Browse by University of Northampton Authors

Article

• Staff, C. and Farmer, R. (2019) Teaching students to write about art : Results of a four-year patchwork text project. Art, Design & Communication in Higher Education. 18(2), pp. 137-151. 1474-273X.
• Staff, C. (2015) Craig Staff writes on 'Real Painting'. Abcrit: discourses on abstract painting and sculpture. July 2015 [Online blog]
• Staff, C. (2013) Painting of the week: 69. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 67. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 63. I.B. Tauris Blog.
• Staff, C. (2013) Painting and performance. I.B.Tauris Blog.
• Staff, C. (2009) 絵画の示差的存在論のための覚書* Towards a differential ontology of painting. Rear 21.
• Staff, C. (2007) An e-mail conversation between Slavka Sverakova and Craig Staff, May 2007. CIRCA Art Magazine. 0263-9475. Online article
• Staff, C. (2004) ‘Extended Painting’ at Victoria Miro. CIRCA Art Magazine. 108(Summer), pp. 88-89. 0263-9475.
• Staff, C. (2004) Painting apart from itself. Dwelling. 1741-1467.

Book Section

• Staff, C. (2017) Teaching painting in the expanded field: positioning, pedagogy and practice. In: Hartshorne, I., Moloney, D. and Quaife, M. (eds.) Teaching Painting: How Can Painting Be Taught in Art Schools? London: Black Dog.
• Staff, C. (2015) Burrowing under the apparent: the blindfold drawings of Claude Heath. In: Guerin, F. (ed.) On Not Looking: The Paradox of Contemporary Visual Culture. New York: Routledge. pp. 123-138.
• Staff, C. (2011) A Poetics of becoming: the mythography of Cy Twombly. In: Wallace, I. L. and Hirsh, J. (eds.) Contemporary Art and Classical Myth. Farnham: Ashgate. pp. 43-55.
• Staff, C. (2010) Ancient Egyptian Art; Inspecting the Fields for Nebamun; Abstract Expressionism; Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949, Mark Rothko; The Big Night Down the Drain, 1962-63, Georg Baselitz; European Lyrical Abstraction; Nice, 1954 Nicolas De Stael; Portable War Memorial, 1968, Ed Kienholz; Neo-Expressionism; Café Deutschland (Lift/Tremble/Back), 1984 Jorg Immendorf. In: Farthing, S. (ed.) Art: The Whole Story. London: Thames & Hudson. pp. 28-547.
• Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
• Staff, C. (2008) 'Speaking in the vernacular: insularity, British art and modernism'. In: Osgerby, W., Esser-Hall, G., Myers, M. and Staff, C. (eds.) Tracing Britishness: Exploring the Notion of 'Britishness' in the 21st Century by Tracing Themes of Stoicism, Nostalgia, Insularity and Ourselves and Others Through a Selection of Works from the Rugby Collection. Rugby: Rugby Art Gallery and Museum.
• Staff, C. (2008) [Contribution]. In: Farthing, S. (ed.) 501 Great Artists: A Comprehensive Guide to the Giants of the Art World. New York: Barron's Educational Series.
• Staff, C. (2006) [Contribution]. In: Farthing, S. (ed.) 1001 Paintings You Must See Before You Die. London: Cassell.
• Staff, C. (2002) As Long As It Takes. In: Dean, D. and Lillington, D. (eds.) As Long As It Takes. Nottingham: Angel Row Gallery. 0-0.

Book

• Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. The University of Northampton. 9781906398156.
• Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. Bookworks. 9781906398156.
• Staff, C. (2015) Monochrome: Darkness and Light in Contemporary Art. London: I.B.Tauris. 9781784530488.
• Staff, C. (2013) After Modernist Painting: The History of a Contemporary Practice. London: I.B.Tauris. 9781780761794.
• Staff, C. (2011) Modernist Painting and Materiality. Jefferson, N.C.: McFarland. 9780786447145.

Monograph

• Staff, C. (2017) Something of the previous day.
• Staff, C. (2015) Painting qua painting (as noun and verb). Online: Castlefield Gallery.

