Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion pictures"

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Library of Congress Subject Areas (29)
- P Language and Literature (29)
  - PN Literature (General) (29)
    - PN1993 Motion pictures (29)
      - PN1993.5.A8 Australia (5)
      - PN1993.5.N43 New Zealand (5)
      - PN1995.7 Sound in motion pictures (2)
      - PN1997 Plays, scenarios, etc. (1)

Group by: Creators | Item Type | Date | No Grouping

Number of items at this level: 20.

Alessio, D. and Langer, J. (2007) Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003). New Cinemas: Journal of Contemporary Film. 5(3), pp. 217-229. 1474-2756.
Brigley, Z. (2007) The big grey ir-elephant: the play of language in the Marx Brothers’ scripts and in Charles Bernstein’s L=A=N=G=U=A=G=E poetry. In: Mills, J. (ed.) A Century of the Marx Brothers. Cambridge: Cambridge Scholars. pp. 164-175.
Brown, M. (2003) “We don’t go by numbers”: baseball and Brooklyn in the films of Paul Auster. In: Manbeck, J. B. and Singer, R. (eds.) The Brooklyn Film: Essays in the History of Filmmaking. Jefferson, N.C.: McFarland. pp. 142-153.
Feldman, M. (2008) '... showing a corner of the calamity': the Shoah in mainstream cinema, c. 1993-2008. Mass Dictatorship as Ever-Present Past, Hanyang University, South Korea, 26-29 June 2008. Seoul, South Korea: Research Institute for Contemporary History and Culture (RICH).
Hardy, S. (2007) Film language in Alfred Hitchcock’s Sabotage. Invited Presentation presented to: English Research Seminars, School of the Arts, University of Northampton, 22 November 2007.
Hardy, S. (2002) H.G. Wells and British silent cinema: the War of the Worlds. In: Higson, A. (ed.) Young and Innocent? The Cinema in Britain, 1896-1930. Exeter: University of Exeter Press. pp. 242-255.
Heffernan, N. (2009) 'I’m the bluesman; he’s from Long Island!’ : the politics of crossover in the Hollywood blues movie. Paper presented to: British Association for American Studies (BAAS) Annual Conference 2009, University of Nottingham, 16-18 April 2009.
Heffernan, N. (2009) ‘You ain’t got to be black to be black’: black music, race consciousness and identity in the autobiography of an ex-colored man and mojo hand. In: Lock, G. and Murray, D. (eds.) Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film. New York; Oxford: Oxford University Press. pp. 21-41.
Heffernan, N. (2008) Roger Corman’s counterculture trilogy. Invited Presentation presented to: Cine-Excess II: the Second International Conference on Global Cult Film, ICA, London, 1-3 May 2008.
Heffernan, N. (2006) The Last Movie and the critique of imperialism. Film International. 4(3), pp. 12-22. 1651-6826.
Jowett, L. (2008) Back to the future: retrofuturism, cyberpunk and humanity in Firefly and Serenity. In: Wilcox, R. and Cochran, T. R. (eds.) Investigating Firefly and Serenity: Science Fiction on the Frontier. London: I.B. Tauris. pp. 101-113.
Lazard, L. (2009) 'You'll like this - it's feminist!' Representations of strong women in horror fiction. Feminism & Psychology. 19(1), pp. 132-136. 0959-3535.
Phillips, L. (2010) What lies beneath: the London Underground and contemporary Gothic film horror. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. London: Continuum.
Shadrack, J. H. (2011) V versus Hollywood: a discourse on polemic thievery. Studies in Comics: Alan Moore Themed Issue. 2(1), pp. 195-205. 2040-3232.
Shadrack, J. H. (2010) V versus Hollywood: a discourse on polemic thievery. Invited Presentation presented to: Magus: Transdisciplinary Approaches to the Work of Alan Moore, The University of Northampton, 28-29 May 2010.
Simmons, D. (2011) Hammer Horror and science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. North Carolina: McFarland. pp. 50-59.
Teckman, J. (2004) Bringing up baby: representations of lone motherhood in modern popular culture. Doctoral thesis. University of Leicester.
Wilson, J. M. (2012) Member of Editorial Board. Studies in Australasian Cinema. Bristol: Intellect. 1750-3175.
Wilson, J. M. (2008) New Zealand’s national literature and screen adaptations. Keynote presented to: Flogging a Dead Horse: Are National Literatures Finished?, Wellington, New Zealand, 11-13 December 2008.
Wilson, J. M. (2007) Reconsidering Fred Schepisi’s The Chant of Jimmie Blacksmith (1978); the screen adaptation of Thomas Keneally’s novel (1972). Studies in Australasian Cinema. 1(2), pp. 191-207. 1750-3175.

This list was generated from NECTAR on Wed May 22 01:20:57 2013 BST.

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