Items where Division is "Faculties > Faculty of Arts, Science & Technology > Fine Art"

A

• Allen, C. (2018) Round table discussion. Panel Presentation presented to: Without End: Documents of Research, The University of Northampton, 16 February 2018.
• Allen, C. (2018) Textual analysis as a document of research. Exhibit at: Without End: Documents of Research. The University of Northampton, 16 Feb 2018.
• Allwork, L. (2015) Trends in Holocaust memorialization. Other presented to: Holocaust Memorial Day Annual Lecture and Commemorative Event 2015, The University of Northampton, 21 January 2015. (Unpublished)
• Attenburrow, D. H. (2007) Drawn to Life. Alfred East Gallery, Kettering, Northants, 13 January - 24 February 2007.
• Attenburrow, D. H. (2008) [No title]. Exhibit at: Exhibition. Spratton Hall School, Northamptonshire, 18 February - 19 March 2008.
• Autogena, L., Portway, J., Gough, O. and Hollinshead, R. (2013) Production of: Foghorn Requiem. Performance at: Foghorn Requiem Souter Lighthouse, South Shields, 2013-06-22.
• Autogena, L., Portway, J., Gough, O. and Hollinshead, R. (2013) Production of: Foghorn Requiem. Performance at: Foghorn Requiem Souter Lighthouse, South Shields, 2013-06-22.

B

• Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. The University of Northampton. 9781906398156.
• Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. Bookworks. 9781906398156.
• Bamber, R. (2011) Viewpoint. Exhibit at: OMBRA:Selects. 1-5 Vyner Street, East London, E2 9DG, 2011-09-01.
• Bamber, R. (2011) Viewpoint. Exhibit at: OMBRA:Selects. 1-5 Vyner Street, East London, E2 9DG, 2011-09-01.
• Bamber, R. (2013) [No title]. Exhibit at: OMBRA:Awards. 1-5, Vyner Street, London, E2 9DG, 12 September - 20 October 2013.
• Bamber, R. and Samuels, M. (2012) Changing room. [Installation].

C

• Callery, S. (2010) Contribution to: Condivisione. In: Morganti, M. and Pes, L. (eds.) Un Diario Tira L’Altro: Vol. 2: Condivisione. Milano: Corraini. pp. 48-51.
• Callery, S. (2013) Estuary, Beacon and Hadleigh-in-Place. Exhibit at: Estuary, Beacon and Hadleigh in Place. Three locations: Estuary - five-day barge trip from Tower Bridge to the Thames estuary mouth; Beacon - Hadleigh Junior School, Essex; Hadleigh in Place - Association for Cultural Advancement through Visual Art (ACAVA) studios, June 2011 – May 2013.
• Callery, S. (2012) Inland Sealand. Exhibit at: Inland Sealand. 33 Newland, Sherborne, Dorset, 2012-09-01.
• Callery, S. (2012) Inland Sealand. Exhibit at: Inland Sealand. 33 Newland, Sherborne, Dorset, 2012-09-01.
• Callery, S. (2013) Limber: Spatial Painting Practices. Exhibit at: Limber: Spatial Painting Practices. Herbert Read Gallery, Canterbury, 2013-01-01.
• Callery, S. (2013) Limber: Spatial Painting Practices. Exhibit at: Limber: Spatial Painting Practices. Herbert Read Gallery, Canterbury, 2013-01-01.
• Callery, S. (2010) Physical Painting. Exhibit at: Physical Painting. FOLD Gallery, London, 2010-11-01.
• Callery, S. (2010) Physical Painting. Exhibit at: Physical Painting. FOLD Gallery, London, 2010-11-01.
• Callery, S. (2009) Thames Gateway Project: Pit Paintings and Wallspines. Exhibit at: Thames Gateway Project. APT Gallery, London, 2009-11-01.
• Callery, S. (2009) Thames Gateway Project: Pit Paintings and Wallspines. Exhibit at: Thames Gateway Project. APT Gallery, London, 2009-11-01.
• Chapman, J. (2007) New Paintings from Life and Photography. Exhibit at: Jonathan Chapman - New Works. Roger Billcliffe Gallery, Glasgow, 31 August - 30 September 2007.
• Chapman, J. (2007) Painting from Life and Photography. Exhibit at: Still Life Exhibition. Nuneaton Museum & Art Gallery, Nuneaton, Warwickshire, 17 November 2007 - 13 January 2008.
• Coldwell, P. and Love, J. (2012) Paul Coldwell introducing Jo Love. Grabado Y Edicion - Print and Art Edition Magazine. 35, pp. 62-67.
• Cureton, P. (2009) Drawing: art or information design. Garden Design Journal. 89, p. 46. 1356-6458.
• Cureton, P. (2013) Videre: drawing and evolutionary architectures. Materials Architecture Design Environment (MADE). 9(7), pp. 18-27. 1742-416X.
• Cureton, P., Staff, C. and Clark, R. (2013) Rhythm/Presence. Exhibit at: Rhythm/Presence. The Centre for Recent Drawing (C4RD), London, 06-16 March 2013. Also exhibited at: Drawing Project, IADT (Institute of Art, Design & Technology) Dublin, 20 March - 8 April 2013; CUBE Gallery, Manchester, 22 April – 9 May 2013; RIBA Hub (Royal Institute of British Architects) Manchester, 22 April – 9 May 2013. [Exhibition curators]

