A

1. Alessio, D. (2007) 2006-2008 - the years of the Pacific? Some thoughts after Pasifika Styles (University of Cambridge) and Power and Taboo (The British Museum). British Review of New Zealand Studies (BRONZS). 16, pp. 207-217. 0951-6204.
2. Alessio, D. (2004) A conservative utopia? Anthony Trollope's The Fixed Period (1882). Journal of New Zealand Literature. 22, pp. 73-95. 0112-1227.
3. Alessio, D. (2002) Close encounters of the earliest kind: a postcolonial sighting of aliens from the planet Venus and the first human colony in Science Fiction (1881). ARIEL: A Review of International English Literature. 33(1), pp. 15-36. 0004-1327.
4. Alessio, D. (2008) Imagining New Zealand as new Europe, 1870-1930. Invited Presentation presented to: New Zealand and the Mediterranean: 15th Annual New Zealand Studies Association (NZSA) Conference, Florence, Italy, 02-04 July 2008.
5. Alessio, D. (2008) Promoting paradise: utopianism and national identity in New Zealand. New Zealand Journal of History. 42(1), pp. 22-40. 0028-8322. (Unpublished)
6. Alessio, D. (2005) Redemption, 'race', religion, reality and the far right: science fiction film adaptations of Philip K. Dick. In: Brooker, W. (ed.) The Blade Runner Experience: The Legacy of a Science Fiction Classic. London: Wallflower Press. pp. 59-75.
7. Alessio, D. and Langer, J. (2007) Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003). New Cinemas: Journal of Contemporary Film. 5(3), pp. 217-229. 1474-2756.
8. Allwork, L. (2009) Constructing the cosmopolitan 'stigma' of the Holocaust at the Stockholm International Forum. Panel Presentation presented to: Theory for a Global Age Summer School: Theorizing the Global, University of Warwick, 10 July 2009.
9. Allwork, L. (2012) Fade to grey: Gerhard Richter: Panorama. Itch Magazine. 10
10. Allwork, L. (2013) Post-communist dreams and Nazi nightmares: holocaust memorialisation between Britain and the Baltics in the 2000s. Invited Presentation presented to: Mansfield College, University of Oxford, 29 January 2013.
11. Allwork, L. (2012) Review of The Palgrave Dictionary of Anglo-Jewish History. The London Journal. 37(1), pp. 65-66. 0305-8034 (print), 1749-6322 (online).
12. Allwork, L. (2012) The Holocaust, the jews of Lithuania and Blair's foreign policy. Invited Keynote presented to: The Holocaust, the Jews of Lithunia and Blair's Foreign Policy, Northampton Synagogue, 26 February 2012.
13. Allwork, L. (2012) The future of Holocaust memorialisation in Lithuania. Workshop presented to: Visit of Lithuanian Historians to the Imperial War Museum, Imperial War Museum and Bessborough House, London, 24-25 September 2012.
14. Allwork, L. and Wilson, J. M. (2013) Editors' note. Journal of Postcolonial Writing. 49(1), pp. 1-3. 1744-9855.
15. Andermahr, S. (2012) 'Compulsively readable and deeply moving': women's middlebrow trauma fiction. Panel Presentation presented to: 11th Conference of the European Society for the Study of English (ESSE 12), Bogazici University, Istanbul, 04-08 September 2012.
16. Andermahr, S. (2010) 1970s feminist fiction. Symposium presented to: 1970s Decades Event, Brunel University, London, 12 March 2010.
17. Andermahr, S. (2009) An introduction to time and space in Winterson’s short fiction. In: Sonmez, M. J.-M. and Özyurt Kılıç, M. (eds.) Winterson Narrating Time and Space. Newcastle upon Tyne: Cambridge Scholars Press.
18. Andermahr, S. (2007) Member of Editorial Board. Contemporary Women's Writing. Oxford: Oxford University Press. 1754-1476.
19. Andermahr, S. (2005) Cyberspace and the body: Jeanette Winterson's The Powerbook. In: Bentley, N. (ed.) British Fiction of the 1990's. London: Routledge. pp. 108-122.
20. Andermahr, S. (2012) Gender and the student experience: teaching feminist writing in the post-feminist classroom. In: Ferrebe, A. and Tolan, F. (eds.) Teaching Gender. Basingstoke: Palgrave Macmillan. pp. 12-30.
21. Andermahr, S. (2011) Hooked on classics: 'Oranges Are Not the Only Fruit' 25 years on. Invited Keynote presented to: Jeanette Winterson: A Critical Exploration, University of Leeds, 02-03 July 2011.
22. Andermahr, S. (2009) Jeanette Winterson. London: Palgrave Macmillan. 9780230507609.
23. Andermahr, S. (2012) Jeanette Winterson writing mothers and daughters: from 'Oranges Are Not the Only Fruit' to 'Why Be Happy When You Could Be Normal'? Invited Keynote presented to: Writing Mothers\Daughters: 1780-2012, Newman University, Birmingham, 28 June 2012.
24. Andermahr, S. (2006) Jeanette Winterson’s Lighthousekeeping. In: Mengham, R. and Tew, P. (eds.) British Fiction Today. London: Continuum. pp. 139-150.
25. Andermahr, S. (2006) Lesbian romance? Love and desire in the novels of Jeanette Winterson. Invited Keynote presented to: 14th Middle East Technical University (METU) British Novelists Conference: Jeanette Winterson and Her Work, Middle East Technical University, Ankara, Turkey, 14-15 December 2006.
26. Andermahr, S. (2011) Mourning, melancholia and maternal loss: Kim Edwards’s 'The Memory Keeper’s Daughter‘. Hecate: An Interdisciplinary Journal of Women’s Liberation. 37(1), pp. 27-45. 0311-4198.
27. Andermahr, S. (2011) Mourning, melancholia and maternal loss: Kim Edwards’s 'The Memory Keeper’s Daughter‘. Invited Keynote presented to: Mothers at the Margins: 6th Australian International, Interdisciplinary Conference on Motherhood, University of Queensland, Australia, 27-30 April 2011.
28. Andermahr, S. (2012) Mourning, melancholia and melodrama in contemporary women's grief fiction: Kim Edwards' 'The Memory Keeper's Daughter'. Paper presented to: Interrogating Trauma in the Humanities, University of Lincoln, 20-23 August 2012.
29. Andermahr, S. (2009) Narratives of maternal loss. Workshop presented to: Mum's the Word Workshop, De Montfort University, Leicester, 09 January 2009.
30. Andermahr, S. (2009) Narratives of maternal loss in contemporary women’s writing. Paper presented to: Between the “Urge to Know” and the “Need to Deny”: Ethics and Trauma in Contemporary Narrative in English, University of Zaragoza, Spain, 25-28 March 2009.
31. Andermahr, S. (2011) Narratives of maternal loss in contemporary women’s writing: Julie Myerson’s 'The Story of You’. In: Herrero, D. and Baelo-Allue, S. (eds.) Between the Urge to Know and the Need to Deny: Trauma and Ethics in Contemporary British and American Literature. Heidelberg: Universitatsverlag Winter. pp. 71-80.
32. Andermahr, S. (2010) Narratives of maternal loss in contemporary women’s writing: Julie Myerson’s 'The Story of You’. Paper presented to: Contemporary Women’s Writing: New Texts, Approaches, and Technologies: The Third Biennial International Conference of the Contemporary Women's Writing Network, San Diego State University, San Diego, USA, 07-09 July 2010.
33. Andermahr, S. (2007) Reinventing the romance. In: Andermahr, S. (ed.) Jeanette Winterson: A Contemporary Critical Guide. London: Continuum. pp. 82-99.
34. Andermahr, S. (2011) Sarah Schulman's queer diasporas: Empathy and People in Trouble. Textual Practice. 25(4), pp. 711-729. 0950-236X.
35. Andermahr, S. (2008) Sarah Schulman's queer diasporas: People in Trouble and Empathy. Invited Presentation presented to: Unsettling Women: Contemporary Women's Writing and Diaspora. 2nd Biennial Conference of the Contemporary Women's Writing Network, University of Leicester, 11-13 July 2008.
36. Andermahr, S. (2007) Teaching feminist fiction today. Invited Presentation presented to: Teaching Contemporary Women's Writing in the 21st Century conference, University of Brighton, Brighton, 15 September 2007.
37. Andermahr, S. (2009) The work of Jeanette Winterson. Seminar Presentation presented to: English Department Seminar, University of Zaragoza, Spain, 22 March 2009.

