographical space. In: Oddey, A. and White, C. A. (eds.) The Potentials of Spaces: The Theory and Practice of Scenography and Performance. Bristol: Intellect. pp. 33-49.
• Rossi, J. (2019) Dramatizing an Articulation of the (P)Artistic Researcher’s Posthumanist Pathway to a ‘Slow Professorship’ Within the Corporate University Complex. In: Taylor, C. and Bayley, A. (eds.) Posthumanism and Higher Education : Reimagining Pedagogy, Practice and Research. Palgrave Macmillan Ltd.. pp. 187-209.
• Shadrack, J. H. (2017) From enslavement to obliteration: extreme metal's problem with women. In: Jones, R. E. and Davies, E. (eds.) Under My Thumb: Songs that Hate Women and the Women who Love Them. London: Repeater Books. pp. 170-184.
• Shadrack, J. H. (2017) Malefica: the witch as restorative feminism in matrifocal black metal performance. In: Panayotov, S. and Lukas, D. (eds.) Black Metal Rainbows. Canada: Schism Press. (Accepted)
• Simmons, D. Class and Horror Fiction at Mid-Century. In: American Horror Fiction and Class :. London: Palgrave Macmillan Ltd.. pp. 79-117.
• Simmons, D. (2016) “Bonanza was never like this..,” Quantum Leap and interrogating nostalgia. In: Jowett, L., Robinson, K. L. and Simmons, D. (eds.) Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: IB Tauris. pp. 145-156.
• Ukaegbu, V. (2010) Anansegoro: modern storytelling as narrative trope in contemporary Ghanaian literary theatre. In: Makokha, J. K. S., Barasa, R. S. and Daramola, A. (eds.) Tales, Tellers, and Tale-Making: Critical Studies on Literary Stylistics and Narrative Styles in Contemporary African Literature. Berlin: Verlag Dr. Muller (VDM). pp. 246-265.
• Ukaegbu, V. (2001) Femi Osofisan’s Once Upon Four Robbers: continuing the intercultural debate. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre: Playwrights & Politics. Oxford: Currey. pp. 42-56.
• Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.
• Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.
• Ukaegbu, V. (2006) Mythological and patriarchal constraints: the tale of Osofisan's revolutionary women. In: Adeyemi, S. (ed.) Portraits for an Eagle: a Festschrift in Honour of Femi Osofisan. Bayreuth: Bayreuth African Studies. pp. 179-192.
• Ukaegbu, V. (2006) Talawa Theatre Company: the 'likkle' matter of black creativity and representation on the British stage. In: Godiwala, D. (ed.) Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press. pp. 123-152.
• Ukaegbu, V. and Ewu, J. (2010) Performing histories, voices of black rural community; from oral history to ethnodrama: the journey of the spoken word. In: Ackroyd, J. and O'Toole, J. (eds.) Performing Research: Tensions, Triumphs and Trade-offs of Ethnodrama. Stoke-on-Trent: Trentham. pp. 169-185.
• Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. In: Afterlives of Violence: Contested Geographies of Past, Present and Future :. Belfast: Breen Centre.
• Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
• Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
• Wallace, R. (2017) Toxic Waste, Bremmen, 1984. In: Murphy, M. and McGuirk, N. (eds.) In Concert: Favourite Gigs of Ireland's Music Community. Ireland: Hope Publications. pp. 72-73.
• Walsh, M. (2017) The alternate and influential world of the political parties’ Facebook feeds. In: Jackson, D. and Thorsen, E. (eds.) UK Election Analyis 2017: Media, Voters and the Campaign. Bournemouth: The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
• Walsh, M. P. (2015) There now follows a party election broadcast. In: Jackson, D. and Thorsen, E. (eds.) UK Election Analyis 2015 : Media, Voters and the Campaign. The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
• Walsh, M. P. (2017) The alternate and influential world of the political parties’ Facebook feeds. In: Jackson, D., Thorsen, E. and Lilleker, D. (eds.) UK Election Analysis 2017: Media, Voters and the Campaign : Early reflections from leading academics. Poole: The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
• Wilson, J. M. (2010) Visits and Visitors. In: Frank Sargeson’s Stories. Auckland: Cape Catley Ltd. pp. 353-356.