D

• Darbyshire, R. (2013) An Embarrassment of Stains, Camp Joffre. Exhibit at: Un Dialogue Ouvert, Paysage Contesté. Les Anciens Thermes, St Paul de Fenouillet, France, 2013-10-26.
• Darbyshire, R. (2013) An Embarrassment of Stains, Camp Joffre. Exhibit at: Un Dialogue Ouvert, Paysage Contesté. Les Anciens Thermes, St Paul de Fenouillet, France, 2013-10-26.
• Devison, N., Love, J. and Shaw, M. (2009) Works on Paper. Exhibit at: Works on Paper. Library Gallery, Islington, London, 05 December 2009.

E

• Evans, M. (2008) Art & psyche. Paper presented to: Art & Psyche : Reflections on Image, Jung Institute, San Francisco, 1-4 May 2008. (Unpublished)
• Evans, M. (2009) Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Exhibit at: Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November - 18 December 2009.
• Evans, M. (2010) Lost for words: lost in words (abstract painting and the unspeakable unconscious). Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Evans, M. (2007) New Works. Exhibit at: Painting, Technology and Transcendent in POMO Culture.
• Evans, M. (2011) New possibilities for contemporary abstract painting. Paper presented to: Digital Hybridity, University of Derby, 17 June 2011. (Unpublished)
• Evans, M. (2010) Out of nothing. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
• Evans, M. (2013) Out of nothing: painting and spirituality. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang. pp. 77-96.
• Evans, M. (2010) Separation Anxiety. Exhibit at: Separation Anxiety. Avenue Gallery, The University of Northampton, 08 February - 05 March 2010.
• Evans, M. (2009) The Abstract Unconsious. ARAS/Art and Psyche Online Journal. 2009(4)
• Evans, M. (2010) The preservation of the wholly other in abstract painting. Paper presented to: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Evans, M. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June - 05 July 2011. Also exhibited at: Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011
• Evans, M. (2015) An aesthetic of the unknown. International Journal of Jungian Studies. 7(1), pp. 19-32. 1940-9052.
• Evans, M., Harper, J., Langford, A. W. and Stedman, N. (2008) Common Ground. Exhibit at: Common Ground. Rhyl Museum & Art Gallery, 10 May - 7 June 2008.
• Evans, M., Love, J., Brook, L., Devison, N., Dimsdale, E., Shaw, M. and Black, T. (2012) [No title]. Exhibit at: Viewfinder. Avenue Gallery, The University of Northampton, 29 April - 24 May 2012.
• Evans, M. and Parker, D. (2008) The Abstract Unconscious. Exhibit at: The Abstract Unconscious. Avenue Gallery, The University of Northampton, 2008.
• Evans, M. and Parker, D. (2007) The Abstract Unconscious. Gallery 103, North East Wales Institute of Higher Education, Wrexham, 29 October - 15 November 2007.

