Browse by University of Northampton Authors

Article

• Jordan, M. and Hewitt, A. (2023) Depoliticization, participation and social art practice : On the function of social art practice for politicization. Art & the Public Sphere. 11(1), pp. 19-36. 2042-7948.
• Hewitt, A. (2016) Art, its publics and an agenda of impact: the UK case. Kunstlicht. 37(1) 0921-5026. (Online supplement)
• Hewitt, A., Beech, D. and Jordan , M. (2015) Advice of three onlookers; Freee on Lenin's letter of advice. STRIKE! Magazine. 10, pp. 1-3. 2051-6606.
• Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2), pp. 38-46. 0967-3393.
• Hewitt, A., Beech, D. and Jordan, M. (2015) To Hell with Herbert Read. Anarchist Studies. 23(2) 0967-3393.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Revolution is sublime: Freee on the sublime and political practice of art and activism today. The Sublime is Now? 36, pp. 4-5.

Book Section

• Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C., Zebracki, M., Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion :. London: Routledge. pp. 27-44.
• Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion. London: Routledge. pp. 27-44.
• Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. (ed.) Interactive Contemporary Art: Participation in Practice. London: I.B.Tauris. pp. 255-269.
• Hewitt, A., Beech, D. and Jordan, M. (2014) The impossible participant. In: Brown, K. and Brown, K. (eds.) Interactive Contemporary Art: Participation in Practice :. London: I.B.Tauris. pp. 255-269.
• Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity :. London: MayFly Books. pp. 237-247.
• Hewitt, A., Beech, D. and Jordan, M. (2014) Economists are wrong!: the Warsaw Manifesto 2011. In: Kozłowski, M., Kurant, A., Sowa, J., Krystian, S. and Szreder, K. (eds.) Joy Forever: the Political Economy of Social Creativity. London: MayFly Books. pp. 237-247.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Twenty-first-century political art: the Freee manifesto for art & twenty-first-century socialism. In: Cull, L. and Daddario, W. (eds.) Manifesto Now! Instructions for Performance, Philosophy, Politics. Bristol: Intellect. pp. 71-84.

Book

• Hewitt, A., Beech, D. and Jordan, M. (2017) Freee Carracci Yearbook 2017, Freee Art Collective. Northampton: NN Contemporary Art. 9780995700123.

Conference or Workshop Item

• Hewitt, A. and Jordan, M. (2017) The kiosks of the Freee art collective: understanding social art practice and opinion formation for new models of interdisciplinary collaboration. Paper presented to: ETHNOARTS: Ethnographic Explorations of the Arts and Education, Faculdade de Letras da Universidade do Porto, Portugal, 2017-06-23.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto for art: the public sphere and the work of the Freee art collective. Seminar Presentation presented to: Beyond Art Activism: Rewriting Art's Neoliberal Value System Seminar, Irish Museum of Modern Art, Dublin, 26th October 2016.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto and Spoken Choir: Open letter to the Engage International Conference, Liverpool 2016. Other presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Open letter to the Engage International Conference, Liverpool 2016. Paper presented to: Engage International Conference 2016, Liverpool Hope University, 2016-10-14.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee's public kiosk and spoken choir. Paper presented to: Cardiff With Culture: Visioning the City, G39, Cardiff, 2016-09-07.
• Hewitt, A., Beech, D., Jordan, M., Hunter, H. and Morosanu, R. (2016) Public kiosk. Invited Presentation presented to: Arts & Humanities Research Council (AHRC) Commons First National Event: Common Ground, University of York, Heslington, York, 21 June 2016.
• Hewitt, A., Jordan, M. and Beech, D. (2016) Working within the histories, theories and practices of the public sphere. Panel Presentation presented to: University of Leicester, School of Museum Studies 50th Anniversary International Conference: Museums in the Global Contemporary: Debating the Museum of Now, Leicester, 20-21 April 2016.
• Hewitt, A., Beech, D. and Jordan, M. (2015) Cutting publics out of communities. Invited Presentation presented to: Cutting Publics Out of Communities, Malmo Academy of Arts, 21-24 September 2015. (Unpublished)
• Hewitt, A., Beech, D. and Jordan, M. (2015) How to change the world. Workshop presented to: 9th International Conference in Critical Management Studies: Is there an Alternative? Management after Critique, University of Leicester, 08-10 July 2015. (Unpublished)

Conference Proceedings

• Hewitt, A. (2015) Public art against the 'public': does state funded art, participatory art practices and socially-engaged art benefit the public? In: Differences, Inequalities and Sociological Imagination: ESA 2015: 12th Conference of the European Sociological Association 2015: Abstract Book. European Sociological Association and Institute of Sociology of the Czech Academy of Sciences. 9788073302726. p. 152.

Artefact

• Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading.
• Hewitt, A., Beech, D. and Jordan, M. (2016) He hath a daily beauty in his life/That makes me ugly. [Text, billboard poster, performance].
• Hewitt, A., Jordan, M. and Beech, D. (2014) Taking Sides : for Part of the Game Applied Game Theory in Urban Free Space.
• Hewitt, A., Beech, D. and Jordan, M. (2014) Taking Sides. [Participative art event].

Show/Exhibition

• Hewitt, A., Beech, D. and Jordan, M. (2017) Slogan-badge-billboard, (and slogan writing and badge making) Freee Art Collective 2017. Exhibit at: Sound & Words. MK Gallery Project Space, Milton Keynes, 06-28 October 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading. Exhibit at: Freee - The National Museum of Gallery Visitors and Museum Workers. Middlesborough Institute of Modern Art, 27 July 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Citizen Ship (kiosk). Exhibit at: MK CityFest. Middleton Hall, Centre MK, Milton Keynes, 26-29 June 2017. Also exhibited at Art in the Park, Milton Keynes, 1-2 July 2017; Milton Keynes Art Centre, Great Linford, 3-8 July 2017; Margaret Powell Square, Milton Keynes, 10-14 July 2017, returning to Milton Keynes in September/October 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2017) Freee kiosk #2: the new text art (of) and making (books) a difference. Exhibit at: For or Against: Art, Politics and the Pamphlet. Loughborough University, 26-27 May 2017.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
• Hewitt, A., Beech, D. and Jordan, M. (2016) Freee-Carracci-Institute. Exhibit at: Freee-Carracci-Institute. NN Contemporary Art, Northampton, 2016-11-05.
• Hewitt, A., Beech, D. and Jordan, M. (2014) A Properly Political Art Must Be Twice Political. Exhibit at: Critical Machines (Exhibition and Conference). AUB Byblos Bank Art Gallery, American University of Beirut, 06 March - 26 June 2014.
• Hewitt, A., Beech, D. and Jordan, M. (2013) Protest Drives History. Exhibit at: Istanbul Biennial 2013: “Mom, Am I Barbarian?” . Istanbul, 14 September-20 October 2013.

Honorary role

• Hewitt, A. (2013) Founding editor. Art & the Public Sphere. Bristol, UK: Intellect. 2042-793X.