Northampton Electronic Collection of Theses and Research

Items where Division is "Journalism, Media & Performance"

[up] Up a level
Group by: Creators | Item Type | Date | No Grouping
Number of items at this level: 401.
  1. Duggan, P. and Ukaegbu, V., (eds.) (2013) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Bristol: Intellect. 9781783202973.
  2. Ewu, J., (ed.) (2002) Theatre for Development: A Digest of Experiences. London: Routledge. 9057551667.
  3. McLaughlin, C., (ed.) (2019) Trans- States: The art of crossing over. Fulgur Press.
  4. Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007. (Unpublished)
  5. Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
  6. Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor (Unpublished)
  7. Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: International Drama/Theatre and Education Association Conference, Wanchai, Hong Kong, 16-22 July 2007. (Unpublished)
  8. Ackroyd, J. (2007) Real play, real feelings and issues of protection: drama in education beyond the classroom. NJ - Drama Australia Journal. 31(1) 1326-5490.
  9. Ackroyd, J. (2004) Role Reconsidered – a Re-evaluation of the Relationship Between Teacher-in-role and Acting. Stoke-on-Trent: Trentham Books. 1858563100.
  10. Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.
  11. Asagba, A. and Ewu, J. (2012) The use of orature in community theatre practice: a study on selected communities in the Niger-Delta region of Nigeria. Invited Presentation presented to: African Theatre Association (AFTA) Annual International Conference: Querying Africa: Dis-ease, Metamorphosis and Unconventionality in African Theatre and Performance, Cape Town, South Africa, 13-15 July 2012. (Unpublished)
  12. Bacon, J. (2012) Guest Member of Editorial Board. Journal of Dance and Somatic Practices special issue: Dance, Movement and Spiritualities. 4(1) Bristol: Intellect. 1757-1871.
  13. Bacon, J. (2011) Editor. Choreographic Practices. Bristol: Intellect. 2040-5669 (print), 2040-5677.
  14. Bacon, J. (2010) Member of Editorial Board. Theatre, Dance and Performance Training. London: Routledge. 1944-3919 (electronic) 1944-3927 (paper).
  15. Bacon, J. (2010) Director. Centre for Practice-led Research in the Arts, The University of Northampton.
  16. Bacon, J. (2010) Director. Choreographic Lab, The University of Northampton.
  17. Bacon, J. (2009) Member of peer review body of Research Council. Austrian Science Fund (FWF).
  18. Bacon, J. (2009) Seminar Leader for Practice-led Research in the Arts workshop. Arts and Humanities Research Council.
  19. Bacon, J. (2009) Member of Editorial Board. Body, Movement and Dance in Psychotherapy. London: Taylor and Francis. 1743-2987 (electronic) 1743-2979 (paper).
  20. Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
  21. Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
  22. Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
  23. Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
  24. Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
  25. Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
  26. Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  27. Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
  28. Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
  29. Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
  30. Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
  31. Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
  32. Bacon, J. and Wainwright, R. (2007) Authentic movement. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor (Unpublished)
  33. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
  34. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  35. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  36. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  37. Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
  38. Barclay, J. L. (2007) Besides, You Lose Your Soul, or the History of Western Civilization. Performance at: The Brick, New York City, USA, 18 December 2007. Performers: Barclay, Julia L, Aitchison, B, Backus, F, Cino, M, Higgins, N, O'Brien, D, Reed, R, Shavers, J and Van Dok, E [Writer and director]
  39. Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
  40. Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
  41. Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
  42. Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
  43. Braeuninger, R. (2014) Anne Teresa De Keersmaeker's Vortex Temporum by Rosas & Ictus. Invited Presentation presented to: Society for Dance Research Choreographic Forum, Sadler's Wells Theatre, London, 09 June 2014. (Unpublished)
  44. Braeuninger, R. (2014) Documenting choreographic process: Anne Teresa De Keersmaeker in print and DVD. Dance Chronicle - Studies in Dance and the Related Arts. 37(3), pp. 377-383. 0147-2526.
  45. Braeuninger, R. (2009) From text to the figural. In: Phelan, S. A. (ed.) Dance Research Forum Ireland 2nd International Conference Proceedings: Mediating Movement: Communication and Dance. Limerick, Ireland: Dance Research Forum Ireland. pp. 76-82.
  46. Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
  47. Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices :. Brisbane, Australia: Australian Dance Council and Queensland University of Technology.
  48. Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices :. Brisbane, Australia: Australian Dance Council and Queensland University of Technology.
  49. Byrne, L. and Cook, S. (2014) On Road. Performance at: Theatre Performance Event Core Theatre, Corby, October 2014.
  50. Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). Paper presented to: .
  51. Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). In: Annals of the VI Congress of the Brazilian Association of Research and Post-Graduate Programmes in the Performing Arts (ABRACE). Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.
  52. Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
  53. Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
  54. Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010. (Unpublished)
  55. Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
  56. Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
  57. Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010. (Unpublished)
  58. Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 2010-10-01.
  59. Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 2012-09-11.
  60. Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
  61. Chamberlain, F. (2007) Gesturing towards post-physical performance. In: Keefe, J. and Murray, S. D. (eds.) Physical Theatres: A Critical Reader. London: Routledge. pp. 117-122.
  62. Chamberlain, F. (2003) Michael Chekhov. London: Routledge. 0415258782.
  63. Chamberlain, F. (2003) Michael Chekhov: pedagogy, spirituality and the occult. Toronto Slavic Quarterly. Spring(4)
  64. Chamberlain, F. and Yarrow, R. (2002) Introduction. In: Chamberlain, F. and Yarrow, R. (eds.) Jacques Lecoq and the British Theatre. London: Routledge. pp. 1-16.
  65. Cook, S. (2015) Down in One. Performance at: Theatre Performance Event The University of Northampton, April 2015. Performers: Dowsing, Joseph, Ensore, Lara, Freeman, Marvin, Heseltine, Matthew, Reid, Stuart and Richards, Jess
  66. Cook, S. (2009) Performing the popular. Paper presented to: A world of Popular Entertainments, University of Newcastle, New South Wales, Australia, 10-11 June 2009. (Unpublished)
  67. Cook, S. (2014) The Canterbury Tales: a new adaptation by Impulse Collective. Performance at: Inside Out Festival Curve Theatre, Leicester, 10-19 April 2014. Performers: Dowsing, Joseph, Ensore, Lara, Heseltine, Matthew, Reid, Stuart and Richards, Jess
  68. Cook, S. (2007) The universality of theatrical masks. Invited Presentation presented to: Division of Performance Public Seminar Series, University of Northampton, 12 December 2007. (Unpublished)
  69. Cook, S. (2015) What are masks for?: For pleasure. Invited Keynote presented to: Mask Symposium: What Are Masks For?, Nottingham Trent University, 15-16 October 2015. (Unpublished)
  70. Dodzo, N. and Seuwou, P. (2020) An Investigation into BAME Attainment. Poster presented to: ILT Poster Padlet, University of Northampton, 2020-06-29 - 2020-06-29.
