Items where Subject is "P Language and Literature > PR English literature > PR6050 1961-2000"

Up a level

Export as ASCII CitationBibTeXDublin CoreEP3 XMLEndNoteHTML CitationJSONMETSMultiline CSVObject IDsOpenURL ContextObjectRDF+N-TriplesRDF+N3RDF+XMLReferReference Manager	Atom RSS 1.0 RSS 2.0

• Library of Congress Subject Areas (53)
  • P Language and Literature (53)
    • PR English literature (53)
      • PR6050 1961-2000 (53)

Group by: Creators | Item Type | Date | No Grouping

Number of items at this level: 53.

• Andermahr, S. and Phillips, L., (eds.) (2012) Angela Carter: New Critical Readings. London: Continuum. 9781441169280.
• Andermahr, S., (ed.) (2007) Jeanette Winterson: A Contemporary Critical Guide. London: Continuum. 9780826492746.
• Allen, C. (2016) Grandma Smith and Grandpa Cooper Clarke: investigating the godparents of punk poetry: Patti Smith and John Cooper Clarke. Paper presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Allen, C. (2015) Millennial London literature: utilising the cultural capital of London to re-locate marginalised perspectives in the work of Bernadine Evaristo and Sarah Waters. Invited Presentation presented to: London and the Nation Conference, Birkbeck, University of London, 10-11 July 2015.
• Allen, C. (2014) Beyond Postmodernism in Alasdair Gray’s Lanark. Invited Presentation presented to: The University of Northampton Research Seminar Series, The University of Northampton, 17 December 2014. (Unpublished)
• Allen, C. (2014) Beyond Postmodernism in Alasdair Gray's Lanark. In: Allen, N. and Simmons, D. (eds.) Reassessing the Twentieth Century Canon: From Joseph Conad to Zadie Smith. Basingstoke: Palgrave Macmillan. pp. 206-220.
• Allen, C. (2007) Depictions of youth in the millennial novel: considering pre- and post- millennial texts by Hanif Kureishi and Rupert Thomson. Paper presented to: New British Fiction: Innovations in Literature and Criticism, University of Leeds, 22 June 2007. (Unpublished)
• Andermahr, S. (2017) Both/and: language, art and identity in Brigid Brophy's 'In Transit' and Ali Smith's 'How to Be Both'. Paper presented to: School of Humanities Research Seminar Series, Bishop Grosseteste University, Lincoln, 03 May 2017.
• Andermahr, S. (2014) Hooked on classics: Oranges Are Not the Only Fruit 25 years on. In: Allen, N. and Simmons, D. (eds.) Reassessing the Twentieth-Century Canon: From Joseph Conrad to Zadie Smith. Basingstoke: Palgrave Macmillan. pp. 250-265.
• Andermahr, S. (2013) Working from the wound: trauma and memory in Jeanette Winterson’s Why Be Happy When You Could Be Normal? Paper presented to: Acts of Remembrance in Contemporary Narratives in English: Opening the Past for the Future, University of Zaragoza, Spain, 24-26 April 2013. (Unpublished)
• Andermahr, S. (2012) Contemporary women's writing: Carter's literary legacy. In: Andermahr, S. and Phillips, L. (eds.) Angela Carter: New Critical Readings. London: Continuum. pp. 11-32.
• Andermahr, S. (2012) Jeanette Winterson writing mothers and daughters: from 'Oranges Are Not the Only Fruit' to 'Why Be Happy When You Could Be Normal'? Invited Keynote presented to: Writing Mothers\Daughters: 1780-2012, Newman University, Birmingham, 28 June 2012. (Unpublished)
• Andermahr, S. (2011) Hooked on classics: 'Oranges Are Not the Only Fruit' 25 years on. Invited Keynote presented to: Jeanette Winterson: A Critical Exploration, University of Leeds, 02-03 July 2011. (Unpublished)
• Andermahr, S. (2011) Narratives of maternal loss in contemporary women’s writing: Julie Myerson’s 'The Story of You’. In: Herrero, D. and Baelo-Allue, S. (eds.) Between the Urge to Know and the Need to Deny: Trauma and Ethics in Contemporary British and American Literature. Heidelberg: Universitatsverlag Winter. pp. 71-80.
