A

1. Ackroyd, J. and Pilkington, A. (2007) "You're not allowed to say that" : minefields and political correctness. Caribbean Quarterly. 53(1&2), pp. 49-62. 0008-6495.

B

1. Bush, M. (2001) Unwrapping [My Year] 2000. [Limited edition artist's book].
2. Bush, M., Powell, E. and McDonald, L. (2006) Full Circle/Random Journey. Exhibit at: Full Circle/Random Journey. University of Northampton Gallery, Northampton, 8 - 18 May 2006. [co-curator and exhibiting artist]
3. Butcher, J. and Schaber, F. (2011) Enhancing design learning through partnerships: the case of Joinedupdesign for Academies. Networks. 13 1756-963x.

C

1. Chapman, J. (2004) Inanimate - Contemporary Still-Life. Chapel Gallery, Ormskirk, 01 May 2004.
2. Chapman, J. (2004) Jonathan Chapman Still-Lifes. Gallery 58, Northampton, 07 October 2004. [watercolours]
3. Chapman, J. (2005) Jonathan Chapman, Recent Work. Roger Billcliffe Gallery, Glasgow, 01 August 2005.

E

1. Evans, M. (2006) Recent Paintings. St Bartholomew's Hospital, London, June 2006.
2. Evans, M. (2005) Recent Paintings within 'Common Ground'. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 06 September 2005 - 30 October 2005.
3. Evans, M. and Hill, P. J. (2005) When Science Meets Art. Exhibit at: When Science Meets Art. Wrexham Art Gallery and Museum, 12 March - 23 April 2005.

F

1. Flexen, C. and Staff, C. (2006) Marking Movements - new drawings by Catherine Flexen and Craig Staff. Exhibit at: Marking Movements. Cheltenham Museum and Art Gallery, 28 January - 11 March 2006.

G

1. Greco, P. (2006) Food Chain. Exhibit at: What's for dinner?. The Museum of Domestic Design and Architecture (MODA), Barnet, Middlesex, 25 April - 29 October 2006. [installation of prints]
2. Greco, P. (2006) ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006. [Curator and exhibitor of group exhibition]
3. Greco, P. (2005) Zoo-A-Logical. Knapp Gallery, London, 3 October 2005.

H

1. Harper, J. (2007) Landmarks & Signs. Burghley House Sculpture Garden, 1 April - 31 October 2007. Also exhibited at Nene Valley Park, Corby 2006; Dusseldorf Kunstacademie 2005
2. Harper, J., Chamberlain, F., Moss, P. and Childerley, Z. (2004) 'Photography and The Rural Community' and 'Foursite'. Project Office, ACE; University of Northampton Gallery. Presentations at Nottingham Trent University; Derby, 2004.
3. Hoon, W. (2005) Close up and cut out. Eye: The International Review of Graphic Design. 57, pp. 48-51. 0960-779X.
4. Hoon, W. (2002) Wirksworth Lights, 2002. [DVD].
5. Hoon, W. (2003) Wirksworth Lights, 2004.05. [DVD].
6. Hoon, W. and Robinson, P. J. (2003) Football Days: Classic Football Photographs. London: Mitchell Beazley. 1840008431.

J

1. Jones, D. (2010) Face Values: an exhibition of portrait and documentary photography. Menier Gallery, Southwark, London, 6 April 2010.
2. Jury, S. and Love, J. (2007) We Are Just Watching. Exhibit at: We Are Just Watching. Great Eastern Hotel, London, 2007.

K

1. Keskeys, D. J. (2007) Altered Images. Exhibit at: Altered Images. University of Northampton, 23 October - 10 November 2007. [exhibition of photographic work]