Book

• Duggan, P. and Ukaegbu, V., (eds.) (2013) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Bristol: Intellect. 9781783202973.
• Ewu, J., (ed.) (2002) Theatre for Development: A Digest of Experiences. London: Routledge. 9057551667.
• McLaughlin, C., (ed.) (2019) Trans- States: The art of crossing over. Fulgur Press.
• Ackroyd, J. (2004) Role Reconsidered – a Re-evaluation of the Relationship Between Teacher-in-role and Acting. Stoke-on-Trent: Trentham Books. 1858563100.
• Chamberlain, F. (2003) Michael Chekhov. London: Routledge. 0415258782.
• Jowett, L. (2017) Dancing With the Doctor: Dimensions of Gender in the Doctor Who Universe. London: I.B. Tauris. 9781784533748.
• Jowett, L., Robinson, K. L. and Jowett, L. (2016) Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: I.B.Tauris & Co Ltd. 9781784530136.
• Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
• Oddey, A. (2005) Performing Women: Stand-Ups, Strumpets and Itinerants. 2nd ed. Basingstoke: Palgrave Macmillan. 1403948771.
• Oddey, A. (2007) Reframing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan. 0230524656.
• Prior, R. W. (2010) Connected to Music evaluation report. The University of Northampton and Orchestras Live.
• Prior, R. W. (2010) Connected to Music evaluation report. The University of Northampton and Orchestras Live.
• Prior, R. W. (2012) Teaching Actors: Knowledge Transfer in Actor Training. Bristol, UK/Chicago, USA: Intellect and University of Chicago Press. 9781841505701.
• Rossi, J., Mullan, S. and ONeill, R. (2018) Titus Anonymous: fragments of... CreateSpace Independent Publishing Platform. 1725907259.
• Starr, M. (2017) Wells Meets Deleuze: The Scientific Romances Reconsidered. Jefferson, North Carolina: McFarland. 9781476668352.
• Ukaegbu, V. (2007) The Use of Masks in Igbo Theatre in Nigeria: The Aesthetic Flexibility of Performance Traditions. Lewiston, N.Y.; Lampeter: Edwin Mellen Press. 9780773451759.
• Wallace, R. (2017) Goodbye Ballyhightown: [Book Re-publication]. Northampton: Breen Centre.

Monograph

• Prior, R. W., Neelands, J., Band, S., Freakley, V., Goode, T., Lindsay, G., Morris, M. and Muijis, D. (2007) Learning and Skills Council post-16 performing arts mapping study. (Unpublished)
• Shadrack, J. H., Dixon, S. and Press, R. (2014) MUSIC - Metadata Used in Semantic Indexes and Charts. Academic Rights Press.

