Northampton Electronic Collection of Theses and Research

The preservation of the wholly other in abstract painting

Evans, M. (2010) The preservation of the wholly other in abstract painting. Paper presented to: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)

Item Type: Conference or Workshop Item (Paper)
Abstract: This paper traces late modernist developments in abstract painting leading to the current post-modern cultural position. Throughout this enquiry, the intention is to present a case for the importance and preservation of a sense of ‘otherness’ within the arts – where ‘otherness’ is seen as a container for depth experience touching on the numinous and the spiritual. Connections are made between the sense in which Rudolph Otto (1918) used the term ‘otherness’ to refer to the numinous and to the position of certain contemporary thinkers and artists who also seem to be articulating a position based on a numinous sense of ‘otherness’
Uncontrolled Keywords: Abstract painting, spirituality, otherness, the unconscious, the numinous
Subjects: N Fine Arts > ND Painting > ND49 History > ND196.A2 Abstract painting
N Fine Arts > N Visual arts (General) > N7560 Special subjects of art > N8248.S77 Spirituality in art
N Fine Arts > ND Painting > ND1158.P64 Psychological aspects
Creators: Evans, Michael
Faculties, Divisions and Institutes: Faculties > Faculty of Arts, Science & Technology > Fine Art
Date: August 2010
Date Type: Presentation
Event Title: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology
Event Dates: 10-14 August 2010
Event Location: Cornell University, Ithaca, New York
Event Type: Conference
Language: English
Status: Unpublished
Refereed: Yes
Related URLs:
URI: http://nectar.northampton.ac.uk/id/eprint/5087

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