Items where Division is "University Faculties, Divisions and Research Centres - OLD > Faculty of Arts, Science & Technology"

A

• Ackroyd, J. and Pilkington, A. (2007) "You're not allowed to say that" : minefields and political correctness. Caribbean Quarterly. 53(1&2), pp. 49-62. 0008-6495.
• Al-Jelawy, H., Kaczmarczyk, S., Mirhadizadeh, S. and AlKhafaji, D. (2016) A study into the influence of the car geometry on the aerodynamic transient effects arising in a high rise lift installation. Lift and Escalator Symposium. 6, pp. 1-11. 2052-7225.
• Allen, C. and Wallace, R. (2016) Closing remarks by the conference organisers. Other presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Allwork, L. (2015) Research in the School of the Arts. Invited Presentation presented to: The Spring Meeting of the Court of the University of Northampton, The University of Northampton, 12 March 2015. (Unpublished)
• Angelo, J., Bennecer, A., Kaczmarczyk, S. and Picton, P. (2016) Modelling of thermal behaviour of iron oxide layers on boiler tubes. Journal of Physics: Conference Series. 721(012002), pp. 1-8. 1742-6596.
• Angelo, J., Bennecer, A., Picton, P., Kaczmarczyk, S. and Soares, A. (2016) Eddy current analysis of shipped stainless steel heat exchanger bundle. Case Studies in Nondestructive Testing and Evaluation. 6(A), pp. 89-93. 2214-6571.

B

• Bamber, R. (2012) Just another point of view. Exhibit at: Ombra: Champions. 1-5, Vyner Street, East London, September 2012 - June 2013.
• Blaby, H. and Kimber, G. (2014) Item on left handedness and how left handed children are taught in school. Northampton: BBC Radio Northampton. 17 March 2014.
• Braeuninger, R. (2014) Structure as process: Anne Teresa de Keersmaeker’s Fase (1982) and Steve Reich’s music. Dance Chronicle - Studies in Dance and Related Arts. 37(1), pp. 47-62. 0147-2526.
• Bush, M. (2001) Unwrapping [My Year] 2000. [Limited edition artist's book].
• Bush, M., Powell, E. and McDonald, L. (2006) Full Circle/Random Journey. Exhibit at: Full Circle/Random Journey. University of Northampton Gallery, Northampton, 8 - 18 May 2006. [co-curator and exhibiting artist]
• Butcher, J. and Schaber, F. (2011) Enhancing design learning through partnerships: the case of Joinedupdesign for Academies. Networks. 13 1756-963x.

C

• Campbell, P. (2014) Ananse tales: an Afrodiasporic, intercultural spin on enterprise, education and the arts. Paper presented to: Enterprise, Education and the Arts: Synthesis, Transformation and Cultural Action, The University of Northampton, Avenue Campus, 30-31 January 2014. (Unpublished)
• Campbell, P. (2013) Tracing the transcendent function in post-Grotowskian theatre. Paper presented to: Creative Encounters: Arts as Culture/ Arts as Therapy?, The University of Northampton, School of the Arts, 03 July 2013. (Unpublished)
• Chan, R., So, A. and Kaczmarczyk, S. (2016) Evaluating a holistic energy benchmarking parameter of lift systems by using computer simulation. Lift and Escalator Symposium. 6, pp. 65-73. 2052-7225.
• Chapman, J. (2004) Inanimate - Contemporary Still-Life. Chapel Gallery, Ormskirk, 01 May 2004.
• Chapman, J. (2004) Jonathan Chapman Still-Lifes. Gallery 58, Northampton, 07 October 2004. [watercolours]
• Chapman, J. (2005) Jonathan Chapman, Recent Work. Roger Billcliffe Gallery, Glasgow, 01 August 2005.

E

• Ehrl, T., Smith, R. and Kaczmarczyk, S. (2015) Key dynamic parameters that influence ride quality of passenger transportation systems. Lift and Escalator Symposium. 5, pp. 63-72. 2052-7225.
• Evans, M. (2006) Recent Paintings. St Bartholomew's Hospital, London, June 2006.
• Evans, M. (2005) Recent Paintings within 'Common Ground'. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 06 September 2005 - 30 October 2005.
• Evans, M. and Hill, P. J. (2005) When Science Meets Art. Exhibit at: When Science Meets Art. Wrexham Art Gallery and Museum, 12 March - 23 April 2005.

