Northampton Electronic Collection of Theses and Research

Items where Division is "Faculties > Faculty of Arts, Science & Technology > Fine Art"

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Number of items at this level: 197.

A

  • Allen, C. (2018) Round table discussion. Panel Presentation presented to: Without End: Documents of Research, The University of Northampton, 16 February 2018.
  • Allen, C. (2018) Textual analysis as a document of research. Exhibit at: Without End: Documents of Research. The University of Northampton, 16 Feb 2018.
  • Allwork, L. (2015) Trends in Holocaust memorialization. Other presented to: Holocaust Memorial Day Annual Lecture and Commemorative Event 2015, The University of Northampton, 21 January 2015. (Unpublished)
  • Attenburrow, D. H. (2007) Drawn to Life. Alfred East Gallery, Kettering, Northants, 13 January - 24 February 2007.
  • Attenburrow, D. H. (2008) [No title]. Exhibit at: Exhibition. Spratton Hall School, Northamptonshire, 18 February - 19 March 2008.
  • Autogena, L., Portway, J., Gough, O. and Hollinshead, R. (2013) Production of: Foghorn Requiem. Performance at: Foghorn Requiem Souter Lighthouse, South Shields, 22 June 2013.

B

  • Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. Northampton: The University of Northampton. 9781906398156.
  • Bamber, R. (2011) Viewpoint. Exhibit at: OMBRA:Selects. 1-5 Vyner Street, East London, E2 9DG, September 2011 - Nov 2011.
  • Bamber, R. (2013) [No title]. Exhibit at: OMBRA:Awards. 1-5, Vyner Street, London, E2 9DG, 12 September - 20 October 2013.
  • Bamber, R. and Samuels, M. (2012) Changing room. [Installation].

C

  • Callery, S. (2010) Contribution to: Condivisione. In: Morganti, M. and Pes, L. (eds.) Un Diario Tira L’Altro: Vol. 2: Condivisione. Milano: Corraini. pp. 48-51.
  • Callery, S. (2013) Estuary, Beacon and Hadleigh-in-Place. Exhibit at: Estuary, Beacon and Hadleigh in Place. Three locations: Estuary - five-day barge trip from Tower Bridge to the Thames estuary mouth; Beacon - Hadleigh Junior School, Essex; Hadleigh in Place - Association for Cultural Advancement through Visual Art (ACAVA) studios, June 2011 – May 2013.
  • Callery, S. (2012) Inland Sealand. Exhibit at: Inland Sealand. 33 Newland, Sherborne, Dorset, 28 July - 09 September 2012.
  • Callery, S. (2013) Limber: Spatial Painting Practices. Exhibit at: Limber: Spatial Painting Practices. Herbert Read Gallery, Canterbury, 13 September - 12 October 2013. Also exhibited at: Grandes Galeries de l’ESADHaR, Rouen, France, 21 November - 20 December 2013
  • Callery, S. (2010) Physical Painting. Exhibit at: Physical Painting. FOLD Gallery, London, 13 October - 14 November 2010.
  • Callery, S. (2009) Thames Gateway Project: Pit Paintings and Wallspines. Exhibit at: Thames Gateway Project. APT Gallery, London, 09 October – 01 November 2009.
  • Chapman, J. (2007) New Paintings from Life and Photography. Exhibit at: Jonathan Chapman - New Works. Roger Billcliffe Gallery, Glasgow, 31 August - 30 September 2007.
  • Chapman, J. (2007) Painting from Life and Photography. Exhibit at: Still Life Exhibition. Nuneaton Museum & Art Gallery, Nuneaton, Warwickshire, 17 November 2007 - 13 January 2008.
  • Coldwell, P. and Love, J. (2012) Paul Coldwell introducing Jo Love. Grabado Y Edicion - Print and Art Edition Magazine. 35, pp. 62-67.
  • Cureton, P. (2009) Drawing: art or information design. Garden Design Journal. 89, p. 46. 1356-6458.
  • Cureton, P. (2013) Videre: drawing and evolutionary architectures. Materials Architecture Design Environment (MADE). 9(7), pp. 18-27. 1742-416X.
  • Cureton, P., Staff, C. and Clark, R. (2013) Rhythm/Presence. Exhibit at: Rhythm/Presence. The Centre for Recent Drawing (C4RD), London, 06-16 March 2013. Also exhibited at: Drawing Project, IADT (Institute of Art, Design & Technology) Dublin, 20 March - 8 April 2013; CUBE Gallery, Manchester, 22 April – 9 May 2013; RIBA Hub (Royal Institute of British Architects) Manchester, 22 April – 9 May 2013. [Exhibition curators]

D

  • Darbyshire, R. (2013) An Embarrassment of Stains, Camp Joffre. Exhibit at: Un Dialogue Ouvert, Paysage Contesté. Les Anciens Thermes, St Paul de Fenouillet, France, 26 October - 04 December 2013.
  • Devison, N., Love, J. and Shaw, M. (2009) Works on Paper. Exhibit at: Works on Paper. Library Gallery, Islington, London, 05 December 2009.

