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Number of items: 4.
Book Section
- Godfrey, R. (2007) Feminine singularity: the representations of young women in some early Tudor interludes. In: Happe, P. and Husken, W. (eds.) Interludes and Early Modern Society: Studies in Power, Gender and Theatricality. Amsterdam: Rodopi. pp. 141-162.
- Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
Conference Proceedings
- Godfrey, R. (2006) The deity displaced?: the theater of John Rastell and a humanist agenda. In: Bordier, J.-P. and Lascombes, A. (eds.) Dieu et les Dieux dans le Théâtre de la Renaissance: Actes du XLVe Colloque International d'Etudes Humanistes, 01-06 Juillet 2002. Turnhout: Brepols. 250351653X. pp. 485-496.
- Godfrey, R. (2002) Sin, vice and the laughter of the gods: an Erasmian perspective on an early Tudor interlude. In: Tudor Theatre. Oxford: Peter Lang. 3906769011. pp. 95-110. [Centre d’études supérieures de la Renaissance, Unité mixte de recherche "Renaissance européenne"]