Conference or Workshop Item

• Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007. (Unpublished)
• Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor (Unpublished)
• Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: International Drama/Theatre and Education Association Conference, Wanchai, Hong Kong, 16-22 July 2007. (Unpublished)
• Asagba, A. and Ewu, J. (2012) The use of orature in community theatre practice: a study on selected communities in the Niger-Delta region of Nigeria. Invited Presentation presented to: African Theatre Association (AFTA) Annual International Conference: Querying Africa: Dis-ease, Metamorphosis and Unconventionality in African Theatre and Performance, Cape Town, South Africa, 13-15 July 2012. (Unpublished)
• Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
• Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
• Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
• Bacon, J. and Wainwright, R. (2007) Authentic movement. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor (Unpublished)
• Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
• Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
• Braeuninger, R. (2014) Anne Teresa De Keersmaeker's Vortex Temporum by Rosas & Ictus. Invited Presentation presented to: Society for Dance Research Choreographic Forum, Sadler's Wells Theatre, London, 09 June 2014. (Unpublished)
• Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). Paper presented to: .
• Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010. (Unpublished)
• Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
• Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010. (Unpublished)
• Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 2010-10-01.
• Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 2012-09-11.
• Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
• Cook, S. (2009) Performing the popular. Paper presented to: A world of Popular Entertainments, University of Newcastle, New South Wales, Australia, 10-11 June 2009. (Unpublished)
• Cook, S. (2007) The universality of theatrical masks. Invited Presentation presented to: Division of Performance Public Seminar Series, University of Northampton, 12 December 2007. (Unpublished)
• Cook, S. (2015) What are masks for?: For pleasure. Invited Keynote presented to: Mask Symposium: What Are Masks For?, Nottingham Trent University, 15-16 October 2015. (Unpublished)
• Dodzo, N. and Seuwou, P. (2020) An Investigation into BAME Attainment. Poster presented to: ILT Poster Padlet, University of Northampton, 2020-06-29 - 2020-06-29.
• Duggan, P. (2008) Citing performance, siting trauma. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2008, University of Leeds, 3 - 5 September 2008. (Unpublished)
• Duggan, P. (2010) Encounters at the limits of the theatrical. Panel Presentation presented to: Theatre Applications Conference: Performance with Purpose, Central School of Speech and Drama, University of London, 21-23 April 2010. (Unpublished)
• Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008. (Unpublished)
• Duggan, P. (2009) Out of face: a very theatrical turbulence. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
• Duggan, P. (2010) Theatricality and efficacy: or, why bother thinking about all this ‘dress-up’ anyway? Invited Presentation presented to: Rhizome Project, Central School of Speech and Drama, June 2010. (Unpublished)
• Duggan, P. (2010) Trauma, performance and ethics of encounter. Panel Presentation presented to: Contemporary British Fiction: Narrating Violence, Trauma and Loss, Johannes Gutenberg University, Mainz, Germany, 17-18 September 2010. (Unpublished)
• Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008. (Unpublished)
• Duggan, P. (2010) Trauma-tragedy: towards cathected experience. Panel Presentation presented to: Performance Studies International conference (PSi 16): Performing Publics, Ontario College of Art and Design (OCAD) University, Toronto, 09-13 June 2010. (Unpublished)
• Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011. (Unpublished)
• Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007. (Unpublished)
• Ewu, J. (2010) 'Performing life': the nature of performance in Theatre for Development. Invited Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in Performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
• Ewu, J. (2007) Chair Annual Report. Chair presented to: African Theatre Association (AfTA) Annual Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. (Unpublished)
• Ewu, J. (2011) Conflict transformation through the art. Workshop presented to: In Place of War (IPOW) Network Meeting, Goma, Democratic Republic of Congo, 05-11 July 2011. (Unpublished)
• Ewu, J. (2011) Theatre as a strategy for conflict management and resolution: the case of Nigeria. Invited Presentation presented to: In Place of War (IPOW) Network Meeting, Goma, Democratic Republic of Congo, 05-11 July 2011. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) Performance and representation. Workshop presented to: Telling Tales: Migration, Identity and the Post Colonial, The University of Northampton, 14 November 2007. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation] (Unpublished)
• Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
• Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration] (Unpublished)
• Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
• Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
• Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
• Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Paper presented to: The 21st LRN Annual Conference and PhD Workshop 2016, Cambridge Veterinary School, 2016-09-07 - 2016-09-09.
• Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Paper presented to: Workshop, Cambridge Veterinary School, 2016-01-25.
• Jowett, L. (2017) The Final Girl? Isolated heroines and the absence of female friendship in teen horror. Panel Presentation presented to: Investigating Identities in Young Adult (YA) Narratives, The University of Northampton, 13 December 2017.
• Jowett, L., Abbott, S. and Calvert, B. (2017) Buffy at 20 - a round table discussion with some senior Scoobies. Panel Presentation presented to: Fan Studies Network 2017 Conference, University of Huddersfield, 24-25 June 2017.
• Jowett, L., Abbott, S. and Janicker, R. (2017) Twenty-first century television horror's terrible places: a roundtable discussion. Panel Presentation presented to: At Home with Horror: Terror on the Small Screen, University of Kent, Canterbury, 27-29 October 2017.
• McLaughlin, C. (2017) Art and the other: concealing and revealing the ineffable. Invited Presentation presented to: Art = Praxis Symposium, Glastonbury, 15 October 2017.
• McLaughlin, C. (2019) Oath of the Abyss. Other presented to: Monad Symposium & Journal Launch, Northampton, 2017-11-09.
• McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. Panel Presentation presented to: 6th International European Society for the Study of Western Esotericism (ESSWE) Conference: Western Esotericism and Deviance, Erfurt, Germany, 01-03 June 2017.
• McLaughlin, C. (2016) Open-source occultism now: implications for practitioners of Western esotericism. Invited Presentation presented to: The Occult Conference 2016: Time of the Gods, Glastonbury, 08-10 April 2016.
• McLaughlin, C. (2018) Paranormality and occultural production. Invited Presentation presented to: Conjuring Creativity: Art and the Esoteric, Stockholm, Sweden, 28-29 April 2018.
• McLaughlin, C. (2016) The (forbidden) art of punk: from practice to theory. Invited Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007. (Unpublished)
• Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009. (Unpublished)
• Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
• Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011. (Unpublished)
• Miller, L. (2007) Presentation. Paper presented to: Standing Conference of University Drama Departments (SCUDD), University of Derry, Northern Ireland, 29-30 March 2007. (Unpublished)
• Prior, R. W. (2008) Actor training and the university. Invited Keynote presented to: The Society for Theatre Research (STR) Conference: Directions in Theatre Research, National Theatre's Archive, London, 21-22 June 2008. (Unpublished)
• Prior, R. W. (2009) Applied arts – using applied research in multi/interdisciplinary ways. Invited Presentation presented to: East Midlands Universities Association (EMUA) Conference 2009: Beyond Boundaries: Facing Interdisciplinary Challenges in Humanities, Loughborough University, 22 September 2009. (Unpublished)
• Prior, R. W. (2007) Chair and convenor at: Inspiring Transformations: The Arts and Health Conference. Chair presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. (Unpublished)
• Prior, R. W. (2008) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. (Unpublished)
• Prior, R. W. (2009) HE for me …? Researching drama as a tool for university widening participation in the United Kingdom. Paper presented to: 6th International Drama in Education Research Institute Conference (IDIERI 6): Drama Research Futures: Examining Our Past, Critiquing Our Present, Imagining Tomorrow, Sydney, Australia, 14-19 July 2009. (Unpublished)
• Prior, R. W. (2009) Inspiring Transformations: Applied Arts and Health Conference. Inspiring Transformations: Applied Arts and Health Conference, University of Northampton, 8-10 September 2009. [Convenor and Chair] (Unpublished)
