Northampton Electronic Collection of Theses and Research

Items where Division is "Fine Art"

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Number of items at this level: 239.

A

  1. Allen, C. (2018) Round table discussion. Panel Presentation presented to: Without End: Documents of Research, The University of Northampton, 16 February 2018.
  2. Allen, C. (2018) Textual analysis as a document of research. Exhibit at: Without End: Documents of Research. The University of Northampton, 16 Feb 2018.
  3. Allwork, L. (2015) Trends in Holocaust memorialization. Other presented to: Holocaust Memorial Day Annual Lecture and Commemorative Event 2015, The University of Northampton, 21 January 2015. (Unpublished)
  4. Attenburrow, D. H. (2007) Drawn to Life. Alfred East Gallery, Kettering, Northants, 13 January - 24 February 2007.
  5. Attenburrow, D. H. (2008) [No title]. Exhibit at: Exhibition. Spratton Hall School, Northamptonshire, 18 February - 19 March 2008.
  6. Autogena, L., Portway, J., Gough, O. and Hollinshead, R. (2013) Production of: Foghorn Requiem. Performance at: Foghorn Requiem Souter Lighthouse, South Shields, 2013-06-22.
  7. Autogena, L., Portway, J., Gough, O. and Hollinshead, R. (2013) Production of: Foghorn Requiem. Performance at: Foghorn Requiem Souter Lighthouse, South Shields, 2013-06-22.

B

  1. Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. The University of Northampton. 9781906398156.
  2. Ballinger, S., Elcoat, E., Leahy, C., Tobot, M., Tomos, E. and Staff, C. (2016) Time, Chemistry, Chance and Human Design. Bookworks. 9781906398156.
  3. Bamber, R. (2011) Viewpoint. Exhibit at: OMBRA:Selects. 1-5 Vyner Street, East London, E2 9DG, 2011-09-01.
  4. Bamber, R. (2011) Viewpoint. Exhibit at: OMBRA:Selects. 1-5 Vyner Street, East London, E2 9DG, 2011-09-01.
  5. Bamber, R. (2013) [No title]. Exhibit at: OMBRA:Awards. 1-5, Vyner Street, London, E2 9DG, 12 September - 20 October 2013.
  6. Bamber, R. and Samuels, M. (2012) Changing room. [Installation].

C

  1. Callery, S. (2010) Contribution to: Condivisione. In: Morganti, M. and Pes, L. (eds.) Un Diario Tira L’Altro: Vol. 2: Condivisione. Milano: Corraini. pp. 48-51.
  2. Callery, S. (2013) Estuary, Beacon and Hadleigh-in-Place. Exhibit at: Estuary, Beacon and Hadleigh in Place. Three locations: Estuary - five-day barge trip from Tower Bridge to the Thames estuary mouth; Beacon - Hadleigh Junior School, Essex; Hadleigh in Place - Association for Cultural Advancement through Visual Art (ACAVA) studios, June 2011 – May 2013.
  3. Callery, S. (2012) Inland Sealand. Exhibit at: Inland Sealand. 33 Newland, Sherborne, Dorset, 2012-09-01.
  4. Callery, S. (2012) Inland Sealand. Exhibit at: Inland Sealand. 33 Newland, Sherborne, Dorset, 2012-09-01.
  5. Callery, S. (2013) Limber: Spatial Painting Practices. Exhibit at: Limber: Spatial Painting Practices. Herbert Read Gallery, Canterbury, 2013-01-01.
  6. Callery, S. (2013) Limber: Spatial Painting Practices. Exhibit at: Limber: Spatial Painting Practices. Herbert Read Gallery, Canterbury, 2013-01-01.
  7. Callery, S. (2010) Physical Painting. Exhibit at: Physical Painting. FOLD Gallery, London, 2010-11-01.
  8. Callery, S. (2010) Physical Painting. Exhibit at: Physical Painting. FOLD Gallery, London, 2010-11-01.
  9. Callery, S. (2009) Thames Gateway Project: Pit Paintings and Wallspines. Exhibit at: Thames Gateway Project. APT Gallery, London, 2009-11-01.
  10. Callery, S. (2009) Thames Gateway Project: Pit Paintings and Wallspines. Exhibit at: Thames Gateway Project. APT Gallery, London, 2009-11-01.
  11. Chapman, J. (2007) New Paintings from Life and Photography. Exhibit at: Jonathan Chapman - New Works. Roger Billcliffe Gallery, Glasgow, 31 August - 30 September 2007.
  12. Chapman, J. (2007) Painting from Life and Photography. Exhibit at: Still Life Exhibition. Nuneaton Museum & Art Gallery, Nuneaton, Warwickshire, 17 November 2007 - 13 January 2008.
  13. Coldwell, P. and Love, J. (2012) Paul Coldwell introducing Jo Love. Grabado Y Edicion - Print and Art Edition Magazine. 35, pp. 62-67.
  14. Cureton, P. (2009) Drawing: art or information design. Garden Design Journal. 89, p. 46. 1356-6458.
  15. Cureton, P. (2013) Videre: drawing and evolutionary architectures. Materials Architecture Design Environment (MADE). 9(7), pp. 18-27. 1742-416X.
  16. Cureton, P., Staff, C. and Clark, R. (2013) Rhythm/Presence. Exhibit at: Rhythm/Presence. The Centre for Recent Drawing (C4RD), London, 06-16 March 2013. Also exhibited at: Drawing Project, IADT (Institute of Art, Design & Technology) Dublin, 20 March - 8 April 2013; CUBE Gallery, Manchester, 22 April – 9 May 2013; RIBA Hub (Royal Institute of British Architects) Manchester, 22 April – 9 May 2013. [Exhibition curators]