• Andermahr, S. (2010) Narratives of maternal loss in contemporary women’s writing: Julie Myerson’s 'The Story of You’. Paper presented to: Contemporary Women’s Writing: New Texts, Approaches, and Technologies: The Third Biennial International Conference of the Contemporary Women's Writing Network, San Diego State University, San Diego, USA, 07-09 July 2010. (Unpublished)
• Andermahr, S. (2009) Narratives of maternal loss in contemporary women’s writing. Paper presented to: Between the “Urge to Know” and the “Need to Deny”: Ethics and Trauma in Contemporary Narrative in English, University of Zaragoza, Spain, 25-28 March 2009. (Unpublished)
• Andermahr, S. (2009) The work of Jeanette Winterson. Seminar Presentation presented to: English Department Seminar, University of Zaragoza, Spain, 22 March 2009. (Unpublished)
• Andermahr, S. (2009) Narratives of maternal loss. Workshop presented to: Mum's the Word Workshop, De Montfort University, Leicester, 09 January 2009. (Unpublished)
• Andermahr, S. (2009) Jeanette Winterson. London: Palgrave Macmillan. 9780230507609.
• Andermahr, S. (2009) An introduction to time and space in Winterson’s short fiction. In: Sonmez, M. J.-M. and Özyurt Kılıç, M. (eds.) Winterson Narrating Time and Space. Newcastle upon Tyne: Cambridge Scholars Press.
• Andermahr, S. (2007) Reinventing the romance. In: Andermahr, S. (ed.) Jeanette Winterson: A Contemporary Critical Guide. London: Continuum. pp. 82-99.
• Andermahr, S. (2006) Lesbian romance? Love and desire in the novels of Jeanette Winterson. Invited Keynote presented to: 14th Middle East Technical University (METU) British Novelists Conference: Jeanette Winterson and Her Work, Middle East Technical University, Ankara, Turkey, 14-15 December 2006. (Unpublished)
• Andermahr, S. (2006) Jeanette Winterson’s Lighthousekeeping. In: Mengham, R. and Tew, P. (eds.) British Fiction Today. London: Continuum. pp. 139-150.
• Andermahr, S. (2005) Cyberspace and the body: Jeanette Winterson's The Powerbook. In: Bentley, N. (ed.) British Fiction of the 1990's. London: Routledge. pp. 108-122.
• Bennett, C. (2007) Porthgwarra. In: Bell, J. and Gardner, A. (eds.) Lifemarks: Poetry About the Big Events of Life. Derby: Cub Publishing. [poem]
• Biswas, A. L. (2006) "Newness" and anti-absolutism in Salman Rushdie's novels: the aesthetics of postcolonial hybridity and postmodernism. Doctoral thesis. The University of Northampton.
• Brigley, Z. (2010) Review of 'The Water Table' by Philip Gross. New Welsh Review. 88, pp. 89-91. 0954-2116.
• Brigley, Z. (2010) Review of 'What the Water Gave Me: Poems After Frida Kahlo' by Pascale Petit. New Welsh Review. 90, pp. 73-75. 0954-2116.
• Brigley, Z. (2008) Confessing the secrets of others: Pascale Petit's poetic employment of Latin American cultures and the Mexican artist, Frida Kahlo. Journal of International Women's Studies. 9(2), pp. 20-28. 1539-8706.
• Brigley Thompson, Z. (2009) The life and death of language. A Kristevan reading of the poets Gwyneth Lewis and Medbh McGuckian. Orbis Litterarum. 64(5), pp. 385-412. 1600-0730.
• Canning, R. (2014) Roommates: Sarah Waters’ Paying Guests. Literary Review. 423, p. 52. 0144-4360.
• Canning, R. (2012) What you weren’t reading in 1952: G.F. Green’s In the Making. The Gay & Lesbian Review Worldwide. 19(4) 1532-1118.
• Canning, R. (2009) Stories with spice from Cornwall to Bali: Gentleman's Relish, by Patrick Gale. Independent. 0951-9467.
• Duggan, P. (2011) Staging the impossible: severance and separation in the National Theatre’s adaptation of His Dark Materials. In: Barfield, S. and Cox, K. (eds.) Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, North Carolina: McFarland.