• Prior, R. W. (2011) Knowing what is known: education, training and research issues in applied arts for health and well-being. Paper presented to: Knowing Ways: Critical Learning in Arts Practice, Edinburgh, Scotland, 08-10 September 2011. (Unpublished)
• Prior, R. W. (2008) Productive drama - exploring tacit understanding. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. (Unpublished)
• Prior, R. W. (2007) The language of actor training. Paper presented to: International Drama/Theatre and Education Association Conference (IDEA2007), Wanchai, Hong Kong, 16-22 July 2007. (Unpublished)
• Prior, R. W. (2014) The language of embodiment in actor training. Paper presented to: 50th Annual Convention of the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB 50): Embodied Cognition Conference, London, 01-04 April 2014. (Unpublished)
• Prior, R. W. (2011) Why me? The bully menace and applied theatre: a British and European perspective. Invited Keynote presented to: The Bully Menace and Applied Theatre Symposium, New York, USA, 15 April 2011. (Unpublished)
• Prior, R. W. (2010) You are what you eat: act on it. Panel Presentation presented to: The Hunger Artist: Food and the Arts: 2010 Double Dialogues Conference, Toronto, Canada, 19-21 August 2010. (Unpublished)
• Prior, R. W., Seton, M. C. and Petherbridge, D. (2012) Trained, educated or ‘constructed’ for industry? Panel Presentation presented to: PSi#18, University of Leeds, 27 June – 01 July 2012. (Unpublished)
• Reim, L. (2007) Electroacoustic Music Studies Conference (EMS07). Other presented to: Electroacoustic Music Studies Conference (EMS07), De Montfort University, Leicester, 12-15 June 2007. (Unpublished)
• Scott, H. C. (2016) Work experience: are some newsrooms failing the next generation of journalists? Invited Presentation presented to: Association for Journalism Education (AJE) Annual Conference 2016, Newcastle University, 23-24 June 2016.
• Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.
• Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.
• Shadrack, J. H. (2016) Keynote: Get Over It: Female Extreme Metal Performers and the Hegemonic Response. Invited Keynote presented to: Metal and Politics Conference, Bournemouth University, 10th June 2016.
• Shadrack, J. H. (2016) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Invited Presentation presented to: Metal in Strange Places: Aural, Emotional, Tactile, Visual, University of Dayton, Ohio, USA, 20-22 October 2016.
• Simmons, D. (2016) “The future’s so bright and I owe it all to you”: considering negative capability in relation to Joss Whedon’s unfinished oeuvre. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016. (Unpublished)
• Somers, G. (2010) A demonstration of psychophysical approaches to acting, performance and actor training informed by ecological precepts. Invited Presentation presented to: Perforum series, University College Cork, Ireland, 09 June 2010. (Unpublished)
• Somers, G. (2007) Ecological psychology and actor training. Paper presented to: Theatre and Performance Research Association (TAPRA) Conference 2007, University of Birmingham, 07-09 September 2007. (Unpublished)
• Somers, G. (2007) Ecological psychology and humanist dramaturgy. Paper presented to: At The Sharp End, University of Portsmouth, 15 September 2007. (Unpublished)
• Somers, G. (2010) On Heidegger and performance. Paper presented to: Shared Territories Public Seminar, University of Northampton, 04 May 2010. (Unpublished)
• Somers, G. (2009) Tipping point: issues raised by climate change, ecological thought and performance. Paper presented to: Annual Postgraduate Research Degree Student's Conference: Postgraduate Study Half-Day, Centre for European & International Studies Research (CEISR) and Portsmouth Business School, Portsmouth University, 13 May 2009. (Unpublished)
• Somers, G. (2007) Top down or bottom up? Complex systems, improvisation and dramaturgy. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Cardiff, 12-14 April 2007. (Unpublished)
• Somers, G. and Savage, K. (2007) Performers and new media: a collaboration [conference paper/practice demonstration]. Invited Presentation presented to: Intermedial Theatricality, (Re)-presentation and New Media: 9th International Symposium of the Centre for Research on Intermediality (CRI) and Laboratory of New Imaging Technologies, Sound and Stage (LANTISS), University of Montréal and University of Laval, Québec, 24-29 May 2007. (Unpublished)
• Starr, M. (2016) “It’s the end of the World. It’s rather important really”: Accelerationist aesthetics of the Whedonverses. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016.
• Ukaegbu, V. (2008) Beyond postcolonial, post-militarist tropes: Osofisan’s theatre of popular revolution. Panel Presentation presented to: Professor Femi Osofisan International Conference on Performance: Relevant Arts for Sustainable Global Development, University of Ibadan, Nigeria, 17-21 June 2008. (Unpublished)
• Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010. (Unpublished)
• Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair (Unpublished)
• Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
• Ukaegbu, V. (2010) New directions in African theatre and performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
• Ukaegbu, V. (2009) New directions in African theatre and performance. Paper presented to: International Conference of the African Theatre Association (AfTA): New Directions in African Theatre and Performance, University of Northampton, Northampton, 30 July – 02 August 2009. (Unpublished)
• Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair (Unpublished)
• Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation (Unpublished)
• Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011. (Unpublished)
• Ukaegbu, V. and Ewu, J. (2008) Making the most of it: black history and British education. Lecture presented to: Black and Asian Studies Association (BASA) Annual Conference, The University of Northampton, 12 July 2008. (Unpublished)
• Wallace, R. (2017) A History of the Protest Song. Workshop presented to: A History of the Protest Song, NN Contemporary Art Gallery, Northampton, 24 June 2017.
• Wallace, R. (2017) All of them, everywhere, on the same day! Exhibition presented to: Images of Research 2017, Avenue Gallery, University of Northampton, 31 January - 17 February 2017. Northampton UK: Roy Wallace.
• Wallace, R. (2017) An inventory of traces: documenting Punk through the use of image, audio, graphic and text. Invited Presentation presented to: Punk is Not Dead, Cite de la Musique, Philharmonie de Paris, 13 October 2017.
• Wallace, R. (2017) Assembly required. Exhibition presented to: Fourth Punk Scholars Network Conference and Post Graduate Symposium, University of Bolton, 12-13 December 2017.
• Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. Paper presented to: Afterlives of Violence: Contested Geographies of Past, Present and Future, University of Brighton, 29 June 2017.
• Wallace, R. (2017) Phuturepunk. Symposium presented to: Future Imperfect, Plymouth University, 01 April 2017.
• Wallace, R. (2018) Riding down the h@rd road: DIY approaches to documenting punk as political resistance. Paper presented to: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures, University of Porto, Portugal, 03-07 July 2018.
• Wallace, R. (2017) Sectarian life (working title). Invited Keynote presented to: Celebration Factory, Luxemburg, 29 September 2018. (Accepted)
• Wallace, R. (2018) The politics of documentary punk curation. Panel Presentation presented to: Curating Resistance: Punk as Archival Method, University of California, Los Angeles, 09-10 February 2018.
• Wallace, R. and Johnson, D. (2018) Sounds of oppression: the lost inheritance of the UK reggae scene. Paper presented to: Reggae Innovation and Sound System Culture International Conference, Royal Birmingham Conservatoire, Birmingham, 04-05 April 2018.
• Wallace, R., McLaughlin, C., Ruiz Brussain, C., Blakemore, H., Robène, L. and Serre, S. (2017) Monad journal launch discussion panel. Panel Presentation presented to: Monad Journal of Transformative Practice Launch, The University of Northampton, 09 November 2017. Northampton: Monad.
• Walsh, M. (2017) Snap election surprises - a quantitative analysis of Facebook use by political actors in the 2017 UK General Election. Paper presented to: Journalism, Society and Politics in the Digital Media Era, Limassol, Cyprus, 01-03 September 2017.
• Walsh, M. P. (2016) Reinventing the attack ad: the use of Facebook and YouTube video by political parties during the UK 2015 General Election. Paper presented to: 24th World Congress of Political Science, Poland, 2016-07-23 - 2016-07-28.
• Ward, A., Parkes, J. and Prior, R. W. (2013) Developing a creative and theatre based intervention for young people with dementia and their carers. Invited Presentation presented to: 23rd Alzheimer Europe Conference, St. Julian's, Malta, 10-12 October 2013. (Unpublished)
• Wiseman-Trowse, N. J. B. (2017) 'One day I am gonna grow wings': Radiohead's abject transcendence. Paper presented to: OK Computer 20 Years On: Radiohead's Musical, Cultural and Political Legacies, University Rennes 2, France, 18 May 2017.
• Wiseman-Trowse, N. J. B. (2017) Writing/Imagining/Using Bowie. Invited Keynote presented to: Bowie's Books: David Bowie and Literature, The University of Northampton, 13-14 January 2017.