F

• Flexen, C. and Staff, C. (2006) Marking Movements - new drawings by Catherine Flexen and Craig Staff. Exhibit at: Marking Movements. Cheltenham Museum and Art Gallery, 28 January - 11 March 2006.
• Flowers, K., Kaczmarczyk, S., Lama, A., Sadehi, A. and Steele, J. (2015) How do biomaterials and granular materials move in a horizontal drum under varying process conditions? In: Gomze, L. A. (ed.) 2nd International Conference on Rheology and Modeling of Materials. Book of Abstracts. Miskolc, Hungary: IGREX Engineering Service Ltd. p. 79.

G

• Gant, S. (2012) Crossing the Line. Exhibit at: Jerwood Drawing Prize 2012. Jerwood Space, London, 12 September 2012 - 28 October 2013. Also exhibited at: Jerwood Gallery, Hastings, 08 December 2012 - 06 January 2013; MAC Birmingham, 12 January - 03 March 2013; The Gallery, The Arts University College at Bournemouth, 22 March - 26 April 2013
• Gant, S. (2013) Keep Looking and Line No 22. Exhibit at: National Eisteddfod of Wales Visual Arts Exhibition. Y Lle Celf, Carmarthenshire, Wales, 02-10 August 2013.
• Gant, S. (2009) Song for the Auction Caller. Exhibit at: Eisteddfod Visual Arts Exhibition. Y Lle Celf Gallery, Carmarthenshire, Wales, August 2009. Also exhibited at: "Loop Videoart Festival", Barcelona, Spain, 21-31 May 2009; Art Video Screening "Waterpieces" Riga, Latvia, 4-6 September 2009; Cinema Bio Roxy, Orebro, Sweden, 17 October 2009; Cinema Elektra, Vasteras, Sweden, 20 November 2009; as part of the "Orebro International Videoart Festival", 1-3 October 2010, Orebro, Sweden and at Vetlanda Museum, Sweden, 21 January-19 February, 2012
• Greco, P. (2006) Food Chain. Exhibit at: What's for dinner?. The Museum of Domestic Design and Architecture (MODA), Barnet, Middlesex, 25 April - 29 October 2006. [installation of prints]
• Greco, P. (2006) ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006. [Curator and exhibitor of group exhibition]
• Greco, P. (2005) Zoo-A-Logical. Knapp Gallery, London, 3 October 2005.

H

• Harper, J. (2007) Landmarks & Signs. Burghley House Sculpture Garden, 1 April - 31 October 2007. Also exhibited at Nene Valley Park, Corby 2006; Dusseldorf Kunstacademie 2005
• Harper, J., Chamberlain, F., Moss, P. and Childerley, Z. (2004) 'Photography and The Rural Community' and 'Foursite'. Project Office, ACE; University of Northampton Gallery. Presentations at Nottingham Trent University; Derby, 2004.
• Hassan, A., Torres Pérez, A., Kaczmarczyk, S. and Picton, P. (2016) The effect of time delay on control stability of an electromagnetic active tuned mass damper for vibration control. Journal of Physics: Conference Series. 721(012007), pp. 1-24. 1742-6596.
• Hassan, A., Torres-Perez, A., Kaczmarczyk, S. and Picton, P. (2016) Vibration control of a Stirling engine with an electromagnetic active tuned mass damper. Control Engineering Practice. 51, pp. 108-120. 0967-0661.
• Herrera, I. and Kaczmarczyk, S. (2016) Simple models for rope substructure mechanics: application to electro-mechanical lifts. Journal of Physics: Conference Series. 721(012008), pp. 1-8. 1742-6596.
• Holloway, A. (2016) How I have so far failed to create a fully accessible VLE. Workshop presented to: 16th Annual Durham Blackboard Users' Conference: Learning from Failure, Durham University Business School, 07-08 January 2016. (Unpublished)
• Holt, D., Reed, S., Preece, K. L., Pickard, A. and Childs, C. (2014) Identifying dance in UK higher education. Panel Presentation presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
• Hoon, W. (2005) Close up and cut out. Eye: The International Review of Graphic Design. 57, pp. 48-51. 0960-779X.
• Hoon, W. (2002) Wirksworth Lights, 2002. [DVD].
• Hoon, W. (2003) Wirksworth Lights, 2004.05. [DVD].
• Hoon, W. and Robinson, P. J. (2003) Football Days: Classic Football Photographs. London: Mitchell Beazley. 1840008431.