G

• Gant, S. (2012) Crossing the Line. Exhibit at: Jerwood Drawing Prize 2012. Jerwood Space, London, 12 September 2012 - 28 October 2013. Also exhibited at: Jerwood Gallery, Hastings, 08 December 2012 - 06 January 2013; MAC Birmingham, 12 January - 03 March 2013; The Gallery, The Arts University College at Bournemouth, 22 March - 26 April 2013
• Gant, S. (2013) Keep Looking and Line No 22. Exhibit at: National Eisteddfod of Wales Visual Arts Exhibition. Y Lle Celf, Carmarthenshire, Wales, 02-10 August 2013.
• Gant, S. (2010) Orange Circles. Exhibit at: Jerwood Drawing Prize 2010. Jerwood Space, London, 29 September 2010 - 07 November 2011. Also exhibited at: Summerfield Gallery, University of Gloucestershire, Cheltenham, 11-22 November 2010; South Hill Park, Bracknell, 27 November 2010-23 January 2011; Oriel Myrddin Gallery, Carmarthen, 5 March-16 April 2011; DLI Museum & Durham Art Gallery, Aykley Heads, Durham, 7 May-12 June 2011.
• Gant, S. (2009) Song for the Auction Caller. Exhibit at: Eisteddfod Visual Arts Exhibition. Y Lle Celf Gallery, Carmarthenshire, Wales, August 2009. Also exhibited at: "Loop Videoart Festival", Barcelona, Spain, 21-31 May 2009; Art Video Screening "Waterpieces" Riga, Latvia, 4-6 September 2009; Cinema Bio Roxy, Orebro, Sweden, 17 October 2009; Cinema Elektra, Vasteras, Sweden, 20 November 2009; as part of the "Orebro International Videoart Festival", 1-3 October 2010, Orebro, Sweden and at Vetlanda Museum, Sweden, 21 January-19 February, 2012
• Gant, S. and Reilly, P. (2017) Different expressions of the same mode: a recent dialogue between archaeological and contemporary drawing practice. Journal of Visual Art Practice. 17(1), pp. 100-120. 1470-2029.
• Gant, S. and Reilly, P. (2018) Different expressions of the same mode: a recent dialogue between archaeological and contemporary drawing practices. Journal of Visual Art Practice. 17(1), pp. 100-120. 1470-2029.
• Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
• Greco, P. (2006) Eating Out. Museum of Domestic Design & Architecture (MoDA), Barnet, 24 April 2006 – 9th July 2006. [Exhibit of vinyl prints]
• Greco, P. (2007) Garden Armoury. Yard Gallery, Welford, 1-15 September 2007. [Installation of prints and sculpture]
• Greco, P. (2008) House and Gardens. Exhibit at: The Suburban Landscape: Two Hundred Years of Gardens and Gardening. Museum of Domestic Design & Architecture (MoDA), 19 June 2007 – 24 February 2008.
• Greco, P. (2007) Houses and Gardens. Exhibit at: Sculpting the Suburban Landscape. Museum of Domestic Design & Architecture (MoDA), Barnet, 19 June 2007 - 30 September 2007. [Exhibit of vinyl prints]
• Greco, P. (2010) Switch. Exhibit at: At Play 2. South Hill Park Arts Centre, Bracknell, 17 April – 20 June 2010. [Digital print installation]
• Greco, P. (2009) The Personalised Surface within Fine Art Digital Printmaking. (Unpublished)
• Greco, P. (2007) The personalised surface within fine art digital printmaking. Exhibit at: Collaborative research, led by P Coldwell and B Rauch. University of the Arts, London, 1 September 2007. Invited to participate through developing practice, exhibition and symposium
• Greco, P. (2007) The place of printmaking within contemporary fine art practice. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 3 May 2007. [Public lecture and slide presentation] (Unpublished)
• Greco, P. (2007) Why the Turner Prize? Invited Presentation presented to: Public debate, Open University, Milton Keynes, 18 January 2007. [Invited speaker and panel member] (Unpublished)

