2017

1. Starr, M. (2017) Wells Meets Deleuze: The Scientific Romances Reconsidered. Jefferson, North Carolina: McFarland. 9781476668352. (In Press)

2016

1. Starr, M. (2016) “It’s the end of the World. It’s rather important really”: Accelerationist aesthetics of the Whedonverses. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016.

2015

1. Starr, M. (2015) “The stubborn beast-flesh grows day by day back again”: becoming-animal and H.G. Wells’s The Island of Doctor Moreau. Invited Presentation presented to: The Company of Wolves: Sociality, Animality, and Subjectivity in Literary and Cultural Narratives - Werewolves, Shapeshifters and Feral Humans, University of Hertfordshire, 03-05 September 2015. (Unpublished)
2. Starr, M. (2015) Joss Whedon and poststructural pedagogy. Paper presented to: Popular Culture Association/American Culture Association (PCA/ACA) 2015 Annual Conference, New Orleans, 01-04 April 2015. (Unpublished)
3. Starr, M. (2015) "I flung myself into futurity": H.G. Wells’s Deleuzian time machine. In: Jones, M. and Ormrod, J. (eds.) Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. North Carolina: McFarland. pp. 51-62.
4. Starr, M. (2015) David Lynch's Blue Velvet: genre, surrealism and dreams. Invited Presentation presented to: Cult Film Club Screening, Errol Flynn Filmhouse, Northampton, 25 February 2015. (Unpublished)

2014

1. Starr, M. (2014) "I always watch what I say. I am what I say”: Joss Whedon as Deleuzian “Minor Writer”. Paper presented to: 6th Biennial Slayage Conference on the Whedonverses (SCW6), University of California, Sacramento, 19-22 June 2014. (Unpublished)
2. Starr, M. and Jowett, L. (2014) Shapeshifters and monster mashups. Invited Presentation presented to: Heroes and Monsters: Extra-ordinary Tales of Learning and Teaching in the Arts and Humanities, The Lowry, Salford Quays, Manchester, 02-04 June 2014. (Unpublished)
3. Starr, M. (2014) "I've watched you build yourself from scratch": the assemblage of Echo. In: Ginn, S., Buckman, A. R. and Porter, H. M. (eds.) Joss Whedon's Dollhouse: Confounding Purpose, Confusing Identity. Maryland: Rowman & Littlefield. pp. 3-20.
4. Starr, M. (2014) Whedon’s great glass elevator: space, liminality and intertext in The Cabin in the Woods. Slayage: The Journal of the Whedon Studies Association. 36(10), pp. 2-3. 1546-9212.

2012

1. Starr, M. (2012) Whedon’s great glass elevator: space and intertextuality in The Cabin in the Woods. Invited Keynote presented to: After Buffy, University of London, 05 December 2012. (Unpublished)
2. Starr, M. (2012) The Bad guys always go where the power is: Sunnydale as Deleuzoguattarian Heterotopia. Paper presented to: Slayage Conference on the Whedonverses 5 (SC5), University of British Columbia, Vancouver, 12-15 July 2012. (Unpublished)

2011

1. Starr, M. (2011) Striating the stubborn beast-flesh: H.G. Wells’s The Island of Doctor Moreau and Deleuzoguattarian space. Invited Presentation presented to: School of The Arts Internal Seminar Series, University of Northampton, 08 December 2011. (Unpublished)
2. Starr, M. (2011) Untimely mutations: deterritorializing H.G. Wells's scientific romances. Doctoral thesis. The University of Northampton.
3. Wiseman-Trowse, N. J. B., Starr, M., Murray, C. and Round, J. (2011) Editor. Studies in Comics: Alan Moore Themed Issue. 2(1) London: Intellect. 2040-3232.

2010

1. Starr, M. (2010) Becoming Echo: deterritorializing Joss Whedon’s Dollhouse. Paper presented to: The Slayage Conference on the Whedonverses 4 (SC4), St Augustine, Florida, USA, 03-06 June 2010. (Unpublished)

2008

1. Starr, M. (2008) End of line: death and immortality in Battlestar Galactica. Paper presented to: It Has Happened Before It Will Happen Again: The Third Golden Age of Television Fiction, Point Hotel, Istanbul, Turkey, 08-10 October 2008. (Unpublished)