  71. Duggan, P. (2008) Citing performance, siting trauma. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2008, University of Leeds, 3 - 5 September 2008. (Unpublished)
  72. Duggan, P. (2010) Encounters at the limits of the theatrical. Panel Presentation presented to: Theatre Applications Conference: Performance with Purpose, Central School of Speech and Drama, University of London, 21-23 April 2010. (Unpublished)
  73. Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008. (Unpublished)
  74. Duggan, P. (2008) NTQ Book review of: Maaike Bleeker, ed., Anatomy Live: Performance and the Operating Theatre. New Theatre Quarterly. 24(4), pp. 394-395. 0266-464x.
  75. Duggan, P. (2009) Out of face: a very theatrical turbulence. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  76. Duggan, P. (2011) Staging the impossible: severance and separation in the National Theatre’s adaptation of His Dark Materials. In: Barfield, S. and Cox, K. (eds.) Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, North Carolina: McFarland.
  77. Duggan, P. (2009) The Touch and the cut: an annotated dialogue with Kira O’Reilly. Studies in Theatre and Performance. 29(3) 1468-2761.
  78. Duggan, P. (2010) Theatricality and efficacy: or, why bother thinking about all this ‘dress-up’ anyway? Invited Presentation presented to: Rhizome Project, Central School of Speech and Drama, June 2010. (Unpublished)
  79. Duggan, P. (2010) Trauma, performance and ethics of encounter. Panel Presentation presented to: Contemporary British Fiction: Narrating Violence, Trauma and Loss, Johannes Gutenberg University, Mainz, Germany, 17-18 September 2010. (Unpublished)
  80. Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008. (Unpublished)
  81. Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
  82. Duggan, P. (2010) Trauma-tragedy: towards cathected experience. Panel Presentation presented to: Performance Studies International conference (PSi 16): Performing Publics, Ontario College of Art and Design (OCAD) University, Toronto, 09-13 June 2010. (Unpublished)
  83. Duggan, P. (2007) ‘Feeling performance, remembering trauma’. Platform. 2(2), pp. 44-58. 1751-0171.
  84. Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011. (Unpublished)
  85. Duggan, P. and Wallis, M. (2011) Trauma and performance: maps, narratives and folds. Performance Research. 16(1), pp. 4-17. 1352-8165.
  86. Ellis, S. (2006) Dad.project. [CD-ROM].
  87. Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
  88. Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
  89. Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
  90. Ellis, S. (2008) Improvisation. Performance at: Improvisation Canal Danse, Paris, 16-21 June 2008. Also performed at: Syros, Greece, 3 July 2008
  91. Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].
  92. Ellis, S. (2006) Inert. Dancehouse, Melbourne, May 2006. Performers: Ellis, Simon and Bott, Shannon Video later screened at: Paris (Atelier de Paris-Carolyn Carlson), Northampton (Fishmarket), Findhorn Scotland (in Opensource [Video dance]), 2007
  93. Ellis, S. (2008) Running, fatigue and the jolt of the present. Exhibit at: Moves 08. Manchester, 22-26 April 2008. Also screened at: ADF's Dancing for the Camera: International Festival of Film and Video Dance at Duke University in Durham, North Carolina (July 08); Basel International Film Festival for Dance and Performance, Switzerland (September 08); EDIT2008 4th International Dance Film Festival, Budapest (October 08); Video Dance Italy 08 (curated by Gitta Wigro) in Bassano del Grappa, Ferrara, Ravenna & Civitanova Marché (December 08)
  94. Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
  95. Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007. (Unpublished)
  96. Ewu, J. (2007) Member of Editorial Board. African Performance Review. 1(1) London: Adonis and Abbey. 9781905068906. 1753-5964.
  97. Ewu, J. (2009) Member of Editorial Board. African Performance Review. London: Adonis and Abbey. 1753-5964.
  98. Ewu, J. (2010) 'Performing life': the nature of performance in Theatre for Development. Invited Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in Performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  99. Ewu, J. (1999) Arts and development II: furthering the agenda. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre in Development. Oxford: James Currey. pp. 87-98.
  100. Ewu, J. (2010) Book review on African Women Playwrights, Kathy A. Perkins (ed.). In: Hutchison, Y. (ed.) African theatre: Vol.9: Histories: 1850-1950. Woodbridge: James Currey. p. 174.
  101. Ewu, J. (2007) Chair Annual Report. Chair presented to: African Theatre Association (AfTA) Annual Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. (Unpublished)
  102. Ewu, J. (2011) Conflict transformation through the art. Workshop presented to: In Place of War (IPOW) Network Meeting, Goma, Democratic Republic of Congo, 05-11 July 2011. (Unpublished)
  103. Ewu, J. (2007) Crossing the Zaure: Theatre for Development and women in Northern Nigeria. African Performance Review. 1(2 & 3), pp. 75-97. 1753-5964.
  104. Ewu, J. (1997) Development Communications: Theatre and community action for change. Research in Drama Education. 2(1), pp. 135-140. 1356-9783.
  105. Ewu, J. (2011) Theatre as a strategy for conflict management and resolution: the case of Nigeria. Invited Presentation presented to: In Place of War (IPOW) Network Meeting, Goma, Democratic Republic of Congo, 05-11 July 2011. (Unpublished)
  106. Ewu, J. and Lakoju, T. (1993) Unmasking the masquerades: the potentials of T.I.E. in Nigeria. In: Jackson, T. (ed.) Learning Through Theatre: New Perspectives on Theatre in Education. 2nd ed. London: Routledge. pp. 165-184.
  107. Ewu, J. and Ukaegbu, V. (2009) Joint Convener and Co-Chair. African Theatre Association (AfTA) International Conference: New Directions in African Theatre and Performance, University of Northampton.
  108. Ewu, J. and Ukaegbu, V. (2007) Performance and representation. Workshop presented to: Telling Tales: Migration, Identity and the Post Colonial, The University of Northampton, 14 November 2007. (Unpublished)
  109. Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007. (Unpublished)
  110. Ewu, J. and Ukaegbu, V. (2008) Who Can Tell ...!: practical research performance exploring Black History experiences by JAWI Theatre Collective. Performance at: Who Can Tell ...! University of Northampton, 22-23 May 2008. Performers: Baptiste, Weekes, Agboluaje, Oladipo, Adewole, Funmi, Elliot, Jerry, McKenzie, Robert, Heathcote, David, Adams, Darren, Roach, Myrle, Franklin, Kascion, Aderoyeje, Florence, Marshall, Myles, Hawker, Christian and Berrill, Colleen
  111. Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation] (Unpublished)
  112. Ewu, J., Ukaegbu, V. and Hollingum, R. (2013) Production of: Such a Long Journey, by Dipo Agboluaje. Performance at: Such a Long Journey Inspiration FM 107.8, 18-19 July 2013.