H

• Harper, J. (2008) Broken and Breaking Ground. Cromford: Research Group for Artists Publications. 9780955827310.
• Harper, J. (2007) Broken and Breaking Ground. Fermynwoods Contemporary Art, 1 March - 31 October 2007.
• Harper, J., Langford, A. W., Evans, M. and Stedman, N. (2005) Common Ground. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 6 September - 30 October 2005.
• Harper, J., Langford, A. W., Wenden, B., Leet, S.-K. and Kitchener, B. (2007) In-transition. J Gallery, Moulton, Northampton, 24 March - 13 April 2007.
• Hewitt, A. (2013) Founding editor. Art & the Public Sphere. Bristol, UK: Intellect. 2042-793X.
• Hewitt, A. (2016) Art, its publics and an agenda of impact: the UK case. Kunstlicht. 37(1) 0921-5026. (Online supplement)
• Hewitt, A. (2015) Public art against the 'public': does state funded art, participatory art practices and socially-engaged art benefit the public? In: Differences, Inequalities and Sociological Imagination: ESA 2015: 12th Conference of the European Sociological Association 2015: Abstract Book. European Sociological Association and Institute of Sociology of the Czech Academy of Sciences. 9788073302726. p. 152.
• Hewitt, A., Beech, D. and Jordan, M. (2014) A Properly Political Art Must Be Twice Political. Exhibit at: Critical Machines (Exhibition and Conference). AUB Byblos Bank Art Gallery, American University of Beirut, 06 March - 26 June 2014.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Citizen Ship (kiosk). Exhibit at: MK CityFest. Middleton Hall, Centre MK, Milton Keynes, 26-29 June 2017. Also exhibited at Art in the Park, Milton Keynes, 1-2 July 2017; Milton Keynes Art Centre, Great Linford, 3-8 July 2017; Margaret Powell Square, Milton Keynes, 10-14 July 2017, returning to Milton Keynes in September/October 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2015) Cutting publics out of communities. Invited Presentation presented to: Cutting Publics Out of Communities, Malmo Academy of Arts, 21-24 September 2015. (Unpublished)
• Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity :. London: MayFly Books. pp. 237-247.
• Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity. London: MayFly Books. pp. 237-247.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Freee Carracci Yearbook 2017, Freee Art Collective. Northampton: NN Contemporary Art. 9780995700123.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Freee kiosk #2: the new text art (of) and making (books) a difference. Exhibit at: For or Against: Art, Politics and the Pamphlet. Loughborough University, 26-27 May 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
• Hewitt, A., Beech, D. and Jordan, M. (2016) He hath a daily beauty in his life/That makes me ugly. [Text, billboard poster, performance].
• Hewitt, A., Beech, D. and Jordan, M. (2015) How to change the world. Workshop presented to: 9th International Conference in Critical Management Studies: Is there an Alternative? Management after Critique, University of Leicester, 08-10 July 2015. (Unpublished)
• Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto and Spoken Choir: Open letter to the Engage International Conference, Liverpool 2016. Other presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto for art: the public sphere and the work of the Freee art collective. Seminar Presentation presented to: Beyond Art Activism: Rewriting Art's Neoliberal Value System Seminar, Irish Museum of Modern Art, Dublin, 26th October 2016.
• Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Protest Drives History. Exhibit at: Istanbul Biennial 2013: “Mom, Am I Barbarian?” . Istanbul, 14 September-20 October 2013.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Revolution is sublime: Freee on the sublime and political practice of art and activism today. The Sublime is Now? 36, pp. 4-5.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Slogan-badge-billboard, (and slogan writing and badge making) Freee Art Collective 2017. Exhibit at: Sound & Words. MK Gallery Project Space, Milton Keynes, 06-28 October 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2014) Taking Sides. [Participative art event].
• Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading. Exhibit at: Freee - The National Museum of Gallery Visitors and Museum Workers. Middlesborough Institute of Modern Art, 27 July 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. (ed.) Interactive Contemporary Art: Participation in Practice. London: I.B.Tauris. pp. 255-269.
• Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2) 0967-3393.
• Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2), pp. 38-46. 0967-3393.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Twenty-first-century political art: the Freee manifesto for art & twenty-first-century socialism. In: Cull, L. and Daddario, W. (eds.) Manifesto Now! Instructions for Performance, Philosophy, Politics. Bristol: Intellect. pp. 71-84.
• Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. and Brown, K. (eds.) Interactive Contemporary Art: Participation in Practice :. London: I.B.Tauris. pp. 255-269.
• Hewitt, A., Beech, D., Jordan, M., Hunter, H. and Morosanu, R. (2016) Public kiosk. Invited Presentation presented to: Arts & Humanities Research Council (AHRC) Commons First National Event: Common Ground, University of York, Heslington, York, 21 June 2016.
• Hewitt, A., Beech, D. and Jordan , M. (2015) Advice of three onlookers; Freee on Lenin's letter of advice. STRIKE! Magazine. 10, pp. 1-3. 2051-6606.
• Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion. London: Routledge. pp. 27-44.
• Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C., Zebracki, M., Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion :. London: Routledge. pp. 27-44.
• Hewitt, A. and Jordan, M. (2017) The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented to: ETHNOARTS: Ethnographic Explorations of the Arts and Education, Faculdade de Letras da Universidade do Porto, Portugal, 2017-06-23.
• Hewitt, A. and Jordan, M. (2017) The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented to: ETHNOARTS: Ethnographic Explorations of the Arts and Education, Faculdade de Letras da Universidade do Porto, Portugal, 2017-06-23.
• Hewitt, A., Jordan, M. and Beech, D. (2016) Working within the histories, theories and practices of the public sphere. Panel Presentation presented to: University of Leicester, School of Museum Studies 50th Anniversary International Conference: Museums in the Global Contemporary: Debating the Museum of Now, Leicester, 20-21 April 2016.
• Hollinshead, R. (2015) Dependable Bodies. Exhibit at: A Foreign Encounter. Galerie FOE 156, Munich, Germany, 2015-11-29.
• Hollinshead, R. (2015) Dependable Bodies. Exhibit at: A Foreign Encounter. Galerie FOE 156, Munich, Germany, 2015-11-29.
• Hollinshead, R. (2015) Dependable Bodies.
• Hollinshead, R., Campbell, C., Jeans Houghton, B., Ray, J., Streffen, I., Weileder, W., Priest, I., Wells, R., Vincentelli, A., Robinson, A., Hearn, M. and Eisenbach, R. (2012) Magnificent Distance: Five Site-Specific Installations Washington DC 2012. Washington DC, USA; Newcastle, UK: Grit & Pearl. 9780957342507.
• Hollinshead, R., Campbell, C., Jeans Houghton, B., Ray, J., Streffen, I., Weileder, W., Priest, I., Wells, R., Vincentelli, A., Robinson, A., Hearn, M. and Eisenbach, R. (2012) Magnificent Distance: Five Site-Specific Installations Washington DC 2012. Grit & Pearl. 9780957342507.
• Hollinshead, R., Farley, R. and Keating, E. (2010) Public art strategies. Grit & Pearl.
• Hollinshead, R., Farley, R. and Keating, E. (2010) Public art strategies. Grit & Pearl.
• Hollinshead, R. and Jess-Cooke, C. (2010) Public realm design projects. Grit & Pearl.
• Hollinshead, R. and Jess-Cooke, C. (2010) Public realm design projects. Grit & Pearl.

