2013

1. Simmons, D. (2013) Member of Editorial Board. The Journal Of Popular Culture. Blackwell Publishing. 0022-3840, (1540-5931 electronic).
2. Simmons, D. (2013) Member of Editorial Board. Americana: The Journal of American Popular Culture, 1900 to present. Americana, The Institute for the Study of Popular Culture. 1553-8931.
3. Simmons, D. (2013) Founding Member. Kurt Vonnegut Society.

2012

1. Jowett, L. (2012) Heroes, control, and regulation. In: Simmons, D. (ed.) Investigating Heroes: Essays on Truth, Justice and Quality TV. Jefferson, North Carolina: McFarland. pp. 119-129.
2. Simmons, D., (ed.) (2012) Investigating Heroes: Essays on Truth, Justice, and Quality TV. North Carolina: McFarland. 9780786459360.
3. Robinson, K. L. (2012) This power, it's bigger than me: time travel as narrative device and catalyst for character exposition. In: Simmons, D. (ed.) Investigating Heroes: Essays on Truth, Justice and Quality TV. Jefferson, North Carolina: McFarland. pp. 156-167.

2011

1. Simmons, D., (ed.) (2011) New Critical Essays on Kurt Vonnegut. Paperback ed. New York and London: Palgrave Macmillan. 9780230120976.
2. Simmons, D. (2011) "There's a ton of lore on unicorns too": postmodernist micro-narratives and Supernatural. In: Abbott, S. and Lavery, D. (eds.) TV Goes to Hell: An Unofficial Roadmap of Supernatural. Toronto: ECW Press. pp. 132-145.
3. Simmons, D. (2011) "By Jupiter's cock!" Spartacus: Blood and Sand, video games, and camp excess. In: Cornelius, M. G. (ed.) Of Muscles and Men: Essays on the Sword and Sandal Film. North Carolina: McFarland. pp. 144-153.
4. Simmons, D. (2011) “Nothing too heavy or too light" negotiating Moore’s Tom Strong and the academic establishment. Studies in Comics. 2(1), pp. 57-67. 2040-3232.
5. Simmons, D. (2011) Hammer Horror and science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. North Carolina: McFarland. pp. 50-59.

2010

1. Simmons, D. (2010) "The war parts, anyway, are pretty much true": negotiating the reality of World War II in Slaughterhouse-Five and Catch-22. In: Mustazza, L. (ed.) Slaughterhouse-Five, Kurt Vonnegut. California: Salem Press. pp. 64-79.
2. Simmons, D. (2010) “A certain resemblance”: negotiating Africa as abjection within and without in H.P. Lovecraft’s “Facts Concerning the Late Arthur Jermyn and His Family” and “Under the Pyramids”. Critical Engagements. 2(1), pp. 59-83. 1754-0984.
3. Simmons, D. (2010) South Park. In: Abbott, S. (ed.) The Cult TV Book. New York and London: I.B.Taurus. pp. 199-202.

2009

1. Simmons, D. and Allen, N. (2009) Reading Chuck Palahniuk’s Survivor (2000) and Haunted (2005) as critique of ‘The Culture Industry'. In: Kuhn, C. and Rubin, L. (eds.) Reading Chuck Palahniuk: American Monsters and Literary Mayhem. New York and London: Routledge. pp. 116-128.
2. Jowett, L. (2009) Folding time: history, subjectivity, and intimacy in Vonnegut. In: Simmons, D. (ed.) New Critical Essays on Kurt Vonnegut. Basingstoke: Palgrave Macmillan. pp. 133-146.

2008

1. Simmons, D. (2008) The Anti-Hero in the American Novel: From Joseph Heller to Kurt Vonnegut. New York and London: Palgrave Macmillan. 9780230603233.