D

  1. Darbyshire, R. (2013) An Embarrassment of Stains, Camp Joffre. Exhibit at: Un Dialogue Ouvert, Paysage Contesté. Les Anciens Thermes, St Paul de Fenouillet, France, 2013-10-26.
  2. Darbyshire, R. (2013) An Embarrassment of Stains, Camp Joffre. Exhibit at: Un Dialogue Ouvert, Paysage Contesté. Les Anciens Thermes, St Paul de Fenouillet, France, 2013-10-26.
  3. Devison, N., Love, J. and Shaw, M. (2009) Works on Paper. Exhibit at: Works on Paper. Library Gallery, Islington, London, 05 December 2009.

E

  1. Evans, M. (2008) Art & psyche. Paper presented to: Art & Psyche : Reflections on Image, Jung Institute, San Francisco, 1-4 May 2008. (Unpublished)
  2. Evans, M. (2009) Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Exhibit at: Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November - 18 December 2009.
  3. Evans, M. (2010) Lost for words: lost in words (abstract painting and the unspeakable unconscious). Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
  4. Evans, M. (2007) New Works. Exhibit at: Painting, Technology and Transcendent in POMO Culture.
  5. Evans, M. (2011) New possibilities for contemporary abstract painting. Paper presented to: Digital Hybridity, University of Derby, 17 June 2011. (Unpublished)
  6. Evans, M. (2010) Out of nothing. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
  7. Evans, M. (2013) Out of nothing: painting and spirituality. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang. pp. 77-96.
  8. Evans, M. (2010) Separation Anxiety. Exhibit at: Separation Anxiety. Avenue Gallery, The University of Northampton, 08 February - 05 March 2010.
  9. Evans, M. (2009) The Abstract Unconsious. ARAS/Art and Psyche Online Journal. 2009(4)
  10. Evans, M. (2010) The preservation of the wholly other in abstract painting. Paper presented to: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
  11. Evans, M. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June - 05 July 2011. Also exhibited at: Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011
  12. Evans, M. (2015) An aesthetic of the unknown. International Journal of Jungian Studies. 7(1), pp. 19-32. 1940-9052.
  13. Evans, M., Harper, J., Langford, A. W. and Stedman, N. (2008) Common Ground. Exhibit at: Common Ground. Rhyl Museum & Art Gallery, 10 May - 7 June 2008.
  14. Evans, M., Love, J., Brook, L., Devison, N., Dimsdale, E., Shaw, M. and Black, T. (2012) [No title]. Exhibit at: Viewfinder. Avenue Gallery, The University of Northampton, 29 April - 24 May 2012.
  15. Evans, M. and Parker, D. (2008) The Abstract Unconscious. Exhibit at: The Abstract Unconscious. Avenue Gallery, The University of Northampton, 2008.
  16. Evans, M. and Parker, D. (2007) The Abstract Unconscious. Gallery 103, North East Wales Institute of Higher Education, Wrexham, 29 October - 15 November 2007.