J

• Jones, D. (2010) Face Values: an exhibition of portrait and documentary photography. Menier Gallery, Southwark, London, 6 April 2010.
• Jowett, L., Abbott, S., Elliott-Smith, D. and Janicker, R. (2016) A new golden age of TV horror: a round table discussion. Panel Presentation presented to: Cine-Excess X: Cult Genres, Traditions and Bodies: A Decade of Excess, Birmingham, UK, 10-12 November 2016. (Unpublished)
• Jury, S. and Love, J. (2007) We Are Just Watching. Exhibit at: We Are Just Watching. Great Eastern Hotel, London, 2007.

K

• Kaczmarczyk, S. (2015) The dynamics of vertical transportation systems: from deep mine operations to modern high-rise applications. In: Awrejcewicz, J., Kazmierczak, M., Mrozowski, J. and Olejnik, P. (eds.) Dynamical Systems: Mechatronics and Life Sciences. Lodz, Poland: Lodz University of Technology. pp. 249-260.
• Kaczmarczyk, S., Balthazar, J. M. and Herrera Navarro, I. (2016) 5th Symposium on Mechanics of Slender Structures 2015 (MoSS2015). Journal of Physics: Conference Series. 721(011001), pp. 1-3. 1742-6596.
• Kaczmarczyk, S. and Mirhadizadeh, S. (2016) Quasi-stationary mechanics of elastic continua with bending stiffness wrapping on a pulley system. Journal of Physics: Conference Series. 721(012011), pp. 1-7. 1742-6588.
• Kaczmarczyk, S. and Smith, R. (2016) Elevator System. United Kingdom, Switzerland, Austria, Ireland, Germany. 21 September 2016. Patent number EP2913289 B1.
• Kalpaxi, E. (2014) From the borders to centre stage: photographic self-portraiture. Philosophy of Photography. 5(1), pp. 65-76. 2040-3682.
• Kalpaxi, E. (2014) Photography’s role in western art’s globalising visions. Paper presented to: Collecting Geographies: Global Programming and Museums of Modern Art, Stedelijk Museum, Amsterdam, 13-15 March 2014.
• Kalpaxi, E. (2016) Self-portraiture: on photography’s reflexive surface. Journal of Artistic Research (JAR). 10 2235-0225.
• Keskeys, D. J. (2007) Altered Images. Exhibit at: Altered Images. University of Northampton, 23 October - 10 November 2007. [exhibition of photographic work]
• Kimber, G. (2013) A curiosity: note on the influence of Katherine Mansfield. Katherine Mansfield Society Newsletter. 14, p. 19. 2040-2597.
• Kimber, G. (2011) Review of Jeanne Dubino, ed., Virginia Woolf and the Literary Marketplace (New York: Palgrave Macmillan, 2010). Annotated Bibliography of English Studies.
• Kimber, G. (2014) The influence of Katherine Mansfield in the work of C.K. Stead. In: Kimber, G., Da Sousa Correa, D., Martin, W. T., Maddison, I. and Kelly, A. (eds.) Katherine Mansfield and World War One. Edinburgh: Edinburgh University Press. pp. 145-159.
• Kimber, G. (2013) ‘Long beams coming from my fingers & sparks flying from my toes’: Revealing the real Katherine Mansfield. Invited Keynote presented to: Katherine Mansfield's Fiction: New Edition, New Approaches, Université Paris Ouest Nanterre La Défense, France, 21 June 2013. (Unpublished)
• Kwiatkowski, R., Kaczmarczyk, S., Mellor, N., Su, H., Salter, C. and Mulhern, L. (2015) Knowledge Transfer Partnership project as an example of best practices for innovation in the UK lift industry. Lift and Escalator Symposium. 5, pp. 97-104. 2052-7225.

