Items where Subject is "N Fine Arts > N Visual arts (General) > N61 Theory. Philosophy. Aesthetics of the visual arts"

A

• Attenburrow, D. H. (2010) Visual conversation. Workshop presented to: Drawing Research Network Annual Conference 2010 (DRN 2010): Observation, Mapping, Dialogue, University of Brighton, 14 September 2010. (Unpublished)

B

• Bennett, P. (2007) The architecture of happiness: building utopia in the last romances of William Morris. Spaces of Utopia. 1(4), pp. 113-134. 1646-4729.

E

• Evans, M. (2010) Lost for words: lost in words (abstract painting and the unspeakable unconscious). Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Evans, M. (2008) Art & psyche. Paper presented to: Art & Psyche : Reflections on Image, Jung Institute, San Francisco, 1-4 May 2008. (Unpublished)

H

• Hewitt, A., Beech, D. and Jordan, M. (2014) A Properly Political Art Must Be Twice Political. Exhibit at: Critical Machines (Exhibition and Conference). AUB Byblos Bank Art Gallery, American University of Beirut, 06 March - 26 June 2014.

K

• Kalpaxi, E. (2016) Self-portraiture: on photography’s reflexive surface. Journal of Artistic Research (JAR). 10 2235-0225.
• Kalpaxi, E. (2014) From the borders to centre stage: photographic self-portraiture. Philosophy of Photography. 5(1), pp. 65-76. 2040-3682.
• Kalpaxi, E. (2014) Photography’s role in western art’s globalising visions. Paper presented to: Collecting Geographies: Global Programming and Museums of Modern Art, Stedelijk Museum, Amsterdam, 13-15 March 2014.

L

• Leahy, C. (2015) Relief in time | Time in relief. Expanded printmaking as a conduit for temporal dissonance and the anachronistic. Invited Presentation presented to: SNAP 3: 3rd International Printmaking Sympsoium, Print Association, Kloster-Bentlage, Rheine, Germany, 12-15 November 2015. (Unpublished)
• Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
• Love, J., Chance, V., Devison, N. and Taylor, F. (2013) Transverse mappings: print, media and beyond. Panel Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)

M

• McLaughlin, C. (2017) Art and the other: concealing and revealing the ineffable. Invited Presentation presented to: Art = Praxis Symposium, Glastonbury, 15 October 2017.
• Murphy, A. C. (2016) Presenting the spectacular double act of the photograph and the taxidermy specimen. Paper presented to: 2016 Annual Conference of the British Association for Victorian Studies (BAVS): Consuming (the) Victorians, Cardiff University, Wales, 31 August - 02 September 2016. (Unpublished)
• Murphy, A. C. (2016) Taxidermy and the photograph. Paper presented to: The New and the Novel in the 19th Century, Lincoln, Nebraska, United States, 14-16 April 2016. (Unpublished)

P

• Parker, D. (2013) Outsider Art and Alchemy. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang Internationaler Verlag der Wissenschaften. pp. 97-110.
• Parker, D. (2010) Spirituality & trans-cultural phenomena: art, alchemy and the outsider. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010. (Unpublished)
• Parker, D. (2010) Skeletons in closets: outsider art, art brut and the a-cultural other - an enquiry into culture and psyche. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Parker, D. (2007) Insider/outsider: exploring boundaries between mainstream and marginal arts. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 24 May 2007. Also presented at: Milton Keynes Gallery, May 2007 (Unpublished)
• Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011. (Unpublished)
• Parker, D. and Evans, M. (2012) Drawing and the unconscious: a practical workshop in imagination and free association. Workshop presented to: 4th International Joint Conference of the International Association for Jungian Studies (IAJS) and the International Association for Analytic Psychology (IAAP): Jung's Analytical Psychology in Conversation with a Changing World, University of Braga, Portugal, 18-21 July 2012. (Unpublished)
• Parker, D. and Evans, M. (2010) Art and otherness: an enquiry into the experience of the 'other' in painting. Conversations in the Field. 1(3), pp. 1-9.
• Parker, D. and Evans, M. (2009) Lost for words/lost in words: painting and the unspeakable unconscious. Paper presented to: 2nd International Conference of the International Association for Jungian Studies (IAJS) : Psyche, Power and Society, Cardiff University, 9 - 12 July 2009. (Unpublished)
• Preece, K. L. (2014) Hammers and blind man’s sticks: re-examining the digital double. Seminar Presentation presented to: Dance Research Symposium, Isham Studios, The University of Northampton, 15 October 2014. (Unpublished)

S

• Staff, C. (2017) Teaching painting in the expanded field: positioning, pedagogy and practice. In: Hartshorne, I., Moloney, D. and Quaife, M. (eds.) Teaching Painting: How Can Painting Be Taught in Art Schools? London: Black Dog.
• Staff, C. (2015) Teaching painting in the expanded field: positioning, pedagogy and practice. Paper presented to: Teaching Painting, Whitworth Museum, Manchester, 29-30 October 2015. (Unpublished)
• Staff, C. (2015) Monochrome: Darkness and Light in Contemporary Art. London: I.B.Tauris. 9781784530488.
• Staff, C. (2015) The cultivation of (difficult) surfaces or “I know that’s a tree”. Invited Presentation presented to: Talk to accompany the exhibition Real Painting, Castlefield Gallery, Manchester, 11 July 2015. (Unpublished)
• Staff, C. (2015) Craig Staff writes on 'Real Painting'. Abcrit: discourses on abstract painting and sculpture. July 2015 [Online blog]
• Staff, C. (2015) Burrowing under the apparent: the blindfold drawings of Claude Heath. In: Guerin, F. (ed.) On Not Looking: The Paradox of Contemporary Visual Culture. New York: Routledge. pp. 123-138.
• Staff, C. (2015) Painting qua painting (as noun and verb). Online: Castlefield Gallery.
• Staff, C. (2009) Natural Responses - Transformations. Chair presented to: X6 Transformations Seminar Day, Fermynwoods Contemporary Art, 12 October 2009. (Unpublished)
• Staff, C. (2009) What is an artist? Invited Presentation presented to: What is an artist?, Milton Keynes Gallery, 28 May 2009. (Unpublished)
• Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
• Staff, C. (2007) An e-mail conversation between Slavka Sverakova and Craig Staff, May 2007. CIRCA Art Magazine. 0263-9475. Online article
• Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007. (Unpublished)
• Staff, C. and Cureton, P. (2009) Of blood, of trade, authority, agency: sought after forms and drawing today. Paper presented to: Association of Art Historians (AAH) 35th Annual Conference and Bookfair, Manchester Metropolitan University, 2-4 April 2009. (Unpublished)

W

• Whittaker, R., Harrison Whittaker, R., Parker, D. and Evans, M. (2009) The vital image : interview with Michael Evans and David Parker. Jung Journal: Culture & Psyche. 3(3), pp. 87-115. 1934-2039.