  113. Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
  114. Godfrey, R. (2007) Feminine singularity: the representations of young women in some early Tudor interludes. In: Happe, P. and Husken, W. (eds.) Interludes and Early Modern Society: Studies in Power, Gender and Theatricality. Amsterdam: Rodopi. pp. 141-162.
  115. Godfrey, R. (2002) Sin, vice and the laughter of the gods: an Erasmian perspective on an early Tudor interlude. In: Tudor Theatre. Oxford: Peter Lang. 3906769011. pp. 95-110. [Centre d’études supérieures de la Renaissance, Unité mixte de recherche "Renaissance européenne"]
  116. Godfrey, R. (2006) The deity displaced?: the theater of John Rastell and a humanist agenda. In: Bordier, J.-P. and Lascombes, A. (eds.) Dieu et les Dieux dans le Théâtre de la Renaissance: Actes du XLVe Colloque International d'Etudes Humanistes, 01-06 Juillet 2002. Turnhout: Brepols. 250351653X. pp. 485-496.
  117. Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
  118. Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. In: Randall, T. (ed.) Global Perspectives On Dance Pedagogy: Research And Practice. USA: Congress on Research in Dance. pp. 64-71.
  119. Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration] (Unpublished)
  120. Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
  121. Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
  122. Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
  123. Gough, M. P. (2014) Hettie. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014. Performer: Zandersona, Gundija
  124. Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
  125. Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
  126. Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
  127. Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
  128. Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Paper presented to: Workshop, Cambridge Veterinary School, 2016-01-25.
  129. Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Paper presented to: The 21st LRN Annual Conference and PhD Workshop 2016, Cambridge Veterinary School, 2016-09-07 - 2016-09-09.
  130. Gough, M. P. and Halliday, T. (2014) 2+2=5. Performance at: Encounters III Isham Studios, The University of Northampton, 01 October 2014. Performers: Zandersona, Gundija, Pegg, Jessica, Saxby, Emily, Houston, Andrea, Darroch, Abigail and Nagy, Rachel
  131. Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.
  132. Jowett, L. (2010) Biting humor: harmony, parody and the female vampire. In: Comeford, A. and Burnett, T. (eds.) The Literary Angel: Essays on Influences and Traditions Reflected in the Joss Whedon Series. Jefferson, NC: McFarland. pp. 17-29.
  133. Jowett, L. (2017) Dancing With the Doctor: Dimensions of Gender in the Doctor Who Universe. London: I.B. Tauris. 9781784533748.
  134. Jowett, L. (2018) Doctor Who and the politics of casting. Journal of Popular Television. 6(2), pp. 241-256. 2046-9861 .
  135. Jowett, L. (2018) Doctor Who and the politics of casting. Journal of Popular Television. 6(2), pp. 241-256. 2046-9861.
  136. Jowett, L. (2017) Horrible histories? Vampire television, period drama and spectacle. Horror Studies. 8(2) 2040-3275.
  137. Jowett, L. (2017) Horrible histories? Vampire television, period drama and spectacle. Horror Studies. 8(2), pp. 313-328. 2040-3275.
  138. Jowett, L. (2017) TV 101: tips for teaching television. Critical Studies in Television (CST) Online Blog. 13/01/2017
  139. Jowett, L. (2017) The Final Girl? Isolated heroines and the absence of female friendship in teen horror. Panel Presentation presented to: Investigating Identities in Young Adult (YA) Narratives, The University of Northampton, 13 December 2017.
  140. Jowett, L. (2018) ‘Is the future going to be all girl?' Doctor Who and the frustrations of a feminist. Critical Studies in Television (CST) Online Blog. 23/03/2018
  141. Jowett, L. and Abbott, S. (2019) Victor Fresco's Santa Clarita Diet : Television Horror. In: Bacon, S. (ed.) Horror : A Companion. Peter Lang. pp. 45-52.
  142. Jowett, L., Abbott, S. and Calvert, B. (2017) Buffy at 20 - a round table discussion with some senior Scoobies. Panel Presentation presented to: Fan Studies Network 2017 Conference, University of Huddersfield, 24-25 June 2017.
  143. Jowett, L., Abbott, S. and Janicker, R. (2017) Twenty-first century television horror's terrible places: a roundtable discussion. Panel Presentation presented to: At Home with Horror: Terror on the Small Screen, University of Kent, Canterbury, 27-29 October 2017.
  144. Jowett, L., Abbott, S. and Starr, M. (2017) Introduction: Bloodlines: hunting the vampire through TV history. Horror Studies. 8(2) 2040-3275.
  145. Jowett, L., Abbott, S. and Starr, M. (2017) Introduction: Bloodlines: hunting the vampire through TV history. Horror Studies. 8(2) 2040-3275.
  146. Jowett, L., Robinson, K. L. and Jowett, L. (2016) Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: I.B.Tauris & Co Ltd. 9781784530136.
  147. Jowett, L. E. (2014) The Girls Who Waited? : Female Companions and Gender in Doctor Who. Critical Studies in Television. 9(1), p. 77. 1749-6020.
  148. Jowett, L. E. (2014) The Girls Who Waited? : Female Companions and Gender in Doctor Who. Critical Studies in Television. 9(1), p. 77. 1749-6020.
  149. Jowett, L. E. (2019) "Most of you are wondering who the heck I am" : Carmilla (2014-2016, online) as Digital Reimagining of LeFanu’s "Carmilla.". In: Piatti-Farnell, L. (ed.) Gothic Afterlives : Reincarnations of Horror in Film and Popular Media. Lanham, Maryland: Lexington Books. pp. 79-94.
  150. Jowett, L. E. and Frohard-Dourlent, H. (2017) Introduction to Queering the Whedonverses : Interrogating Whedon from a Multiplicity of Queer Perspectives. Slayage: The Journal of the Whedon Studies Association. 15(2), pp. 1-7. 1546-9212.
  151. Kalpaxi, E. (2018) Sculptor and cetus. Sculptorvox. 1, pp. 84-87. 2515-7329.
  152. Kirk, C. (2007) Schools We Will Rock You. [Technical consultant and lighting designer for Masque Theatre, Burton Latimer, 5-10 November 2007] (Unpublished)
  153. Kirk, C. (2007) Schools We Will Rock You. [Technical Consultant at Cripps Theatre, Northampton, 26-30 March 2007] (Unpublished)
  154. Lucas, V. K. (2006) 'Shameless' - women, sexuality and violence in British Asian drama. In: Godiwala, D. (ed.) Alternatives Within the Mainstream: British, Black and Asian Theatres. Newcastle: Cambridge Scholars Publishing. pp. 363-380.
  155. Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
  156. Lucas, V. K. (2006) Hidden Voices. Roy Bowen Theatre, Columbus, Ohio State University, February 9-12; 16-19 2006.
  157. Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.
  158. McLaughlin, C. (2017) Art and the other: concealing and revealing the ineffable. Invited Presentation presented to: Art = Praxis Symposium, Glastonbury, 15 October 2017.
