Northampton Electronic Collection of Theses and Research

[No title]

Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.

Item Type: Show/Exhibition
Abstract: Rhizomatic is an experimental, decentralised curatorial system based on the concept of the Rhizome, as explored in Deleuze and Guattari’s philosophical masterpiece A Thousand Plateaus. This is Departure Gallery’s largest and most ambitious show so far and includes work by over two hundred artists exhibiting in 100,000 sq ft of warehouse space. Selected artists associated with Departure Gallery were each invited to choose up to six artists to exhibit alongside them. In turn, this second generation were encouraged to invite a further six participants, making a third generation, who could then invite six more. This six-link structure was inspired by the idea that all humans are connected by ‘six degrees of separation’. A rhizome is a sprawling, unhierarchical system of connections that are constantly in flux and can spring up at any moment in space and time. This exhibition does not seek to fix the rhizome by presenting it in a finished form, but, rather, it represents an attempt to freeze a moment of this rhizomatic process in the interests of examining it’s structure more closely. Furthermore, the show aims to catch a glimpse of the creative networks within which Departure Gallery’s artists operate, in order to locate ourselves within the wider art world. “Principles of connection and heterogeneity: at any point a rhizome can be connected to anything other, and must be…A rhizome ceaselessly establishes connections between semiotic chains, organisations of power, and circumstances relevant to the arts, sciences and social struggles.” Gilles Deleuze and Félix Guattari, A Thousand Plateaus. This rhizomatic structure has particular resonance in the context of The International Trading Estate, which is a hub of haulage and distribution companies sorting and transporting goods in flux between producer and consumer. The exhibition will not constitute the end of the rhizome, because a true rhizome has no beginning or end, but is ongoing and unlimited. Each artist involved will continue to make connections during and after the exhibition through the contacts and ideas that emerge as a result of the show. This opens up the possibility of creating a larger sequel exhibition at some point in the future
Subjects: N Fine Arts > N Visual arts (General) > N4390 Exhibitions
N Fine Arts > NE Print media > NE1 Printmaking and engraving
Creators: Love, Jo
Faculties, Divisions and Institutes: Faculties > Faculty of Arts, Science & Technology > Fine Art
Date: 1 October 2010
Date Type: Presentation
Event Title: Rhizomatic
Event Dates: 01 October – 12 November 2010
Event Location: Departure Gallery, off-site project at Boeing Way, London
Language: English
Media of Output: Printmaking
URI: http://nectar.northampton.ac.uk/id/eprint/3032

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