L

• Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 2010-06-25.
• Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 2010-06-25.
• Langford, A. W. (2007) Invernaderos: Almeria as a corporatized utilitarian land. Invited Presentation presented to: Global Photographies Conference, Dun Laoghaire Institute of Art, Design and Technology, Dublin, Ireland, 27-29 June 2007. [Invited speaker and paper presented] (Unpublished)
• Langford, A. W. (2011) Re-Moved. Paper presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 2011-12-09.
• Langford, A. W. (2011) Re-Moved. Paper presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 2011-12-09.
• Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 2010-06-07.
• Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 2010-06-07.
• Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010 2009-2288.
• Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010 2009-2288.
• Langford, A. W. (2008) Winter growing fields: landscape and estrangement. Exhibit at: Winter growing fields: landscape and estrangement. Avenue Gallery, The University of Northampton, 8 April - 2 May 2008.
• Langford, A. W. and Wells, L. (2009) Exchange. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
• Leahy, C. (2015) Artist in Residence August 2015 - July 2016. Florence Trust Studios (St. Saviours, Aberdeen Park, Highbury, London N5 2AR).
• Leahy, C. (2016) Aesthetics of Disappearance; Social Deconstruction; Sedimentation. Exhibit at: Coup de Ville 2016. Sint-Niklaas, Belgium, 2016-09-09.
• Leahy, C. (2016) Aesthetics of Disappearance; Social Deconstruction; Sedimentation. Exhibit at: Coup de Ville 2016. Sint-Niklaas, Belgium, 2016-09-09.
• Leahy, C. (2015) Relief in Time | Time in Relief. Exhibit at: PrintLab SNAP. Rijksmuseum Twenthe, Enschede, Holland, 2015-09-27.
• Leahy, C. (2015) Relief in Time | Time in Relief. Exhibit at: PrintLab SNAP. Rijksmuseum Twenthe, Enschede, Holland, 2015-09-27.
• Leahy, C. (2015) Relief in time | Time in relief. Expanded printmaking as a conduit for temporal dissonance and the anachronistic. Invited Presentation presented to: SNAP 3: 3rd International Printmaking Sympsoium, Print Association, Kloster-Bentlage, Rheine, Germany, 12-15 November 2015. (Unpublished)
• Leahy, C. (2015) Statements. Exhibit at: Statements. Kloster-Bentlage, Rheine, Germany, 2015-11-12.
• Leahy, C. (2015) Statements. Exhibit at: Statements. Kloster-Bentlage, Rheine, Germany, 2015-11-12.
• Leahy, C. (2014) Suspended Temporality. Exhibit at: Suspended Temporality. C-Mine Cultural Centre, Genk, Belgium, 2014-09-06.
• Leahy, C. (2014) Suspended Temporality. Exhibit at: Suspended Temporality. C-Mine Cultural Centre, Genk, Belgium, 2014-09-06.
• Leahy, C. (2011) Temporal Dissonance. Exhibit at: Münsterland Festival: Part 6: Graphik Projekt. Kloster Bentlage, Rheine, Germany, 23 September - 06 November 2011.
• Leahy, C., Clarke, L., Allchurch, E., Sayal-Bennett, A., Bronstein, P., Noble, P., Perry, G., Goudal, N., Boberska, B., Clewlow, R., Johnson, S.-A., Jones, K., Miller, T., Price, D. and Wiener, J. (2015) :Xenotopia. Exhibit at: :Xenotopia. Gibberd Gallery, Harlow, Essex, 2015-11-06.
• Leahy, C., Clarke, L., Allchurch, E., Sayal-Bennett, A., Bronstein, P., Noble, P., Perry, G., Goudal, N., Boberska, B., Clewlow, R., Johnson, S.-A., Jones, K., Miller, T., Price, D. and Wiener, J. (2015) :Xenotopia. Exhibit at: :Xenotopia. Gibberd Gallery, Harlow, Essex, 2015-11-06.
• Leet, S.-K. (2008) Photograph. Exhibit at: Through the Lens: RWA 1st Open Photography Exhibition. Royal West of England Academy of Arts (RWA), Bristol, 8 June – 20 July 2008.
• Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
• Love, J. (2008) C’est ouVert. Exhibit at: C’est OuVert group exhibition. Plouec du Trieux, France, June-October 2008. Featured 4 page photographic article in C’est ouVert exhibition catalogue
• Love, J. (2012) Dust: Johanna Love. Exhibit at: Dust: Johanna Love. Avenue Gallery, The University of Northampton, 01-26 October 2012.
• Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
• Love, J. (2009) Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