  159. McLaughlin, C. (2019) Oath of the Abyss. Other presented to: Monad Symposium & Journal Launch, Northampton, 2017-11-09.
  160. McLaughlin, C. (2017) Oath of the Abyss. Exhibit at: Monad Journal of Transformative Practice Launch and Symposium. The University of Northampton, 09 November 2017.
  161. McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. In: Pasi, M. and Otto, B.-C. (eds.) Western Esotericism and Deviance. Leiden, The Netherlands: Brill. (Accepted)
  162. McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. Panel Presentation presented to: 6th International European Society for the Study of Western Esotericism (ESSWE) Conference: Western Esotericism and Deviance, Erfurt, Germany, 01-03 June 2017.
  163. McLaughlin, C. (2016) Open-source occultism now: implications for practitioners of Western esotericism. Invited Presentation presented to: The Occult Conference 2016: Time of the Gods, Glastonbury, 08-10 April 2016.
  164. McLaughlin, C. (2018) Paranormality and occultural production. Invited Presentation presented to: Conjuring Creativity: Art and the Esoteric, Stockholm, Sweden, 28-29 April 2018.
  165. McLaughlin, C. (2016) The (forbidden) art of punk: from practice to theory. Invited Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
  166. McLaughlin, C., Weidner, J. and Sparham, S. (2017) Monad [Film]. [Exhibition Screening]. Northampton: Trans-States Media.
  167. Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
  168. Midgelow, V. (2010) Member of Editorial Board. Society of Dance History Scholars.
  169. Midgelow, V. (2010) Member of Board of Directors. Society of Dance History Scholars.
  170. Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.
  171. Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007. (Unpublished)
  172. Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009. (Unpublished)
  173. Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.
  174. Midgelow, V. (2011) Improvisational movement practice. [blog]
  175. Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
  176. Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
  177. Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.
  178. Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
  179. Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011. (Unpublished)
  180. Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
  181. Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
  182. Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
  183. Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.
  184. Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
  185. Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.
  186. Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004
  187. Miller, L. (2007) Presentation. Paper presented to: Standing Conference of University Drama Departments (SCUDD), University of Derry, Northern Ireland, 29-30 March 2007. (Unpublished)
  188. Miller, L. and Whalley, J. (2007) Away from home: the curious domain of passage. Performance Research. 12(2), pp. 66-74. 1352-8165.
  189. Mullan, S. J. and Fallow, C. (2021) The Royal Court in the Wake of #MeToo. In: Rudakoff, J. (ed.) Performing #MeToo: How Not to Look Away :. Intellect.
  190. Nichol, C. (2011) Installations: 1.Pin Hole 2.Self Image 3.Worlds Apart. Exhibit at: 'Rooms' Exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 17 September - 30 October 2011.
  191. Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena
  192. Oddey, A. (2006) Different directions: the potentials of autobiographical space. In: Oddey, A. and White, C. A. (eds.) The Potentials of Spaces: The Theory and Practice of Scenography and Performance. Bristol: Intellect. pp. 33-49.
  193. Oddey, A. (2005) Performing Women: Stand-Ups, Strumpets and Itinerants. 2nd ed. Basingstoke: Palgrave Macmillan. 1403948771.
  194. Oddey, A. (2007) Reframing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan. 0230524656.
  195. Oddey, A. and Naish, J. (2002) Paper or practice. Contemporary Theatre Review: Special Issue on Practice as Research. 12(4), pp. 9-25. 1048-6801.
  196. Prior, R. W. (2014) Principal Editor. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2457.
  197. Prior, R. W. (2013) International Advisory Board Member. International Health Humanities Network.
  198. Prior, R. W. (2013) Company Director. Act Out Northampton Graduate Theatre Company.
  199. Prior, R. W. (2012) Advisory Board Member. Institute for Arts and Health (IAH), Lesley University, USA.
  200. Prior, R. W. (2008) Actor training and the university. Invited Keynote presented to: The Society for Theatre Research (STR) Conference: Directions in Theatre Research, National Theatre's Archive, London, 21-22 June 2008. (Unpublished)
  201. Prior, R. W. (2009) Applied arts – using applied research in multi/interdisciplinary ways. Invited Presentation presented to: East Midlands Universities Association (EMUA) Conference 2009: Beyond Boundaries: Facing Interdisciplinary Challenges in Humanities, Loughborough University, 22 September 2009. (Unpublished)
  202. Prior, R. W. (2007) Chair and convenor at: Inspiring Transformations: The Arts and Health Conference. Chair presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. (Unpublished)
  203. Prior, R. W. (2010) Connected to Music evaluation report. The University of Northampton and Orchestras Live.
  204. Prior, R. W. (2010) Connected to Music evaluation report. The University of Northampton and Orchestras Live.
  205. Prior, R. W. (2009) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. In: Theatre and Education at Centre Stage. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639. pp. 259-267.
  206. Prior, R. W. (2008) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. (Unpublished)
  207. Prior, R. W. (2005) Drama teaching: the teaching of practice: introducing teachers to drama as a learning medium. NJ (Drama Australia Journal). 29(2), pp. 73-82. 1445-2294.
  208. Prior, R. W. (2012) Editorial. Journal of Applied Arts and Health. 3(1), p. 3. 2040-2457.
  209. Prior, R. W. (2011) Editorial. Journal of Applied Arts and Health. 2(1), pp. 3-5. 2040-2457.
  210. Prior, R. W. (2011) Editorial. Journal of Applied Arts & Health. 2(3), pp. 203-206. 2040-2457.
  211. Prior, R. W. (2010) Editorial. Journal of Applied Arts and Health. 1(3), pp. 237-239. 2040-2457.
  212. Prior, R. W. (2009) Editorial. Journal of Applied Arts and Health. 1(1), pp. 3-6. 2040-2457.
  213. Prior, R. W. (2014) Editorial. Journal of Applied Arts and Health. 5(1), pp. 3-6. 2040-2457.
  214. Prior, R. W. (2013) Editorial. Journal of Applied Arts and Health. 4(1), p. 3. 2040-2457.
  215. Prior, R. W. (2013) Editorial. Journal of Applied Arts and Health. 3(3), pp. 239-242. 2040-2457.
  216. Prior, R. W. (2009) HE for me …? Researching drama as a tool for university widening participation in the United Kingdom. Paper presented to: 6th International Drama in Education Research Institute Conference (IDIERI 6): Drama Research Futures: Examining Our Past, Critiquing Our Present, Imagining Tomorrow, Sydney, Australia, 14-19 July 2009. (Unpublished)
  217. Prior, R. W. (2009) Inspiring Transformations: Applied Arts and Health Conference. Inspiring Transformations: Applied Arts and Health Conference, University of Northampton, 8-10 September 2009. [Convenor and Chair] (Unpublished)
  218. Prior, R. W. (2013) Knowing what is known: accessing craft-based meanings in research by artists. Journal of Applied Arts and Health. 4(1), pp. 57-65. 2040-2457.