• Hollingum, R. (2007) Higgins on the radio – the radio work of Aidan Higgins. Invited Presentation presented to: Aidan Higgins at 80 Conference, Celbridge, County Kildare, Eire, 5 May 2007. (Unpublished)
• Jackson, P. (2015) British neo-Nazi fiction: Colin Jordan’s 'Merrie England – 2000' and 'The Uprising'. In: Copsey, N. and Richardson, J. E. (eds.) Cultures of Post-War British Fascism. Abingdon: Roultedge. pp. 86-107.
• Jowett, L. (2012) Between the paws of the tender wolf: authorship, adaptation and audience. In: Andermahr, S. and Phillips, L. (eds.) Angela Carter: New Critical Readings. London: Continuum. pp. 23-33.
• Kimber, G. (2018) Fiction. Times Literary Supplement. 5995, p. 37. 0307-661X.
• Kimber, G. (2016) Fay Weldon's twisted parables. Times Literary Supplement. 5905, p. 21. 0307-661X.
• Mehta, R. R. (1999) Telling stories and making history: John Berger and the politics of postmodernism. Doctoral thesis. University of Leicester.
• Phillips, L. (2010) Truth in violence: ethical atavism in J G Ballard's sub/urban nightmares. In: Brie, S. and Rossiter, W. T. (eds.) Literature and Ethics: From the Green Knight to the Dark Knight. Newcastle: Cambridge Scholars Press.
• Phillips, L. (2007) B.S. Johnson’s Albert Angelo and the consequences of London. In: Tew, P. and White, G. (eds.) Re-Reading B.S. Johnson. Basingstoke and New York USA: Palgrave MacMillan. pp. 175-188.
• Ringrose, C. (2008) Ben Okri’s In Arcadia. The Literary Encyclopedia. 1747-678X. [Online]
• Ringrose, C. (2006) Assessing Ben Okri’s fiction 1995-2005. In: Tew, P. and Mengham, R. (eds.) British Fiction Today. London: Continuum. pp. 78-90.
• Sandru, C. (2004) Words and worlds: the heterotopian spaces of Rushdie's fiction. In: Kollmann, S. and Schödel, K. (eds.) PostModerne De/Konstruktionen: Ethik, Politik und Kultur am Ende einer Epoche. Munster: Lit. pp. 259-272.
• Shadrack, J. H. (2011) V versus Hollywood: a discourse on polemic thievery. Studies in Comics: Alan Moore Themed Issue. 2(1), pp. 195-205. 2040-3232.
• Shadrack, J. H. (2010) V versus Hollywood: a discourse on polemic thievery. Invited Presentation presented to: Magus: Transdisciplinary Approaches to the Work of Alan Moore, The University of Northampton, 28-29 May 2010. (Unpublished)
• Simmons, D. and Ibrahim, W. (2014) Between Orientalism and post-modernism: Robert Irwin’s fantastic representations in The Arabian Nightmare. Hungarian Journal of English and American Studies. 20(1), pp. 91-112. 1218-7364.
• Vizcaya Echano, M. (2005) Gender and ethnic otherness in selected novels by Ann Granger, Cath Staincliffe and Alma Fritchley. In: Kim, J. H. (ed.) Race and Religion in the Postcolonial British Detective Story: Ten Essays. Jefferson, North Carolina: McFarland and Co. pp. 189-210.
• Wilson, J. M. (2011) Riding the celtic tiger: Anne Enright’s The Gathering and globalizing the contemporary Irish novel. Panel Presentation presented to: Postcolonialism, Economies, Crises: Interdisciplinary Perspectives: 2nd Biennial Conference of the Postcolonial Studies Association, University of Birmingham, 07-08 July 2011. (Unpublished)
• Wilson, J. M. (2007) Reconsidering Fred Schepisi’s The Chant of Jimmie Blacksmith (1978); the screen adaptation of Thomas Keneally’s novel (1972). Studies in Australasian Cinema. 1(2), pp. 191-207. 1750-3175.
• Wiseman-Trowse, N. J. B. (2009) Marvel or miracle: (Re)placing the original in Alan Moore's Marvelman. Critical Engagements. 3(1), pp. 51-72. 1754-0984.
• Wiseman-Trowse, N. J. B. (2008) Marvel or miracle: (re)placing the original in Alan Moore’s Marvelman. Paper presented to: Paraliterary Narratives: Reassessing the Graphic Novel, University of Northampton, 6 June 2008. (Unpublished)

This list was generated from NECTAR on Thu Nov 21 16:12:24 2024 GMT.