Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater > PN2041 Performance studies"

A

• Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
• Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007. (Unpublished)
• Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.

B

• Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
• Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
• Bacon, J. (2010) Psyche’s Witness. Exhibit at: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology. Cornell University, Ithaca, New York, 10-14 August 2010.
• Bacon, J. (2010) Sitting practice. Leamington Spa Gallery, May 2010. Also exhibited at: International Society of Jungian Studies Conference, in exhibition ‘Arts and Psyche’, Cornell University, August 2010
• Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
• Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
• Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
• Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
• Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
• Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
• Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
• Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
• Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
• Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
• Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
• Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
• Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.

C

• Campbell, P. (2013) Tracing the transcendent function in post-Grotowskian theatre. Paper presented to: Creative Encounters: Arts as Culture/ Arts as Therapy?, The University of Northampton, School of the Arts, 03 July 2013. (Unpublished)
• Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
• Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
• Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
• Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010. (Unpublished)
• Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). In: Annals of the VI Congress of the Brazilian Association of Research and Post-Graduate Programmes in the Performing Arts (ABRACE). Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.
• Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010. (Unpublished)
• Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
• Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
• Chamberlain, F. (2007) Gesturing towards post-physical performance. In: Keefe, J. and Murray, S. D. (eds.) Physical Theatres: A Critical Reader. London: Routledge. pp. 117-122.
• Chamberlain, F. and Yarrow, R. (2002) Introduction. In: Chamberlain, F. and Yarrow, R. (eds.) Jacques Lecoq and the British Theatre. London: Routledge. pp. 1-16.
• Cook, S. (2015) What are masks for?: For pleasure. Invited Keynote presented to: Mask Symposium: What Are Masks For?, Nottingham Trent University, 15-16 October 2015. (Unpublished)
• Cook, S. (2009) Performing the popular. Paper presented to: A world of Popular Entertainments, University of Newcastle, New South Wales, Australia, 10-11 June 2009. (Unpublished)
• Cook, S. (2007) The universality of theatrical masks. Invited Presentation presented to: Division of Performance Public Seminar Series, University of Northampton, 12 December 2007. (Unpublished)

D

• Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011. (Unpublished)
• Duggan, P. (2010) Trauma, performance and ethics of encounter. Panel Presentation presented to: Contemporary British Fiction: Narrating Violence, Trauma and Loss, Johannes Gutenberg University, Mainz, Germany, 17-18 September 2010. (Unpublished)
• Duggan, P. (2010) Theatricality and efficacy: or, why bother thinking about all this ‘dress-up’ anyway? Invited Presentation presented to: Rhizome Project, Central School of Speech and Drama, June 2010. (Unpublished)
• Duggan, P. (2010) Trauma-tragedy: towards cathected experience. Panel Presentation presented to: Performance Studies International conference (PSi 16): Performing Publics, Ontario College of Art and Design (OCAD) University, Toronto, 09-13 June 2010. (Unpublished)
• Duggan, P. (2009) Out of face: a very theatrical turbulence. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
• Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
• Duggan, P. (2009) The Touch and the cut: an annotated dialogue with Kira O’Reilly. Studies in Theatre and Performance. 29(3) 1468-2761.
• Duggan, P. (2008) NTQ Book review of: Maaike Bleeker, ed., Anatomy Live: Performance and the Operating Theatre. New Theatre Quarterly. 24(4), pp. 394-395. 0266-464x.
• Duggan, P. (2008) Citing performance, siting trauma. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2008, University of Leeds, 3 - 5 September 2008. (Unpublished)
• Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008. (Unpublished)
• Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008. (Unpublished)
• Duggan, P. (2007) ‘Feeling performance, remembering trauma’. Platform. 2(2), pp. 44-58. 1751-0171.
• Duggan, P. and Wallis, M. (2011) Trauma and performance: maps, narratives and folds. Performance Research. 16(1), pp. 4-17. 1352-8165.
• Duncan, R. (2005) Genital sensation: abrasive bodies in feminist performance. Doctoral thesis. University of Leicester.

E

• Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
• Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
• Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
• Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007. (Unpublished)
• Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].
• Ewu, J. (2010) 'Performing life': the nature of performance in Theatre for Development. Invited Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in Performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
• Ewu, J. (2009) Member of Editorial Board. African Performance Review. London: Adonis and Abbey. 1753-5964.
• Ewu, J. (2007) Chair Annual Report. Chair presented to: African Theatre Association (AfTA) Annual Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) Performance and representation. Workshop presented to: Telling Tales: Migration, Identity and the Post Colonial, The University of Northampton, 14 November 2007. (Unpublished)
• Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation] (Unpublished)

G

• Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
• Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
• Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
• Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)

H

• Hewitt, A., Beech, D. and Jordan, M. (2013) Twenty-first-century political art: the Freee manifesto for art & twenty-first-century socialism. In: Cull, L. and Daddario, W. (eds.) Manifesto Now! Instructions for Performance, Philosophy, Politics. Bristol: Intellect. pp. 71-84.
• Holt, D., Reed, S., Preece, K. L., Pickard, A. and Childs, C. (2014) Identifying dance in UK higher education. Panel Presentation presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)

L

• Ladan, V. L. (2010) Towards an endogenous model: contemporary practice of Theatre for Development in Kenya. Doctoral thesis. The University of Northampton.
• Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
• Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.
• Lucas, V. K. (2006) 'Shameless' - women, sexuality and violence in British Asian drama. In: Godiwala, D. (ed.) Alternatives Within the Mainstream: British, Black and Asian Theatres. Newcastle: Cambridge Scholars Publishing. pp. 363-380.

