Browse by University of Northampton Authors

2011

• Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011. (Unpublished)
• Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
• Midgelow, V. (2011) Improvisational movement practice. [blog]

2010

• Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
• Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
• Midgelow, V. (2010) Member of Editorial Board. Society of Dance History Scholars.
• Midgelow, V. (2010) Member of Board of Directors. Society of Dance History Scholars.
• Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
• Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.

2009

• Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009. (Unpublished)
• Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.

2008

• Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
• Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
• Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
• Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.

2007

• Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
• Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
• Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
• Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007. (Unpublished)

2006

• Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.

2005

• Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.

2004

• Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004