G

  1. Gant, S. (2012) Crossing the Line. Exhibit at: Jerwood Drawing Prize 2012. Jerwood Space, London, 12 September 2012 - 28 October 2013. Also exhibited at: Jerwood Gallery, Hastings, 08 December 2012 - 06 January 2013; MAC Birmingham, 12 January - 03 March 2013; The Gallery, The Arts University College at Bournemouth, 22 March - 26 April 2013
  2. Gant, S. (2013) Keep Looking and Line No 22. Exhibit at: National Eisteddfod of Wales Visual Arts Exhibition. Y Lle Celf, Carmarthenshire, Wales, 02-10 August 2013.
  3. Gant, S. (2010) Orange Circles. Exhibit at: Jerwood Drawing Prize 2010. Jerwood Space, London, 29 September 2010 - 07 November 2011. Also exhibited at: Summerfield Gallery, University of Gloucestershire, Cheltenham, 11-22 November 2010; South Hill Park, Bracknell, 27 November 2010-23 January 2011; Oriel Myrddin Gallery, Carmarthen, 5 March-16 April 2011; DLI Museum & Durham Art Gallery, Aykley Heads, Durham, 7 May-12 June 2011.
  4. Gant, S. (2009) Song for the Auction Caller. Exhibit at: Eisteddfod Visual Arts Exhibition. Y Lle Celf Gallery, Carmarthenshire, Wales, August 2009. Also exhibited at: "Loop Videoart Festival", Barcelona, Spain, 21-31 May 2009; Art Video Screening "Waterpieces" Riga, Latvia, 4-6 September 2009; Cinema Bio Roxy, Orebro, Sweden, 17 October 2009; Cinema Elektra, Vasteras, Sweden, 20 November 2009; as part of the "Orebro International Videoart Festival", 1-3 October 2010, Orebro, Sweden and at Vetlanda Museum, Sweden, 21 January-19 February, 2012
  5. Gant, S. and Reilly, P. (2017) Different expressions of the same mode: a recent dialogue between archaeological and contemporary drawing practice. Journal of Visual Art Practice. 17(1), pp. 100-120. 1470-2029.
  6. Gant, S. and Reilly, P. (2018) Different expressions of the same mode: a recent dialogue between archaeological and contemporary drawing practices. Journal of Visual Art Practice. 17(1), pp. 100-120. 1470-2029.
  7. Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
  8. Greco, P. (2006) Eating Out. Museum of Domestic Design & Architecture (MoDA), Barnet, 24 April 2006 – 9th July 2006. [Exhibit of vinyl prints]
  9. Greco, P. (2007) Garden Armoury. Yard Gallery, Welford, 1-15 September 2007. [Installation of prints and sculpture]
  10. Greco, P. (2008) House and Gardens. Exhibit at: The Suburban Landscape: Two Hundred Years of Gardens and Gardening. Museum of Domestic Design & Architecture (MoDA), 19 June 2007 – 24 February 2008.
  11. Greco, P. (2007) Houses and Gardens. Exhibit at: Sculpting the Suburban Landscape. Museum of Domestic Design & Architecture (MoDA), Barnet, 19 June 2007 - 30 September 2007. [Exhibit of vinyl prints]
  12. Greco, P. (2010) Switch. Exhibit at: At Play 2. South Hill Park Arts Centre, Bracknell, 17 April – 20 June 2010. [Digital print installation]
  13. Greco, P. (2009) The Personalised Surface within Fine Art Digital Printmaking. (Unpublished)
  14. Greco, P. (2007) The personalised surface within fine art digital printmaking. Exhibit at: Collaborative research, led by P Coldwell and B Rauch. University of the Arts, London, 1 September 2007. Invited to participate through developing practice, exhibition and symposium
  15. Greco, P. (2007) The place of printmaking within contemporary fine art practice. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 3 May 2007. [Public lecture and slide presentation] (Unpublished)
  16. Greco, P. (2007) Why the Turner Prize? Invited Presentation presented to: Public debate, Open University, Milton Keynes, 18 January 2007. [Invited speaker and panel member] (Unpublished)