L

• Langford, A. W. (2004) Falling Away (within collaborative exhibition 'Common Ground'). Exhibit at: Common Ground. Rugby Art Gallery and Museum, January 2004.
• Langford, A. W. (2006) Invernaderos. Exhibit at: Format06 International Photography Festival. Gallery Déda, Derby Dance Centre, Derby, 22 September - 22 October 2006.
• Langford, A. W. (2004) Pleasure garden. Exhibit at: Pleasure Garden. Nottingham Castle Museum and Art Gallery, Nottingham, 10 July 2004.
• Langford, A. W. (2001) Uncertain terrain. Exhibit at: Uncertain Terrain. Yard Gallery, Nottingham, 2001. Also exhibited at: Castle Museum and Art Gallery, Nottingham, 2001
• Leet, S.-K. (2013) A Passage through place: migrant homes in London. Visual Ethnography. 2(1) 2281-1605.
• Leet, S.-K. (2014) Archives, art and text - 'I dream of home': constructing an archive of the intangible. Paper presented to: Anthropology and Photography Conference, British Museum, London, 29-31 May 2014. (Unpublished)
• Leet, S.-K. (2014) I Dream of Home. Exhibit at: I Dream of Home. Avenue Gallery, The University of Northampton, April 2014.
• Leet, S.-K. (2013) Nature as construct: a conservation project in Singapore. Photography and Culture. 6(2), pp. 235-243. 1751-4517.
• Leet, S.-K., Fowley, C., Katz, S. and Coley, T. (2015) Homeplaces: photography, migration and memory. Invited Presentation presented to: Inaugural Age-Friendly Universities Conference, Dublin City University, Ireland, 02-03 November 2015. (Unpublished)
• Love, J. (2006) 12hr 05m. Exhibit at: 12hr 05m. Petit k, Fukoka, Japan, 20 July 2006.
• Love, J. (2005) Elles sont passées par ici ... Here nor there. Exhibit at: Elles sont passées par ici. Loguivy de la Mer, France, 10 July - 19 August 2005.
• Love, J. (2004) Johanna Love. Exhibit at: Johanna Love. Case-1 Gallery, London, 04-14 June 2004.
• Love, J. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June – 05 July 2011.

M

• Mackley, J. S. (2013) “This stinckyng idoll”: the origins of some English Mayday traditions. Seminar Presentation presented to: The Rural Experience: Country Life in Literature, Song, Film & Folklore, Loughborough University, 26-28 March 2013. (Unpublished)
• McLaughlin, C. (2016) Kyrie Eleison by Denigrata. [Exhibition screening]. Northampton: Dark Arts Ltd.
• McLaughlin, J. A. (2014) The censor without, the censor within: the resistance of Johnstone’s improv to the social and political pressures of 1950s Britain. Panel Presentation presented to: Theatre & Performance Research Association (TaPRA) Conference 2014, Royal Holloway, University of London, 03-05 September 2014. (Unpublished)
• McLaughlin, J. A. (2014) The spontaneity drain: the social pressures that shaped and then exiled Keith Johnstone's improvisation. Panel Presentation presented to: Comedy and Society Symposium, School of Drama, Music and Screen, University of Hull, 22-23 November, 2014. (Unpublished)
• Middleton, P. (2013) International Conference on Dongba Culture: Visual Communication and Semiotic Perspectives. Exhibit at: International Conference on Dongba Culture: Visual Communication and Semiotic Perspectives. Communication University of China, Beijing, 22-25 October 2013. (Unpublished)
• Middleton, P. (2013) Introduction. In: Middleton, P. and Puzzovio, C. (eds.) Love British Books 2013. Northampton: The University of Northampton. pp. 1-5.
• Middleton, P. (2011) Introduction: Marks, signs, and images: embracing a sense of belonging and commitment pre-date history. In: Wiedemann, J. (ed.) Logo Design. Koln: Taschen. pp. 8-13.
• Middleton, P. (2013) Marks, Signs and Images. Northampton: The University of Northampton. 9781906398149.
• Middleton, P. (2011) Marks, signs & images: the sense of belonging that pre-dates history but has now become a powerful global language. Paper presented to: 1st International Conference on Semiotics and Visual Communication: from Theory to Practice, Limassol, Cyprus, 25-27 November 2011. (Unpublished)
• Middleton, P. (2014) Marks, signs and images: the sense of belonging and commitment which pre-dates history but has now become a powerful global language. In: Zantides, E. (ed.) Semiotics and Visual Communication: Concepts and Practices. Newcastle upon Tyne: Cambridge Scholars. pp. 310-321.
• Middleton, P. (2010) The Deconstructed Image, Exhibition Catalogue 2010. England: The University of Northampton. 9781906398132.
• Middleton, P. (2013) The forgotten link: genesis of the Dongba Pictograph. Paper presented to: International Conference on Dongba Culture: Visual Communication and Semiotic Perspectives, Communication University of China, Beijing, 22-23 October 2013. (Unpublished)
• Mirhadizadeh, S., Kaczmarczyk, S., Tongue, N., Al-Jelawy, H., Feldhusen, P., Delk, W., Anderson, K. and Dudde, F. (2015) Modelling and computer simulation of aerodynamic interactions in high-rise lift systems. Lift and Escalator Symposium. 5, pp. 117-124. 2052-7225.
• Montano, E. and Nardi, C. (2012) Editorial note. In: Montano, E. and Nardi, C. (eds.) Situating Popular Musics: IASPM 16th International Conference Proceedings. Online: International Association for the Study of Popular Music. VII-VIII.

