Browse by Author or Creator

2018

• Shadrack, J. H. (2018) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Metal Music Studies. 4(2), pp. 281-292. 2052-3998.

2017

• Shadrack, J. H. (2017) Healing the mother wound: grief management and metal performance. Invited Presentation presented to: Music and...Death, Vienna, Austria, 02-03 December 2017.
• Shadrack, J. H. (2017) Gratiae salutaris percipiendae: exhumation through catharsis or how the darkness gave me light. In: Scott, N. and Shadrack, J. H. (eds.) Helvete 4. New York: Punctum Books. (In Press)
• Shadrack, J. H. (2017) From enslavement to obliteration: extreme metal's problem with women. In: Jones, R. E. and Davies, E. (eds.) Under My Thumb: Songs that Hate Women and the Women who Love Them. London: Repeater Books. pp. 170-184.
• Shadrack, J. H. (2017) Malefica: the witch as restorative feminism in matrifocal black metal performance. In: Panayotov, S. and Lukas, D. (eds.) Black Metal Rainbows. Canada: Schism Press. (Accepted)
• Shadrack, J. H. (2017) Performance of Dido and Aeneas. Performance at: Purcell's Dido and Aeneas The Royal Theatre, Northampton, 10 June 2017.
• Shadrack, J. H. (2017) Rex Tremendae. [Video]. Online: Very Metal Art.

2016

• Shadrack, J. H. (2016) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Invited Presentation presented to: Metal in Strange Places: Aural, Emotional, Tactile, Visual, University of Dayton, Ohio, USA, 20-22 October 2016.
• Shadrack, J. H. (2016) Keynote: Get Over It: Female Extreme Metal Performers and the Hegemonic Response. Invited Keynote presented to: Metal and Politics Conference, Bournemouth University, 10th June 2016.

2015

• Shadrack, J. H. (2015) Requiem Macabre. Performance at: Requiem Macabre Church of the Holy Sepulchre, Northampton, 03-04 July 2015.

2014

• Shadrack, J. H., Dixon, S. and Press, R. (2014) MUSIC - Metadata Used in Semantic Indexes and Charts. Academic Rights Press.
• Shadrack, J. H. (2014) Gloriosa Fusione. Performance at: Gloriosa Fusione All Saints Church, Northampton, 14 June 2014.
• Shadrack, J. H. (2014) Member of the Academic Charts Online academic advisory board.
• Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.
• Shadrack, J. H. (2014) Femme-liminale: corporeal performativity in death metal. Paper presented to: Metal and Marginalisation Conference: Gender, Race, Class and Other Implications for Hard Rock and Metal, The University of York, 2014-04-11.

2013

• Shadrack, J. H. (2013) Resisting the palimpsest: reclamation of the female cultural body. Art and Design Review. 1(2) 2332-1997.
• Shadrack, J. H. (2013) Resisting the palimpsest: reclamation of the female cultural body. Art and Design Review. 1(2) 2332-1997.
• Shadrack, J. H. (2013) Requiem di Mozart Fusione: a Metal Interpretation. Performance at: Requiem di Mozart Fusione Church of the Holy Sepulchre, Northampton, 08 June 2013.

2012

• Shadrack, J. H. (2012) Occupying the simulation: the sexualised panopticon. Revue-Artéfact: Culture Eclectique. #2, pp. 16-29. 2262-2780.
• Shadrack, J. H. (2012) More sex please, we're British: The sexualisation of contemporary national popular culture. Paper presented to: Annual Postgraduate Research Conference, The University of Northampton School of the Arts, 11-14 September 2012. (Unpublished)

2011

• Shadrack, J. H. (2011) A Discourse on neuromarketing of the Western male id. Invited Presentation presented to: The Futures of Feminism: New Directions in Feminist, Women's & Gender Studies: Annual Feminist & Women's Studies Association (FWSA) Conference, Brunel University, London, 05-07 June 2011. (Unpublished)
• Shadrack, J. H. (2011) V versus Hollywood: a discourse on polemic thievery. Studies in Comics: Alan Moore Themed Issue. 2(1), pp. 195-205. 2040-3232.

2010

• Shadrack, J. H. (2010) V versus Hollywood: a discourse on polemic thievery. Invited Presentation presented to: Magus: Transdisciplinary Approaches to the Work of Alan Moore, The University of Northampton, 28-29 May 2010. (Unpublished)