  219. Prior, R. W. (2013) Knowing what is known: accessing craft-based meanings in research by artists. Journal of Applied Arts and Health. 4(1), pp. 57-65. 2040-2457.
  220. Prior, R. W. (2011) Knowing what is known: education, training and research issues in applied arts for health and well-being. Paper presented to: Knowing Ways: Critical Learning in Arts Practice, Edinburgh, Scotland, 08-10 September 2011. (Unpublished)
  221. Prior, R. W. (2005) Looking around in awareness: playbuilding on HIV-AIDS. Research in Drama Education. 10(1), pp. 55-64. 1470-112X.
  222. Prior, R. W. (2009) Productive drama - exploring tacit understanding. In: Govas, N. (ed.) Theatre and Education at Centre Stage: Proceedings from the 6th Athens International Theatre/Drama & Education Conference Athens 2008. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639. pp. 104-111.
  223. Prior, R. W. (2008) Productive drama - exploring tacit understanding. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. (Unpublished)
  224. Prior, R. W. (2012) Teaching Actors: Knowledge Transfer in Actor Training. Bristol, UK/Chicago, USA: Intellect and University of Chicago Press. 9781841505701.
  225. Prior, R. W. (2001) Tension, power and control: creating effective participatory drama. NJ (Drama Australia Journal). 25(2), pp. 23-33. 1445-2294.
  226. Prior, R. W. (2007) The language of actor training. Paper presented to: International Drama/Theatre and Education Association Conference (IDEA2007), Wanchai, Hong Kong, 16-22 July 2007. (Unpublished)
  227. Prior, R. W. (2014) The language of embodiment in actor training. Paper presented to: 50th Annual Convention of the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB 50): Embodied Cognition Conference, London, 01-04 April 2014. (Unpublished)
  228. Prior, R. W. (2007) Understanding actor trainers' articulation of their practice. Studies in Theatre and Performance. 27(3), pp. 295-305. 1468-2761.
  229. Prior, R. W. (2010) Using forum theatre as university widening participation (WP) for social wellbeing agendas. Journal of Applied Arts and Health. 1(2), pp. 179-203. 2040-2457.
  230. Prior, R. W. (2011) Why me? The bully menace and applied theatre: a British and European perspective. Invited Keynote presented to: The Bully Menace and Applied Theatre Symposium, New York, USA, 15 April 2011. (Unpublished)
  231. Prior, R. W. (2010) You are what you eat: act on it. Panel Presentation presented to: The Hunger Artist: Food and the Arts: 2010 Double Dialogues Conference, Toronto, Canada, 19-21 August 2010. (Unpublished)
  232. Prior, R. W., Crofts, M., Boaden, G. and Lomas, S. (2015) Criminal conflicts: a legal learning case study. [DVD]. Northampton: The University of Northampton.
  233. Prior, R. W., Harris, S. and Carter, A. (2014) Valuing tacit knowledge and clear pedagogy: continuing professional development for teachers. Drama Research. 5(1), pp. 1-20. 2040-2228.
  234. Prior, R. W., Maxwell, I., Szabo, M. and Seton, M. C. (2015) Responsible care in actor training: effective support for occupational health training in drama schools. Theatre, Dance and Performance Training. 6(1) 1944-3927.
  235. Prior, R. W., Maxwell, I., Szabo, M. and Seton, M. C. (2015) Responsible care in actor training: effective support for occupational health training in drama schools. Theatre, Dance and Performance Training. 6(1) 1944-3927.
  236. Prior, R. W., Neelands, J., Band, S., Freakley, V., Goode, T., Lindsay, G., Morris, M. and Muijis, D. (2007) Learning and Skills Council post-16 performing arts mapping study. (Unpublished)
  237. Prior, R. W., Seton, M. C. and Petherbridge, D. (2012) Trained, educated or ‘constructed’ for industry? Panel Presentation presented to: PSi#18, University of Leeds, 27 June – 01 July 2012. (Unpublished)
  238. Reim, L. (2006) Democratia.
  239. Reim, L. (2007) Electroacoustic Music Studies Conference (EMS07). Other presented to: Electroacoustic Music Studies Conference (EMS07), De Montfort University, Leicester, 12-15 June 2007. (Unpublished)
  240. Reim, L. (2002) Fairytales.
  241. Reim, L. (2007) Pebbles. Performance at: Logos Tetrahedron Foundation Concert Tetrahedron Foundation, Ghent, 9 October 2007.
  242. Reim, L. (2006) Pebbles.
  243. Reim, L. (2001) The Lasting Rite.
  244. Rossi, J. (2019) Dramatizing an Articulation of the (P)Artistic Researcher’s Posthumanist Pathway to a ‘Slow Professorship’ Within the Corporate University Complex. In: Taylor, C. and Bayley, A. (eds.) Posthumanism and Higher Education : Reimagining Pedagogy, Practice and Research. Palgrave Macmillan Ltd.. pp. 187-209.
  245. Rossi, J., Mullan, S. and ONeill, R. (2018) Titus Anonymous: fragments of... CreateSpace Independent Publishing Platform. 1725907259.
  246. Scott, H. C. (2017) Reflections on work experience: are some newsrooms failing the next generation of journalists? Journalism Education: the Journal for the Association of Journalism Education. 6(1) 2050-3903.
  247. Scott, H. C. (2017) Reflections on work experience: are some newsrooms failing the next generation of journalists? Journalism Education: the Journal for the Association of Journalism Education. 6(1) 2050-3903.
  248. Scott, H. C. (2016) Work experience: are some newsrooms failing the next generation of journalists? Invited Presentation presented to: Association for Journalism Education (AJE) Annual Conference 2016, Newcastle University, 23-24 June 2016.
  249. Shadrack, J. Denigrata Cervorum: interpretive performance autoethnography and female black metal performance. PhD thesis. University of Northampton.
  250. Shadrack, J. H. (2014) Member of the Academic Charts Online academic advisory board.
  251. Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.
  252. Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.
  253. Shadrack, J. H. (2017) From enslavement to obliteration: extreme metal's problem with women. In: Jones, R. E. and Davies, E. (eds.) Under My Thumb: Songs that Hate Women and the Women who Love Them. London: Repeater Books. pp. 170-184.
  254. Shadrack, J. H. (2014) Gloriosa Fusione. Performance at: Gloriosa Fusione All Saints Church, Northampton, 14 June 2014.
  255. Shadrack, J. H. (2016) Keynote: Get Over It: Female Extreme Metal Performers and the Hegemonic Response. Invited Keynote presented to: Metal and Politics Conference, Bournemouth University, 10th June 2016.
  256. Shadrack, J. H. (2017) Malefica: the witch as restorative feminism in matrifocal black metal performance. In: Panayotov, S. and Lukas, D. (eds.) Black Metal Rainbows. Canada: Schism Press. (Accepted)
  257. Shadrack, J. H. (2016) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Invited Presentation presented to: Metal in Strange Places: Aural, Emotional, Tactile, Visual, University of Dayton, Ohio, USA, 20-22 October 2016.