B

1. Bacon, J. (2010) Psyche and artistic creativity. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
2. Bacon, J. (2010) Psyche’s Witness. Exhibit at: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology. Cornell University, Ithaca, New York, 10-14 August 2010.
3. Bacon, J. (2010) Sitting practice. Leamington Spa Gallery, May 2010. Also exhibited at: International Society of Jungian Studies Conference, in exhibition ‘Arts and Psyche’, Cornell University, August 2010
4. Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices. 2(1), pp. 63-74. 1757-1871.
5. Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
6. Baker, S. (2007) Talking to the enemy: the role of television in transforming public perception of the paramilitaries. Paper presented to: Ireland at War and Peace Conference, University of Sunderland, Sunderland, 9-10 November 2007.
7. Bennett, C. (2007) "Thaw" and "Pond Life: Winter and Summer". Poetry London. 58 0953-766X. [poems]
8. Bennett, C. (2009) 365 Apples. Norfolk: Hawthorn Press. 9781899604326.
9. Bennett, C. (2009) 365 Apples. Syderstone, Norfolk: Crataegus Press. [Limited edition artist’s book]
10. Bennett, C. (2009) A Year Underwater. Syderstone, Norfolk: Crataegus Press. [Limited edition artist’s book]
11. Bennett, C. (2012) Angry Planet. North Norfolk: Hawthorn Press. 9781899604388.
12. Bennett, C. (2007) At Whitesands Beach. The SHOp: a Magazine of Poetry. 1393-8681. [poem]
13. Bennett, C. (2007) Freshwater Fishes of Great Britain and Ireland. Iota 79. 0266-2922. [poem]
14. Bennett, C. (2010) Happy to Meet and Sorry to Part. The Dark Horse. 25, p. 7. 1357-6720. [poem]
15. Bennett, C. (2007) How to Make a Woman out of Water. London: Enitharmon Press. 9781904634423.
16. Bennett, C. (2008) How to Make a Woman out of Water. The Poetry Society, London, 25 January 2008. Performer: Bennett, Charles
17. Bennett, C. (2008) How to Make a Woman out of Water. Performance at: National Poetry Day Lauderdale House, Hampstead, 09 October 2008. Performer: Bennett, Charles
18. Bennett, C. (2008) How to Make a Woman out of Water. Performance at: University of Bedfordshire Bedford, 13 October 2008. Performer: Bennett, Charles
19. Bennett, C. (2007) Meena Martin's Guesthouse. Magma. 39, p. 7. 1352-9269. [poem]
20. Bennett, C. (2009) Orchard Days: Poems from Dragon Orchard. Putley, Herefordshire: Dragon Orchard. 9780956388001.
21. Bennett, C. (2010) Poetry reading. Performance at: Havant Literary Festival Havant, Hampshire, 30 September-02 October 2010. Performer: Bennett, Charles (Unpublished)
22. Bennett, C. (2007) Porthgwarra. In: Bell, J. and Gardner, A. (eds.) Lifemarks: Poetry About the Big Events of Life. Derby: Cub Publishing. [poem]
23. Bennett, C. (2010) St.Ives; Forecast. Other Poetry. 4(1), pp. 20-21. 0144-5847. [poems]
24. Bennett, C. (2010) The Blackberries at Cwm Tydu, Bivalve Seashells of the Northern European Seas, Happy to Meet and Sorry to Part. Staple. 72, pp. 21-23. 0266-4410. [poems]
25. Bennett, C. (2002) Wintergreen. West Kirby: Headland Publications. 1902096746.
26. Bennett, C. and Chilcott, B. (2011) Furusato: 5 Arrangements of Japanese Songs. Oxford: Oxford University Press. 9780193378049.
27. Bennett, C. and Chilcott, B. (2012) Marriage to My Lady Poverty. Oxford: Oxford University Press. 9780193389649.
28. Bennett, C. and Chilcott, B. (2010) Swimming Over London. Oxford: Oxford University Press. 9780193369917. [vocal score]
29. Bennett, C. and Chilcott, B. (2013) The Advent Candle. Oxford: Oxford University Press. 9780193390065.
30. Bennett, C. and Chilcott, B. (2010) The Rose in the Middle of Winter. Oxford: Oxford University Press. 9780193370227. [Vocal score]
31. Bennett, C. and Chilcott, B. (2012) The Seeds of Stars. Oxford: Oxford University Press. 9780193390812.
32. Bennett, C. and Chilcott, B. (2011) The Sparrow’s Carol. In: Chilcott, B. and Blackwell, D. (eds.) Carols for Choirs 5: Fifty Christmas Carols. Oxford: Oxford University Press. [song (carol)]
33. Bennett, P. (2013) Member of Editorial Board. The Journal of William Morris Studies. Hammersmith: William Morris Society. 1756-1353.
34. Bennett, P. (2013) Vice Chair. William Morris Society.
35. Bennett, P. (2008) "This most romantic of deserts”: William Morris and the nineteenth-century Icelandic pilgrimage. Paper presented to: International Medieval Conference (IMC 2008), Leeds, 7-10 July 2008.
36. Bennett, P. (2008) A legacy of “Great Wonders”: the last romances of William Morris and the Kelmscott Press. AE: Canadian Aesthetics Journal. 15(Fall) 1496-3140.
37. Bennett, P. (2007) Beyond Arthurian romances. The Journal of William Morris Studies. 17(1), pp. 79-80. 1756-1353.
38. Bennett, P. (2007) From Highgate to Upmeads: Morris and the Violent Revolution. Keynote presented to: William Morris Research Seminar, University of Northampton, 17 November 2007. Chair and convenor
39. Bennett, P. (2005) Rediscovering the topography of wonder: Morris, Iceland and the last romances. The Journal of William Morris Studies. 16(2&3), pp. 31-48. 1756-1353.
40. Bennett, P. (2010) Rejuvenating our sense of wonder: the last romances of William Morris. In: Bennett, P. and Miles, R. (eds.) William Morris in the Twenty-First Century. Oxford: Peter Lang. pp. 209-228.
41. Bennett, P. (2007) Riot, Romance and Revolution: William Morris and the Art of Violence. Invited Keynote presented to: Midlands Interdisciplinary Victorian Studies Seminar, Birmingham University, 17 February 2007.
42. Bennett, P. (2010) Riot, romance and revolution: William Morris and the art of war. The Journal of William Morris Studies. 18(4), pp. 22-35. 1756-1353.
43. Bennett, P. (2011) Teaching the Victorians. Workshop presented to: Midlands Interdisciplinary Victorian Studies Seminar (MIVSS): Interdisciplinarity: Methods and Frameworks for Teaching the Nineteenth Century, Birmingham City University, 24 June 2011.
44. Bennett, P. (2009) The Last Romances and the Kelmscott Press. London: William Morris Society.
45. Bennett, P. (2007) The architecture of happiness: building utopia in the last romances of William Morris. Spaces of Utopia. 1(4), pp. 113-134. 1646-4729.
46. Bennett, P. (2012) The fallen woman in Victorian literature. Invited Presentation presented to: Fallen Women and New Women in Victorian Literature, Nottingham, 04 September 2012.
47. Bennett, P. (2012) Victorian sensation fiction. Invited Presentation presented to: Victorian Sensation Fiction, Nottingham, 12 June 2012.
48. Brigley, J. and Brigley, Z. (2008) Poetry, voices, identities. Workshop presented to: National Association for the Teaching of English (NATE) Conference 2008: Voices Across Borders: Language, Culture, Identity, University of Warwick, Coventry, 4-6 April 2008.
49. Brigley, Z. (2007) 'Calendar', 'Epithalamion', 'Meon Hill', 'Our Lady of the Rock' and 'The Jewel-box’. Agenda. 42(3-4), pp. 276-280. 9780902400856. [poems]
50. Brigley, Z. (2010) 'Home from Home' and 'Like Tamzene Donner Did'. Poetry Wales. 46(3), p. 23. 0032-2202. [2 poems]
51. Brigley, Z. (2010) 'The Jewel-box' and 'Love Song for his Mother'. Blossombones. Summer [2 poems]
52. Brigley, Z. (2010) A selection of poems. In: Morley, D. (ed.) Dove Release: New Flights and Voices. Tonbridge, Kent: Worple Press. pp. 24-27.
53. Brigley, Z. (2011) Atlas-eating and Farming Florida. New Welsh Review. 91, pp. 32-33. 0954-2116. [2 poems]
54. Brigley, Z. (2008) Confessing the secrets of others: Pascale Petit's poetic employment of Latin American cultures and the Mexican artist, Frida Kahlo. Journal of International Women's Studies. 9(2), pp. 20-28. 1539-8706.
55. Brigley, Z. (2007) Deterritorializing the language (the one thousand opinion column). Poetry Wales. 42(4), pp. 14-15. 0332-2202.
56. Brigley, Z. (2007) Dreams, jokes and the unconscious. Workshop presented to: Warwick Words Literary Festival, University of Warwick, Warwickshire, 4-7 October 2007.
57. Brigley, Z. (2010) Love and the Orchid. In: Arvon International Poetry Competition Anthology 2010. London: Arvon Foundation. [poem]
58. Brigley, Z. (2006) Replication, regeneration or organic birth: the clone in Deryn Rees-Jones' 'Quiver' and Donna Haraway's 'A Cyborg Manifesto'. Critical Survey. 18(2), pp. 16-30. 1752-2293.
59. Brigley, Z. (2007) Review of 'The Man Who Went Into the West' by Byron Rogers and 'R.S. Thomas' by Tony Brown. Poetry Wales. 42(3), pp. 64-66. 0332-2202.
60. Brigley, Z. (2010) Review of 'The Water Table' by Philip Gross. New Welsh Review. 88, pp. 89-91. 0954-2116.
61. Brigley, Z. (2010) Review of 'What the Water Gave Me: Poems After Frida Kahlo' by Pascale Petit. New Welsh Review. 90, pp. 73-75. 0954-2116.
62. Brigley, Z. (2010) Review of 'Women’s Work: Modern Women Poets Writing in English' edited by Eva Salzman and Amy Wack, and 'Voice Recognition: 21 Poets for the 21st Century' edited by James Byrne and Clare Pollard. Poetry Wales. 45(4), pp. 68-69. 0032-2202.
63. Brigley, Z. (2010) The Mandrake Baby. New Welsh Review. 90, p. 18. 0954-2116. [poem]
64. Brigley, Z. (2007) The Secret. Tarset: Bloodaxe Books. 9781852247874.
65. Brigley, Z. (2007) The big grey ir-elephant: the play of language in the Marx Brothers’ scripts and in Charles Bernstein’s L=A=N=G=U=A=G=E poetry. In: Mills, J. (ed.) A Century of the Marx Brothers. Cambridge: Cambridge Scholars. pp. 164-175.
66. Brigley, Z. (2010) Welsh poetry and the surreal. Poetry Wales. 46(2) 0032-2202.
67. Brigley, Z. (2007) ‘Trade', 'The Armoury' and 'Equivocation'. Frontiers: A Journal of Women's Studies. 28(1-2), pp. 121-123. 0160-9009. (Special issue: Domestic Frontiers: The Home and Colonization) [poems]
68. Brigley, Z. and Carpenter, P. (2009) Peter Carpenter interviews Zoë Brigley. Agenda: Welsh issue. 44(2-3), pp. 181-191. 0902400908.
69. Brigley Thompson, Z. (2011) 'Guatemala', 'Judy Chicago', 'Novelists, female' and 'Rape conviction rates'. In: Stange, M. Z., Oyster, C. K. and Sloan, J. E. (eds.) The Multimedia Encyclopedia of Women in Today’s World. Thousand Oaks, California: Sage.
70. Brigley Thompson, Z. (2010) Intimacy and the femme fatale: trauma, abuse and gender politics in the noir detective story. Paper presented to: Writings of Intimacy in the 20th and 21st Centuries, Loughborough University, England, 10-12 September 2010.
71. Brigley Thompson, Z. (2009) Introduction: transnational feminism(s) and rape scripts. In: Gunne, S. and Brigley Thompson, Z. (eds.) Feminism, Literature and Rape Narratives: Violence and Violation. London: Routledge.
72. Brigley Thompson, Z. (2010) Review of 'Poetics of Dislocation' by Meena Alexander. Contemporary Women's Writing. 4(3), pp. 255-257. 1754-1476.
73. Brigley Thompson, Z. (2009) The life and death of language. A Kristevan reading of the poets Gwyneth Lewis and Medbh McGuckian. Orbis Litterarum. 64(5), pp. 385-412. 1600-0730.
74. Brigley Thompson, Z. (2009) The wound and the mask: rape, recovery and poetry in Pascale Petit's The Wounded Deer: Fourteen Poems After Frida Kahlo. In: Gunne, S. and Brigley Thompson, Z. (eds.) Feminism, Literature and Rape Narratives: Violence and Violation. London: Routledge.
75. Brigley Thompson, Z. and Gunne, S. (2009) 'Why not choose a happier subject?'. Times Higher Education.
76. Brigley Thompson, Z. and Gunne, S. (2010) Breaking the bonds of domination: subverting the rape script in short stories by Isabel Allende and Rosario Castellanos. Paper presented to: 3rd Biennial International Conference of the Contemporary Women’s Writing Network: New Texts, Approaches and Technologies, San Diego, USA, 07-09 July 2010. Also presented at: Critical Theory: Violence and Reconciliation Conference, Exeter University, 24 September 2010
77. Brown, M. (2011) A portrait of a soul in ruins: Paul Auster's 'The Book of Illusions'. In: Ciocia, S. and Gonzalez, J. A. (eds.) The Invention of Illusions: International Perspectives on Paul Auster. Newcastle: Cambridge Scholars Press. pp. 219-238.
78. Brown, M. (2007) Paul Auster. Manchester: Manchester University Press. 9780719073977.
79. Brown, M. (2009) Paul Auster: poet of solitude. In: Seed, D. (ed.) A Companion to Twentieth-Century United States Fiction. Oxford: Wiley-Blackwell. pp. 530-538.
80. Brown, M. (2008) Paul Auster’s 'urban imaginary'. Invited Presentation presented to: Architexture, Strathclyde University, 15-17 April 2008.
81. Brown, M. (2003) “We don’t go by numbers”: baseball and Brooklyn in the films of Paul Auster. In: Manbeck, J. B. and Singer, R. (eds.) The Brooklyn Film: Essays in the History of Filmmaking. Jefferson, N.C.: McFarland. pp. 142-153.

