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How does formal instrumental music tuition (FIMT) impact on self- and teacher-evaluations of adolescents’ computer-based compositions?

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Seddon, F. A. and O'Neill, S. A. (2006) How does formal instrumental music tuition (FIMT) impact on self- and teacher-evaluations of adolescents’ computer-based compositions? Psychology of Music. 34(1), pp. 27-45. 0305-7356.
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Creators:Seddon, F. A. and O'Neill, S. A.
Abstract:
This study examined 48 computer-based compositions produced by
adolescents (13–14 years old) using evaluations by specialist music teachers and
the adolescents’ self-evaluations and self-assessments. Based on previous
research (Seddon and O’Neill, 2001), we expected that the teachers’ evaluations
of the compositions would not differentiate between the compositions by
adolescents with or without 2–4 years prior experience of formal instrumental
music tuition (FIMT). We also predicted that the self-evaluations and selfassessments
of adolescents with FIMT would be higher than the self-evaluations
and self-assessments by adolescents without FIMT. The results supported our
predictions suggesting that adolescents’ self-evaluations of their ability to
compose and their self-assessments of their own compositions are determined by
their levels of self-perceived competence, and that this is influenced by whether
or not they have previous experience of FIMT. Implications for the use of selfevaluations
and self-assessments in music education are discussed.
Official URL:http://pom.sagepub.com/content/34/1.toc
Item Type:Article
Uncontrolled Keywords:influence of instrumental tuition, self-assessment, self-perceived competence
Subjects:M Music and Books on Music > MT Musical instruction and study > MT40 Composition. Elements and techniques of music
L Education > LB Theory and practice of education > LB1028.43 Computers in education
Schools and Departments:Northampton Business School
DOI:doi:10.1177/0305735606059103
Date:2006
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