E

  • Evans, M. (2008) Art & psyche. Paper presented to: Art & Psyche : Reflections on Image, Jung Institute, San Francisco, 1-4 May 2008. (Unpublished)
  • Evans, M. (2009) Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Exhibit at: Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November - 18 December 2009.
  • Evans, M. (2010) Lost for words: lost in words (abstract painting and the unspeakable unconscious). Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
  • Evans, M. (2007) New Works. Exhibit at: Painting, Technology and Transcendent in POMO Culture.
  • Evans, M. (2011) New possibilities for contemporary abstract painting. Paper presented to: Digital Hybridity, University of Derby, 17 June 2011. (Unpublished)
  • Evans, M. (2010) Out of nothing. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
  • Evans, M. (2013) Out of nothing: painting and spirituality. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang. pp. 77-96.
  • Evans, M. (2010) Separation Anxiety. Exhibit at: Separation Anxiety. Avenue Gallery, The University of Northampton, 08 February - 05 March 2010.
  • Evans, M. (2009) The Abstract Unconsious. ARAS/Art and Psyche Online Journal. 2009(4)
  • Evans, M. (2010) The preservation of the wholly other in abstract painting. Paper presented to: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
  • Evans, M. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June - 05 July 2011. Also exhibited at: Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011
  • Evans, M., Harper, J., Langford, A. W. and Stedman, N. (2008) Common Ground. Exhibit at: Common Ground. Rhyl Museum & Art Gallery, 10 May - 7 June 2008.
  • Evans, M., Love, J., Brook, L., Devison, N., Dimsdale, E., Shaw, M. and Black, T. (2012) [No title]. Exhibit at: Viewfinder. Avenue Gallery, The University of Northampton, 29 April - 24 May 2012.
  • Evans, M. and Parker, D. (2008) The Abstract Unconscious. Exhibit at: The Abstract Unconscious. Avenue Gallery, The University of Northampton, 2008.
  • Evans, M. and Parker, D. (2007) The Abstract Unconscious. Gallery 103, North East Wales Institute of Higher Education, Wrexham, 29 October - 15 November 2007.

G

  • Gant, S. (2012) Crossing the Line. Exhibit at: Jerwood Drawing Prize 2012. Jerwood Space, London, 12 September 2012 - 28 October 2013. Also exhibited at: Jerwood Gallery, Hastings, 08 December 2012 - 06 January 2013; MAC Birmingham, 12 January - 03 March 2013; The Gallery, The Arts University College at Bournemouth, 22 March - 26 April 2013
  • Gant, S. (2013) Keep Looking and Line No 22. Exhibit at: National Eisteddfod of Wales Visual Arts Exhibition. Y Lle Celf, Carmarthenshire, Wales, 02-10 August 2013.
  • Gant, S. (2010) Orange Circles. Exhibit at: Jerwood Drawing Prize 2010. Jerwood Space, London, 29 September 2010 - 07 November 2011. Also exhibited at: Summerfield Gallery, University of Gloucestershire, Cheltenham, 11-22 November 2010; South Hill Park, Bracknell, 27 November 2010-23 January 2011; Oriel Myrddin Gallery, Carmarthen, 5 March-16 April 2011; DLI Museum & Durham Art Gallery, Aykley Heads, Durham, 7 May-12 June 2011.
  • Gant, S. (2009) Song for the Auction Caller. Exhibit at: Eisteddfod Visual Arts Exhibition. Y Lle Celf Gallery, Carmarthenshire, Wales, August 2009. Also exhibited at: "Loop Videoart Festival", Barcelona, Spain, 21-31 May 2009; Art Video Screening "Waterpieces" Riga, Latvia, 4-6 September 2009; Cinema Bio Roxy, Orebro, Sweden, 17 October 2009; Cinema Elektra, Vasteras, Sweden, 20 November 2009; as part of the "Orebro International Videoart Festival", 1-3 October 2010, Orebro, Sweden and at Vetlanda Museum, Sweden, 21 January-19 February, 2012
  • Gant, S. and Reilly, P. (2017) Different expressions of the same mode: a recent dialogue between archaeological and contemporary drawing practice. Journal of Visual Art Practice. 17(1), pp. 100-120. 1470-2029.
  • Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
  • Greco, P. (2006) Eating Out. Museum of Domestic Design & Architecture (MoDA), Barnet, 24 April 2006 – 9th July 2006. [Exhibit of vinyl prints]
  • Greco, P. (2007) Garden Armoury. Yard Gallery, Welford, 1-15 September 2007. [Installation of prints and sculpture]
  • Greco, P. (2008) House and Gardens. Exhibit at: The Suburban Landscape: Two Hundred Years of Gardens and Gardening. Museum of Domestic Design & Architecture (MoDA), 19 June 2007 – 24 February 2008.
  • Greco, P. (2007) Houses and Gardens. Exhibit at: Sculpting the Suburban Landscape. Museum of Domestic Design & Architecture (MoDA), Barnet, 19 June 2007 - 30 September 2007. [Exhibit of vinyl prints]
  • Greco, P. (2010) Switch. Exhibit at: At Play 2. South Hill Park Arts Centre, Bracknell, 17 April – 20 June 2010. [Digital print installation]
  • Greco, P. (2009) The Personalised Surface within Fine Art Digital Printmaking. (Unpublished)
  • Greco, P. (2007) The personalised surface within fine art digital printmaking. Exhibit at: Collaborative research, led by P Coldwell and B Rauch. University of the Arts, London, 1 September 2007. Invited to participate through developing practice, exhibition and symposium
  • Greco, P. (2007) The place of printmaking within contemporary fine art practice. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 3 May 2007. [Public lecture and slide presentation] (Unpublished)
  • Greco, P. (2007) Why the Turner Prize? Invited Presentation presented to: Public debate, Open University, Milton Keynes, 18 January 2007. [Invited speaker and panel member] (Unpublished)