C

1. Canning, R. (2011) 'They just let go': James Purdy’s ‘Desiring Machines’ and the dramatic sense of his fiction. Hyperion. VI(1), pp. 44-61.
2. Canning, R. (2009) Brief Lives: E.M. Forster. London: Hesperus Press. 9781843919162.
3. Canning, R. (2008) Brief Lives: Oscar Wilde. London: Hesperus Press. 9781843919056.
4. Canning, R. (2009) Douglas Wright’s Ghost Dance. In: Canning, R. (ed.) 50 Gay and Lesbian Books Everybody Must Read. New York, N.Y.: Alyson Books. pp. 331-339.
5. Canning, R. (2009) Fragments of a gay life: Yves Saint Laurent’s auction. Ganymede. 3, pp. 4-5.
6. Canning, R. (2009) New York City Boy: a conversation with Edmund White. Chroma Online.
7. Canning, R. (2009) Novel ideas in a static landscape: a response to Les Brookes’s Gay Male Fiction Since Stonewall. The Gay & Lesbian Review Worldwide. 16(1) 1532-1118.
8. Canning, R. (2012) Prancing back into print: the forgotten Mr Firbank. Literary Review. 55 0024-4589.
9. Canning, R. (2009) Stories with spice from Cornwall to Bali: Gentleman's Relish, by Patrick Gale. Independent. 0951-9467.
10. Canning, R. (2008) The dancer and the dance: on the legacy of Rudolf Nureyev. The Gay & Lesbian Review Worldwide. 15(3) 1532-1118.
11. Canning, R. (2011) The epidemic that barely was. The Gay & Lesbian Review Worldwide. 18(2) 1532-1118.
12. Canning, R. (2010) The literature of AIDS. In: Stevens, H. (ed.) The Cambridge Companion to Gay and Lesbian Writing. Cambridge: Cambridge University Press. pp. 132-147.
13. Canning, R. (2012) The politics of experience: a response to Charles Silverstein's For the Ferryman. The Gay & Lesbian Review Worldwide. 19(2) 1532-1118.
14. Canning, R. (2009) Tomb with a view: three recent publications by E.M. Forster. The Gay & Lesbian Review Worldwide. 16(2) 1532-1118.
15. Canning, R. (2008) What Allen Ginsberg told his friends. The Gay & Lesbian Review Worldwide. 15(6) 1532-1118.
16. Canning, R. (2012) What you weren’t reading in 1952: G.F. Green’s In the Making. The Gay & Lesbian Review Worldwide. 19(4) 1532-1118.
17. Chamberlain, R. (2011) 'Most retrograde to our desire': translating recusant identity in Hamlet. In: Oakley-Brown, L. (ed.) Shakespeare and the Translation of Identity in Early Modern England. London: Continuum. pp. 131-68.
18. Chamberlain, R. (2005) Radical Spenser: Pastoral, Politics and the New Aestheticism. Edinburgh: Edinburgh University Press. 074862192X.
19. Chamberlain, R. (2011) Shakespeare's refusers: humanism at the limit. In: Mousley, A. (ed.) Towards a New Literary Humanism. Basingstoke: Palgrave Macmillan. pp. 98-112.
20. Chamberlain, R. (2011) What’s happiness in Hamlet? Invited Presentation presented to: Shakespeare and Early Modern Emotion, University of Hull, 29 June - 01 July 2011.
21. Chamberlain, R. (2007) ‘Pale Signature’: lyric and life-writing in Dylan Thomas’s early poems. Paper presented to: Life Writing in Wales (Nineteenth Annual Conference of the Association for Welsh Writing in English), Gregynog Hall, Newton, Powys, Wales (University of Wales), 30 March - 1 April 2007.
22. Coley, T. J. (2007) Hands on History. [Film]. Northampton: Northampton Museum.

D

1. Daly, G. (2006) Politik und das unmögliche: Jenseits von psychoanlyse und dekonstruktion. In: Flatz, C. and Felgitsch, S. (eds.) Dimensionen einer Neuen Kultur des Politischen. Wiesbaden: VS Verlag fur Sozialwissenschaften. pp. 108-135.
2. Daly, G. (2004) Radical(ly) political economy: Luhmann, postmarxism and globalization. Review of International Political Economy. 11(1), pp. 1-32. 1466-4526.
3. Daly, G. (2007) The materialism of spirit - Žižek and the logics of the political. International Journal of Žižek Studies. 1(4) 1751-8229.

F

1. Feldman, M. (2007) After “the end” of Samuel Beckett: influences, legacies, and “legacees”. In: Feldman, M. and Nixon, M. (eds.) Beckett’s Literary Legacies. Newcastle: Cambridge Scholars Publishing. pp. 1-21.
2. Feldman, M. (2006) Beckett and Popper, or "What stink of artifice": some notes on methodology, falsifiability, and criticism in Beckett studies. In: Engelberts, M., Frost, E. and Maxwell, J. (eds.) Notes Diverse Holo: Catalogues of Beckett’s Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays. Amsterdam: Rodopi. pp. 373-391.
3. Feldman, M. (2006) Beckett’s Books: A Cultural History of Samuel Beckett’s “Interwar Notes”. London: Continuum. 082649059X.
4. Feldman, M. (2002) Choose definitively between hell and reason. Third Text. 16(4), pp. 439-449. 0952-8822.
5. Feldman, M. and Tonning, E. (2008) Samuel Beckett: Debts and Legacies, 2008. Convenor presented to: Samuel Beckett: Debts and Legacies, 2008, Regents Park College, Oxford, 25 April-13 June, 2008.

H

1. Hardy, S. (2003) A story of the days to come: H.G. Wells and the language of science fiction. Language and Literature. 12(3), pp. 199-212. 0963-9470.
2. Hardy, S. (2007) Film language in Alfred Hitchcock’s Sabotage. Invited Presentation presented to: English Research Seminars, School of the Arts, University of Northampton, 22 November 2007.
3. Hardy, S. (2002) H.G. Wells and British silent cinema: the War of the Worlds. In: Higson, A. (ed.) Young and Innocent? The Cinema in Britain, 1896-1930. Exeter: University of Exeter Press. pp. 242-255.
4. Hardy, S. (2007) H.G. Wells and William James. Invited Presentation presented to: H.G. Wells: Science and Philosophy: H.G. Wells Society Annual Conference, Imperial College/Conway Hall, London, 28-29 September 2007.
5. Hardy, S. (2007) H.G. Wells the poststructuralist. In: Partington, J. S. (ed.) H. G. Wells's Fin-de-Siècle: Twenty-first Century Reflections on the Early H.G. Wells: Selections from The Wellsian. Oxford: Peter Lang. pp. 113-140.
6. Hardy, S. (2007) Review of 'The Reception of H.G. Wells in Europe', eds. Patrick Parrinder and John S. Partington. The Wellsian. 30, pp. 59-63. 0263-1776.
7. Hardy, S. (2001) The time machine and Victorian mythology. In: Slusser, G. E., Parrinder, P. and Chatelain, D. (eds.) H.G. Wells’s Perennial Time Machine: Selected Essays from the Centenary Conference "The Time Machine: Past, Present, and Future", Imperial College, London, July 26-29, 1995. Athens, Georgia: University of Georgia Press. pp. 76-96.
8. Heffernan, N. (2009) 'I’m the bluesman; he’s from Long Island!’ : the politics of crossover in the Hollywood blues movie. Paper presented to: British Association for American Studies (BAAS) Annual Conference 2009, University of Nottingham, 16-18 April 2009.
9. Heffernan, N. (2008) 'Money is talking to itself': finance capitalism from Players to Cosmopolis. Critical Engagements. 1(2), pp. 53-78. 1754-0984.
10. Heffernan, N. (2004) Fredric Jameson (1934-). In: Simons, J. (ed.) Contemporary Critical Theorists: From Lacan to Said. Edinburgh: Edinburgh University Press. pp. 252-268.
11. Heffernan, N. (2005) Popular culture. In: Temperley, H. and Bigsby, C. (eds.) A New Introduction to American Studies. Harlow: Longman-Pearson. pp. 386-411.
12. Heffernan, N. (2008) Questions of form and genre in the graphic novel, Part 3. Chair presented to: Paraliterary Narratives: Reassessing the Graphic Novel, University of Northampton, 6 June 2008.
13. Heffernan, N. (2008) Roger Corman’s counterculture trilogy. Invited Presentation presented to: Cine-Excess II: the Second International Conference on Global Cult Film, ICA, London, 1-3 May 2008.
14. Heffernan, N. (2006) The Last Movie and the critique of imperialism. Film International. 4(3), pp. 12-22. 1651-6826.
15. Heffernan, N. (2009) ‘You ain’t got to be black to be black’: black music, race consciousness and identity in the autobiography of an ex-colored man and mojo hand. In: Lock, G. and Murray, D. (eds.) Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film. New York; Oxford: Oxford University Press. pp. 21-41.
16. Henderson, I. (2007) Member of Editorial Board. Studies in Australasian Cinema. Bristol: Intellect. 1750-3175.
17. Hollingum, R. (2007) Higgins on the radio – the radio work of Aidan Higgins. Invited Presentation presented to: Aidan Higgins at 80 Conference, Celbridge, County Kildare, Eire, 5 May 2007.
18. Hollingum, R. (2007) Liner notes for 'U Turn' Jazz album by Mads Kjolby (Calibrated CAL1047). Denmark: C&P Calibrated.
19. Hollingum, R. (2007) Martin Taylor at The Stables. Film & Arts Features. [Online review]
20. Hollingum, R. (2007) Mary Coughlan at The Stables. Film & Arts Features. [Online review]
21. Hollingum, R. (2007) The Imagined Village is coming to The Derngate. Film & Arts Features. [Online review]
22. Hollingum, R. (2007) The Legends of Folk Rock. Film & Arts Features. [Online review]