H

  1. Harper, J. (2008) Broken and Breaking Ground. Cromford: Research Group for Artists Publications. 9780955827310.
  2. Harper, J. (2007) Broken and Breaking Ground. Fermynwoods Contemporary Art, 1 March - 31 October 2007.
  3. Harper, J., Langford, A. W., Evans, M. and Stedman, N. (2005) Common Ground. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 6 September - 30 October 2005.
  4. Harper, J., Langford, A. W., Wenden, B., Leet, S.-K. and Kitchener, B. (2007) In-transition. J Gallery, Moulton, Northampton, 24 March - 13 April 2007.
  5. Hewitt, A. (2013) Founding editor. Art & the Public Sphere. Bristol, UK: Intellect. 2042-793X.
  6. Hewitt, A. (2016) Art, its publics and an agenda of impact: the UK case. Kunstlicht. 37(1) 0921-5026. (Online supplement)
  7. Hewitt, A. (2015) Public art against the 'public': does state funded art, participatory art practices and socially-engaged art benefit the public? In: Differences, Inequalities and Sociological Imagination: ESA 2015: 12th Conference of the European Sociological Association 2015: Abstract Book. European Sociological Association and Institute of Sociology of the Czech Academy of Sciences. 9788073302726. p. 152.
  8. Hewitt, A., Beech, D. and Jordan, M. (2014) A Properly Political Art Must Be Twice Political. Exhibit at: Critical Machines (Exhibition and Conference). AUB Byblos Bank Art Gallery, American University of Beirut, 06 March - 26 June 2014.
  9. Hewitt, A., Beech, D. and Jordan, M. (2017) Citizen Ship (kiosk). Exhibit at: MK CityFest. Middleton Hall, Centre MK, Milton Keynes, 26-29 June 2017. Also exhibited at Art in the Park, Milton Keynes, 1-2 July 2017; Milton Keynes Art Centre, Great Linford, 3-8 July 2017; Margaret Powell Square, Milton Keynes, 10-14 July 2017, returning to Milton Keynes in September/October 2017.
  10. Hewitt, A., Beech, D. and Jordan, M. (2015) Cutting publics out of communities. Invited Presentation presented to: Cutting Publics Out of Communities, Malmo Academy of Arts, 21-24 September 2015. (Unpublished)
  11. Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity :. London: MayFly Books. pp. 237-247.
  12. Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity. London: MayFly Books. pp. 237-247.
  13. Hewitt, A., Beech, D. and Jordan, M. (2017) Freee Carracci Yearbook 2017, Freee Art Collective. Northampton: NN Contemporary Art. 9780995700123.
  14. Hewitt, A., Beech, D. and Jordan, M. (2017) Freee kiosk #2: the new text art (of) and making (books) a difference. Exhibit at: For or Against: Art, Politics and the Pamphlet. Loughborough University, 26-27 May 2017.
  15. Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
  16. Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
  17. Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
  18. Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
  19. Hewitt, A., Beech, D. and Jordan, M. (2016) He hath a daily beauty in his life/That makes me ugly. [Text, billboard poster, performance].
  20. Hewitt, A., Beech, D. and Jordan, M. (2015) How to change the world. Workshop presented to: 9th International Conference in Critical Management Studies: Is there an Alternative? Management after Critique, University of Leicester, 08-10 July 2015. (Unpublished)
  21. Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto and Spoken Choir: Open letter to the Engage International Conference, Liverpool 2016. Other presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
  22. Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto for art: the public sphere and the work of the Freee art collective. Seminar Presentation presented to: Beyond Art Activism: Rewriting Art's Neoliberal Value System Seminar, Irish Museum of Modern Art, Dublin, 26th October 2016.
  23. Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading.
  24. Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
  25. Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
  26. Hewitt, A., Beech, D. and Jordan, M. (2013) Protest Drives History. Exhibit at: Istanbul Biennial 2013: “Mom, Am I Barbarian?” . Istanbul, 14 September-20 October 2013.
  27. Hewitt, A., Beech, D. and Jordan, M. (2013) Revolution is sublime: Freee on the sublime and political practice of art and activism today. The Sublime is Now? 36, pp. 4-5.
  28. Hewitt, A., Beech, D. and Jordan, M. (2017) Slogan-badge-billboard, (and slogan writing and badge making) Freee Art Collective 2017. Exhibit at: Sound & Words. MK Gallery Project Space, Milton Keynes, 06-28 October 2017.
  29. Hewitt, A., Beech, D. and Jordan, M. (2014) Taking Sides. [Participative art event].
  30. Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading. Exhibit at: Freee - The National Museum of Gallery Visitors and Museum Workers. Middlesborough Institute of Modern Art, 27 July 2017.
  31. Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. (ed.) Interactive Contemporary Art: Participation in Practice. London: I.B.Tauris. pp. 255-269.
  32. Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2) 0967-3393.
  33. Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2), pp. 38-46. 0967-3393.
  34. Hewitt, A., Beech, D. and Jordan, M. (2013) Twenty-first-century political art: the Freee manifesto for art & twenty-first-century socialism. In: Cull, L. and Daddario, W. (eds.) Manifesto Now! Instructions for Performance, Philosophy, Politics. Bristol: Intellect. pp. 71-84.
  35. Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. and Brown, K. (eds.) Interactive Contemporary Art: Participation in Practice :. London: I.B.Tauris. pp. 255-269.
  36. Hewitt, A., Beech, D., Jordan, M., Hunter, H. and Morosanu, R. (2016) Public kiosk. Invited Presentation presented to: Arts & Humanities Research Council (AHRC) Commons First National Event: Common Ground, University of York, Heslington, York, 21 June 2016.
  37. Hewitt, A., Beech, D. and Jordan , M. (2015) Advice of three onlookers; Freee on Lenin's letter of advice. STRIKE! Magazine. 10, pp. 1-3. 2051-6606.
  38. Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion. London: Routledge. pp. 27-44.
  39. Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C., Zebracki, M., Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion :. London: Routledge. pp. 27-44.
  40. Hewitt, A. and Jordan, M. (2017) The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented to: ETHNOARTS: Ethnographic Explorations of the Arts and Education, Faculdade de Letras da Universidade do Porto, Portugal, 2017-06-23.
  41. Hewitt, A. and Jordan, M. (2017) The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented to: ETHNOARTS: Ethnographic Explorations of the Arts and Education, Faculdade de Letras da Universidade do Porto, Portugal, 2017-06-23.
  42. Hewitt, A., Jordan, M. and Beech, D. (2016) Working within the histories, theories and practices of the public sphere. Panel Presentation presented to: University of Leicester, School of Museum Studies 50th Anniversary International Conference: Museums in the Global Contemporary: Debating the Museum of Now, Leicester, 20-21 April 2016.
  43. Hollinshead, R. (2015) Dependable Bodies. Exhibit at: A Foreign Encounter. Galerie FOE 156, Munich, Germany, 2015-11-29.
  44. Hollinshead, R. (2015) Dependable Bodies. Exhibit at: A Foreign Encounter. Galerie FOE 156, Munich, Germany, 2015-11-29.
  45. Hollinshead, R. (2015) Dependable Bodies.
  46. Hollinshead, R., Campbell, C., Jeans Houghton, B., Ray, J., Streffen, I., Weileder, W., Priest, I., Wells, R., Vincentelli, A., Robinson, A., Hearn, M. and Eisenbach, R. (2012) Magnificent Distance: Five Site-Specific Installations Washington DC 2012. Washington DC, USA; Newcastle, UK: Grit & Pearl. 9780957342507.
  47. Hollinshead, R., Campbell, C., Jeans Houghton, B., Ray, J., Streffen, I., Weileder, W., Priest, I., Wells, R., Vincentelli, A., Robinson, A., Hearn, M. and Eisenbach, R. (2012) Magnificent Distance: Five Site-Specific Installations Washington DC 2012. Grit & Pearl. 9780957342507.
  48. Hollinshead, R., Farley, R. and Keating, E. (2010) Public art strategies. Grit & Pearl.
  49. Hollinshead, R., Farley, R. and Keating, E. (2010) Public art strategies. Grit & Pearl.
  50. Hollinshead, R. and Jess-Cooke, C. (2010) Public realm design projects. Grit & Pearl.
  51. Hollinshead, R. and Jess-Cooke, C. (2010) Public realm design projects. Grit & Pearl.

