Brigley Thompson, Z. and Gunne, S. (2010) Breaking the bonds of domination: subverting the rape script in short stories by Isabel Allende and Rosario Castellanos. Paper presented to: 3rd Biennial International Conference of the Contemporary Women’s Writing Network: New Texts, Approaches and Technologies, San Diego, USA, 07-09 July 2010. Also presented at: Critical Theory: Violence and Reconciliation Conference, Exeter University, 24 September 2010 (Unpublished)
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Abstract: | This paper examines how Isabel Allende’s two short stories, ‘The Judge’s Wife’ and ‘Revenge’ represent Allende’s strategy of feminist resistance against patriarchal domination within romantic relationships. Jessica Benjamin's The Bonds of Love examines the politics of domination underlying the heterosexual norm and interrogates the inevitability of gendered domination as she argues that society’s slavish adherence to a particular type of family unit dictates man’s positioning as active, detached, independent and woman’s subordination into object, passivity, sacrifice. We argue that, like Benjamin, Allende challenges the transparency of these binaries in the context of postcolonial Latin America. In using narrative strategies to undermine and disempower patriarchal domination, Allende’s writing builds upon a tradition of literary inheritance from writers like Rosario Castellanos. Both Castellanos and Allende present uncomfortable pictures of women’s disempowerment and sexuality. It is, however, this unease with women’s sexual agency that interrogates, challenges and ultimately subverts the rape script. Allende’s subversive strategy is controversial, since Casilda in ‘The Judge’s Wife’ and Dulce Rosa in ‘Revenge’ appear to adhere to the myth of rape as seduction - an assumption which legitimizes patriarchal control - by falling in love with their rapists. Far from reinforcing gender stereotypes and perpetuating social narratives of domination, however, Allende’s narrative strategies contextualize this ‘love’ to counteract the prevailing myth by complicating established binaries such as active/passive, masculine/feminine and dominator/dominated. By introducing notions of submission, female desire and female action, Allende challenges theoretical trends that reinforce or reverse categories of oppression |
| Subjects: |
H Social Sciences > HQ The family. Marriage. Women > HQ1101 Women. Feminism P Language and Literature > PQ Romance literatures > PQ6001 Spanish literature P Language and Literature > PN Literature (General) > PN56 Themes and subjects in literature > PN56.R24 Rape |
| Creators: | Brigley Thompson, Zoe and Gunne, Sorcha |
| Funders or Sponsors: | Contemporary Women's Writing Network |
| Faculties, Divisions and Institutes: |
University Faculties, Divisions and Research Centres - OLD > Research Centre > Centre for Critical and Creative Writing University Faculties, Divisions and Research Centres - OLD > Faculty of Education & Humanities > English and Creative Writing Faculties > Faculty of Education & Humanities > English and Creative Writing Research Centres > Centre for Critical and Creative Writing |
| Date: | 8 July 2010 |
| Date Type: | Submission |
| Event Title: | 3rd Biennial International Conference of the Contemporary Women’s Writing Network: New Texts, Approaches and Technologies |
| Event Dates: | 07-09 July 2010 |
| Event Location: | San Diego, USA |
| Event Type: | Conference |
| Language: | English |
| Status: | Unpublished |
| URI: | http://nectar.northampton.ac.uk/id/eprint/3313 |
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