J

1. Jowett, L. (2009) Member of Editorial Board. Slayage: The Online International Journal of Buffy Studies. 1546-9212.
2. Jowett, L. (2012) Member of Editorial Board. Slayage: The Journal of the Whedon Studies Association. 1546-9212.
3. Jowett, L. (2013) Member of Editorial Board. Intensities: The Journal of Cult Media. Cardiff University. 1471-5031.
4. Jowett, L. (2013) 'Mulder, have you noticed that we're on television?' X-Cops, style and innovation. Science Fiction Film and Television ('The Truth is Out There' The X-Files 20 Years On: A Special Issue). 6(1), pp. 23-38. 1754-3770 (print), 1754-3789 (online).
5. Jowett, L. (2011) America’s favourite serial killer. Seminar Presentation presented to: Research Institute of Media, Arts and Design (RMID) seminar series, University of Bedfordshire, Luton, 02 March 2011.
6. Jowett, L. (2007) Angel's female freaks. Panel Presentation presented to: Buffy Hereafter From the Whedonverse to the Whedonesque Conference, Istanbul, Turkey, 17-19 October 2007.
7. Jowett, L. (2008) Back to the future: retrofuturism, cyberpunk and humanity in Firefly and Serenity. In: Wilcox, R. and Cochran, T. R. (eds.) Investigating Firefly and Serenity: Science Fiction on the Frontier. London: I.B. Tauris. pp. 101-113.
8. Jowett, L. (2012) Between the paws of the tender wolf: authorship, adaptation and audience. In: Andermahr, S. and Phillips, L. (eds.) Angela Carter: New Critical Readings. London: Continuum. pp. 23-33.
9. Jowett, L. (2009) Biting humour: parody and the female vampire. Paper presented to: Cine-Excess III: The Third International Conference on Global Cult Film, Odeon Covent Garden and the Curzon Soho Cinema, London, 30 April - 02 May 2009.
10. Jowett, L. (2010) Carnivàle: social surrealism and subjectivity. Paper presented to: Memory, Identity, and New Fantasy Cultures, Kingston University, 09 October 2010.
11. Jowett, L. (2010) Corpsicles, dead girls and fried-egg people: death and bodies in TV’s Pushing Daisies. Panel Presentation presented to: Cine-Excess IV: Fourth International Conference and Film Festival: Corporeal Excess: Cult Bodies, London, 29 April - 01 May 2010.
12. Jowett, L. (2012) Fitting the profile: Dutch Wagenbach, realism, and the ensemble. In: Ray, N. (ed.) Interrogating The Shield. Syracuse, New York: Syracuse University Press. pp. 65-86.
13. Jowett, L. (2009) Folding time: history, subjectivity, and intimacy in Vonnegut. In: Simmons, D. (ed.) New Critical Essays on Kurt Vonnegut. Basingstoke: Palgrave Macmillan. pp. 133-146.
14. Jowett, L. (2010) Frak me: reproduction, gender, sexuality in Battlestar Galactica. In: Kaveney, R. and Stoy, J. (eds.) Battlestar Galactica : Investigating Flesh, Steel and Spirit. London: I B Tauris. pp. 59-80.
15. Jowett, L. (2007) Helping the hopeless: Angel as critical dystopia. Critical Studies in Television: scholarly studies in small screen fictions. 2(1), pp. 74-89. 1749-6020. http://www.criticalstudiesintelevision.com/
16. Jowett, L. (2012) Heroes, control, and regulation. In: Simmons, D. (ed.) Investigating Heroes: Essays on Truth, Justice and Quality TV. Jefferson, North Carolina: McFarland. pp. 119-129.
17. Jowett, L. (2010) Kitchen sink vampires? Being Human and the British TV tradition. Paper presented to: Vegetarians, VILFs and Fang-Bangers: Modern Vampire Romance in Print and on Screen, De Montfort University, Leicester, 24 November 2010.
18. Jowett, L. (2007) Lab coats and lipstick: smart women reshape science on television. In: Inness, S. A. (ed.) Geek Chic: Smart Women in Popular Culture. London: Palgrave. pp. 31-48.
19. Jowett, L. (2012) Lindsey and Angel: reflecting masculinity. In: Money, M. A. and PopMatters Media, (eds.) Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan Books. pp. 161-181.
20. Jowett, L. (2008) Mad, bad, and dangerous to know? Negotiating stereotypes of science. In: Potter, T. and Marshall, C. W. (eds.) Cylons in America: Critical Studies in Battlestar Galactica. London: Continuum. pp. 64-75.
21. Jowett, L. (2009) Plastic fantastic? Genre, technology, science and magic in Angel. In: Geraghty, L. (ed.) Channeling the Future: Essays on Science Fiction and Fantasy Television. Lanham, Maryland: Scarecrow Press. pp. 167-181.
22. Jowett, L. (2011) Purgatory with color TV: motel rooms as liminal zones in Supernatural. In: Abbott, S. and Lavery, D. (eds.) TV Goes to Hell: An Unofficial Road Map of Supernatural. Toronto: ECW Press. pp. 33-46.
23. Jowett, L. (2009) Rape, power, realism and the fantastic on television. In: Gunne, S. and Brigley Thompson, Z. (eds.) Feminism, Literature and Rape Narratives: Violence and Violation. London: Routledge.
24. Jowett, L. (2010) Representation: exploring issues of sex, gender and race in cult TV. In: Abbott, S. (ed.) The Cult TV Book. London: I.B. Tauris. pp. 107-116.
25. Jowett, L. (2011) Science, realism and professionalism in Ultraviolet. Paper presented to: Alien Nation: A Conference on British Science Fiction, Horror and Fantasy Television, Northumbria University, Newcastle, 20-21 July 2011.
26. Jowett, L. (2008) Self-made man: Lindsey McDonald, ‘the Cain to Angel’s Abel’. Invited Presentation presented to: SC3: The Slayage Conference on the Whedonverses, Arkadelphia, Arkansas, USA, 5-8 June 2008.
27. Jowett, L. (2005) Sex and the Slayer: a Gender Studies Primer For the Buffy Fan. Middletown, Conn.: Wesleyan University Press. 0819567582.
28. Jowett, L. (2011) Spectacular collision/collusion: genre, “quality,” and contemporary television drama. In: Burger, A. (ed.) The Television World of Pushing Daisies: Critical Essays on the Bryan Fuller Series. Jefferson, North Carolina and London: McFarland. pp. 11-27.
29. Jowett, L. (2010) Stuffing a rabbit in it: character, narrative and time in the Whedonverses. Keynote presented to: The Slayage Conference on the Whedonverses 4 (SC4), St Augustine, Florida, USA, 03-06 June 2010.
30. Jowett, L. (2011) The Girls who waited? Invited Keynote presented to: Visions from Behind the Sofa: a Doctor Who Symposium, University of Hertfordshire, Hatfield, 23 November 2011.
31. Jowett, L. (2005) To the Max: embodying intersections in Dark Angel. Reconstruction: Studies in Contemporary Culture. 5(4) 1547-4348.
32. Jowett, L. (2012) ‘I love him ... Is that real?’: interrogating romance in Dollhouse. Paper presented to: 5th Biennial Slayage Conference on the Whedonverses (SC5), University of British Columbia, Vancouver, Canada, 12-15 July 2012.
33. Jowett, L. (2009) “Not like other men?” The vampire body in Joss Whedon’s Angel. Studies in Popular Culture. 32(1), pp. 37-51. 0888-5753.
34. Jowett, L. and Abbott, S. (2012) TV Horror: Investigating the Darker Side of the Small Screen. London: I.B.Tauris. 9781848856189 (pbk), 9781848856172 (hbk).