  258. Shadrack, J. H. (2017) Performance of Dido and Aeneas. Performance at: Purcell's Dido and Aeneas The Royal Theatre, Northampton, 10 June 2017.
  259. Shadrack, J. H. (2015) Requiem Macabre. Performance at: Requiem Macabre Church of the Holy Sepulchre, Northampton, 03-04 July 2015.
  260. Shadrack, J. H. (2013) Requiem di Mozart Fusione: a Metal Interpretation. Performance at: Requiem di Mozart Fusione Church of the Holy Sepulchre, Northampton, 08 June 2013.
  261. Shadrack, J. H. (2017) Rex Tremendae. [Video]. Online: Very Metal Art.
  262. Shadrack, J. H., Dixon, S. and Press, R. (2014) MUSIC - Metadata Used in Semantic Indexes and Charts. Academic Rights Press.
  263. Simmons, D. Class and Horror Fiction at Mid-Century. In: American Horror Fiction and Class :. London: Palgrave Macmillan Ltd.. pp. 79-117.
  264. Simmons, D. (2016) “Bonanza was never like this..,” Quantum Leap and interrogating nostalgia. In: Jowett, L., Robinson, K. L. and Simmons, D. (eds.) Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: IB Tauris. pp. 145-156.
  265. Simmons, D. (2016) “The future’s so bright and I owe it all to you”: considering negative capability in relation to Joss Whedon’s unfinished oeuvre. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016. (Unpublished)
  266. Somers, G. (2010) A demonstration of psychophysical approaches to acting, performance and actor training informed by ecological precepts. Invited Presentation presented to: Perforum series, University College Cork, Ireland, 09 June 2010. (Unpublished)
  267. Somers, G. (2007) Ecological psychology and actor training. Paper presented to: Theatre and Performance Research Association (TAPRA) Conference 2007, University of Birmingham, 07-09 September 2007. (Unpublished)
  268. Somers, G. (2007) Ecological psychology and humanist dramaturgy. Paper presented to: At The Sharp End, University of Portsmouth, 15 September 2007. (Unpublished)
  269. Somers, G. (2010) On Heidegger and performance. Paper presented to: Shared Territories Public Seminar, University of Northampton, 04 May 2010. (Unpublished)
  270. Somers, G. (2007) Theatre words: productions of 2 new plays by Italian playwrights in Como and Milan. Performance at: Theatre Words Auditorium Don Guanella, Como, 27-28 September 2007. Also performed at: Teatro Studio Frigia Cinque, Milan, 29-30 September 2007
  271. Somers, G. (2009) Tipping point: issues raised by climate change, ecological thought and performance. Paper presented to: Annual Postgraduate Research Degree Student's Conference: Postgraduate Study Half-Day, Centre for European & International Studies Research (CEISR) and Portsmouth Business School, Portsmouth University, 13 May 2009. (Unpublished)
  272. Somers, G. (2007) Top down or bottom up? Complex systems, improvisation and dramaturgy. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Cardiff, 12-14 April 2007. (Unpublished)
  273. Somers, G., Daris, G. and Katsura, K. (2007) Dasien. Performance at: DASEIN Espace Culturel Bertin Poirée, Paris, 22-23 June 2007.
  274. Somers, G. and Savage, K. (2007) Performers and new media: a collaboration [conference paper/practice demonstration]. Invited Presentation presented to: Intermedial Theatricality, (Re)-presentation and New Media: 9th International Symposium of the Centre for Research on Intermediality (CRI) and Laboratory of New Imaging Technologies, Sound and Stage (LANTISS), University of Montréal and University of Laval, Québec, 24-29 May 2007. (Unpublished)
  275. Starr, M. (2017) Wells Meets Deleuze: The Scientific Romances Reconsidered. Jefferson, North Carolina: McFarland. 9781476668352.
  276. Starr, M. (2016) “It’s the end of the World. It’s rather important really”: Accelerationist aesthetics of the Whedonverses. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016.
  277. Thomas, S., Johnstone, K. and Dodzo, N. (2019) Investigating the feasibility of co-production of digital media with students. Journal of Learning Development in Higher Education. (16) 1759-667X.
  278. Thursby, M. and Kimberley, E. (2020) Framing the text : Understanding emotional barriers to academic reading. Journal of University Teaching and Learning Practice. 17(2), pp. 1-12. 1449-9789.
  279. Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.
  280. Ukaegbu, V. (2013) Member of Editorial Board. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2465.
  281. Ukaegbu, V. (2013) General Secretary. African Theatre Association.
  282. Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165.
  283. Ukaegbu, V. (2010) Anansegoro: modern storytelling as narrative trope in contemporary Ghanaian literary theatre. In: Makokha, J. K. S., Barasa, R. S. and Daramola, A. (eds.) Tales, Tellers, and Tale-Making: Critical Studies on Literary Stylistics and Narrative Styles in Contemporary African Literature. Berlin: Verlag Dr. Muller (VDM). pp. 246-265.
  284. Ukaegbu, V. (2008) Beyond postcolonial, post-militarist tropes: Osofisan’s theatre of popular revolution. Panel Presentation presented to: Professor Femi Osofisan International Conference on Performance: Relevant Arts for Sustainable Global Development, University of Ibadan, Nigeria, 17-21 June 2008. (Unpublished)
  285. Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010. (Unpublished)
  286. Ukaegbu, V. (2001) Femi Osofisan’s Once Upon Four Robbers: continuing the intercultural debate. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre: Playwrights & Politics. Oxford: Currey. pp. 42-56.
  287. Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.
  288. Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.
  289. Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair (Unpublished)
  290. Ukaegbu, V. (2006) Mythological and patriarchal constraints: the tale of Osofisan's revolutionary women. In: Adeyemi, S. (ed.) Portraits for an Eagle: a Festschrift in Honour of Femi Osofisan. Bayreuth: Bayreuth African Studies. pp. 179-192.
  291. Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  292. Ukaegbu, V. (2010) New directions in African theatre and performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  293. Ukaegbu, V. (2009) New directions in African theatre and performance. Paper presented to: International Conference of the African Theatre Association (AfTA): New Directions in African Theatre and Performance, University of Northampton, Northampton, 30 July – 02 August 2009. (Unpublished)
  294. Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
  295. Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair (Unpublished)
  296. Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.
  297. Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
  298. Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
  299. Ukaegbu, V. (2012) Review of The Female King of Colonial Nigeria: Ahebi Ugbabe, by Nwando Achebe. Leeds African Studies Bulletin. 74, pp. 103-105. 0024-0249.
  300. Ukaegbu, V. (2006) Talawa Theatre Company: the 'likkle' matter of black creativity and representation on the British stage. In: Godiwala, D. (ed.) Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press. pp. 123-152.
  301. Ukaegbu, V. (2007) The Use of Masks in Igbo Theatre in Nigeria: The Aesthetic Flexibility of Performance Traditions. Lewiston, N.Y.; Lampeter: Edwin Mellen Press. 9780773451759.
