Article

1. Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
2. Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
3. Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices. 2(1), pp. 63-74. 1757-1871.
4. Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.

Book Section

1. Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
2. Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.
3. Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
4. Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.

Conference or Workshop Item

1. Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011.
2. Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011.
3. Bacon, J. (2010) Psyche and artistic creativity. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
4. Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009.
5. Bacon, J. and Wainwright, R. (2007) Authentic movement. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor
6. Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007.

Show/Exhibition

1. Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
2. Bacon, J. (2010) Psyche’s Witness. Exhibit at: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology. Cornell University, Ithaca, New York, 10-14 August 2010.
3. Bacon, J. (2010) Sitting practice. Leamington Spa Gallery, May 2010. Also exhibited at: International Society of Jungian Studies Conference, in exhibition ‘Arts and Psyche’, Cornell University, August 2010
4. Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
5. Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.

Performance

1. Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005

Honorary role

1. Bacon, J. (2012) Guest Member of Editorial Board. Journal of Dance and Somatic Practices special issue: Dance, Movement and Spiritualities. 4(1) Bristol: Intellect. 1757-1871.
2. Bacon, J. (2011) Editor. Choreographic Practices. Bristol: Intellect. 2040-5669 (print), 2040-5677.
3. Bacon, J. (2010) Member of Editorial Board. Theatre, Dance and Performance Training. London: Routledge. 1944-3919 (electronic) 1944-3927 (paper).
4. Bacon, J. (2010) Director. Centre for Practice-led Research in the Arts, The University of Northampton.
5. Bacon, J. (2010) Director. Choreographic Lab, The University of Northampton.
6. Bacon, J. (2009) Member of peer review body of Research Council. Austrian Science Fund (FWF).
7. Bacon, J. (2009) Seminar Leader for Practice-led Research in the Arts workshop. Arts and Humanities Research Council.
8. Bacon, J. (2009) Member of Editorial Board. Body, Movement and Dance in Psychotherapy. London: Taylor and Francis. 1743-2987 (electronic) 1743-2979 (paper).