K

1. Kaur, P. (2012) Beckett's Schopenhauerian Buddhism: East meets West. Symposium presented to: Samuel Beckett: Debts and Legacies 2012, St. John's College, University of Oxford, 12 June 2012.
2. Kaur, P. (2011) Interpreting Sunyata: an archival perspective on Beckett, Schopenhauer and Buddhism. Panel Presentation presented to: Samuel Beckett: Out of the Archive, University of York, 23-26 June 2011.
3. Keane, S. (2009) Walter Murch and Ben Burtt: the sound designer as composer. In: Harper, G. (ed.) Sound and Music in Film and Visual Media: A Critical Overview. New York ; London: Continuum. pp. 452-462.
4. Kimber, G. (2012) Editor. Katherine Mansfield Studies. 1-4 Edinburgh: Edinburgh University Press. 2041-4501.
5. Kimber, G. (2013) Chair. Katherine Mansfield Society.
6. Kimber, G. (2013) Committee Member. British Association of Modernist Studies.
7. Kimber, G. (2013) Associate Fellow. Higher Education Academy (HEA).
8. Kimber, G. (2011) Committee Member. Postcolonial Studies Association.
9. Kimber, G. (2012) "A Child of the Sun": Katherine Mansfield's spiritual journey. Invited Keynote presented to: In the Footsteps of Katherine Mansfield, Crans Montana, Switzerland, 22-23 September 2012.
10. Kimber, G. (2011) 'A Child of the Sun': Katherine Mansfield, tea and Japonisme. Paper presented to: Shaping Modernism: Katherine Mansfield and her Contemporaries, University of Cambridge, 25-26 March 2011.
11. Kimber, G. (2007) (Re)collecting memories of Wellington: Katherine Mansfield’s travels in Europe. Paper presented to: The State of the Nation: New Zealand’s Centenary as a Dominion: 14th Annual Conference of the New Zealand Studies Association (NZSA), together with the Centre for New Zealand Studies (CNZS), Birkbeck, University of London, 28-30 June 2007.
12. Kimber, G. (2008) A Literary Modernist: Katherine Mansfield and the Art of the Short Story. London: Kakapo Press. 9780955756436.
13. Kimber, G. (2007) Achromatising brilliance: French translations of Katherine Mansfield's fiction. Paper presented to: Cultural and Literary Translation: New Directions, Romance Studies Colloquium, University of Wales, Gregynog Hall, Newtown, Powys, 17-19 September 2007.
14. Kimber, G. (2010) All sunflowers and bamboo: Katherine Mansfield in 1910. Paper presented to: Scottish Network of Modernist Studies December 1910 Centenary Conference, University of Glasgow, 10-12 December 2010.
15. Kimber, G. (2009) An introduction to The Horse Whisperer. In: Hamilton, G. and Jones, B. (eds.) Encyclopedia of American Popular Fiction. New York, USA: Facts on File. pp. 158-160.
16. Kimber, G. (2007) Black sheep rehabilitated: the world according to Judas and C.K. Stead. British Review of New Zealand Studies: BRONZS. 16, pp. 32-58. 0951-6204.
17. Kimber, G. (2012) C.K. Stead. Poetry Archive. [Online]
18. Kimber, G. (2007) Commentary on 'A Widow's Quilt'. In: Maunder, A. (ed.) The Facts On File Companion to the British Short Story. New York, USA: Facts on File. pp. 456-457.
19. Kimber, G. (2010) Comrade Katya: Katherine Mansfield’s Russian translations. Paper presented to: The Author-Translator in the European Literary Tradition, University of Swansea, 28 June - 01 July 2010.
20. Kimber, G. (2013) Creating the Edinburgh Edition of the Collected Works of Katherine Mansfield. Invited Keynote presented to: Creating the Edinburgh Edition of the Collected Works of Katherine Mansfield, The New Zealand High Commission, Haymarket, London, 08 March 2013.
21. Kimber, G. (2007) Falling for France – Katherine Mansfield through a French looking-glass. Les Cahiers du CICLaS. 8, pp. 79-93. 1637–7060.
22. Kimber, G. (2012) From Wellington to Fontainebleau: three unpublished letters by Katherine Mansfield. Katherine Mansfield Studies. 4(1), pp. 106-117. 2041-4501.
23. Kimber, G. (2007) From flagrant to fragrant: (re)inventing Katherine Mansfield. Paper presented to: Archives: From Memory to Event: UCL English Postgraduate Conference, Institute of English Studies, Senate House, University of London, 09 March 2007.
24. Kimber, G. (2007) From flagrant to fragrant: reinventing Katherine Mansfield. Moveable Type. 3, pp. 71-102. 1755-4527.
25. Kimber, G. (2008) From flagrant to fragrant: the Katherine Mansfield myth in France. Invited Presentation presented to: New Zealand/France Association (Centre for New Zealand Studies, Birkbeck, University of London), Centre for New Zealand Studies, Birkbeck, University of London, May 2008.
26. Kimber, G. (2008) From major to minor: critical (mis)interpretation in the fiction of Katherine Mansfield. 2001 Group French Studies E-Journal: Critical Voices. 3 1749-3307.
27. Kimber, G. (2008) Getting published. Invited Presentation presented to: Postgraduate Skills Training Workshop, University of Southampton, April 2008.
28. Kimber, G. (2009) Home and away (Katherine Mansfield). Good Reading Magazine. July, pp. 14-15. 1445-2839.
29. Kimber, G. (2010) Introduction and three essays on Emily Brontë’s Wuthering Heights - themes of death, gender and love. In: McClinton-Temple, J. (ed.) Encyclopedia of Themes in Literature, Volume 1. New York, USA: Facts on File. pp. 232-235.
30. Kimber, G. (2010) Introduction and three essays on Virginia Woolf’s Mrs Dalloway - themes of death, social class and gender. In: McClinton-Temple, J. (ed.) Encyclopedia of Themes in Literature, Volume 3. New York, USA: Facts on File. pp. 1170-1173.
31. Kimber, G. (2008) Jealousies: Mansfield in Mansfield, and the poetry of C.K. Stead. Paper presented to: Katherine Mansfield Centenary Conference, Birkbeck, University of London, 04-06 September 2008.
32. Kimber, G. (2009) Judas and C.K. Stead: personal Zen in the face of God. Paper presented to: Re-imagining Identity: New Directions in Postcolonial Studies: Inaugural Conference of the Postcolonial Studies Association (PSA), Waterford Institute of Technology, Ireland, 06-08 May 2009.
33. Kimber, G. (2009) Katherine Mansfield and Rhythm. Invited Keynote presented to: Celebrating Katherine Mansfield: the Inaugural Katherine Mansfield Society Symposium, Villa Maria, Menton, France, 25 September 2009.
34. Kimber, G. (2011) Katherine Mansfield and the Bloomsbury Group. Invited Presentation presented to: "Woman of Words": Katherine Mansfield by Virginia King, October Gallery, London, 25 June 2011.
35. Kimber, G. (2010) Katherine Mansfield and the Bloomsbury Group. Invited Presentation presented to: The Godolphin and Latymer School, Hammersmith, London, 11 February 2010. Also presented at: Westonbirt School, Tetbury, 12 March 2010
36. Kimber, G. (2009) Katherine Mansfield and the public census of 1911. Katherine Mansfield Society. [Website]
37. Kimber, G. (2013) Katherine Mansfield as fiction writer. Invited Keynote presented to: Katherine Mansfield: Masked and Unmasked, Victoria University of Wellington, New Zealand, 08-11 February 2013.
38. Kimber, G. (2008) Katherine Mansfield: The View From France. Bern, Switzerland: Peter Lang. 9783039113927.
39. Kimber, G. (2013) Katherine Mansfield: her life and achievement. Invited Keynote presented to: Katherine Mansfield: Her Life and Achievement, Bath Royal Literary and Scientific Institution, Queen Square, Bath, 18 March 2013.
40. Kimber, G. (2009) Katherine Mansfield’s reputation in France. Invited Presentation presented to: New Zealand Week: Symposium to Celebrate the 40th Anniversary of the Katherine Mansfield Fellowship, Menton, France, 25 September 2009.
41. Kimber, G. (2012) La réputation de Katherine Mansfield en France. Europe: Revue Littéraire Mensuelle. 1003-1004, pp. 14-32. 0014-2751.
42. Kimber, G. (2011) Mansfield, Rhythm and the émigré connection. In: Wilson, J. M., Kimber, G. and Reid, S. (eds.) Katherine Mansfield and Literary Modernism. London: Continuum. pp. 13-29.
43. Kimber, G. (2008) NZSA conference report on 'The State of the Nation: New Zealand’s Centenary as a Dominion', London, June 2007. CNZS Bulletin of New Zealand Studies. 1, pp. 205-208. 1758-8626.
44. Kimber, G. (2007) Not minor but major: critical (mis)interpretation in the fiction of Katherine Mansfield. Paper presented to: Critical Voices: 2001 Group Study Day, The University of Northampton, 03 May 2007.
45. Kimber, G. (2009) Recollections of Jeanne Renshaw. Katherine Mansfield Society Newsletter. 2, pp. 9-10. 2040-2597.
46. Kimber, G. (2012) Recollections of New Zealand: Katherine Mansfield’s 'recherche du temps perdu’. Paper presented to: New Zealand’s Cultures: Sources, Histories, Futures, Birkbeck, University of London, 06-07 July 2012.
47. Kimber, G. (2009) Review of Collected Poems 1951-2006, by C.K. Stead. Journal of Postcolonial Writing. 45(4) 1744-9855.
48. Kimber, G. (2010) Review of In Pursuit ...: a Novel, by Joanna FitzPatrick. Katherine Mansfield Society Newsletter. 7, p. 17. 2040-2597.
49. Kimber, G. (2008) Review of Margaret Atwood: Feminism and Fiction, by Fiona Tolan (Amsterdam: Rodopi, 2007). Journal of Postcolonial Writing. 44(2), pp. 219-220. 1744-9855.
50. Kimber, G. (2009) Review of Second Violins: New Stories Inspired by Katherine Mansfield, ed. by Marco Sonzogni. Katherine Mansfield Society Newsletter. 2, pp. 13-14. 2040-2597.
51. Kimber, G. (2009) Review of Still Shines When you Think of It: A Festschrift for Vincent O’Sullivan, ed. by Bill Manhire and Peter Whiteford. Journal of Postcolonial Writing. 45(3), pp. 356-357. 1744-9855.
52. Kimber, G. (2010) Review of Unsettling Narratives: Postcolonial Readings of Children’s Literature, by Claire Bradford. Journal of Postcolonial Writing. 46(2), pp. 237-238. 1744-9855.
53. Kimber, G. (2009) Review of Virginia Woolf and Katherine Mansfield: A Creative Rivalry, by Hilary Newman. Katherine Mansfield Society Newslettter. 3, p. 17. 2040-2597.
54. Kimber, G. (2009) Rhythm and the Blue Review: the émigré connection. Paper presented to: Modernism, Cultural Exchange and Transnationality: Second Conference of the Arts & Humanities Reseach Council (AHRC) Modernist Magazines Project, University of Sussex, 13-15 July 2009.
55. Kimber, G. (2007) Sylvia Townsend Warner. In: Maunder, A. (ed.) The Facts On File Companion to the British Short Story. New York, USA: Facts on File. pp. 446-447.
56. Kimber, G. (2007) The state of the nation: New Zealand’s centenary as a dominion. New Zealand Inspired. 10, pp. 16-17. 1752-0495.
57. Kimber, G. (2007) Translation as hagiographical weapon or how the French framed Katherine Mansfield. In: Bolton, L., Kimber, G., Lewis, A. and Seabrook, M. (eds.) Framed! Essays in French Studies. Bern, Switzerland: Peter Lang. pp. 189-207.
58. Kimber, G. (2009) Translation as hagiographical weapon: the French perception of Katherine Mansfield. In: Ní Chuilleanáin, E., Ó Cuilleanáin, C. and Parris, D. (eds.) Translation and Censorship: Patterns of Communication and Interference. Dublin, Ireland: Four Courts Press. pp. 164-172.
59. Kimber, G. (2008) Under the sun: Menton, the Mediterranean and C.K. Stead. Paper presented to: New Zealand and the Mediterranean: 15th Annual Conference of the New Zealand Studies Association (NZSA) together with the Centre for New Zealand Studies (CNZS), Florence, Italy, 02-04 July 2008.
60. Kimber, G. (2009) ‘Kissienska’: Katherine Mansfield’s Russian obsession. Paper presented to: Russia in Britain, 1880-1940: Reception, Translation and the Modernist Cultural Agenda, Institute of English Studies, University of London, 25-26 June 2009.
61. Kimber, G. (2011) ‘To Hell with the Blooms Berries’: Katherine Mansfield in Mansfield and the poetry of C.K. Stead. Paper presented to: Bloomsbury Adaptations, Bath Spa University, 05-06 May 2011.
62. Kimber, G. (2010) “An art that strikes deeper”: Katherine Mansfield and Rhythm. Paper presented to: Poznon 2010: Second Bi-annual Conference of the European Network for Avant-Garde and Modernism Studies (EAM): High & Low, Adam Mickiewicz University, Poznan, Poland, 09-11 September.
63. Kimber, G. (2009) “Not ‘Do you remember’, but ‘What if’?”. In: Marsh, R., Duffy, S. and Gunn, K. (eds.) New Writing Dundee: Vol. 4. Dundee: Dundee University Press. pp. 142-144.
64. Kimber, G. (2012) “That Pole outside our door”: Katherine Mansfield and Floryan Sobieniowski. Invited Keynote presented to: Katherine Mansfield and Continental Europe, Ruzomberok, Slovakia, 27-29 June 2012. Also presented at: Material Meanings: Third Biannual Conference of the European Network for Avant-Garde and Modernism Studies (EAM), University of Kent, 07-09 September 2012
65. Kimber, G. and Jones, K. (2013) Katherine Mansfield 90 years on. Invited Keynote presented to: Katherine Mansfield 90 Years On, Christ Church College, Oxford, 17 March 2013.

M

1. Mackley, J. S. (2012) "The Necromancer of the Black Forest": a truly "horrid novel". Symposium presented to: Fantastic Thresholds, Richmond, the American International University in London, 16 November 2012.
2. Mackley, J. S. (2011) A forgotten God remembered: the Wayland Smith legend in Kenilworth and Puck of Pook’s Hill. Paper presented to: English and Welsh Diaspora: Regional Cultures, Disparate Voices, Remembered Lives, Loughborough University, 13-16 April 2011.
3. Mackley, J. S. (2011) Chivalry in Gawain and the Green Knight. Invited Presentation presented to: Medieval Siege Society Event, Welwyn Garden City, 19 February 2011.
4. Mackley, J. S. (2008) Disguising natural exotica: St Brendan's travels to 'Iceland'. Paper presented to: International Medieval Conference (IMC) 2008, University of Leeds, 07-10 July 2008.
5. Mackley, J. S. (2010) Gog and Magog: guardians of the city. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. London: Continuum. pp. 121-139.
6. Mackley, J. S. (2010) Kissing Heaven’s door: the Judas episode in the Voyage of Brendan. Invited Presentation presented to: The Voyage of Brendan: A One-Day Conference, Norwich Cathedral, 24 April 2010.
7. Mackley, J. S. (2012) Nicole Oresme’s treatises on cosmography and divination: a discussion of the Treatise of the Sphere. Paper presented to: Starcraft: Watching the Heavens in the Early Middle Ages, University College London, 30 June - 1 July 2012.
8. Mackley, J. S. (2011) Pearl and the medieval dream vision. Paper presented to: Dreams in Legend and Tradition: the Sixth Legendary Weekend of The Folklore Society, Swaffham Assembly Hall, Norfolk, 03-04 September 2011.
9. Mackley, J. S. (2010) Some Celtic otherworld motifs in Brendan’s Voyage to Paradise. Paper presented to: International Medieval Congress (IMC) 2010, University of Leeds, 12-15 July 2010.
10. Mackley, J. S. (2011) St George: patron saint of England? Paper presented to: Staff Research Seminar, The University of Northampton, 05 May 2011.
11. Mackley, J. S. (2011) Sympathy for the Devil: the legend of Gog and Magog. Paper presented to: The Fantastic Imagination, Richmond American International University, London, 25 November 2011.
12. Mackley, J. S. (2012) The Anglo Saxons and their gods (still) among us. Lecture presented to: The University of Northampton Staff Research Forum, The University of Northampton, 12 March 2012.
13. Mackley, J. S. (2008) The Legend of Brendan: a Comparative Study of the Latin and Anglo-Norman Versions. Leiden: Brill Academic Publishers. 9789004166622.
14. Mackley, J. S. (2009) The heresies of Brendan's Voyage. Seminar Presentation presented to: International Medieval Conference (IMC) 2009, University of Leeds, 13-16 July 2009.
15. Mackley, J. S. (2007) The medieval legend of Judas Iscariot: the Vita of Judas and the Gospel of Barnabas. Paper presented to: York Medieval Religion Research Group Meeting, King's Manor, University of York, 01 February 2007.
16. Mackley, J. S. (2011) The pagan heritage of St George. Paper presented to: International Medieval Congress (IMC), University of Leeds, 11-14 July 2011.
17. Mackley, J. S. (2007) The torturer's "art" in the Judas episode of Benedeit's Voyage of St Brendan. Notes & Queries. 54(1), pp. 24-27. 0029-3970.
18. Mackley, J. S. (2007) Vision in the Anglo-Norman Voyage of Brendan. Paper presented to: International Medieval Congress (IMC) 2007, University of Leeds, 09-12 July 2007.
19. Mackley, J. S. (2012) Wayland: smith of the gods. Paper presented to: 6th Nordic-Celtic-Baltic Folklore Symposium: "Supernatural Places", University of Tartu, Estonia, 04-07 June 2012.
20. Mackley, J. S. (2010) “We are spared Hell”: neutral angels in the Middle Dutch Voyage of Brendan. Invited Presentation presented to: 45th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, Michigan, 13-16 May 2010.