L

  1. Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 2010-06-25.
  2. Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 2010-06-25.
  3. Langford, A. W. (2007) Invernaderos: Almeria as a corporatized utilitarian land. Invited Presentation presented to: Global Photographies Conference, Dun Laoghaire Institute of Art, Design and Technology, Dublin, Ireland, 27-29 June 2007. [Invited speaker and paper presented] (Unpublished)
  4. Langford, A. W. (2011) Re-Moved. Paper presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 2011-12-09.
  5. Langford, A. W. (2011) Re-Moved. Paper presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 2011-12-09.
  6. Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 2010-06-07.
  7. Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 2010-06-07.
  8. Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010 2009-2288.
  9. Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010 2009-2288.
  10. Langford, A. W. (2008) Winter growing fields: landscape and estrangement. Exhibit at: Winter growing fields: landscape and estrangement. Avenue Gallery, The University of Northampton, 8 April - 2 May 2008.
  11. Langford, A. W. and Wells, L. (2009) Exchange. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
  12. Leahy, C. (2015) Artist in Residence August 2015 - July 2016. Florence Trust Studios (St. Saviours, Aberdeen Park, Highbury, London N5 2AR).
  13. Leahy, C. (2016) Aesthetics of Disappearance; Social Deconstruction; Sedimentation. Exhibit at: Coup de Ville 2016. Sint-Niklaas, Belgium, 2016-09-09.
  14. Leahy, C. (2016) Aesthetics of Disappearance; Social Deconstruction; Sedimentation. Exhibit at: Coup de Ville 2016. Sint-Niklaas, Belgium, 2016-09-09.
  15. Leahy, C. (2015) Relief in Time | Time in Relief. Exhibit at: PrintLab SNAP. Rijksmuseum Twenthe, Enschede, Holland, 2015-09-27.
  16. Leahy, C. (2015) Relief in Time | Time in Relief. Exhibit at: PrintLab SNAP. Rijksmuseum Twenthe, Enschede, Holland, 2015-09-27.
  17. Leahy, C. (2015) Relief in time | Time in relief. Expanded printmaking as a conduit for temporal dissonance and the anachronistic. Invited Presentation presented to: SNAP 3: 3rd International Printmaking Sympsoium, Print Association, Kloster-Bentlage, Rheine, Germany, 12-15 November 2015. (Unpublished)
  18. Leahy, C. (2015) Statements. Exhibit at: Statements. Kloster-Bentlage, Rheine, Germany, 2015-11-12.
  19. Leahy, C. (2015) Statements. Exhibit at: Statements. Kloster-Bentlage, Rheine, Germany, 2015-11-12.
  20. Leahy, C. (2014) Suspended Temporality. Exhibit at: Suspended Temporality. C-Mine Cultural Centre, Genk, Belgium, 2014-09-06.
  21. Leahy, C. (2014) Suspended Temporality. Exhibit at: Suspended Temporality. C-Mine Cultural Centre, Genk, Belgium, 2014-09-06.
  22. Leahy, C. (2011) Temporal Dissonance. Exhibit at: Münsterland Festival: Part 6: Graphik Projekt. Kloster Bentlage, Rheine, Germany, 23 September - 06 November 2011.
  23. Leahy, C., Clarke, L., Allchurch, E., Sayal-Bennett, A., Bronstein, P., Noble, P., Perry, G., Goudal, N., Boberska, B., Clewlow, R., Johnson, S.-A., Jones, K., Miller, T., Price, D. and Wiener, J. (2015) :Xenotopia. Exhibit at: :Xenotopia. Gibberd Gallery, Harlow, Essex, 2015-11-06.
  24. Leahy, C., Clarke, L., Allchurch, E., Sayal-Bennett, A., Bronstein, P., Noble, P., Perry, G., Goudal, N., Boberska, B., Clewlow, R., Johnson, S.-A., Jones, K., Miller, T., Price, D. and Wiener, J. (2015) :Xenotopia. Exhibit at: :Xenotopia. Gibberd Gallery, Harlow, Essex, 2015-11-06.
  25. Leet, S.-K. (2008) Photograph. Exhibit at: Through the Lens: RWA 1st Open Photography Exhibition. Royal West of England Academy of Arts (RWA), Bristol, 8 June – 20 July 2008.
  26. Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
  27. Love, J. (2008) C’est ouVert. Exhibit at: C’est OuVert group exhibition. Plouec du Trieux, France, June-October 2008. Featured 4 page photographic article in C’est ouVert exhibition catalogue
  28. Love, J. (2012) Dust: Johanna Love. Exhibit at: Dust: Johanna Love. Avenue Gallery, The University of Northampton, 01-26 October 2012.
  29. Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
  30. Love, J. (2009) Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