Conference Proceedings

• Braeuninger, R. (2009) From text to the figural. In: Phelan, S. A. (ed.) Dance Research Forum Ireland 2nd International Conference Proceedings: Mediating Movement: Communication and Dance. Limerick, Ireland: Dance Research Forum Ireland. pp. 76-82.
• Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). In: Annals of the VI Congress of the Brazilian Association of Research and Post-Graduate Programmes in the Performing Arts (ABRACE). Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.
• Godfrey, R. (2002) Sin, vice and the laughter of the gods: an Erasmian perspective on an early Tudor interlude. In: Tudor Theatre. Oxford: Peter Lang. 3906769011. pp. 95-110. [Centre d’études supérieures de la Renaissance, Unité mixte de recherche "Renaissance européenne"]
• Godfrey, R. (2006) The deity displaced?: the theater of John Rastell and a humanist agenda. In: Bordier, J.-P. and Lascombes, A. (eds.) Dieu et les Dieux dans le Théâtre de la Renaissance: Actes du XLVe Colloque International d'Etudes Humanistes, 01-06 Juillet 2002. Turnhout: Brepols. 250351653X. pp. 485-496.
• Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. In: Randall, T. (ed.) Global Perspectives On Dance Pedagogy: Research And Practice. USA: Congress on Research in Dance. pp. 64-71.
• Prior, R. W. (2009) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. In: Theatre and Education at Centre Stage. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639. pp. 259-267.
• Prior, R. W. (2009) Productive drama - exploring tacit understanding. In: Govas, N. (ed.) Theatre and Education at Centre Stage: Proceedings from the 6th Athens International Theatre/Drama & Education Conference Athens 2008. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639. pp. 104-111.