P

1. Phillips, L. (2011) Editor. Literary London: Interdisciplinary Studies in the Representation of London. Liverpool: The Literary London Journal. 1744-0807.
2. Phillips, L. (2007) Member of Editorial Board. Transtext(e)s Transcultures 跨文本跨文化 Journal of Global Cultural Studies. Lyon, France: Jean Moulin University. 1771-2084.
3. Phillips, L. (2011) Member of Editorial Board. Critical Engagements: A Journal of Criticism and Theory. UK Network for Modern Fiction Studies. 1754-0984.
4. Phillips, L. (2007) Guest editor. Transtext(e)s Transcultures 跨文本跨文化 Journal of Global Cultural Studies. 3 Lyon, France: Jean Moulin University. 1771-2084.
5. Phillips, L. (2011) Editor. Critical Engagements: A Journal of Criticism and Theory. UK Network for Modern Fiction Studies. 1754-0984.
6. Phillips, L. (2007) B.S. Johnson’s Albert Angelo and the consequences of London. In: Tew, P. and White, G. (eds.) Re-Reading B.S. Johnson. Basingstoke and New York USA: Palgrave MacMillan. pp. 175-188.
7. Phillips, L. (2007) Colonial culture in the Pacific in Robert Louis Stevenson and Jack London. Race & Class. 48(3), pp. 63-82. 1741-3125.
8. Phillips, L. (2010) Fiction. In: Wolfreys, J. (ed.) The English Literature Companion. Basingstoke: Palgrave Macmillan.
9. Phillips, L. (2007) Introduction: A Mighty Mass of Brick and Smoke. In: Phillips, L. (ed.) A Mighty Mass of Brick and Smoke: Victorian and Edwardian Representations of London. Amsterdam and New York: Rodopi.
10. Phillips, L. (2007) Jack London and the East End: Socialism, Imperialism, and the Bourgeois Ethnographer. In: Phillips, L. (ed.) A Mighty Mass of Brick and Smoke: Victorian and Edwardian Representations of London. Amsterdam, New York: Rodopi. pp. 213-234.
11. Phillips, L. (2006) London Narratives: Post-war Fiction and the City. London: Continuum. 0826484522.
12. Phillips, L. (2009) Narrated spaces - towards a theorisation of narrative form and the city. Panel Presentation presented to: Brunel Centre for Contemporary Writing (BCCW) English Research Seminars, Brunel University, London, 18 February 2009.
13. Phillips, L. (2010) Realism. In: Wolfreys, J. (ed.) The English Literature Companion. Basingstoke: Palgrave Macmilan.
14. Phillips, L. (2005) Robert Louis Stevenson: class and 'race' in The Amateur Emigrant. Race & Class. 46(3), pp. 39-54. 1741-3125.
15. Phillips, L. (2008) Sex, violence and concrete: the post-war Dystopian vision of London in Nineteen Eighty-Four. Critical Survey. 20(1), pp. 69-79. 0011-1570.
16. Phillips, L. (2012) The South Pacific Narratives of Robert Louis Stevenson and Jack London: Race, Class, Imperialism. London and New York: Continuum. 9781441199560.
17. Phillips, L. (2010) Truth in violence: ethical atavism in J G Ballard's sub/urban nightmares. In: Brie, S. and Rossiter, W. T. (eds.) Literature and Ethics: From the Green Knight to the Dark Knight. Newcastle: Cambridge Scholars Press.
18. Phillips, L. (2010) What lies beneath: the London Underground and contemporary Gothic film horror. In: Phillips, L. and Witchard, A. (eds.) London Gothic: Place, Space and the Gothic Imagination. London: Continuum.
19. Phillips, L. (2002) Writing identity into space: the relationship between ethnography, autobiography and space in Bronislaw Malinowski’s A Diary in the Strict Sense of the Term and Claude Lévi-Strauss’s Tristes Tropiques. Reconstruction: An Interdisciplinary Culture Studies Community. 2(3) 1547-4348.
20. Phillips, L. (2008) “Narrative Spaces”: towards a theorization of narrative form and the city. Paper presented to: English Literature Postgraduate Research Seminar Series, University of Westminister, London, 19 March 2008.
21. Phillips, L. and Beaumont, M. (2011) Editorship of book series. Continuum Studies in the City. London: Continuum.
22. Phillips, L., Jowett, L., Ringrose, C. and Wiseman-Trowse, N. J. B. (2009) Guest editor of Special issue: Reassessing the Graphic Novel. Critical Engagements: A Journal of Criticism and Theory. 3(1) London: UK Network for Modern Fiction Studies. 9781445754857. 1754-0984.

R

1. Ringrose, C. (2008) Member of Editorial Board. New Review of Children's Literature and Librarianship. Abingdon: Routledge. 1361-4541.
2. Ringrose, C. (2007) A journey backwards: history through style in children's fiction. Children's Literature in Education. 38(3), pp. 207-218. 0045-6713.
3. Ringrose, C. (2006) Assessing Ben Okri’s fiction 1995-2005. In: Tew, P. and Mengham, R. (eds.) British Fiction Today. London: Continuum. pp. 78-90.
4. Ringrose, C. (2008) Ben Okri’s In Arcadia. The Literary Encyclopedia. 1747-678X. [Online]
5. Ringrose, C. (2007) E-Learning strategies in English studies. Panel Presentation presented to: Renewals: The English Subject Centre Conference, Royal Holloway, University of London, 11-13 July 2007.
6. Ringrose, C. (2006) Lying in children’s fiction: morality and the imagination. Children's Literature in Education. 37(3), pp. 229-236. 0045-6713.
7. Ringrose, C. (2001) Productivity: literary value and the curriculum. Working Papers on the Web. 2 1478-3703.
8. Ringrose, C. (2008) Editor. Routledge Annotated Bibliography of English Studies (ABES). Abingdon: Routledge. 1940-6231.
9. Robinson, K. L. (2012) This power, it's bigger than me: time travel as narrative device and catalyst for character exposition. In: Simmons, D. (ed.) Investigating Heroes: Essays on Truth, Justice and Quality TV. Jefferson, North Carolina: McFarland. pp. 156-167.

S

1. Sandru, C. (2007) Editor. Literary Encyclopaedia. London: The Literary Dictionary Company. 1747-678X.
2. Sandru, C. (2007) Member of Editorial Board. American, British and Canadian Studies. Sibiu, Romania: Academic Anglophone Society of Romania. 1841-1489.
3. Sandru, C. (2007) Editor. Journal of Postcolonial Writing. Abingdon: Routledge, Taylor & Francis. 1744-9855.
4. Sandru, C. (2007) Milan Kundera. In: Wintle, J. (ed.) New Makers of Modern Culture. Abingdon: Routledge. pp. 851-853.
5. Sandru, C. (2007) Postcolonial site and insights. English: the Journal of the English Association. 56(214), pp. 98-106. 0013-8215.
6. Sandru, C. (2005) Reconfiguring contemporary 'posts': (post)colonialism as (post)communism? Euresis: Cahiers Roumains d’Etudes Litteraires et Culturelles. Spring(New se), pp. 29-41. 1223-1193.
7. Sandru, C. (2004) Words and worlds: the heterotopian spaces of Rushdie's fiction. In: Kollmann, S. and Schödel, K. (eds.) PostModerne De/Konstruktionen: Ethik, Politik und Kultur am Ende einer Epoche. Munster: Lit. pp. 259-272.
8. Sandru, C. and Vizcaya Echano, M. (2007) Summary report on Telling Tales: Migration, Identity and the Postcolonial colloquium. Workshop presented to: Making the Connections: Arts, Migration and Diaspora Regional Network, University of Northampton, 14 November 2007.
9. Shadrack, J. H. (2011) A Discourse on neuromarketing of the Western male id. Invited Presentation presented to: The Futures of Feminism: New Directions in Feminist, Women's & Gender Studies: Annual Feminist & Women's Studies Association (FWSA) Conference, Brunel University, London, 05-07 June 2011.
10. Shadrack, J. H. (2012) More sex please, we're British: The sexualisation of contemporary national popular culture. Paper presented to: Annual Postgraduate Research Conference, The University of Northampton School of the Arts, 11-14 September 2012.
11. Shadrack, J. H. (2012) Occupying the simulation: the sexualised panopticon. Revue-Artéfact: Culture Eclectique. #2, pp. 16-29. 2262-2780.
12. Shadrack, J. H. (2011) V versus Hollywood: a discourse on polemic thievery. Studies in Comics: Alan Moore Themed Issue. 2(1), pp. 195-205. 2040-3232.
13. Shadrack, J. H. (2010) V versus Hollywood: a discourse on polemic thievery. Invited Presentation presented to: Magus: Transdisciplinary Approaches to the Work of Alan Moore, The University of Northampton, 28-29 May 2010.
14. Simmons, D. (2013) Member of Editorial Board. The Journal Of Popular Culture. Blackwell Publishing. 0022-3840, (1540-5931 electronic).
15. Simmons, D. (2013) Member of Editorial Board. Americana: The Journal of American Popular Culture, 1900 to present. Americana, The Institute for the Study of Popular Culture. 1553-8931.
16. Simmons, D. (2013) Founding Member. Kurt Vonnegut Society.
17. Simmons, D. (2011) "By Jupiter's cock!" Spartacus: Blood and Sand, video games, and camp excess. In: Cornelius, M. G. (ed.) Of Muscles and Men: Essays on the Sword and Sandal Film. North Carolina: McFarland. pp. 144-153.
18. Simmons, D. (2010) "The war parts, anyway, are pretty much true": negotiating the reality of World War II in Slaughterhouse-Five and Catch-22. In: Mustazza, L. (ed.) Slaughterhouse-Five, Kurt Vonnegut. California: Salem Press. pp. 64-79.
19. Simmons, D. (2011) "There's a ton of lore on unicorns too": postmodernist micro-narratives and Supernatural. In: Abbott, S. and Lavery, D. (eds.) TV Goes to Hell: An Unofficial Roadmap of Supernatural. Toronto: ECW Press. pp. 132-145.
20. Simmons, D. (2011) Hammer Horror and science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. North Carolina: McFarland. pp. 50-59.
21. Simmons, D. (2010) South Park. In: Abbott, S. (ed.) The Cult TV Book. New York and London: I.B.Taurus. pp. 199-202.
22. Simmons, D. (2008) The Anti-Hero in the American Novel: From Joseph Heller to Kurt Vonnegut. New York and London: Palgrave Macmillan. 9780230603233.
23. Simmons, D. (2010) “A certain resemblance”: negotiating Africa as abjection within and without in H.P. Lovecraft’s “Facts Concerning the Late Arthur Jermyn and His Family” and “Under the Pyramids”. Critical Engagements. 2(1), pp. 59-83. 1754-0984.
24. Simmons, D. (2011) “Nothing too heavy or too light" negotiating Moore’s Tom Strong and the academic establishment. Studies in Comics. 2(1), pp. 57-67. 2040-3232.
25. Simmons, D. and Allen, N. (2009) Reading Chuck Palahniuk’s Survivor (2000) and Haunted (2005) as critique of ‘The Culture Industry'. In: Kuhn, C. and Rubin, L. (eds.) Reading Chuck Palahniuk: American Monsters and Literary Mayhem. New York and London: Routledge. pp. 116-128.
26. Smith, A. (2007) All fired up. The Guardian. , p. 8. Education section
27. Smith, A. (2010) Authority in prison. Paper presented to: British Society of Criminology (BSC) Conference 2010, University of Leicester, 12-14 July 2010.
28. Smith, A. (2008) Bird (play and author’s foreword). Critical Engagements. 1(2), pp. 7-25. 1754-0984.
29. Smith, A. (2012) Oh green chillie sauce. Invited Presentation presented to: Southwest Texas Popular Culture and American Culture Associations 33rd Annual Conference (SWTX PCA/ACA): Foods & Culture(s) in a Global Context, Alburquerque, 08 - 11 February 2012.
30. Smith, A. (2007) On the importance of telling lies. Council for College and University English News (CCUE News). 21, pp. 4-8. 1353-2596.
31. Smith, A. (2008) Poetry and history for hard men 06/05/08. The Guardian. , p. 9. Education section
32. Smith, A. (2008) Prison philosophy 08/07/08. The Guardian. , p. 9. Education section
33. Smith, A. (2011) Prison stories and what they mean. Paper presented to: Joint Conference of the National Popular Culture & American Culture Association (PCA/ACA) and the Southwest/Texas Popular Culture & American Culture Association (SWTX PCA/ACA), San Antonio, Texas, 20 - 23 April 2011.
34. Smith, A. (2010) Prison writing. Paper presented to: Prison Narratives Colloquium, University of Northampton, Northampton, 28 June 2010.
35. Smith, A. (2012) Spotlight on the arts: interview with KCSE Radio. Oklahoma: KCSE Radio, University of Central Oklahoma.
36. Smith, A. (2008) The Prison potter 16/09/08. The Guardian. , p. 7. Education section
37. Smith, A. (2008) Under Locke and key 29/01/08. The Guardian. , p. 9. Education section
38. Smith, A. (2010) What is prison like? Paper presented to: Southwest/Texas Popular Culture and American Culture Association (SWTX PCA/ACA) 31st Annual Meeting, Albuquerque, New Mexico, 10-13 February 2010.
39. Smith, A. (2008) When’s a scumbag not a scumbag? 18/03/08. The Guardian. Education section
40. Starr, M. (2010) Becoming Echo: deterritorializing Joss Whedon’s Dollhouse. Paper presented to: The Slayage Conference on the Whedonverses 4 (SC4), St Augustine, Florida, USA, 03-06 June 2010.
41. Starr, M. (2008) End of line: death and immortality in Battlestar Galactica. Paper presented to: It Has Happened Before It Will Happen Again: The Third Golden Age of Television Fiction, Point Hotel, Istanbul, Turkey, 08-10 October 2008.