  31. Love, J. (2011) Gefallener Staub (Fallen Dust). Exhibit at: Jerwood Drawing Prize. Jerwood Space, London (and Touring), 14 September - 30 October 2011.
  32. Love, J. (2011) Materiality and surface of the digital print. Paper presented to: Wrexham Print International Exhibition & Symposium, Yale College, Wrexham, 2011-04-19.
  33. Love, J. (2011) Materiality and surface of the digital print. Paper presented to: Wrexham Print International Exhibition & Symposium, Yale College, Wrexham, 2011-04-19.
  34. Love, J. (2008) Photograph. London: A&C Black. [In: Bonnell, M., Mumberson, S. (2008) Printmaking on a budget]
  35. Love, J. (2013) Selected works from the Staub series. Exhibit at: Mote: Art with Marginal Material. Harrington Mill Studios, Nottingham, 2013-09-07.
  36. Love, J. (2013) Selected works from the Staub series. Exhibit at: Mote: Art with Marginal Material. Harrington Mill Studios, Nottingham, 2013-09-07.
  37. Love, J. (2011) Staub 4. [Digital photograph]. Aspiracje: Pismo Warszawskich Uczelni Artystycznych: Academy of Fine Arts in Warsaw. [In: Coldwell, P: Przestrzenie kontestacji: Grafika cyfrowa i warsztatowa. Aspiracje. Summer 2011, pp. 36-37. 1732-6125.]
  38. Love, J. (2008) The Art of Research: Research Narratives. Exhibit at: The Art of Research: Research Narratives. Chelsea College of Art & Design, London, 28-30 October 2008.
  39. Love, J. (2009) The Personalised Surface Within Fine Art Digital Printmaking - Case study. Exhibit at: The Personalised Surface Within Fine Art Digital Printmaking Project. Online, 2009. [Case study]
  40. Love, J. (2013) The practice-based PhD in printmaking. Invited Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
  41. Love, J. (2011) Viewfinder [group exhibition]. Exhibit at: IMPACT 7: International Multi-disciplinary Printmaking Conference 2011: Intersections & Counterpoints. Monash University, Melbourne, Australia, 27-30 September 2011.
  42. Love, J. (2013) [No title]. Exhibit at: Parallel Prints. Art at Wharepuke, Kerikeri, New Zealand, 15 July-22 September 2013.
  43. Love, J. (2012) [No title]. Exhibit at: Drawing Research Network (DRN) Conference 2012: Drawing Knowledge. Loughborough University, 10-11 September 2012.
  44. Love, J. (2012) [No title]. Exhibit at: British Printmaking Japan: 6th International Kyoto Hanga 2012 International Print Exhibition: Process and Innovation. Kyoto City Museum of Art, Japan, 31 July - 12 August 2012.
  45. Love, J. (2011) [No title]. Exhibit at: Viewfinder. Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011.
  46. Love, J. (2011) [No title]. Exhibit at: Scope: New Photographic Practices. Tsingua University Gallery, Beijing, China, December 2011.
  47. Love, J. (2011) [No title]. Exhibit at: Bite: Artists Making Prints. Mall Galleries, London, 04-15 September 2011.
  48. Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.
  49. Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
  50. Love, J. (2010) [No title]. Exhibit at: Hot Plate International Print Exhibition. Pheonix Gallery, Brighton, 03 July - 15 August 2010.
  51. Love, J. (2010) [No title]. Exhibit at: 2nd Penang International Print Exhibition 2010. Penang State Museum and Art Gallery, Malaysia, 16 September - 15 October 2010.
  52. Love, J. (2009) [No title]. Exhibit at: Impact 6 International Print Conference and Symposium. Bristol, 17-19 September 2009.
  53. Love, J. (2009) [No title]. Exhibit at: Empirical. Avenue Gallery, University of Northampton, 12 June 2009 - 03 July 2009.
  54. Love, J. (2009) [No title]. Exhibit at: Group Show. The Drawing Center, New York, May 2009.
  55. Love, J. (2009) [No title]. Exhibit at: 6th International Biennial of Contemporary Graphic Arts. Novosibirsk State Art Museum, Siberia, 11 September - 15 November 2009.
  56. Love, J., Capkova, H. and Gould, D. (2008) Talking with Ourselves. Exhibit at: Talking with Ourselves. Triangle Gallery, Chelsea College of Art & Design, London, 22-26 April 2008. [Video installation]
  57. Love, J., Chance, V., Devison, N. and Taylor, F. (2013) Transverse mappings: print, media and beyond. Panel Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
  58. Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 2010-07-01.
  59. Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 2010-07-01.
  60. Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.

