2012

1. Nardi, C. (2012) "Playlist value" in three local commercial radio stations. Situating Popular Musics: International Association for the Study of Popular Music (IASPM) 16th International Conference, Grahamstown, South Africa, 27 June - 01 July 2011. Liverpool: International Association for the Study of Popular Music. 2225-0301.
2. Montano, E. and Nardi, C., (eds.) (2012) Situating Popular Musics: IASPM 16th International Conference Proceedings. Online: IASPM. 2225-0301.
3. Nardi, C. (2012) Sound in Lost and the disavowal of reality. Situating Popular Musics: International Association for the Study of Popular Music (IASPM) 16th International Conference, Grahamstown, South Africa, 27 June - 01 July 2011. Liverpool: International Association for the Study of Popular Music. 2225-0301.
4. Nardi, C. (2012) Film sound and the negotiation of moral boundaries. Paper presented to: 22nd European Conference on South Asian Studies (ECSAS 2012), University Institute of Lisbon, Portugal, 25-28 July 2012.
5. Nardi, C. (2012) Persistenza e trasformazione della “razza” in quanto realtà sociale: uno studio sugli studenti di un campus sudafricano [Persistence and transformation of ‘race’ as a social reality: a case-study on students in a South African campus]. Paper presented to: Convegno di Etnografia 2012, Università di Bergamo, 07-09 June 2012.
6. Nardi, C. (2012) Library music: technology, copyright and authorship. In: Moreno Fernández, S., El-Shawan Castelo-Branco, S., Roxo, P. and Iglesias, I. (eds.) Current Issues in Music Research: Copyright, Power and Transnational Music Processes. Lisboa: Colibri. pp. 73-83.
7. Nardi, C. (2012) Performing electronic dance music: mimesis, reflexivity and the commodification of listening. Contemporanea. 10(1), pp. 80-98. 1809-9386.

2011

1. Nardi, C. (2011) The cultural economy of sound: reinventing technology in Indian popular cinema. Journal on The Art of Record Production. 5(1) 1754-9892.