N

• Nardi, C. (2012) "Playlist value" in three local commercial radio stations. In: Montano, E. and Nardi, C. (eds.) Situating Popular Musics: IASPM 16th International Conference Proceedings. Liverpool: International Association for the Study of Popular Music. 2225-0301. pp. 317-326.
• Nardi, C. (2012) Film sound and the negotiation of moral boundaries. Paper presented to: 22nd European Conference on South Asian Studies (ECSAS 2012), University Institute of Lisbon, Portugal, 25-28 July 2012. (Unpublished)
• Nardi, C. (2012) Performing electronic dance music: mimesis, reflexivity and the commodification of listening. Contemporanea. 10(1), pp. 80-98. 1809-9386.
• Nardi, C. (2012) Persistenza e trasformazione della “razza” in quanto realtà sociale: uno studio sugli studenti di un campus sudafricano [Persistence and transformation of ‘race’ as a social reality: a case-study on students in a South African campus]. Paper presented to: Convegno di Etnografia 2012, Università di Bergamo, 07-09 June 2012. (Unpublished)
• Nardi, C. (2012) Sound in Lost and the disavowal of reality. In: Montano, E. and Nardi, C. (eds.) Situating Popular Musics: IASPM 16th International Conference Proceedings. Liverpool: International Association for the Study of Popular Music. 2225-0301. pp. 185-191.
• Nardi, C. (2011) The cultural economy of sound: reinventing technology in Indian popular cinema. Journal on The Art of Record Production. 5(1) 1754-9892.

O

• Ollerton, J., Rouquette, J. R. and Breeze, T. D. (2016) Insect pollinators boost the market price of culturally important crops: holly, mistletoe and the spirit of Christmas. Journal of Pollination Ecology. 19, pp. 93-97. 1920-7603.