M

  1. Murphy, A. C. (2016) Presenting the spectacular double act of the photograph and the taxidermy specimen. Paper presented to: 2016 Annual Conference of the British Association for Victorian Studies (BAVS): Consuming (the) Victorians, Cardiff University, Wales, 31 August - 02 September 2016. (Unpublished)
  2. Murphy, A. C. (2017) Specere II #149, Specere II #95, Specere II #86. In: Schlosser, J. (ed.) Co-existence : an art exhibition.
  3. Murphy, A. C. (2017) Specere and the photograph: co-existing in perpetual states of preservation. Paper presented to: Living with Animals 3: Co-Existence, Eastern Kentucky University, Richmond, Kentucky, USA, 22-25 March 2017.
  4. Murphy, A. C. (2016) Taxidermy and the photograph. Paper presented to: The New and the Novel in the 19th Century, Lincoln, Nebraska, United States, 14-16 April 2016. (Unpublished)

P

  1. Parker, D. (2013) Book review: Jung on Art: the Autonomy of the Creative Drive. International Journal of Jungian Studies. 5(2), pp. 188-190. 1940-9052 print, 1940-9060 online.
  2. Parker, D. (2009) Illness and Epiphany: An Awakening Spirit. Exhibit at: Illness and Epiphany: an Awakening Spirit. Avenue Gallery, University of Northampton, 21 September - 16 October 2009.
  3. Parker, D. (2007) Insider/outsider: exploring boundaries between mainstream and marginal arts. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 24 May 2007. Also presented at: Milton Keynes Gallery, May 2007 (Unpublished)
  4. Parker, D. (2009) Leon Martindale: illness and epiphany. Raw Vision. Winter 200(68)
  5. Parker, D. (2008) On painting substance and psyche. In: Rowland, S. (ed.) Psyche and the Arts: Jungian Approaches to Music, Architecture, Literature, Painting and Film. London: Routledge. pp. 45-55.
  6. Parker, D. (2013) Outsider Art and Alchemy. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang Internationaler Verlag der Wissenschaften. pp. 97-110.
  7. Parker, D. (2004) Outsider Art: a brief account. Asylum. 14(1), pp. 5-7. 0955-2030.
  8. Parker, D. (2013) Passage (detail). [Print]. Oxon: Routledge, Taylor & Francis.
  9. Parker, D. (2011) Psyche in the Arts Research Network Symposium exhibition. Exhibit at: Psyche in the Arts Research Network Symposium. The University of Northampton, 2011-09-01.
  10. Parker, D. (2011) Psyche in the Arts Research Network Symposium exhibition. Exhibit at: Psyche in the Arts Research Network Symposium. The University of Northampton, 2011-09-01.
  11. Parker, D. (2006) Recollections. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
  12. Parker, D. (2010) Skeletons in closets: outsider art, art brut and the a-cultural other - an enquiry into culture and psyche. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
  13. Parker, D. (2010) Spirituality & trans-cultural phenomena: art, alchemy and the outsider. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
  14. Parker, D. (2009) The abstract unconscious in painting. Art and Psyche Online Journal. 2, pp. 1-17.
  15. Parker, D. (2008) The abstract unconscious in painting. Paper presented to: Art and Psyche: Reflections on Image, C G Jung Institute, San Francisco, California, 1-4 May 2008. (Unpublished)
  16. Parker, D. (2009) [No title]. Exhibit at: Exchange: Two Universities, Two Groups of Researchers, Two Exhibitions, Two Dialogues. The University of Plymouth & The University of Northampton, 18 November - 18 December 2009.
  17. Parker, D. (2008) ‘Eye of Faith’ (Detail), cover image in: ‘Psyche and the Arts’ : Jungian Approaches to Music, Architecture, Literature, Painting and Film. (Ed. Rowland. S.) ISBN10 - 0415438365, ISBN13 – 978-0415438360 London, Routledge, 2008. [Book]. London: Routledge.
  18. Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011. (Unpublished)
  19. Parker, D. and Evans, M. (2009) Lost for words/lost in words: painting and the unspeakable unconscious. Paper presented to: 2nd International Conference of the International Association for Jungian Studies (IAJS) : Psyche, Power and Society, Cardiff University, 9 - 12 July 2009. (Unpublished)

