Northampton Electronic Collection of Theses and Research

Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater > PN2041 Performance studies"

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Number of items at this level: 119.

A

  • Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
  • Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007. (Unpublished)
  • Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Allegue, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.

B

  • Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
  • Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
  • Bacon, J. (2010) Psyche’s Witness. Exhibit at: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology. Cornell University, Ithaca, New York, 10-14 August 2010.
  • Bacon, J. (2010) Sitting practice. Leamington Spa Gallery, May 2010. Also exhibited at: International Society of Jungian Studies Conference, in exhibition ‘Arts and Psyche’, Cornell University, August 2010
  • Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
  • Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  • Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Allegue, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
  • Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
  • Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Ackroyd, Judith Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
  • Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Haas, Birgit Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
  • Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
  • Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
  • Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
  • Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
  • Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
  • Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Burkhard, Helga and Walsdorf, Hanna Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
  • Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) Betzwieser, Thomas, Mungen, Arno, Muenzmay, Andreas and Schroedter, Stephanie TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
  • Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Stock, Cheryl F Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Brisbane, Australia: Australian Dance Council and Queensland University of Technology. 1875255176.

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G

  • Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Bogliolo, Giovanni Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
  • Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
  • Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
  • Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
  • Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Workshop presented to: Real-time Collaborative Art Making: A Methods Network Workshop, University of Central England, Birmingham, 20 July 2007. (Unpublished)

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  • Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

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This list was generated from NECTAR on Tue Nov 13 10:25:30 2018 GMT.