• Love, J. (2011) Gefallener Staub (Fallen Dust). Exhibit at: Jerwood Drawing Prize. Jerwood Space, London (and Touring), 14 September - 30 October 2011.
• Love, J. (2011) Materiality and surface of the digital print. Paper presented to: Wrexham Print International Exhibition & Symposium, Yale College, Wrexham, 2011-04-19.
• Love, J. (2011) Materiality and surface of the digital print. Paper presented to: Wrexham Print International Exhibition & Symposium, Yale College, Wrexham, 2011-04-19.
• Love, J. (2008) Photograph. London: A&C Black. [In: Bonnell, M., Mumberson, S. (2008) Printmaking on a budget]
• Love, J. (2013) Selected works from the Staub series. Exhibit at: Mote: Art with Marginal Material. Harrington Mill Studios, Nottingham, 2013-09-07.
• Love, J. (2013) Selected works from the Staub series. Exhibit at: Mote: Art with Marginal Material. Harrington Mill Studios, Nottingham, 2013-09-07.
• Love, J. (2011) Staub 4. [Digital photograph]. Aspiracje: Pismo Warszawskich Uczelni Artystycznych: Academy of Fine Arts in Warsaw. [In: Coldwell, P: Przestrzenie kontestacji: Grafika cyfrowa i warsztatowa. Aspiracje. Summer 2011, pp. 36-37. 1732-6125.]
• Love, J. (2008) The Art of Research: Research Narratives. Exhibit at: The Art of Research: Research Narratives. Chelsea College of Art & Design, London, 28-30 October 2008.
• Love, J. (2009) The Personalised Surface Within Fine Art Digital Printmaking - Case study. Exhibit at: The Personalised Surface Within Fine Art Digital Printmaking Project. Online, 2009. [Case study]
• Love, J. (2013) The practice-based PhD in printmaking. Invited Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
• Love, J. (2011) Viewfinder [group exhibition]. Exhibit at: IMPACT 7: International Multi-disciplinary Printmaking Conference 2011: Intersections & Counterpoints. Monash University, Melbourne, Australia, 27-30 September 2011.
• Love, J. (2013) [No title]. Exhibit at: Parallel Prints. Art at Wharepuke, Kerikeri, New Zealand, 15 July-22 September 2013.
• Love, J. (2012) [No title]. Exhibit at: Drawing Research Network (DRN) Conference 2012: Drawing Knowledge. Loughborough University, 10-11 September 2012.
• Love, J. (2012) [No title]. Exhibit at: British Printmaking Japan: 6th International Kyoto Hanga 2012 International Print Exhibition: Process and Innovation. Kyoto City Museum of Art, Japan, 31 July - 12 August 2012.
• Love, J. (2011) [No title]. Exhibit at: Viewfinder. Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011.
• Love, J. (2011) [No title]. Exhibit at: Scope: New Photographic Practices. Tsingua University Gallery, Beijing, China, December 2011.
• Love, J. (2011) [No title]. Exhibit at: Bite: Artists Making Prints. Mall Galleries, London, 04-15 September 2011.
• Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.
• Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
• Love, J. (2010) [No title]. Exhibit at: Hot Plate International Print Exhibition. Pheonix Gallery, Brighton, 03 July - 15 August 2010.
• Love, J. (2010) [No title]. Exhibit at: 2nd Penang International Print Exhibition 2010. Penang State Museum and Art Gallery, Malaysia, 16 September - 15 October 2010.
• Love, J. (2009) [No title]. Exhibit at: Impact 6 International Print Conference and Symposium. Bristol, 17-19 September 2009.
• Love, J. (2009) [No title]. Exhibit at: Empirical. Avenue Gallery, University of Northampton, 12 June 2009 - 03 July 2009.
• Love, J. (2009) [No title]. Exhibit at: Group Show. The Drawing Center, New York, May 2009.
• Love, J. (2009) [No title]. Exhibit at: 6th International Biennial of Contemporary Graphic Arts. Novosibirsk State Art Museum, Siberia, 11 September - 15 November 2009.
• Love, J., Capkova, H. and Gould, D. (2008) Talking with Ourselves. Exhibit at: Talking with Ourselves. Triangle Gallery, Chelsea College of Art & Design, London, 22-26 April 2008. [Video installation]
• Love, J., Chance, V., Devison, N. and Taylor, F. (2013) Transverse mappings: print, media and beyond. Panel Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
• Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 2010-07-01.
• Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 2010-07-01.
• Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.