Thesis

• Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
• Shadrack, J. Denigrata Cervorum: interpretive performance autoethnography and female black metal performance. PhD thesis. University of Northampton.

Show/Exhibition

• Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
• Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
• Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
• Ellis, S. (2008) Running, fatigue and the jolt of the present. Exhibit at: Moves 08. Manchester, 22-26 April 2008. Also screened at: ADF's Dancing for the Camera: International Festival of Film and Video Dance at Duke University in Durham, North Carolina (July 08); Basel International Film Festival for Dance and Performance, Switzerland (September 08); EDIT2008 4th International Dance Film Festival, Budapest (October 08); Video Dance Italy 08 (curated by Gitta Wigro) in Bassano del Grappa, Ferrara, Ravenna & Civitanova Marché (December 08)
• McLaughlin, C. (2017) Oath of the Abyss. Exhibit at: Monad Journal of Transformative Practice Launch and Symposium. The University of Northampton, 09 November 2017.
• Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
• Nichol, C. (2011) Installations: 1.Pin Hole 2.Self Image 3.Worlds Apart. Exhibit at: 'Rooms' Exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 17 September - 30 October 2011.
• Wallace, R. (2018) Bloody Bloody Belgium - a history of the underground music scene in Belgium 1977-2014. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2018) Bloody, Bloody Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018.
• Wallace, R. (2018) Dear Little Dinosaur. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2017) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
• Wallace, R. (2016) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
• Wallace, R. (2016) Punk in Antwerp. Exhibit at: Punk in Antwerp. M HKA (Museum van Hedendaagse Kunst Antwerpen), May - July 2016.
• Wallace, R. (2018) Punk in Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018. [Painting]
• Wallace, R. and Markiewicz, F. (2017) Shot by both sides. Exhibit at: Celebration Factory. Luxemburg, 28 September 2018.

Composition

• Reim, L. (2006) Democratia.
• Reim, L. (2002) Fairytales.
• Reim, L. (2006) Pebbles.
• Reim, L. (2001) The Lasting Rite.
• Williams, T. (2004) Break.
• Williams, T. (2006) Shelter.
• Williams, T. (2006) Smallcoombe Spring.