L

1. Langford, A. W. (2004) Falling Away (within collaborative exhibition 'Common Ground'). Exhibit at: Common Ground. Rugby Art Gallery and Museum, January 2004.
2. Langford, A. W. (2006) Invernaderos. Exhibit at: Format06 International Photography Festival. Gallery Déda, Derby Dance Centre, Derby, 22 September - 22 October 2006.
3. Langford, A. W. (2004) Pleasure garden. Exhibit at: Pleasure Garden. Nottingham Castle Museum and Art Gallery, Nottingham, 10 July 2004.
4. Langford, A. W. (2001) Uncertain terrain. Exhibit at: Uncertain Terrain. Yard Gallery, Nottingham, 2001. Also exhibited at: Castle Museum and Art Gallery, Nottingham, 2001
5. Love, J. (2006) 12hr 05m. Exhibit at: 12hr 05m. Petit k, Fukoka, Japan, 20 July 2006.
6. Love, J. (2005) Elles sont passées par ici ... Here nor there. Exhibit at: Elles sont passées par ici. Loguivy de la Mer, France, 10 July - 19 August 2005.
7. Love, J. (2004) Johanna Love. Exhibit at: Johanna Love. Case-1 Gallery, London, 04-14 June 2004.
8. Love, J. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June – 05 July 2011.

N

1. Nardi, C. (2012) "Playlist value" in three local commercial radio stations. Situating Popular Musics: International Association for the Study of Popular Music (IASPM) 16th International Conference, Grahamstown, South Africa, 27 June - 01 July 2011. Liverpool: International Association for the Study of Popular Music. 2225-0301.
2. Nardi, C. (2012) Film sound and the negotiation of moral boundaries. Paper presented to: 22nd European Conference on South Asian Studies (ECSAS 2012), University Institute of Lisbon, Portugal, 25-28 July 2012.
3. Nardi, C. (2012) Library music: technology, copyright and authorship. In: Moreno Fernández, S., El-Shawan Castelo-Branco, S., Roxo, P. and Iglesias, I. (eds.) Current Issues in Music Research: Copyright, Power and Transnational Music Processes. Lisboa: Colibri. pp. 73-83.
4. Nardi, C. (2012) Performing electronic dance music: mimesis, reflexivity and the commodification of listening. Contemporanea. 10(1), pp. 80-98. 1809-9386.
5. Nardi, C. (2012) Persistenza e trasformazione della “razza” in quanto realtà sociale: uno studio sugli studenti di un campus sudafricano [Persistence and transformation of ‘race’ as a social reality: a case-study on students in a South African campus]. Paper presented to: Convegno di Etnografia 2012, Università di Bergamo, 07-09 June 2012.
6. Nardi, C. (2012) Sound in Lost and the disavowal of reality. Situating Popular Musics: International Association for the Study of Popular Music (IASPM) 16th International Conference, Grahamstown, South Africa, 27 June - 01 July 2011. Liverpool: International Association for the Study of Popular Music. 2225-0301.
7. Nardi, C. (2011) The cultural economy of sound: reinventing technology in Indian popular cinema. Journal on The Art of Record Production. 5(1) 1754-9892.

P

1. Parker, D. and Evans, M. (2010) Art and otherness: an enquiry into the experience of the 'other' in painting. Conversations in the Field. 1(3), pp. 1-9.
2. Parker, D. and Evans, M. (2012) Drawing and the unconscious: a practical workshop in imagination and free association. Workshop presented to: 4th International Joint Conference of the International Association for Jungian Studies (IAJS) and the International Association for Analytic Psychology (IAAP): Jung's Analytical Psychology in Conversation with a Changing World, University of Braga, Portugal, 18-21 July 2012.

S

1. Shadrack, J. H. (2012) Occupying the simulation: the sexualised panopticon. Revue-Artéfact: Culture Eclectique. #2, pp. 16-29. 2262-2780.
2. Singlehurst, H., Corr, S., Wilson, J. M. and Allen, S. (2010) Using autobiography to explore occupational transitions of those living with or beyond cancer. Paper presented to: World Federation of Occupational Therapists (WFOT) 15th World Congress, Santiago, Chile, 04-07 May 2010.
3. Smith, J. and Wilson, P. (2006) The Wire covers mix. [mp3].
4. Staff, C. (2003) As Long As It Takes. Exhibit at: As Long As It Takes. Pumphouse Gallery, London, 19 March - 11 May 2003.
5. Staff, C. (2002) Craig Staff. Cairn Gallery, Nailsworth, Gloucestershire, 19 March 2002.
6. Staff, C. (2006) Drawing Itself, Drawing Space. Exhibit at: Drawing Itself, Drawing Space. Southwell Artspace, Southwell, Nottingham, 2 September - 15 October 2006.

W

1. Wilson, P. and Smith, J. (2006) The Mystique of Secrecy. [DVD]. [Live, audio visual internet mixing]
2. Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function of the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84.