  302. Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation (Unpublished)
  303. Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011. (Unpublished)
  304. Ukaegbu, V. (2007) Written over, written out: the gendered misrepresentation of women in modern African performances. African Performance Review. 1(1), pp. 7-23. 1753-5964.
  305. Ukaegbu, V. (2012) [Contributing researcher] World Scenography : 1975-1990. Taiwan: International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT). 9781848422797.
  306. Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A
  307. Ukaegbu, V. and Ewu, J. (2008) Making the most of it: black history and British education. Lecture presented to: Black and Asian Studies Association (BASA) Annual Conference, The University of Northampton, 12 July 2008. (Unpublished)
  308. Ukaegbu, V. and Ewu, J. (2010) Performing histories, voices of black rural community; from oral history to ethnodrama: the journey of the spoken word. In: Ackroyd, J. and O'Toole, J. (eds.) Performing Research: Tensions, Triumphs and Trade-offs of Ethnodrama. Stoke-on-Trent: Trentham. pp. 169-185.
  309. Wallace, R. (2017) Steering Committee Member.
  310. Wallace, R. (2017) A History of the Protest Song. Workshop presented to: A History of the Protest Song, NN Contemporary Art Gallery, Northampton, 24 June 2017.
  311. Wallace, R. (2017) A Triptych of transformation. [Mirror/Print]. Northampton: We Make Things Happen. (Accepted)
  312. Wallace, R. (2017) All of them, everywhere, on the same day! Exhibition presented to: Images of Research 2017, Avenue Gallery, University of Northampton, 31 January - 17 February 2017. Northampton UK: Roy Wallace.
  313. Wallace, R. (2017) All of them, everywhere, on the same day! [Digital Collage] Exhibition : The Art of Punk Conference. We Make Things Happen.
  314. Wallace, R. (2017) All over face tattoo. [Photographic Image]. Northampton: Roy Wallace.
  315. Wallace, R. (2017) An inventory of traces: documenting Punk through the use of image, audio, graphic and text. Invited Presentation presented to: Punk is Not Dead, Cite de la Musique, Philharmonie de Paris, 13 October 2017.
  316. Wallace, R. (2017) Assembly required. Exhibition presented to: Fourth Punk Scholars Network Conference and Post Graduate Symposium, University of Bolton, 12-13 December 2017.
  317. Wallace, R. (2016) Become the media. [Print]. The University of Northampton: Roy Wallace.
  318. Wallace, R. (2018) Bloody Bloody Belgium - a history of the underground music scene in Belgium 1977-2014. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
  319. Wallace, R. (2016) Bloody Bloody Belgium: a History of the Underground Music Scene. [Online Video]. UK: Punk Scholars Network.
  320. Wallace, R. (2018) Bloody, Bloody Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018.
  321. Wallace, R. (2018) Dear Little Dinosaur. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
  322. Wallace, R. (2017) Finger through tongue. [Photographic Image]. Northampton: Roy Wallace.
  323. Wallace, R. (2017) Finished scarwork. [Photographic Image]. Northampton: Roy Wallace.
  324. Wallace, R. (2016) From Protest to Resistance: a selection of video stills and photography [Photograph] Exhibition. Northampton, UK: Video Essay Org.
  325. Wallace, R. (2017) Fun with ears. [Photographic Image]. Northampton: Roy Wallace.
  326. Wallace, R. (2016) Gathering. [Print]. The University of Northampton: Roy Wallace.
  327. Wallace, R. (2017) Goodbye Ballyhightown: [Book Re-publication]. Northampton: Breen Centre.
  328. Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. In: Afterlives of Violence: Contested Geographies of Past, Present and Future :. Belfast: Breen Centre.
  329. Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. Paper presented to: Afterlives of Violence: Contested Geographies of Past, Present and Future, University of Brighton, 29 June 2017.
  330. Wallace, R. (2016) Gotcha! [Print]. The University of Northampton: Roy Wallace.
  331. Wallace, R. (2017) Head staples being inserted. [Photographic Image]. Northampton: Roy Wallace.
  332. Wallace, R. (2017) Inserting hooks in back for hanging. [Photographic Image]. Northampton: Roy Wallace.
  333. Wallace, R. (2017) Live Head Piercing During Performance [Digital Image]. GBR: We Make Things Happen.
  334. Wallace, R. (2017) Live head piercing during performance. [Photographic Image]. Northampton: Roy Wallace.
  335. Wallace, R. (2017) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
  336. Wallace, R. (2016) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
  337. Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
  338. Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
  339. Wallace, R. (2016) Modified. [Print]. The University of Northampton: Roy Wallace.
  340. Wallace, R. (2017) Neck bolts. [Photographic Image]. Northampton: Roy Wallace.
  341. Wallace, R. (2016) No Future. [Print]. The University of Northampton: Roy Wallace.
  342. Wallace, R. (2017) Phuturepunk. Symposium presented to: Future Imperfect, Plymouth University, 01 April 2017.
  343. Wallace, R. (2016) Pictures of Starving Children Sell Records. [Print]. The University of Northampton: Roy Wallace.
  344. Wallace, R. (2016) Punk in Antwerp. Exhibit at: Punk in Antwerp. M HKA (Museum van Hedendaagse Kunst Antwerpen), May - July 2016.
  345. Wallace, R. (2018) Punk in Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018. [Painting]
  346. Wallace, R. (2018) Punk in Belgium [Painting]. Koninklijke Academie voor Schone Kunsten Antwerpen. (In Press)
  347. Wallace, R. (2018) Riding down the h@rd road: DIY approaches to documenting punk as political resistance. Paper presented to: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures, University of Porto, Portugal, 03-07 July 2018.
  348. Wallace, R. (2017) Scalpel: a question of documentary ethics. [Photographic Image]. Northampton: Roy Wallace.
  349. Wallace, R. (2017) Scarring shoulder during performance. [Photographic Image]. Northampton: Roy Wallace.
  350. Wallace, R. (2016) Sectarian Life. [Print]. The University of Northampton: Roy Wallace.
  351. Wallace, R. (2017) Sectarian life (working title). Invited Keynote presented to: Celebration Factory, Luxemburg, 29 September 2018. (Accepted)
  352. Wallace, R. (2017) Testing skin for hanging. [Photographic Image]. Northampton: Roy Wallace.
  353. Wallace, R. (2016) The Day the Country Died: The Second Sitting. [Online Video]. UK: Punk Scholars Network.
  354. Wallace, R. (2018) The politics of documentary punk curation. Panel Presentation presented to: Curating Resistance: Punk as Archival Method, University of California, Los Angeles, 09-10 February 2018.
  355. Wallace, R. (2017) Tongue piercing. [Photographic Image]. Northampton: Roy Wallace.
  356. Wallace, R. (2017) Toxic Waste, Bremmen, 1984. In: Murphy, M. and McGuirk, N. (eds.) In Concert: Favourite Gigs of Ireland's Music Community. Ireland: Hope Publications. pp. 72-73.