Performance

• Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Besides, You Lose Your Soul, or the History of Western Civilization. Performance at: The Brick, New York City, USA, 18 December 2007. Performers: Barclay, Julia L, Aitchison, B, Backus, F, Cino, M, Higgins, N, O'Brien, D, Reed, R, Shavers, J and Van Dok, E [Writer and director]
• Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
• Byrne, L. and Cook, S. (2014) On Road. Performance at: Theatre Performance Event Core Theatre, Corby, October 2014.
• Cook, S. (2015) Down in One. Performance at: Theatre Performance Event The University of Northampton, April 2015. Performers: Dowsing, Joseph, Ensore, Lara, Freeman, Marvin, Heseltine, Matthew, Reid, Stuart and Richards, Jess
• Cook, S. (2014) The Canterbury Tales: a new adaptation by Impulse Collective. Performance at: Inside Out Festival Curve Theatre, Leicester, 10-19 April 2014. Performers: Dowsing, Joseph, Ensore, Lara, Heseltine, Matthew, Reid, Stuart and Richards, Jess
• Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
• Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
• Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
• Ellis, S. (2008) Improvisation. Performance at: Improvisation Canal Danse, Paris, 16-21 June 2008. Also performed at: Syros, Greece, 3 July 2008
• Ellis, S. (2006) Inert. Dancehouse, Melbourne, May 2006. Performers: Ellis, Simon and Bott, Shannon Video later screened at: Paris (Atelier de Paris-Carolyn Carlson), Northampton (Fishmarket), Findhorn Scotland (in Opensource [Video dance]), 2007
• Ewu, J. and Ukaegbu, V. (2008) Who Can Tell ...!: practical research performance exploring Black History experiences by JAWI Theatre Collective. Performance at: Who Can Tell ...! University of Northampton, 22-23 May 2008. Performers: Baptiste, Weekes, Agboluaje, Oladipo, Adewole, Funmi, Elliot, Jerry, McKenzie, Robert, Heathcote, David, Adams, Darren, Roach, Myrle, Franklin, Kascion, Aderoyeje, Florence, Marshall, Myles, Hawker, Christian and Berrill, Colleen
• Ewu, J., Ukaegbu, V. and Hollingum, R. (2013) Production of: Such a Long Journey, by Dipo Agboluaje. Performance at: Such a Long Journey Inspiration FM 107.8, 18-19 July 2013.
• Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
• Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
• Gough, M. P. (2014) Hettie. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014. Performer: Zandersona, Gundija
• Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
• Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
• Gough, M. P. and Halliday, T. (2014) 2+2=5. Performance at: Encounters III Isham Studios, The University of Northampton, 01 October 2014. Performers: Zandersona, Gundija, Pegg, Jessica, Saxby, Emily, Houston, Andrea, Darroch, Abigail and Nagy, Rachel
• Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.
• Lucas, V. K. (2006) Hidden Voices. Roy Bowen Theatre, Columbus, Ohio State University, February 9-12; 16-19 2006.
• Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
• Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
• Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
• Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.
• Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004
• Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena
• Reim, L. (2007) Pebbles. Performance at: Logos Tetrahedron Foundation Concert Tetrahedron Foundation, Ghent, 9 October 2007.
• Shadrack, J. H. (2014) Gloriosa Fusione. Performance at: Gloriosa Fusione All Saints Church, Northampton, 14 June 2014.
• Shadrack, J. H. (2017) Performance of Dido and Aeneas. Performance at: Purcell's Dido and Aeneas The Royal Theatre, Northampton, 10 June 2017.
• Shadrack, J. H. (2015) Requiem Macabre. Performance at: Requiem Macabre Church of the Holy Sepulchre, Northampton, 03-04 July 2015.
• Shadrack, J. H. (2013) Requiem di Mozart Fusione: a Metal Interpretation. Performance at: Requiem di Mozart Fusione Church of the Holy Sepulchre, Northampton, 08 June 2013.
• Somers, G. (2007) Theatre words: productions of 2 new plays by Italian playwrights in Como and Milan. Performance at: Theatre Words Auditorium Don Guanella, Como, 27-28 September 2007. Also performed at: Teatro Studio Frigia Cinque, Milan, 29-30 September 2007
• Somers, G., Daris, G. and Katsura, K. (2007) Dasien. Performance at: DASEIN Espace Culturel Bertin Poirée, Paris, 22-23 June 2007.
• Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A
• Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne
• Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
• Williams, T. (2008) Mbira Prism. Performance at: EMTWO: A Concert of Electronic Music Sursa Hall, Ball State University, Indiana, 18 November 2008.
• Williams, T. (2007) Shelter. Performance at: Electronic Music Midwest Festival and Conference Kansas City Kansas Community College (KCKCC), Kansas City, USA, 12 October 2007.
• Williams, T. (2007) Shelter. Performance at: Oberlin Conservatory of Music Ohio, USA, 10 October 2007. [Performance and lecture]
• Williams, T. (2007) Shelter. Performance at: Bowling Green State University Ohio, USA, 9 October 2007.
• Williams, T. (2007) Shelter. Performance at: Electronic Music Studies Conference De Montfort University, Leicester, 12 June 2007.
• Williams, T. (2008) Smallcoombe Spring. Performance at: Sweetwater Electroacoustic Music Concert Series no 2 Sweetwater Performance Theater, Fort Wayne, Indiana, 9 June 2008.
• Williams, T. (2007) Smallcoombe Spring. Performance at: WOBC91.5 radio with web broadcast by Foldover Oberlin, Ohio, USA, 10 December 2007.
• Williams, T. (2007) Smallcoombe Spring. Performance at: Soundings International Festival of Sonic Art Reid Hall, Edinburgh University, 2 November 2007.
• Williams, T. (2007) Smallcoombe Spring. Performance at: International Computer Music Conference Aalborg University, Copenhagen, Denmark, 27-31 August 2007.
• Williams, T. (2007) Smallcoombe Spring. Performance at: Seamus Conference Iowa State University, Ames, USA, 7-11 March 2007.
• Williams, T. (2007) Smallcoombe Spring. Performance at: Radio/web broadcast by Elektramusic.com Bourge, France, Playlist for January 2007.
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]
• Williams, T. (2004) Three Points of Dislocation. Performance at: SoundCircus Conference De Montford University, Leicester, 11- 14 June 2004. Also presented at: International Computer Music Conference, University of Miami, 2004
• Williams, T. (2008) Voice. Performance at: International Computer Music Conference (ICMC) Queens University, Belfast, 17 - 23 August 2008.
• Williams, T. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. With Video - dance performance by Vida Midgelow

Image

• Ellis, S. (2006) Dad.project. [CD-ROM].
• Wallace, R. (2017) A Triptych of transformation. [Mirror/Print]. Northampton: We Make Things Happen. (Accepted)
• Wallace, R. (2017) All over face tattoo. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Become the media. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Finger through tongue. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finished scarwork. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Fun with ears. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Gathering. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gotcha! [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Head staples being inserted. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Inserting hooks in back for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Live head piercing during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Modified. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Neck bolts. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) No Future. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Pictures of Starving Children Sell Records. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Scalpel: a question of documentary ethics. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scarring shoulder during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Sectarian Life. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Testing skin for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Tongue piercing. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Who Dunnit? [Print]. The University of Northampton: Roy Wallace.