H

L

  • Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 25-27 June 2010. (Unpublished)
  • Langford, A. W. (2007) Invernaderos: Almeria as a corporatized utilitarian land. Invited Presentation presented to: Global Photographies Conference, Dun Laoghaire Institute of Art, Design and Technology, Dublin, Ireland, 27-29 June 2007. [Invited speaker and paper presented] (Unpublished)
  • Langford, A. W. (2011) Re-Moved. Symposium presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 09 December 2011. (Unpublished)
  • Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 07 June - 10 July 2010.
  • Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010, pp. 18-19. 2009-2288.
  • Langford, A. W. (2008) Winter growing fields: landscape and estrangement. Exhibit at: Winter growing fields: landscape and estrangement. Avenue Gallery, The University of Northampton, 8 April - 2 May 2008.
  • Langford, A. W. and Wells, L. (2009) Exchange. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
  • Leahy, C. (2015) Artist in Residence August 2015 - July 2016. Florence Trust Studios (St. Saviours, Aberdeen Park, Highbury, London N5 2AR).
  • Leahy, C. (2016) Aesthetics of Disappearance; Social Deconstruction; Sedimentation. Exhibit at: Coup de Ville 2016. Sint-Niklaas, Belgium, 09 September - 09 October 2016.
  • Leahy, C. (2015) Relief in Time | Time in Relief. Exhibit at: PrintLab SNAP. Rijksmuseum Twenthe, Enschede, Holland, 27 September - 15 November 2015.
  • Leahy, C. (2015) Relief in time | Time in relief. Expanded printmaking as a conduit for temporal dissonance and the anachronistic. Invited Presentation presented to: SNAP 3: 3rd International Printmaking Sympsoium, Print Association, Kloster-Bentlage, Rheine, Germany, 12-15 November 2015. (Unpublished)
  • Leahy, C. (2015) Statements. Exhibit at: Statements. Kloster-Bentlage, Rheine, Germany, 12 November 2015 - 10 January 2016.
  • Leahy, C. (2014) Suspended Temporality. Exhibit at: Suspended Temporality. C-Mine Cultural Centre, Genk, Belgium, 05 September-31 October 2014.
  • Leahy, C. (2011) Temporal Dissonance. Exhibit at: Münsterland Festival: Part 6: Graphik Projekt. Kloster Bentlage, Rheine, Germany, 23 September - 06 November 2011.
  • Leahy, C., Clarke, L., Allchurch, E., Sayal-Bennett, A., Bronstein, P., Noble, P., Perry, G., Goudal, N., Boberska, B., Clewlow, R., Johnson, S.-A., Jones, K., Miller, T., Price, D. and Wiener, J. (2015) :Xenotopia. Exhibit at: :Xenotopia. Gibberd Gallery, Harlow, Essex, 06 November - 17 December 2015.
  • Leet, S.-K. (2008) Photograph. Exhibit at: Through the Lens: RWA 1st Open Photography Exhibition. Royal West of England Academy of Arts (RWA), Bristol, 8 June – 20 July 2008.
  • Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
  • Love, J. (2008) C’est ouVert. Exhibit at: C’est OuVert group exhibition. Plouec du Trieux, France, June-October 2008. Featured 4 page photographic article in C’est ouVert exhibition catalogue
  • Love, J. (2012) Dust: Johanna Love. Exhibit at: Dust: Johanna Love. Avenue Gallery, The University of Northampton, 01-26 October 2012.
  • Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
  • Love, J. (2009) Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
  • Love, J. (2011) Gefallener Staub (Fallen Dust). Exhibit at: Jerwood Drawing Prize. Jerwood Space, London (and Touring), 14 September - 30 October 2011.
  • Love, J. (2011) Materiality and surface of the digital print. Invited Keynote presented to: Wrexham Print International Exhibition & Symposium, Yale College, Wrexham, 19 April 2011. (Unpublished)
  • Love, J. (2008) Photograph. London: A&C Black. [In: Bonnell, M., Mumberson, S. (2008) Printmaking on a budget]