Conference or Workshop Item

• Staff, C. (2015) Teaching painting in the expanded field: positioning, pedagogy and practice. Paper presented to: Teaching Painting, Whitworth Museum, Manchester, 29-30 October 2015. (Unpublished)
• Staff, C. (2015) The cultivation of (difficult) surfaces or “I know that’s a tree”. Invited Presentation presented to: Talk to accompany the exhibition Real Painting, Castlefield Gallery, Manchester, 11 July 2015. (Unpublished)
• Staff, C. (2015) Such clues and such obligations. Symposium presented to: The Sketchbook Today, The University of Northampton, 16 June 2015. (Unpublished)
• Staff, C. (2013) Along heuristic lines: drawing and the interpreted world. Symposium presented to: The Insistence of Drawing, The University of Northampton, 11 July 2013. (Unpublished)
• Staff, C. (2009) Natural Responses - Transformations. Chair presented to: X6 Transformations Seminar Day, Fermynwoods Contemporary Art, 12 October 2009. (Unpublished)
• Staff, C. (2009) What is an artist? Invited Presentation presented to: What is an artist?, Milton Keynes Gallery, 28 May 2009. (Unpublished)
• Staff, C. and Cureton, P. (2009) The life of Paolo Uccello: drawing transitions through curriculums. Paper presented to: Transitions: Learning and Teaching Conference, University of Northampton, 13 May 2009. (Unpublished)
• Staff, C. and Cureton, P. (2009) Of blood, of trade, authority, agency: sought after forms and drawing today. Paper presented to: Association of Art Historians (AAH) 35th Annual Conference and Bookfair, Manchester Metropolitan University, 2-4 April 2009. (Unpublished)
• Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007. (Unpublished)
• Staff, C. (2006) Towards a differential ontology of painting. Paper presented to: A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006. (Unpublished)

Conference Proceedings

• Staff, C. (2007) Notes towards a differential ontology of painting. In: Sweet, D. (ed.) A Future for Modernism? The Possibilities of Re-inhabiting an Abandoned Critical Position. Manchester: MIRIAD. 9781905476169. pp. 38-49.

Show/Exhibition

• Staff, C. (2017) Something of the previous day. Exhibit at: Fully Awake.
• Cureton, P., Staff, C. and Clark, R. (2013) Rhythm/Presence. Exhibit at: Rhythm/Presence. The Centre for Recent Drawing (C4RD), London, 06-16 March 2013. Also exhibited at: Drawing Project, IADT (Institute of Art, Design & Technology) Dublin, 20 March - 8 April 2013; CUBE Gallery, Manchester, 22 April – 9 May 2013; RIBA Hub (Royal Institute of British Architects) Manchester, 22 April – 9 May 2013. [Exhibition curators]
• Staff, C. and Cureton, P. (2011) The 43 Uses of Drawing. Exhibit at: The 43 Uses of Drawing. Rugby Art Gallery and Museum, Rugby, Warwickshire, 06 September - 30 October 2011. [Exhibition curators]
• Staff, C. and Seki, T. (2008) Returning by a Shorter Path. Exhibit at: Returning by a Shorter Path. Avenue Gallery, 27 October - 21 November 2008.
• Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
• Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
• Staff, C. (2006) Drawing Itself, Drawing Space. Exhibit at: Drawing Itself, Drawing Space. Southwell Artspace, Southwell, Nottingham, 2 September - 15 October 2006.
• Flexen, C. and Staff, C. (2006) Marking Movements - new drawings by Catherine Flexen and Craig Staff. Exhibit at: Marking Movements. Cheltenham Museum and Art Gallery, 28 January - 11 March 2006.
• Staff, C. (2006) Recollection. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
• Staff, C. (2003) As Long As It Takes. Exhibit at: As Long As It Takes. Pumphouse Gallery, London, 19 March - 11 May 2003.
• Staff, C. (2002) Craig Staff. Cairn Gallery, Nailsworth, Gloucestershire, 19 March 2002.