V

1. Vizcaya Echano, M. (2003) "Somewhere between Puerto Rico and New York": the representation of individual and collective identities in Esmeralda Santiago's When I was Puerto Rican and Almost a Woman. Prose Studies. 26(1-2), pp. 112-130. 0144-0357.
2. Vizcaya Echano, M. (2005) Gender and ethnic otherness in selected novels by Ann Granger, Cath Staincliffe and Alma Fritchley. In: Kim, J. H. (ed.) Race and Religion in the Postcolonial British Detective Story: Ten Essays. Jefferson, North Carolina: McFarland and Co. pp. 189-210.

W

1. Wilson, J. M. (2012) Member of Editorial Board. Studies in Australasian Cinema. Bristol: Intellect. 1750-3175.
2. Wilson, J. M. (2012) Editor. Journal of Postcolonial Writing. 43(2) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
3. Wilson, J. M. (2012) Member of Editorial Board. British Review of New Zealand Studies (BRONZS). Kinston, New Zealand: School of Geography, Kinston University. 0951-6204.
4. Wilson, J. M. (2012) Member of Editorial Board. Journal of New Zealand Literature. Hamilton, New Zealand: English Dept, University of Waikato. 0112-1227.
5. Wilson, J. M. (2012) Member of Editorial Board. Hecate: An Interdisciplinary Journal of Women’s Liberation. University of Queensland, Australia. 0311-4198.
6. Wilson, J. M. (2011) Chair. European Association for Commonwealth Language and Literature Studies (EACLALS).
7. Wilson, J. M. (2010) Associate Fellow. Rothermere American Institute.
8. Wilson, J. M. (2011) 'Where is Katherine?' Longing and (un)belonging in the works of Katherine Mansfield. In: Kimber, G. and Wilson, J. M. (eds.) Celebrating Katherine Mansfield: A Centenary Volume of Essays. London: Palgrave Macmillan. pp. 175-188.
9. Wilson, J. M. (2010) (Not) saying sorry: Australian responses to the Howard Government’s refusal to apologise to the stolen generation. Paper presented to: Association for Commonwealth Literature and Language Studies (ACLALS) Conference: The Invention of Legacy: A Tribute to Hena Maes-Jelinek, Windsor, England, 24-26 March 2010.
10. Wilson, J. M. (2008) A comparative study of representations of indigeneity in five Australian and New Zealand feature films. Paper presented to: Remapping Cinema, Remaking History: XIVth Biennial Conference of the Film and History Association of Australia and New Zealand (FHAANZ 2008), Dunedin, New Zealand, 27-30 November 2008.
11. Wilson, J. M. (2008) Alan Duff: Brown Man’s Burden. British Review of New Zealand Studies (BRONZS). 17 0951-6204.
12. Wilson, J. M. (2008) Anglophone postcolonialism. Invited Keynote presented to: Postcolonial Methods: Critical Approaches from Anglophone, Francophone and Hispanic Studies, University of Westminster, London, 7 March 2008.
13. Wilson, J. M. (2012) Antipodean rewritings of Great Expectations: Peter Carey's Jack Maggs (1997) and Lloyd Jones's Mister Pip (2007). In: Glenn, D., Haque, M. R., Kooyman , B. and Bierbaum, N. (eds.) The Shadow of the Precursor. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 220-235.
14. Wilson, J. M. (2009) Besieged identities: terrorism, the individual and the nation-state. Panel Presentation presented to: Re-imagining Identity: New Directions in Postcolonial Studies: Inaugural Conference of the Postcolonial Studies Association (PSA), Waterford, Ireland, 06-08 May 2009.
15. Wilson, J. M. (2008) Colonial and postcolonial scholars. Seminar Presentation presented to: Seminar to the Rothermere American Institute, University of Oxford, UK, 7 February 2008.
16. Wilson, J. M. (2009) Constructing the metropolitan homeland: the literatures of the white settler societies of New Zealand and Australia. In: Keown, M., Murphy, D. and Procter, J. (eds.) Comparing Postcolonial Diasporas. London: Palgrave Macmillan. pp. 124-145.
17. Wilson, J. M. (2009) Constructing the metropolitan homeland: the literatures of the white settler societies of New Zealand and Australia. 3rd International IDEA (English Language and Literature Research Association) Conference: Studies in English, Izmir, Turkey, 16-18 April 2008. Izmir, Turkey: Ege University Press. 9789754838084.
18. Wilson, J. M. (2012) Dan Davin: the literary legacy of war. In: Gray, G., Munro, D. and Winter, C. (eds.) Scholars at War: Australasian Social Scientists, 1939-1945. Canberra: Australian National University (ANU) E Press. pp. 225-241.
19. Wilson, J. M. (2008) Dan Davin’s experiences of war and war stories. Invited Presentation presented to: New Zealand and the Mediterranean: 15th Annual New Zealand Studies Association (NZSA) Conference together with the Centre for New Zealand Studies (CNZS), Florence, Italy, 2-4 July 2008.
20. Wilson, J. M. (2010) Diasporas and transnationalism. Workshop presented to: Postgraduate Contemporary Women's Writing Network (PGCWWN) Event: Theory and Practice in Contemporary Women’s Writing, University of Leicester, 23 October 2010.
21. Wilson, J. M. (2001) Distance and the rediscovery of identity in recent New Zealand literature. In: Stilz, G. (ed.) Colonies, Missions, Cultures in the English-Speaking World : General and Comparative Studies. Tubingen: Stauffenburg. pp. 307-317.
22. Wilson, J. M. (2008) Editing and publishing postcolonial journals. Chair presented to: Try Freedom: Rewriting Rights in/through Postcolonial Cultures, European Association for Commonwealth Literature and Language Studies (EACLALS) Triennial Conference, Venice, Italy, 25-29 March 2008.
23. Wilson, J. M. (2009) Far right rhetoric in popular fiction: William Pierce, The Turner Diaries. Invited Presentation presented to: Speaking with Forked Tongues: The Rhetoric of Right Wing Extremism Today, Northampton, 26 June 2009.
24. Wilson, J. M. (2007) Fleur Adcock. Tavistock: Northcote House. 0746310404.
25. Wilson, J. M. (2011) Fleur Adcock. The Literary Encyclopaedia. 1747-678X.
26. Wilson, J. M. (2008) Fundamentalism, terrorism and the contemporary novel: Richard Flanagan, The Unknown Terrorist (2006); Mohsin Hamid, The Reluctant Fundamentalist (2007), Orhan Pamuk, Snow (2004). Panel Presentation presented to: Literature and Fundamentalism, Universite de Lyons 2, Lyons, France, 28-30 May 2008.
27. Wilson, J. M. (2012) Future directions of postcolonial studies. Seminar Presentation presented to: Centre for Teaching and Research in Postcolonial Studies (CEREP) Research Group Seminar, University of Liege, Belgium, 12 October 2012.
28. Wilson, J. M. (2010) General introduction. In: Wilson, J. M., Sandru, C. and Lawson Welsh, S. (eds.) Rerouting the Postcolonial: New directions for the New Millennium. London: Routledge. pp. 1-13.
29. Wilson, J. M. (2011) Getting published. Invited Presentation presented to: Reworking Postcolonialism: Globalization, Labour and Rights: European Association for Commonwealth Literature and Language Studies (EACLALS) Postgraduate Conference, Institute for English Studies, University of London, 26-27 August 2011.
30. Wilson, J. M. (2007) Interview with Lynn Freeman, Arts on Sunday. Radio New Zealand. (Unpublished)
31. Wilson, J. M. (2010) Introduction. In: Frank Sargeson’s Stories. Auckland: Cape Catley Ltd. pp. 9-19.
32. Wilson, J. M. (2009) Introduction to 3rd International IDEA Conference: Studies in English [proceedings]. 3rd International IDEA (English Language and Literature Research Association) Conference: Studies in English, Ege University, Izmir, Turkey, 16-18 April 2008. Izmir, Turkey: Ege University Press. 9789754838084.
33. Wilson, J. M. (2010) Introduction to Section 1. In: Wilson, J. M., Sandru, C. and Lawson Welsh, S. (eds.) Rerouting the Postcolonial: New Directions for the New Millennium. London: Routledge. pp. 17-21.
34. Wilson, J. M. (2010) Katherine Mansfield and other antipodean women writer-travellers of the 20th century. Paper presented to: Reading and Writing Lives: Narrating Identities in Transit, University of Keele, 27 January 2010.
35. Wilson, J. M. (2011) Katherine Mansfield as traveller writer: space, identity, home. Paper presented to: Shaping Modernism: Katherine Mansfield and her Contemporaries, University of Cambridge, 25-26 March 2011.
36. Wilson, J. M. (2012) Katherine Mansfield's art of commemoration: World War I and spiritual revitalism. Paper presented to: Modernism, Christianity, and Apocalypse, University of Bergen, Norway, 18-20 July 2012.
37. Wilson, J. M. (2012) Katherine Mansfield's rewriting of the contract with death: the years 1921-22. Paper presented to: In the Footsteps of Katherine Mansfield, Crans Montana, Switzerland, 22-23 September 2012.
38. Wilson, J. M. (2012) Kevin Ireland. London: Poetry Archive (UK). [Online]
39. Wilson, J. M. (2009) Literature as resistance in the Maori Renaissance: Patricia Grace, Witi Ihimaera, Alan Duff. Anglistik: Journal of International English Studies. , pp. 173-186. 0947-0034.
40. Wilson, J. M. (2008) Longing for the metropolitan homeland: the literatures of the white settler societies of Australia and New Zealand. Invited Presentation presented to: 3rd English Language and Literature Research Association of Turkey Conference (IDEA), University of Izmir, Izmir, Turkey, 16-18 April 2008.
41. Wilson, J. M. (2012) Mansfield, France and childhood. Panel Presentation presented to: Katherine Mansfield and Continental Europe, Catholic University of Ruzomberok, Slovakia, 27-29 June 2012. Also presented at: Exile's Return, An Editing Modernism in Canada (EMiC) Colloquium at the Sorbonne Nouvelle, Paris, France, 28–30 June 2012
42. Wilson, J. M. (2009) Nation and narration in the works of Katherine Mansfield. Panel Presentation presented to: Katherine Mansfield Society (KMS) Symposium 2009, Menton, France, 25-26 September 2009.