  357. Wallace, R. (2016) Who Dunnit? [Print]. The University of Northampton: Roy Wallace.
  358. Wallace, R. (2016) Who Dunnit? [Digital Collage]. We Make Things Happen.
  359. Wallace, R. and Johnson, D. (2018) Sounds of oppression: the lost inheritance of the UK reggae scene. Paper presented to: Reggae Innovation and Sound System Culture International Conference, Royal Birmingham Conservatoire, Birmingham, 04-05 April 2018.
  360. Wallace, R. and Markiewicz, F. (2017) Shot by both sides. Exhibit at: Celebration Factory. Luxemburg, 28 September 2018.
  361. Wallace, R. and McLaughlin, C. (2017) Co-Founder. Monad Journal of Transformative Practice. Northampton: Monad. 2515-6217.
  362. Wallace, R., McLaughlin, C., Ruiz Brussain, C., Blakemore, H., Robène, L. and Serre, S. (2017) Monad journal launch discussion panel. Panel Presentation presented to: Monad Journal of Transformative Practice Launch, The University of Northampton, 09 November 2017. Northampton: Monad.
  363. Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
  364. Walsh, M. (2017) Can an MP become a newspaper editor? The Huffington Post blog. 17/03/2017
  365. Walsh, M. (2017) Does Osborne’s Evening Standard need to reflect London’s new politics? Huffington Post blog. 09/06/2017
  366. Walsh, M. (2017) Snap election surprises - a quantitative analysis of Facebook use by political actors in the 2017 UK General Election. Paper presented to: Journalism, Society and Politics in the Digital Media Era, Limassol, Cyprus, 01-03 September 2017.
  367. Walsh, M. (2017) The alternate and influential world of the political parties’ Facebook feeds. In: Jackson, D. and Thorsen, E. (eds.) UK Election Analyis 2017: Media, Voters and the Campaign. Bournemouth: The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
  368. Walsh, M. (2017) Understanding Labour’s ingenious campaign strategy on Facebook. British Politics and Policy Blog. 10/11/2017
  369. Walsh, M. P. (2015) Media Talk and Political Elections in Europe and America. [Review]
  370. Walsh, M. P. (2016) Reinventing the attack ad: the use of Facebook and YouTube video by political parties during the UK 2015 General Election. Paper presented to: 24th World Congress of Political Science, Poland, 2016-07-23 - 2016-07-28.
  371. Walsh, M. P. (2015) There now follows a party election broadcast. In: Jackson, D. and Thorsen, E. (eds.) UK Election Analyis 2015 : Media, Voters and the Campaign. The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
  372. Walsh, M. P. (2017) The alternate and influential world of the political parties’ Facebook feeds. In: Jackson, D., Thorsen, E. and Lilleker, D. (eds.) UK Election Analysis 2017: Media, Voters and the Campaign : Early reflections from leading academics. Poole: The Centre for the Study of Journalism, Culture and Community. pp. 96-97.
  373. Ward, A., Parkes, J. and Prior, R. W. (2013) Developing a creative and theatre based intervention for young people with dementia and their carers. Invited Presentation presented to: 23rd Alzheimer Europe Conference, St. Julian's, Malta, 10-12 October 2013. (Unpublished)
  374. Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.
  375. Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne
  376. Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
  377. Williams, T. (2004) Break.
  378. Williams, T. (2008) Mbira Prism. Performance at: EMTWO: A Concert of Electronic Music Sursa Hall, Ball State University, Indiana, 18 November 2008.
  379. Williams, T. (2007) Shelter. Performance at: Electronic Music Midwest Festival and Conference Kansas City Kansas Community College (KCKCC), Kansas City, USA, 12 October 2007.
  380. Williams, T. (2007) Shelter. Performance at: Oberlin Conservatory of Music Ohio, USA, 10 October 2007. [Performance and lecture]
  381. Williams, T. (2007) Shelter. Performance at: Bowling Green State University Ohio, USA, 9 October 2007.
  382. Williams, T. (2007) Shelter. Performance at: Electronic Music Studies Conference De Montfort University, Leicester, 12 June 2007.
  383. Williams, T. (2006) Shelter.
  384. Williams, T. (2007) Smallcoombe Spring. Performance at: WOBC91.5 radio with web broadcast by Foldover Oberlin, Ohio, USA, 10 December 2007.
  385. Williams, T. (2007) Smallcoombe Spring. Performance at: Soundings International Festival of Sonic Art Reid Hall, Edinburgh University, 2 November 2007.
  386. Williams, T. (2007) Smallcoombe Spring. Performance at: International Computer Music Conference Aalborg University, Copenhagen, Denmark, 27-31 August 2007.
  387. Williams, T. (2007) Smallcoombe Spring. Performance at: Seamus Conference Iowa State University, Ames, USA, 7-11 March 2007.
  388. Williams, T. (2007) Smallcoombe Spring. Performance at: Radio/web broadcast by Elektramusic.com Bourge, France, Playlist for January 2007.
  389. Williams, T. (2006) Smallcoombe Spring.
  390. Williams, T. (2008) Smallcoombe Spring. Performance at: Sweetwater Electroacoustic Music Concert Series no 2 Sweetwater Performance Theater, Fort Wayne, Indiana, 9 June 2008.
  391. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
  392. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
  393. Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]
  394. Williams, T. (2007) Taking Shelter. [Music CD]. Northampton: University of Northampton. Production of CD (featuring 6 recent Sonic Arts Works)
  395. Williams, T. (2004) Three Points of Dislocation. Performance at: SoundCircus Conference De Montford University, Leicester, 11- 14 June 2004. Also presented at: International Computer Music Conference, University of Miami, 2004
  396. Williams, T. (2008) Voice. Performance at: International Computer Music Conference (ICMC) Queens University, Belfast, 17 - 23 August 2008.
  397. Williams, T. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. With Video - dance performance by Vida Midgelow
  398. Wilson, J. M. (2010) Visits and Visitors. In: Frank Sargeson’s Stories. Auckland: Cape Catley Ltd. pp. 353-356.
  399. Wiseman-Trowse, N. J. B. (2017) 'One day I am gonna grow wings': Radiohead's abject transcendence. Paper presented to: OK Computer 20 Years On: Radiohead's Musical, Cultural and Political Legacies, University Rennes 2, France, 18 May 2017.
  400. Wiseman-Trowse, N. J. B. (2017) Writing/Imagining/Using Bowie. Invited Keynote presented to: Bowie's Books: David Bowie and Literature, The University of Northampton, 13-14 January 2017.
  401. Wiseman-Trowse, N. J. B. (2017) ‘One day I am going to grow wings’: Radiohead’s abject transcendence. Revue LISA. 1762-6153. (Accepted)
This list was generated from NECTAR on Thu Sep 4 17:50:58 2025 BST.