M

• Murphy, A. C. (2016) Presenting the spectacular double act of the photograph and the taxidermy specimen. Paper presented to: 2016 Annual Conference of the British Association for Victorian Studies (BAVS): Consuming (the) Victorians, Cardiff University, Wales, 31 August - 02 September 2016. (Unpublished)
• Murphy, A. C. (2017) Specere II #149, Specere II #95, Specere II #86. In: Schlosser, J. (ed.) Co-existence : an art exhibition.
• Murphy, A. C. (2017) Specere and the photograph: co-existing in perpetual states of preservation. Paper presented to: Living with Animals 3: Co-Existence, Eastern Kentucky University, Richmond, Kentucky, USA, 22-25 March 2017.
• Murphy, A. C. (2016) Taxidermy and the photograph. Paper presented to: The New and the Novel in the 19th Century, Lincoln, Nebraska, United States, 14-16 April 2016. (Unpublished)

P

• Parker, D. (2013) Book review: Jung on Art: the Autonomy of the Creative Drive. International Journal of Jungian Studies. 5(2), pp. 188-190. 1940-9052 print, 1940-9060 online.
• Parker, D. (2009) Illness and Epiphany: An Awakening Spirit. Exhibit at: Illness and Epiphany: an Awakening Spirit. Avenue Gallery, University of Northampton, 21 September - 16 October 2009.
• Parker, D. (2007) Insider/outsider: exploring boundaries between mainstream and marginal arts. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 24 May 2007. Also presented at: Milton Keynes Gallery, May 2007 (Unpublished)
• Parker, D. (2009) Leon Martindale: illness and epiphany. Raw Vision. Winter 200(68)
• Parker, D. (2008) On painting substance and psyche. In: Rowland, S. (ed.) Psyche and the Arts: Jungian Approaches to Music, Architecture, Literature, Painting and Film. London: Routledge. pp. 45-55.
• Parker, D. (2013) Outsider Art and Alchemy. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang Internationaler Verlag der Wissenschaften. pp. 97-110.
• Parker, D. (2004) Outsider Art: a brief account. Asylum. 14(1), pp. 5-7. 0955-2030.
• Parker, D. (2013) Passage (detail). [Print]. Oxon: Routledge, Taylor & Francis.
• Parker, D. (2011) Psyche in the Arts Research Network Symposium exhibition. Exhibit at: Psyche in the Arts Research Network Symposium. The University of Northampton, 2011-09-01.
• Parker, D. (2011) Psyche in the Arts Research Network Symposium exhibition. Exhibit at: Psyche in the Arts Research Network Symposium. The University of Northampton, 2011-09-01.
• Parker, D. (2006) Recollections. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
• Parker, D. (2010) Skeletons in closets: outsider art, art brut and the a-cultural other - an enquiry into culture and psyche. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Parker, D. (2010) Spirituality & trans-cultural phenomena: art, alchemy and the outsider. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
• Parker, D. (2009) The abstract unconscious in painting. Art and Psyche Online Journal. 2, pp. 1-17.
• Parker, D. (2008) The abstract unconscious in painting. Paper presented to: Art and Psyche: Reflections on Image, C G Jung Institute, San Francisco, California, 1-4 May 2008. (Unpublished)
• Parker, D. (2009) [No title]. Exhibit at: Exchange: Two Universities, Two Groups of Researchers, Two Exhibitions, Two Dialogues. The University of Plymouth & The University of Northampton, 18 November - 18 December 2009.
• Parker, D. (2008) ‘Eye of Faith’ (Detail), cover image in: ‘Psyche and the Arts’ : Jungian Approaches to Music, Architecture, Literature, Painting and Film. (Ed. Rowland. S.) ISBN10 - 0415438365, ISBN13 – 978-0415438360 London, Routledge, 2008. [Book]. London: Routledge.
• Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011. (Unpublished)
• Parker, D. and Evans, M. (2009) Lost for words/lost in words: painting and the unspeakable unconscious. Paper presented to: 2nd International Conference of the International Association for Jungian Studies (IAJS) : Psyche, Power and Society, Cardiff University, 9 - 12 July 2009. (Unpublished)

