2012

1. Nardi, C. (2012) Performing electronic dance music: mimesis, reflexivity and the commodification of listening. Contemporanea. 10(1), pp. 80-98. 1809-9386.

2009

1. Keane, S. (2009) Walter Murch and Ben Burtt: the sound designer as composer. In: Harper, G. (ed.) Sound and Music in Film and Visual Media: A Critical Overview. New York ; London: Continuum. pp. 452-462.
2. Seddon, F. A. and Biasutti, M. (2009) Modes of communication between members of a string quartet. Small Group Research. 40(2), pp. 115-137. 1046-4964.
3. Seddon, F. A. and Biasutti, M. (2009) A comparison of modes of communication between members of a string quartet and a jazz sextet. Psychology of Music. 37(4), pp. 395-415. 0305-7356.

2007

1. Byron, J. (2007) Spectra, form and morphology: the appropriation of phenomena in the work of Tristan Murail. Doctoral thesis. The University of Northampton.

2005

1. Seddon, F. A. (2005) Modes of communication during jazz improvisation. British Journal of Music Education. 22(1), pp. 47-61. 0265-0517.