Video

• Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].
• McLaughlin, C., Weidner, J. and Sparham, S. (2017) Monad [Film]. [Exhibition Screening]. Northampton: Trans-States Media.
• Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
• Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.
• Prior, R. W., Crofts, M., Boaden, G. and Lomas, S. (2015) Criminal conflicts: a legal learning case study. [DVD]. Northampton: The University of Northampton.
• Shadrack, J. H. (2017) Rex Tremendae. [Video]. Online: Very Metal Art.
• Wallace, R. (2016) Bloody Bloody Belgium: a History of the Underground Music Scene. [Online Video]. UK: Punk Scholars Network.
• Wallace, R. (2016) The Day the Country Died: The Second Sitting. [Online Video]. UK: Punk Scholars Network.

Audio

• Williams, T. (2007) Taking Shelter. [Music CD]. Northampton: University of Northampton. Production of CD (featuring 6 recent Sonic Arts Works)

Review

• Walsh, M. P. (2015) Media Talk and Political Elections in Europe and America. [Review]

Honorary role

• Bacon, J. (2012) Guest Member of Editorial Board. Journal of Dance and Somatic Practices special issue: Dance, Movement and Spiritualities. 4(1) Bristol: Intellect. 1757-1871.
• Bacon, J. (2011) Editor. Choreographic Practices. Bristol: Intellect. 2040-5669 (print), 2040-5677.
• Bacon, J. (2010) Member of Editorial Board. Theatre, Dance and Performance Training. London: Routledge. 1944-3919 (electronic) 1944-3927 (paper).
• Bacon, J. (2010) Director. Centre for Practice-led Research in the Arts, The University of Northampton.
• Bacon, J. (2010) Director. Choreographic Lab, The University of Northampton.
• Bacon, J. (2009) Member of peer review body of Research Council. Austrian Science Fund (FWF).
• Bacon, J. (2009) Seminar Leader for Practice-led Research in the Arts workshop. Arts and Humanities Research Council.
• Bacon, J. (2009) Member of Editorial Board. Body, Movement and Dance in Psychotherapy. London: Taylor and Francis. 1743-2987 (electronic) 1743-2979 (paper).
• Ewu, J. (2009) Member of Editorial Board. African Performance Review. London: Adonis and Abbey. 1753-5964.
• Ewu, J. (2007) Member of Editorial Board. African Performance Review. 1(1) London: Adonis and Abbey. 9781905068906. 1753-5964.
• Ewu, J. and Ukaegbu, V. (2009) Joint Convener and Co-Chair. African Theatre Association (AfTA) International Conference: New Directions in African Theatre and Performance, University of Northampton.
• Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
• Midgelow, V. (2010) Member of Editorial Board. Society of Dance History Scholars.
• Midgelow, V. (2010) Member of Board of Directors. Society of Dance History Scholars.
• Prior, R. W. (2014) Principal Editor. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2457.
• Prior, R. W. (2013) International Advisory Board Member. International Health Humanities Network.
• Prior, R. W. (2013) Company Director. Act Out Northampton Graduate Theatre Company.
• Prior, R. W. (2012) Advisory Board Member. Institute for Arts and Health (IAH), Lesley University, USA.
• Shadrack, J. H. (2014) Member of the Academic Charts Online academic advisory board.
• Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.
• Ukaegbu, V. (2013) Member of Editorial Board. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2465.
• Ukaegbu, V. (2013) General Secretary. African Theatre Association.
• Wallace, R. (2017) Steering Committee Member.
• Wallace, R. and McLaughlin, C. (2017) Co-Founder. Monad Journal of Transformative Practice. Northampton: Monad. 2515-6217.

Other

• Kirk, C. (2007) Schools We Will Rock You. [Technical consultant and lighting designer for Masque Theatre, Burton Latimer, 5-10 November 2007] (Unpublished)
• Kirk, C. (2007) Schools We Will Rock You. [Technical Consultant at Cripps Theatre, Northampton, 26-30 March 2007] (Unpublished)
• Midgelow, V. (2011) Improvisational movement practice. [blog]
• Ukaegbu, V. (2012) [Contributing researcher] World Scenography : 1975-1990. Taiwan: International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT). 9781848422797.
• Wallace, R. (2017) All of them, everywhere, on the same day! [Digital Collage] Exhibition : The Art of Punk Conference. We Make Things Happen.
• Wallace, R. (2016) From Protest to Resistance: a selection of video stills and photography [Photograph] Exhibition. Northampton, UK: Video Essay Org.
• Wallace, R. (2017) Live Head Piercing During Performance [Digital Image]. GBR: We Make Things Happen.
• Wallace, R. (2018) Punk in Belgium [Painting]. Koninklijke Academie voor Schone Kunsten Antwerpen. (In Press)
• Wallace, R. (2016) Who Dunnit? [Digital Collage]. We Make Things Happen.