Items where Subject is "N Fine Arts > ND Painting"

Article

• Allwork, L. (2012) Pop worlds: David Hockney and Claes Oldenburg. Itch. 11
• Allwork, L. (2012) Fade to grey: Gerhard Richter: Panorama. Itch. 10
• Evans, M. (2009) The Abstract Unconsious. ARAS/Art and Psyche Online Journal. 2009(4)
• Parker, D. (2009) Leon Martindale: illness and epiphany. Raw Vision. Winter 200(68)
• Staff, C. (2015) Craig Staff writes on 'Real Painting'. Abcrit: discourses on abstract painting and sculpture. July 2015 [Online blog]
• Staff, C. (2013) Painting of the week: 69. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 67. I.B. Tauris Blog.
• Staff, C. (2013) Painting of the week: 63. I.B. Tauris Blog.
• Staff, C. (2013) Painting and performance. I.B.Tauris Blog.
• Staff, C. (2009) 絵画の示差的存在論のための覚書* Towards a differential ontology of painting. Rear 21.
• Staff, C. (2004) ‘Extended Painting’ at Victoria Miro. CIRCA Art Magazine. 108(Summer), pp. 88-89. 0263-9475.
• Staff, C. (2004) Painting apart from itself. Dwelling. 1741-1467.

Book Section

• Staff, C. (2011) A Poetics of becoming: the mythography of Cy Twombly. In: Wallace, I. L. and Hirsh, J. (eds.) Contemporary Art and Classical Myth. Farnham: Ashgate. pp. 43-55.
• Staff, C. (2010) Ancient Egyptian Art; Inspecting the Fields for Nebamun; Abstract Expressionism; Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949, Mark Rothko; The Big Night Down the Drain, 1962-63, Georg Baselitz; European Lyrical Abstraction; Nice, 1954 Nicolas De Stael; Portable War Memorial, 1968, Ed Kienholz; Neo-Expressionism; Café Deutschland (Lift/Tremble/Back), 1984 Jorg Immendorf. In: Farthing, S. (ed.) Art: The Whole Story. London: Thames & Hudson. pp. 28-547.
• Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
• Staff, C. (2006) [Contribution]. In: Farthing, S. (ed.) 1001 Paintings You Must See Before You Die. London: Cassell.
• Staff, C. (2002) As Long As It Takes. In: Dean, D. and Lillington, D. (eds.) As Long As It Takes. Nottingham: Angel Row Gallery. 0-0.

Book

• Middleton, P. (2010) The Deconstructed Image, Exhibition Catalogue 2010. England: The University of Northampton. 9781906398132.
• Staff, C. (2011) Modernist Painting and Materiality. Jefferson, N.C.: McFarland. 9780786447145.

Monograph

• Staff, C. (2017) Something of the previous day.
• Staff, C. (2015) Painting qua painting (as noun and verb). Online: Castlefield Gallery.

Conference or Workshop Item

• Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011. (Unpublished)
• Staff, C. (2015) The cultivation of (difficult) surfaces or “I know that’s a tree”. Invited Presentation presented to: Talk to accompany the exhibition Real Painting, Castlefield Gallery, Manchester, 11 July 2015. (Unpublished)
• Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007. (Unpublished)
• Staff, C. (2006) Towards a differential ontology of painting. Paper presented to: A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006. (Unpublished)

Conference Proceedings

• Staff, C. (2007) Notes towards a differential ontology of painting. In: Sweet, D. (ed.) A Future for Modernism? The Possibilities of Re-inhabiting an Abandoned Critical Position. Manchester: MIRIAD. 9781905476169. pp. 38-49.

Thesis

• Kafaru, A. B. (2014) An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria. Doctoral thesis. The University of Northampton.

Show/Exhibition

• Chapman, J. (2005) Jonathan Chapman, Recent Work. Roger Billcliffe Gallery, Glasgow, 01 August 2005.
• Evans, M. (2007) New Works. Exhibit at: Painting, Technology and Transcendent in POMO Culture.
• Evans, M. (2006) Recent Paintings. St Bartholomew's Hospital, London, June 2006.
• Evans, M. (2005) Recent Paintings within 'Common Ground'. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 06 September 2005 - 30 October 2005.
• Evans, M. and Hill, P. J. (2005) When Science Meets Art. Exhibit at: When Science Meets Art. Wrexham Art Gallery and Museum, 12 March - 23 April 2005.
• Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
• Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.
• Parker, D. (2009) [No title]. Exhibit at: Exchange: Two Universities, Two Groups of Researchers, Two Exhibitions, Two Dialogues. The University of Plymouth & The University of Northampton, 18 November - 18 December 2009.
• Parker, D. (2009) Illness and Epiphany: An Awakening Spirit. Exhibit at: Illness and Epiphany: an Awakening Spirit. Avenue Gallery, University of Northampton, 21 September - 16 October 2009.
• Perry, R. and Middleton, P. (2013) Peintures des sites du Débarquement par Robert Perry et Paul Middleton: contraste de méthode et méthodologie. Exhibit at: Exposition de Peintures des Sites du Débarquement par Robert Perry et Paul Middleton : Contraste de Méthode et Méthodologie. Ver Sur Mer, France, 28-31 October 2013.
• Staff, C. (2003) As Long As It Takes. Exhibit at: As Long As It Takes. Pumphouse Gallery, London, 19 March - 11 May 2003.
• Wallace, R. (2018) Punk in Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018. [Painting]