43. Wilson, J. M. (2010) New Zealand as dominion and Commonwealth: Mansfield, Sargeson and the short story. Paper presented to: Association for Commonwealth Literature and Language Studies (ACLALS) 15th Triennial Conference: Strokes Across Cultures, University of Cyprus, Nicosia, Cyprus, 06 - 11 June 2010.
44. Wilson, J. M. (2008) New Zealand’s national literature and screen adaptations. Keynote presented to: Flogging a Dead Horse: Are National Literatures Finished?, Wellington, New Zealand, 11-13 December 2008.
45. Wilson, J. M. (2008) Obtaining life stories: the ins and outs of narrative. Seminar Presentation presented to: Seminar Series, The School of Health, University of Northampton, Northampton, 21 January 2008.
46. Wilson, J. M. (2007) Opening address. Convenor presented to: Rerouting the Postcolonial, University of Northampton, 3-5 July 2007.
47. Wilson, J. M. (2007) Opening address. Convenor presented to: Telling Tales: Migration, Identity and the Postcolonial, University of Northampton, 14 November 2007.
48. Wilson, J. M. (2009) Origins: New Zealand and Australian literature and film. Seminar Presentation presented to: English Seminar Programme, University of Hull, 16 February 2009.
49. Wilson, J. M. (2010) Panelist in roundtable on contemporary Australian film. Workshop presented to: 16th London Australian Film Festival, The Barbican, London, 18-28 March 2010.
50. Wilson, J. M. (2007) Postcolonial relocations: Australia, New Zealand and the study of the early European past. British Review of New Zealand Studies (BRONZS). 16, pp. 179-206. 0951-6204.
51. Wilson, J. M. (2009) Postcolonialism and After. (Unpublished)
52. Wilson, J. M. (2011) Re-representing indigeneity: approaches to history in some recent New Zealand and Australian films. In: Fox, A., Grant, B. K. and Radner, H. (eds.) New Zealand Cinema: Interpreting the Past. Bristol, UK: Intellect. pp. 197-215.
53. Wilson, J. M. (2007) Reconsidering Fred Schepisi’s The Chant of Jimmie Blacksmith (1978); the screen adaptation of Thomas Keneally’s novel (1972). Studies in Australasian Cinema. 1(2), pp. 191-207. 1750-3175.
54. Wilson, J. M. (2009) Reimagining indigeneity: origins and belonging in recent New Zealand/Australian films. Paper presented to: Nomadic Communities in the Postcolonial World: Culture, Expression, Rights, Baroda, Gujerat, India, 03-07 January 2009.
55. Wilson, J. M. (2010) Scholarly networks and the early European past: Australia, New Zealand and the United States, 1900-60. Panel Presentation presented to: Scholarly Networks in the British Empire: Transnational and Imperial Connections after 1850, Wadham College, Oxford, 05-06 July 2010.
56. Wilson, J. M. (2012) The 'New Chum': writings of the English Diaspora in New Zealand 1860-1914. In: Fraser, L. and McCarthy, A. (eds.) Far From 'Home': The English in New Zealand. Dunedin, New Zealand: Otago University Press. pp. 165-185.
57. Wilson, J. M. (2010) The Commonwealth today: cultures in counterpoint. Other presented to: Association for Commonwealth Literature and Language Studies (ACLALS) 15th Triennial Conference: Strokes Across Cultures, University of Cyprus, Nicosia, Cyprus, 11 June 2010.
58. Wilson, J. M. (2011) The Lagoon and Other Stories: storytelling, metafiction and the Framean text. Commonwealth Essays and Studies. 33(2), pp. 124-136. 0395-6989.
59. Wilson, J. M. (2008) The Maori at war and strategic survival: Tu (2004) by Patricia Grace. Hecate: An Interdisciplinary Journal of Women’s Liberation. 34(1), pp. 89-103. 0311-4198.
60. Wilson, J. M. (2008) The Maori at war: Witi Ihimaera’s The Uncle’s Story and Patricia Grace’s Tu. Invited Presentation presented to: Try Freedom: Rewriting Rights in/through Postcolonial Cultures, European Association for Commonwealth Literature and Language Studies (EACLALS) Triennial Conference, Venice, Italy, 25-29 March 2008.
61. Wilson, J. M. (2009) The anxiety of origins: New Zealand and Australian literature and film. Invited Keynote presented to: 10th Biennial Conference of the European Association for Studies of Australia (EASA): Dis/solutions: the Future of the Past in Australia, New Zealand and the Pacific, Balearic Islands, Spain, 22-25 September 2009.
62. Wilson, J. M. (2009) The institutionalisation of postcolonial studies. Invited Presentation presented to: Postcolonial Translocations: 20th Annual Conference of the Association for the Study of the New Literatures of English / 20. Jahrestagung der Gesellschaft für die Neuen Englischsprachigen Literaturen (ASNEL/GNEL), Munster, Germany, 21-24 May 2009.
63. Wilson, J. M. (2009) The pastoral in the works of Fleur Adcock. In: James, D. and Tew, P. (eds.) New Versions of Pastoral: Post-Romantic, Modern, and Contemporary Responses to the Tradition. Madison, New Jersey, USA: Fairleigh Dickinson University Press. pp. 174-194.
64. Wilson, J. M. (2010) The secret self: Katherine Mansfield, World War One and ‘An Indiscreet Journey'. Poster presented to: British Comparative Literature Association (BCLA) XII International Conference: Archive, Keynes College, University of Kent, 05-08 July 2010.
65. Wilson, J. M. (2010) The sinking of the Rainbow Warrior: responses to an international act of terrorism. Journal of Post-Colonial Cultures and Societies. 1(1), pp. 81-92. 1948-1845 (print); 1948-1853 (electronic).
66. Wilson, J. M. (2001) Translation in New Zealand: texts, issues, ideologies. British Review of New Zealand Studies (BRONZS). 13, pp. 59-81. 0951-6204.
67. Wilson, J. M. (2013) Veiling and unveiling: Mansfield's modernist aesthetics. Paper presented to: Katherine Mansfield: Masked and Unmasked, Victoria University of Wellington, New Zealand, 08-11 February 2013.
68. Wilson, J. M. (2011) White settler societies: 'Living in diaspora'. Invited Presentation presented to: Diaspora/Cultures of Displacement?, Universite Paul Valery, Montpellier, France, 20-22 June 2011.
69. Wilson, J. M. (2009) Writing about and back to Great Expectations: Peter Carey’s Jack Maggs (1999) and Lloyd Jones’s Mr Pip (2007). Poster presented to: The Shadow of the Precursor: Influence and Intertextuality, Flinders University, Adelaide, Australia, 7-9 December 2009.
70. Wilson, J. M. (2008) ’Where is Katherine?’: longing and unbelonging in the works of Katherine Mansfield. Panel Presentation presented to: Katherine Mansfield Centenary Conference, Birkbeck, University of London, 4-6 September 2008.
71. Wilson, J. M. and Corr, S. (2007) What can autobiography do? Life writing, illness and healing. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007.
72. Wilson, J. M., Loh, L. and Sandru, C. (2009) Editor. Journal of Postcolonial Writing. 45(1 & 4) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
73. Wilson, J. M., Mallet, R., Griffin, R. and Feldman, M. (2007) Member of Editorial Board. Totalitarian Movements and Political Religions. London: Routledge, Taylor & Francis. 1469-0764.
74. Wilson, J. M. and Riemenschneider, D. (2007) New Zealand/Aotearoa. In: Eckstein, L. (ed.) English Literatures Across the Globe: A Companion. Paderborn, Germany: Wilhelm Fink. pp. 201-223.
75. Wilson, J. M., Sandru, C. and Loh, L. (2008) Editor. Journal of Postcolonial Writing. 44(1-4) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
76. Wilson, J. M. and Tolan, F. (2007) Editor. Journal of Postcolonial Writing. 43(3) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
77. Wilson, J. M., Tolan, F. and Lawton Welsh, S. (2009) Editor. Journal of Postcolonial Writing. 45(2) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
78. Wiseman-Trowse, N. J. B. (2008) Editor. International Association for the Study of Popular Music Newsletter (IASPM). Liverpool: IASPM UK and Ireland Branch.
79. Wiseman-Trowse, N. J. B. (2009) Marvel or miracle: (Re)placing the original in Alan Moore's Marvelman. Critical Engagements. 3(1), pp. 51-72. 1754-0984.
80. Wiseman-Trowse, N. J. B. (2008) Marvel or miracle: (re)placing the original in Alan Moore’s Marvelman. Paper presented to: Paraliterary Narratives: Reassessing the Graphic Novel, University of Northampton, 6 June 2008.
81. Wiseman-Trowse, N. J. B. (2008) Oedipus wrecks : Cave and the Presley myth. Paper presented to: Nick Cave Conference, University of Westminster, Department of English and Linguistics, 5 July 2008.
82. Wiseman-Trowse, N. J. B. (2009) Oedipus wrecks: Nick Cave and the Presley myth. In: Welberry, K. and Dalziell, T. (eds.) Cultural Seeds: Essays on the Work of Nick Cave. Aldershot: Ashgate. pp. 153-166.
83. Wiseman-Trowse, N. J. B. (2008) Performing Class in British Popular Music. Basingstoke: Palgrave Macmillan. 9780230219496.
84. Wiseman-Trowse, N. J. B. (2009) Stan Hawkins 'The British Pop Dandy' - Review. International Association for the Study of Popular Music website.
85. Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function of the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84.
86. Wiseman-Trowse, N. J. B. (2011) You should try lying more: the nomadic impermanence of Bill Drummond. Paper presented to: LitPop: Writing and Popular Music, The University of Northumbria, Newcastle upon Tyne, 24 June 2011.
87. Wiseman-Trowse, N. J. B. (2012) ‘You should try lying more’: the nomadic impermanence of Bill Drummond. Invited Presentation presented to: Research Seminar Programme, University of Brighton in Hastings, 21 March 2012.
88. Wiseman-Trowse, N. J. B., Starr, M., Murray, C. and Round, J. (2011) Editor. Studies in Comics: Alan Moore Themed Issue. 2(1) London: Intellect. 2040-3232.

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