S

• Staff, C. (2008) 'Speaking in the vernacular: insularity, British art and modernism'. In: Osgerby, W., Esser-Hall, G., Myers, M. and Staff, C. (eds.) Tracing Britishness: Exploring the Notion of 'Britishness' in the 21st Century by Tracing Themes of Stoicism, Nostalgia, Insularity and Ourselves and Others Through a Selection of Works from the Rugby Collection. Rugby: Rugby Art Gallery and Museum.
• Staff, C. (2011) A Poetics of becoming: the mythography of Cy Twombly. In: Wallace, I. L. and Hirsh, J. (eds.) Contemporary Art and Classical Myth. Farnham: Ashgate. pp. 43-55.
• Staff, C. (2013) After Modernist Painting: The History of a Contemporary Practice. London: I.B.Tauris. 9781780761794.
• Staff, C. (2013) Along heuristic lines: drawing and the interpreted world. Symposium presented to: The Insistence of Drawing, The University of Northampton, 11 July 2013. (Unpublished)
• Staff, C. (2007) An e-mail conversation between Slavka Sverakova and Craig Staff, May 2007. CIRCA Art Magazine. 0263-9475. Online article
• Staff, C. (2010) Ancient Egyptian Art; Inspecting the Fields for Nebamun; Abstract Expressionism; Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949, Mark Rothko; The Big Night Down the Drain, 1962-63, Georg Baselitz; European Lyrical Abstraction; Nice, 1954 Nicolas De Stael; Portable War Memorial, 1968, Ed Kienholz; Neo-Expressionism; Café Deutschland (Lift/Tremble/Back), 1984 Jorg Immendorf. In: Farthing, S. (ed.) Art: The Whole Story. London: Thames & Hudson. pp. 28-547.
• Staff, C. (2002) As Long As It Takes. In: Dean, D. and Lillington, D. (eds.) As Long As It Takes. Nottingham: Angel Row Gallery. 0-0.
• Staff, C. (2015) Burrowing under the apparent: the blindfold drawings of Claude Heath. In: Guerin, F. (ed.) On Not Looking: The Paradox of Contemporary Visual Culture. New York: Routledge. pp. 123-138.
• Staff, C. (2015) Craig Staff writes on 'Real Painting'. Abcrit: discourses on abstract painting and sculpture. July 2015 [Online blog]
• Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
• Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007. (Unpublished)
• Staff, C. (2011) Modernist Painting and Materiality. Jefferson, N.C.: McFarland. 9780786447145.
• Staff, C. (2015) Monochrome: Darkness and Light in Contemporary Art. London: I.B.Tauris. 9781784530488.
• Staff, C. (2009) Natural Responses - Transformations. Chair presented to: X6 Transformations Seminar Day, Fermynwoods Contemporary Art, 12 October 2009. (Unpublished)
• Staff, C. (2007) Notes towards a differential ontology of painting. In: Sweet, D. (ed.) A Future for Modernism? The Possibilities of Re-inhabiting an Abandoned Critical Position. Manchester: MIRIAD. 9781905476169. pp. 38-49.
• Staff, C. (2013) Painting and performance. I.B.Tauris Blog.
• Staff, C. (2004) Painting apart from itself. Dwelling. 1741-1467.
• Staff, C. (2013) Painting of the week: 63. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 67. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 69. I.B. Tauris Blog.
• Staff, C. (2015) Painting qua painting (as noun and verb). Online: Castlefield Gallery.
• Staff, C. (2006) Recollection. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
• Staff, C. (2017) Something of the previous day.
• Staff, C. (2015) Such clues and such obligations. Symposium presented to: The Sketchbook Today, The University of Northampton, 16 June 2015. (Unpublished)
• Staff, C. (2017) Teaching painting in the expanded field: positioning, pedagogy and practice. In: Hartshorne, I., Moloney, D. and Quaife, M. (eds.) Teaching Painting: How Can Painting Be Taught in Art Schools? London: Black Dog.
• Staff, C. (2015) Teaching painting in the expanded field: positioning, pedagogy and practice. Paper presented to: Teaching Painting, Whitworth Museum, Manchester, 29-30 October 2015. (Unpublished)
• Staff, C. (2015) The cultivation of (difficult) surfaces or “I know that’s a tree”. Invited Presentation presented to: Talk to accompany the exhibition Real Painting, Castlefield Gallery, Manchester, 11 July 2015. (Unpublished)
• Staff, C. (2006) Towards a differential ontology of painting. Paper presented to: A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006. (Unpublished)
• Staff, C. (2009) What is an artist? Invited Presentation presented to: What is an artist?, Milton Keynes Gallery, 28 May 2009. (Unpublished)
• Staff, C. (2008) [Contribution]. In: Farthing, S. (ed.) 501 Great Artists: A Comprehensive Guide to the Giants of the Art World. New York: Barron's Educational Series.
• Staff, C. (2006) [Contribution]. In: Farthing, S. (ed.) 1001 Paintings You Must See Before You Die. London: Cassell.
• Staff, C. (2004) ‘Extended Painting’ at Victoria Miro. CIRCA Art Magazine. 108(Summer), pp. 88-89. 0263-9475.
• Staff, C. (2009) 絵画の示差的存在論のための覚書* Towards a differential ontology of painting. Rear 21.
• Staff, C. and Cureton, P. (2009) Of blood, of trade, authority, agency: sought after forms and drawing today. Paper presented to: Association of Art Historians (AAH) 35th Annual Conference and Bookfair, Manchester Metropolitan University, 2-4 April 2009. (Unpublished)
• Staff, C. and Cureton, P. (2011) The 43 Uses of Drawing. Exhibit at: The 43 Uses of Drawing. Rugby Art Gallery and Museum, Rugby, Warwickshire, 06 September - 30 October 2011. [Exhibition curators]
• Staff, C. and Cureton, P. (2009) The life of Paolo Uccello: drawing transitions through curriculums. Paper presented to: Transitions: Learning and Teaching Conference, University of Northampton, 13 May 2009. (Unpublished)
• Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
• Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
• Staff, C. and Farmer, R. (2019) Teaching students to write about art : Results of a four-year patchwork text project. Art, Design & Communication in Higher Education. 18(2), pp. 137-151. 1474-273X.
• Staff, C. and Seki, T. (2008) Returning by a Shorter Path. Exhibit at: Returning by a Shorter Path. Avenue Gallery, 27 October - 21 November 2008.

W

• Whittaker, R., Harrison Whittaker, R., Parker, D. and Evans, M. (2009) The vital image : interview with Michael Evans and David Parker. Jung Journal: Culture & Psyche. 3(3), pp. 87-115. 1934-2039.