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Group by: Item Type | Date
Number of items: 10.
2014
- Campbell, P. (2014) Ananse tales: an Afrodiasporic, intercultural spin on enterprise, education and the arts. Paper presented to: Enterprise, Education and the Arts: Synthesis, Transformation and Cultural Action, The University of Northampton, Avenue Campus, 30-31 January 2014. (Unpublished)
2013
- Campbell, P. (2013) Tracing the transcendent function in post-Grotowskian theatre. Paper presented to: Creative Encounters: Arts as Culture/ Arts as Therapy?, The University of Northampton, School of the Arts, 03 July 2013. (Unpublished)
2012
- Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
- Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
- Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
2011
- Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
2010
- Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). In: Annals of the VI Congress of the Brazilian Association of Research and Post-Graduate Programmes in the Performing Arts (ABRACE). Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.
- Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010. (Unpublished)
- Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010. (Unpublished)
- Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.