  • Love, J. (2013) Selected works from the Staub series. Exhibit at: Mote: Art with Marginal Material. Harrington Mill Studios, Nottingham, 07-28 September 2013.
  • Love, J. (2011) Staub 4. [Digital photograph]. Aspiracje: Pismo Warszawskich Uczelni Artystycznych: Academy of Fine Arts in Warsaw. [In: Coldwell, P: Przestrzenie kontestacji: Grafika cyfrowa i warsztatowa. Aspiracje. Summer 2011, pp. 36-37. 1732-6125.]
  • Love, J. (2008) The Art of Research: Research Narratives. Exhibit at: The Art of Research: Research Narratives. Chelsea College of Art & Design, London, 28-30 October 2008.
  • Love, J. (2009) The Personalised Surface Within Fine Art Digital Printmaking - Case study. Exhibit at: The Personalised Surface Within Fine Art Digital Printmaking Project. Online, 2009. [Case study]
  • Love, J. (2013) The practice-based PhD in printmaking. Invited Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
  • Love, J. (2011) Viewfinder [group exhibition]. Exhibit at: IMPACT 7: International Multi-disciplinary Printmaking Conference 2011: Intersections & Counterpoints. Monash University, Melbourne, Australia, 27-30 September 2011.
  • Love, J. (2013) [No title]. Exhibit at: Parallel Prints. Art at Wharepuke, Kerikeri, New Zealand, 15 July-22 September 2013.
  • Love, J. (2012) [No title]. Exhibit at: Drawing Research Network (DRN) Conference 2012: Drawing Knowledge. Loughborough University, 10-11 September 2012.
  • Love, J. (2012) [No title]. Exhibit at: British Printmaking Japan: 6th International Kyoto Hanga 2012 International Print Exhibition: Process and Innovation. Kyoto City Museum of Art, Japan, 31 July - 12 August 2012.
  • Love, J. (2011) [No title]. Exhibit at: Viewfinder. Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011.
  • Love, J. (2011) [No title]. Exhibit at: Scope: New Photographic Practices. Tsingua University Gallery, Beijing, China, December 2011.
  • Love, J. (2011) [No title]. Exhibit at: Bite: Artists Making Prints. Mall Galleries, London, 04-15 September 2011.
  • Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.
  • Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
  • Love, J. (2010) [No title]. Exhibit at: Hot Plate International Print Exhibition. Pheonix Gallery, Brighton, 03 July - 15 August 2010.
  • Love, J. (2010) [No title]. Exhibit at: 2nd Penang International Print Exhibition 2010. Penang State Museum and Art Gallery, Malaysia, 16 September - 15 October 2010.
  • Love, J. (2009) [No title]. Exhibit at: Impact 6 International Print Conference and Symposium. Bristol, 17-19 September 2009.
  • Love, J. (2009) [No title]. Exhibit at: Empirical. Avenue Gallery, University of Northampton, 12 June 2009 - 03 July 2009.
  • Love, J. (2009) [No title]. Exhibit at: Group Show. The Drawing Center, New York, May 2009.
  • Love, J. (2009) [No title]. Exhibit at: 6th International Biennial of Contemporary Graphic Arts. Novosibirsk State Art Museum, Siberia, 11 September - 15 November 2009.
  • Love, J., Capkova, H. and Gould, D. (2008) Talking with Ourselves. Exhibit at: Talking with Ourselves. Triangle Gallery, Chelsea College of Art & Design, London, 22-26 April 2008. [Video installation]
  • Love, J., Chance, V., Devison, N. and Taylor, F. (2013) Transverse mappings: print, media and beyond. Panel Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
  • Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 01-02 July 2010. (Unpublished)
  • Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.

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This list was generated from NECTAR on Tue Nov 20 05:06:13 2018 GMT.