M

• Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011. (Unpublished)
• Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
• Miller, L. (2007) Presentation. Paper presented to: Standing Conference of University Drama Departments (SCUDD), University of Derry, Northern Ireland, 29-30 March 2007. (Unpublished)
• Miller, L. and Whalley, J. (2007) Away from home: the curious domain of passage. Performance Research. 12(2), pp. 66-74. 1352-8165.

N

• Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

O

• Oddey, A. (2007) Reframing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan. 0230524656.
• Oddey, A. and Naish, J. (2002) Paper or practice. Contemporary Theatre Review: Special Issue on Practice as Research. 12(4), pp. 9-25. 1048-6801.

P

• Preece, K. L. (2014) Hammers and blind man’s sticks: re-examining the digital double. Seminar Presentation presented to: Dance Research Symposium, Isham Studios, The University of Northampton, 15 October 2014. (Unpublished)
• Preece, K. L. (2014) Bringing history to life: pedagogical approaches to dance history in higher education. Paper presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
• Prior, R. W. (2014) The language of embodiment in actor training. Paper presented to: 50th Annual Convention of the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB 50): Embodied Cognition Conference, London, 01-04 April 2014. (Unpublished)
• Prior, R. W. (2010) You are what you eat: act on it. Panel Presentation presented to: The Hunger Artist: Food and the Arts: 2010 Double Dialogues Conference, Toronto, Canada, 19-21 August 2010. (Unpublished)
• Prior, R. W. (2008) Actor training and the university. Invited Keynote presented to: The Society for Theatre Research (STR) Conference: Directions in Theatre Research, National Theatre's Archive, London, 21-22 June 2008. (Unpublished)
• Prior, R. W. (2007) Understanding actor trainers' articulation of their practice. Studies in Theatre and Performance. 27(3), pp. 295-305. 1468-2761.
• Prior, R. W., Neelands, J., Band, S., Freakley, V., Goode, T., Lindsay, G., Morris, M. and Muijis, D. (2007) Learning and Skills Council post-16 performing arts mapping study. (Unpublished)
• Prior, R. W., Seton, M. C. and Petherbridge, D. (2012) Trained, educated or ‘constructed’ for industry? Panel Presentation presented to: PSi#18, University of Leeds, 27 June – 01 July 2012. (Unpublished)

R

• Richmond, H. E. (2014) The Motley Theatre Design Course: documenting theatre design pedagogy. Invited Presentation presented to: Theatre and Performance Research Association (TaPRA) Conference 2014, Royal Holloway, University of London, London, 03-05 September 2014. (Unpublished)

S

• Somers, G. (2010) A demonstration of psychophysical approaches to acting, performance and actor training informed by ecological precepts. Invited Presentation presented to: Perforum series, University College Cork, Ireland, 09 June 2010. (Unpublished)
• Somers, G. (2010) On Heidegger and performance. Paper presented to: Shared Territories Public Seminar, University of Northampton, 04 May 2010. (Unpublished)
• Somers, G. (2009) Tipping point: issues raised by climate change, ecological thought and performance. Paper presented to: Annual Postgraduate Research Degree Student's Conference: Postgraduate Study Half-Day, Centre for European & International Studies Research (CEISR) and Portsmouth Business School, Portsmouth University, 13 May 2009. (Unpublished)
• Somers, G. (2007) Ecological psychology and actor training. Paper presented to: Theatre and Performance Research Association (TAPRA) Conference 2007, University of Birmingham, 07-09 September 2007. (Unpublished)
• Somers, G. (2007) Theatre words: productions of 2 new plays by Italian playwrights in Como and Milan. Performance at: Theatre Words Auditorium Don Guanella, Como, 27-28 September 2007. Also performed at: Teatro Studio Frigia Cinque, Milan, 29-30 September 2007
• Somers, G. (2007) Ecological psychology and humanist dramaturgy. Paper presented to: At The Sharp End, University of Portsmouth, 15 September 2007. (Unpublished)
• Somers, G. (2007) Top down or bottom up? Complex systems, improvisation and dramaturgy. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Cardiff, 12-14 April 2007. (Unpublished)
• Somers, G. and Savage, K. (2007) Performers and new media: a collaboration [conference paper/practice demonstration]. Invited Presentation presented to: Intermedial Theatricality, (Re)-presentation and New Media: 9th International Symposium of the Centre for Research on Intermediality (CRI) and Laboratory of New Imaging Technologies, Sound and Stage (LANTISS), University of Montréal and University of Laval, Québec, 24-29 May 2007. (Unpublished)
• Sotelo Castro, L. C. (2009) Participation cartography: performance, space, and subjectivity. Doctoral thesis. The University of Northampton.

U

• Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.
• Ukaegbu, V. (2012) [Contributing researcher] World Scenography : 1975-1990. Taiwan: International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT). 9781848422797.
• Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165.
• Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
• Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair (Unpublished)
• Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair (Unpublished)
• Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation (Unpublished)
• Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.
• Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A

W

• Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
• Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
• Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne
• Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.