Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion pictures"

A

• Alessio, D. and Langer, J. (2007) Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003). New Cinemas: Journal of Contemporary Film. 5(3), pp. 217-229. 1474-2756.
• Allwork, L. (2015) Film introduction: Claude Lanzmann’s, 'The Last of the Unjust'. Other presented to: Screening of Claude Lanzmann’s, 'The Last of the Unjust', Errol Flynn Filmhouse, Northampton, 24 January 2015. (Unpublished)
• Allwork, L. (2014) Film introduction: Hannah Arendt (Margaretha Von Trotta, 2012). Other presented to: Pre-screening Talk, The Errol Flynn Filmhouse, Northampton, 22 January 2014. (Unpublished)

B

• Brigley, Z. (2007) The big grey ir-elephant: the play of language in the Marx Brothers’ scripts and in Charles Bernstein’s L=A=N=G=U=A=G=E poetry. In: Mills, J. (ed.) A Century of the Marx Brothers. Cambridge: Cambridge Scholars. pp. 164-175.
• Brown, M. (2003) “We don’t go by numbers”: baseball and Brooklyn in the films of Paul Auster. In: Manbeck, J. B. and Singer, R. (eds.) The Brooklyn Film: Essays in the History of Filmmaking. Jefferson, N.C.: McFarland. pp. 142-153.

F

• Feldman, M. (2008) '... showing a corner of the calamity': the Shoah in mainstream cinema, c. 1993-2008. In: Mass Dictatorship as Ever-Present Past. Seoul, South Korea: Research Institute for Contemporary History and Culture (RICH).

H

• Hardy, S. (2007) Film language in Alfred Hitchcock’s Sabotage. Invited Presentation presented to: English Research Seminars, School of the Arts, University of Northampton, 22 November 2007. (Unpublished)
• Hardy, S. (2002) H.G. Wells and British silent cinema: the War of the Worlds. In: Higson, A. (ed.) Young and Innocent? The Cinema in Britain, 1896-1930. Exeter: University of Exeter Press. pp. 242-255.
• Heffernan, N. (2009) 'I’m the bluesman; he’s from Long Island!’ : the politics of crossover in the Hollywood blues movie. Paper presented to: British Association for American Studies (BAAS) Annual Conference 2009, University of Nottingham, 16-18 April 2009. (Unpublished)
• Heffernan, N. (2009) ‘You ain’t got to be black to be black’: black music, race consciousness and identity in the autobiography of an ex-colored man and mojo hand. In: Lock, G. and Murray, D. (eds.) Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film. New York; Oxford: Oxford University Press. pp. 21-41.
• Heffernan, N. (2008) Roger Corman’s counterculture trilogy. Invited Presentation presented to: Cine-Excess II: the Second International Conference on Global Cult Film, ICA, London, 1-3 May 2008. (Unpublished)
• Heffernan, N. (2006) The Last Movie and the critique of imperialism. Film International. 4(3), pp. 12-22. 1651-6826.

J

• Jowett, L. (2015) Swearwolves and werewolves: mockumentary, masculinity and mundane monsters. Panel Presentation presented to: The Company of Wolves: Sociality, Animality, and Subjectivity in Literary and Cultural Narratives - Werewolves, Shapeshifters, and Feral Humans, University of Hertfordshire, 03-05 September 2015. (Unpublished)
• Jowett, L. (2013) Pre-screening talk at the screening of Gravity, directed by Alfonso Cuaron. Other presented to: Gravity film screening event, Errol Flynn Filmhouse, Northampton, 04 December 2013. (Unpublished)
• Jowett, L. (2013) Joss Whedon's Much Ado About Nothing. Other presented to: Pre-screening Talk, Errol Flynn Filmhouse, Northampton, 12 July 2013. (Unpublished)
• Jowett, L. (2008) Back to the future: retrofuturism, cyberpunk and humanity in Firefly and Serenity. In: Wilcox, R. and Cochran, T. R. (eds.) Investigating Firefly and Serenity: Science Fiction on the Frontier. London: I.B. Tauris. pp. 101-113.

L

• Lazard, L. (2009) 'You'll like this - it's feminist!' Representations of strong women in horror fiction. Feminism & Psychology. 19(1), pp. 132-136. 0959-3535.

P

• Phillips, L. (2010) What lies beneath: the London Underground and contemporary Gothic film horror. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. London: Continuum.

S

• Shadrack, J. H. (2011) V versus Hollywood: a discourse on polemic thievery. Studies in Comics: Alan Moore Themed Issue. 2(1), pp. 195-205. 2040-3232.
• Shadrack, J. H. (2010) V versus Hollywood: a discourse on polemic thievery. Invited Presentation presented to: Magus: Transdisciplinary Approaches to the Work of Alan Moore, The University of Northampton, 28-29 May 2010. (Unpublished)
• Simmons, D. (2013) The Wicker Man pre-screening talk. Other presented to: Screening of The Wicker Man, Errol Flynn Cinema, Northampton, 06 November 2013. (Unpublished)
• Simmons, D. (2011) Hammer Horror and science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. North Carolina: McFarland. pp. 50-59.
• Starr, M. (2015) Joss Whedon and poststructural pedagogy. Paper presented to: Popular Culture Association/American Culture Association (PCA/ACA) 2015 Annual Conference, New Orleans, 01-04 April 2015. (Unpublished)
• Starr, M. (2015) David Lynch's Blue Velvet: genre, surrealism and dreams. Invited Presentation presented to: Cult Film Club Screening, Errol Flynn Filmhouse, Northampton, 25 February 2015. (Unpublished)
• Starr, M. (2014) Whedon’s great glass elevator: space, liminality and intertext in The Cabin in the Woods. Slayage: The Journal of the Whedon Studies Association. 36(10), pp. 2-3. 1546-9212.
• Starr, M. (2012) Whedon’s great glass elevator: space and intertextuality in The Cabin in the Woods. Invited Keynote presented to: After Buffy, University of London, 05 December 2012. (Unpublished)

T

• Teckman, J. (2004) Bringing up baby: representations of lone motherhood in modern popular culture. Doctoral thesis. University of Leicester.

W

• Wilson, J. M. (2012) Member of Editorial Board. Studies in Australasian Cinema. Bristol: Intellect. 1750-3175.
• Wilson, J. M. (2008) New Zealand’s national literature and screen adaptations. Keynote presented to: Flogging a Dead Horse: Are National Literatures Finished?, Wellington, New Zealand, 11-13 December 2008. (Unpublished)
• Wilson, J. M. (2007) Reconsidering Fred Schepisi’s The Chant of Jimmie Blacksmith (1978); the screen adaptation of Thomas Keneally’s novel (1972). Studies in Australasian Cinema. 1(2), pp. 191-207. 1750-3175.