Browse by University of Northampton Authors

Book Section

• Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
• Wallace, R. (2019) Modern Angels: Exploring Transdermal Body Art and Body Modification as Transformative Practice and Political Resistance. In: McLaughlin, C. (ed.) Trans-States: The Art of Crossing Over :. GBR: Fulgur Press.
• Wallace, R. (2017) Toxic Waste, Bremmen, 1984. In: Murphy, M. and McGuirk, N. (eds.) In Concert: Favourite Gigs of Ireland's Music Community. Ireland: Hope Publications. pp. 72-73.
• Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. In: Afterlives of Violence: Contested Geographies of Past, Present and Future :. Belfast: Breen Centre.

Book

• Wallace, R. (2017) Goodbye Ballyhightown: [Book Re-publication]. Northampton: Breen Centre.

Conference or Workshop Item

• Wallace, R. (2018) Riding down the h@rd road: DIY approaches to documenting punk as political resistance. Paper presented to: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures, University of Porto, Portugal, 03-07 July 2018.
• Wallace, R. and Johnson, D. (2018) Sounds of oppression: the lost inheritance of the UK reggae scene. Paper presented to: Reggae Innovation and Sound System Culture International Conference, Royal Birmingham Conservatoire, Birmingham, 04-05 April 2018.
• Wallace, R. (2018) The politics of documentary punk curation. Panel Presentation presented to: Curating Resistance: Punk as Archival Method, University of California, Los Angeles, 09-10 February 2018.
• Wallace, R. (2017) Assembly required. Exhibition presented to: Fourth Punk Scholars Network Conference and Post Graduate Symposium, University of Bolton, 12-13 December 2017.
• Wallace, R., McLaughlin, C., Ruiz Brussain, C., Blakemore, H., Robène, L. and Serre, S. (2017) Monad journal launch discussion panel. Panel Presentation presented to: Monad Journal of Transformative Practice Launch, The University of Northampton, 09 November 2017. Northampton: Monad.
• Wallace, R. (2017) An inventory of traces: documenting Punk through the use of image, audio, graphic and text. Invited Presentation presented to: Punk is Not Dead, Cite de la Musique, Philharmonie de Paris, 13 October 2017.
• Wallace, R. (2017) Sectarian life (working title). Invited Keynote presented to: Celebration Factory, Luxemburg, 29 September 2018. (Accepted)
• Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. Paper presented to: Afterlives of Violence: Contested Geographies of Past, Present and Future, University of Brighton, 29 June 2017.
• Wallace, R. (2017) A History of the Protest Song. Workshop presented to: A History of the Protest Song, NN Contemporary Art Gallery, Northampton, 24 June 2017.
• Wallace, R. (2017) Phuturepunk. Symposium presented to: Future Imperfect, Plymouth University, 01 April 2017.
• Wallace, R. (2017) All of them, everywhere, on the same day! Exhibition presented to: Images of Research 2017, Avenue Gallery, University of Northampton, 31 January - 17 February 2017. Northampton UK: Roy Wallace.
• Allen, C. and Wallace, R. (2016) Closing remarks by the conference organisers. Other presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Wallace, R. (2016) The second sitting: an updated visual history of anarcho-punk in the UK 1981-84. Panel Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Wallace, R. (2016) Documenting musically influenced subcultures. Invited Presentation presented to: Popular Music Studies: Methodological Conundrums of Researching Subcultures, Birmingham City University, 12 October 2016.
• Wallace, R. (2016) Modern Angels [Video]: a documentary exploration of transdermal, body art and body modification in the Kingdom of Belgium. Invited Presentation presented to: Trans-States: the Art of Crossing Over, The University of Northampton, 09-10 September 2016.
• Wallace, R. (2016) On-line learning environments. Invited Presentation presented to: Northampton Learning and Teaching Conference 2016: Dare to be Different, The University of Northampton, 17 May 2016.
• Wallace, R. (2015) Bloody bloody Belgium: documenting 'punk' history DIY with reflections on a contemporary international punk scene. Panel Presentation presented to: Punk now!! 2nd Annual Punk Scholars Network Conference and Postgraduate Symposium, Birmingham City University, 29-30 October 2015.

Show/Exhibition

• Wallace, R. (2018) Bloody Bloody Belgium - a history of the underground music scene in Belgium 1977-2014. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2018) Dear Little Dinosaur. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2018) Bloody, Bloody Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018.
• Wallace, R. (2018) Punk in Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018. [Painting]
• Wallace, R. and Markiewicz, F. (2017) Shot by both sides. Exhibit at: Celebration Factory. Luxemburg, 28 September 2018.
• Wallace, R. (2017) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
• Wallace, R. (2016) All of them, everywhere, on the same day! Exhibit at: The Art of Punk. The University of Northampton, Avenue Campus, 21-25 November 2016.
• Wallace, R. (2016) From protest to resistance: a selection of video stills and photography. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) Screening - RISEN: a history of Amebix & Bloody Bloody Belgium. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 2017-05-25.
• Wallace, R. (2016) Punk in Antwerp. Exhibit at: Punk in Antwerp. M HKA (Museum van Hedendaagse Kunst Antwerpen), May - July 2016.
• Wallace, R. (2015) Punk for Nepal: a series of video works. Exhibit at: Northampton Music Festival. Northampton, 20 June 2015.

Performance

• Wallace, R. (2016) Life's So Cold: a performative interpretation. Performance at: Life's So Cold NN Cafe, Northampton, 31 October 2016.

Image

• Wallace, R. (2017) A Triptych of transformation. [Mirror/Print]. Northampton: We Make Things Happen. (Accepted)
• Wallace, R. (2017) All over face tattoo. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finger through tongue. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finished scarwork. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Fun with ears. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Head staples being inserted. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Inserting hooks in back for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Live head piercing during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Neck bolts. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scalpel: a question of documentary ethics. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scarring shoulder during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Testing skin for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Tongue piercing. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Become the media. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gathering. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gotcha! [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Modified. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) No Future. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Pictures of Starving Children Sell Records. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Sectarian Life. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Who Dunnit? [Print]. The University of Northampton: Roy Wallace.

Video

• Wallace, R. (2016) The Day the Country Died: The Second Sitting. [Online Video]. UK: Punk Scholars Network.
• Wallace, R. (2016) Bloody Bloody Belgium: a History of the Underground Music Scene. [Online Video]. UK: Punk Scholars Network.

Honorary role

• Wallace, R. and McLaughlin, C. (2017) Co-Founder. Monad Journal of Transformative Practice. Northampton: Monad. 2515-6217.
• Wallace, R. (2017) Steering Committee Member.

Other

• Wallace, R. (2018) Punk in Belgium [Painting]. Koninklijke Academie voor Schone Kunsten Antwerpen. (In Press)
• Wallace, R. (2017) All of them, everywhere, on the same day! [Digital Collage] Exhibition : The Art of Punk Conference. We Make Things Happen.
• Wallace, R. (2017) Live Head Piercing During Performance [Digital Image]. GBR: We Make Things Happen.
• Wallace, R. (2016) From Protest to Resistance: a selection of video stills and photography [Photograph] Exhibition. Northampton, UK: Video Essay Org.
• Wallace, R. (2016) Who Dunnit? [Digital Collage]. We Make Things Happen.