S

  1. Staff, C. (2008) 'Speaking in the vernacular: insularity, British art and modernism'. In: Osgerby, W., Esser-Hall, G., Myers, M. and Staff, C. (eds.) Tracing Britishness: Exploring the Notion of 'Britishness' in the 21st Century by Tracing Themes of Stoicism, Nostalgia, Insularity and Ourselves and Others Through a Selection of Works from the Rugby Collection. Rugby: Rugby Art Gallery and Museum.
  2. Staff, C. (2011) A Poetics of becoming: the mythography of Cy Twombly. In: Wallace, I. L. and Hirsh, J. (eds.) Contemporary Art and Classical Myth. Farnham: Ashgate. pp. 43-55.
  3. Staff, C. (2013) After Modernist Painting: The History of a Contemporary Practice. London: I.B.Tauris. 9781780761794.
  4. Staff, C. (2013) Along heuristic lines: drawing and the interpreted world. Symposium presented to: The Insistence of Drawing, The University of Northampton, 11 July 2013. (Unpublished)
  5. Staff, C. (2007) An e-mail conversation between Slavka Sverakova and Craig Staff, May 2007. CIRCA Art Magazine. 0263-9475. Online article
  6. Staff, C. (2010) Ancient Egyptian Art; Inspecting the Fields for Nebamun; Abstract Expressionism; Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949, Mark Rothko; The Big Night Down the Drain, 1962-63, Georg Baselitz; European Lyrical Abstraction; Nice, 1954 Nicolas De Stael; Portable War Memorial, 1968, Ed Kienholz; Neo-Expressionism; Café Deutschland (Lift/Tremble/Back), 1984 Jorg Immendorf. In: Farthing, S. (ed.) Art: The Whole Story. London: Thames & Hudson. pp. 28-547.
  7. Staff, C. (2002) As Long As It Takes. In: Dean, D. and Lillington, D. (eds.) As Long As It Takes. Nottingham: Angel Row Gallery. 0-0.
  8. Staff, C. (2015) Burrowing under the apparent: the blindfold drawings of Claude Heath. In: Guerin, F. (ed.) On Not Looking: The Paradox of Contemporary Visual Culture. New York: Routledge. pp. 123-138.
  9. Staff, C. (2015) Craig Staff writes on 'Real Painting'. Abcrit: discourses on abstract painting and sculpture. July 2015 [Online blog]
  10. Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
  11. Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007. (Unpublished)
  12. Staff, C. (2011) Modernist Painting and Materiality. Jefferson, N.C.: McFarland. 9780786447145.
  13. Staff, C. (2015) Monochrome: Darkness and Light in Contemporary Art. London: I.B.Tauris. 9781784530488.
  14. Staff, C. (2009) Natural Responses - Transformations. Chair presented to: X6 Transformations Seminar Day, Fermynwoods Contemporary Art, 12 October 2009. (Unpublished)
  15. Staff, C. (2007) Notes towards a differential ontology of painting. In: Sweet, D. (ed.) A Future for Modernism? The Possibilities of Re-inhabiting an Abandoned Critical Position. Manchester: MIRIAD. 9781905476169. pp. 38-49.
  16. Staff, C. (2013) Painting and performance. I.B.Tauris Blog.
  17. Staff, C. (2004) Painting apart from itself. Dwelling. 1741-1467.
  18. Staff, C. (2013) Painting of the week: 63. I.B. Tauris Blog.
  19. Staff, C. (2013) Painting of the week: 67. I.B. Tauris Blog.
  20. Staff, C. (2013) Painting of the week: 69. I.B. Tauris Blog.
  21. Staff, C. (2015) Painting qua painting (as noun and verb). Online: Castlefield Gallery.
  22. Staff, C. (2006) Recollection. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
  23. Staff, C. (2017) Something of the previous day.
  24. Staff, C. (2015) Such clues and such obligations. Symposium presented to: The Sketchbook Today, The University of Northampton, 16 June 2015. (Unpublished)
  25. Staff, C. (2017) Teaching painting in the expanded field: positioning, pedagogy and practice. In: Hartshorne, I., Moloney, D. and Quaife, M. (eds.) Teaching Painting: How Can Painting Be Taught in Art Schools? London: Black Dog.
  26. Staff, C. (2015) Teaching painting in the expanded field: positioning, pedagogy and practice. Paper presented to: Teaching Painting, Whitworth Museum, Manchester, 29-30 October 2015. (Unpublished)
  27. Staff, C. (2015) The cultivation of (difficult) surfaces or “I know that’s a tree”. Invited Presentation presented to: Talk to accompany the exhibition Real Painting, Castlefield Gallery, Manchester, 11 July 2015. (Unpublished)
  28. Staff, C. (2006) Towards a differential ontology of painting. Paper presented to: A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006. (Unpublished)
  29. Staff, C. (2009) What is an artist? Invited Presentation presented to: What is an artist?, Milton Keynes Gallery, 28 May 2009. (Unpublished)
  30. Staff, C. (2008) [Contribution]. In: Farthing, S. (ed.) 501 Great Artists: A Comprehensive Guide to the Giants of the Art World. New York: Barron's Educational Series.
  31. Staff, C. (2006) [Contribution]. In: Farthing, S. (ed.) 1001 Paintings You Must See Before You Die. London: Cassell.
  32. Staff, C. (2004) ‘Extended Painting’ at Victoria Miro. CIRCA Art Magazine. 108(Summer), pp. 88-89. 0263-9475.
  33. Staff, C. (2009) 絵画の示差的存在論のための覚書* Towards a differential ontology of painting. Rear 21.
  34. Staff, C. and Cureton, P. (2009) Of blood, of trade, authority, agency: sought after forms and drawing today. Paper presented to: Association of Art Historians (AAH) 35th Annual Conference and Bookfair, Manchester Metropolitan University, 2-4 April 2009. (Unpublished)
  35. Staff, C. and Cureton, P. (2011) The 43 Uses of Drawing. Exhibit at: The 43 Uses of Drawing. Rugby Art Gallery and Museum, Rugby, Warwickshire, 06 September - 30 October 2011. [Exhibition curators]
  36. Staff, C. and Cureton, P. (2009) The life of Paolo Uccello: drawing transitions through curriculums. Paper presented to: Transitions: Learning and Teaching Conference, University of Northampton, 13 May 2009. (Unpublished)
  37. Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
  38. Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 2008-01-01.
  39. Staff, C. and Farmer, R. (2019) Teaching students to write about art : Results of a four-year patchwork text project. Art, Design & Communication in Higher Education. 18(2), pp. 137-151. 1474-273X.
  40. Staff, C. and Seki, T. (2008) Returning by a Shorter Path. Exhibit at: Returning by a Shorter Path. Avenue Gallery, 27 October - 21 November 2008.

W

  1. Whittaker, R., Harrison Whittaker, R., Parker, D. and Evans, M. (2009) The vital image : interview with Michael Evans and David Parker. Jung Journal: Culture & Psyche. 3(3), pp. 87-115. 1934-2039.
This list was generated from NECTAR on Wed Sep 17 18:19:56 2025 BST.