P

• Parker, D. and Evans, M. (2010) Art and otherness: an enquiry into the experience of the 'other' in painting. Conversations in the Field. 1(3), pp. 1-9.
• Parker, D. and Evans, M. (2012) Drawing and the unconscious: a practical workshop in imagination and free association. Workshop presented to: 4th International Joint Conference of the International Association for Jungian Studies (IAJS) and the International Association for Analytic Psychology (IAAP): Jung's Analytical Psychology in Conversation with a Changing World, University of Braga, Portugal, 18-21 July 2012. (Unpublished)
• Perry, R. and Middleton, P. (2013) Peintures des sites du Débarquement par Robert Perry et Paul Middleton: contraste de méthode et méthodologie. Exhibit at: Exposition de Peintures des Sites du Débarquement par Robert Perry et Paul Middleton : Contraste de Méthode et Méthodologie. Ver Sur Mer, France, 28-31 October 2013.
• Preece, K. L. (2013) Executive Board Member. DanceHE.
• Preece, K. L. (2014) And Now for Something Completely Different. Performance at: Newsgrounds 2014 The Core, Corby, Northants, 05-06 June 2014. Performers: Thomas, Lily, Chubb, Fern, Herbert, Sophie, Durham, Lois, Denial, Freya, Morris, Jayne, Lawson, Jessica, Lenton, Charlotte, Pickford, Hannah, Fosh, Emma, Smith, Nicola, Fleming, Jade, Dero, Dija, Sharpe, Jessica and Lambert, Teri
• Preece, K. L. (2014) Blended learning symposium: social media. Panel Presentation presented to: Student Education Conference 3 (SEC3), The University of Leeds, 10 January 2014. (Unpublished)
• Preece, K. L. (2014) Bringing history to life: pedagogical approaches to dance history in higher education. Paper presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
• Preece, K. L. (2014) Choreography and pedagogy: a provocation. Other presented to: Instigating, Creating and Responding Roundtable, Isham Studios, The University of Northampton, 08 November 2014. (Unpublished)
• Preece, K. L. (2015) Embedding digital documentation in creative and pedagogical processes. Paper presented to: Digital Echoes 2015, Institute for Creative Enterprise, Coventry University, 13 February 2015. (Unpublished)
• Preece, K. L. (2015) Epitaxy 1. Performance at: Playgrounds Dance Company Choreographic and Sound Art Collaboration NN Gallery, Northampton, 31 January 2015.
• Preece, K. L. (2014) Fall and Swell. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014.
• Preece, K. L. (2014) Hammers and blind man’s sticks: re-examining the digital double. Seminar Presentation presented to: Dance Research Symposium, Isham Studios, The University of Northampton, 15 October 2014. (Unpublished)
• Preece, K. L. (2015) Me and My Shadow (2012). Body, Space & Technology Journal. 12(2) 1470-9120.
• Preece, K. L. (2013) On the value of Candoco's Teacher Training Intensive. Candoco Dance Company. [Blog post]
• Preece, K. L. (2014) Social media platforms as educational interfaces. Paper presented to: Student Education Conference 3 (SEC3), The University of Leeds, 10 January 2014. (Unpublished)
• Prior, R. W. (2013) Knowing what is known: Accessing craft-based meanings in research by artists. In: McNiff, S. (ed.) Art as Research: Opportunities and Challenges. Bristol, UK/Chicago, USA: Intellect. pp. 161-169.
• Prior, R. W. (2012) Opening address. Other presented to: Colour My Well-being, The University of Northampton, 19-20 April 2012. (Unpublished)
• Prior, R. W., Harris, S. and Carter, A. (2013) A case for valuing tacit knowledge and clear pedagogy: continuing professional development for teachers. Paper presented to: National Drama International Conference 2013: Heathcote Reconsidered, London, UK, 04-07 July 2013. (Unpublished)

S

• Shadrack, J. H. (2012) Occupying the simulation: the sexualised panopticon. Revue-Artéfact: Culture Eclectique. #2, pp. 16-29. 2262-2780.
• Singlehurst, H., Corr, S., Wilson, J. M. and Allen, S. (2010) Using autobiography to explore occupational transitions of those living with or beyond cancer. Paper presented to: World Federation of Occupational Therapists (WFOT) 15th World Congress, Santiago, Chile, 04-07 May 2010. (Unpublished)
• Smith, J. and Wilson, P. (2006) The Wire covers mix. [mp3].
• Staff, C. (2003) As Long As It Takes. Exhibit at: As Long As It Takes. Pumphouse Gallery, London, 19 March - 11 May 2003.
• Staff, C. (2002) Craig Staff. Cairn Gallery, Nailsworth, Gloucestershire, 19 March 2002.
• Staff, C. (2006) Drawing Itself, Drawing Space. Exhibit at: Drawing Itself, Drawing Space. Southwell Artspace, Southwell, Nottingham, 2 September - 15 October 2006.
• Starr, M. (2014) "I always watch what I say. I am what I say”: Joss Whedon as Deleuzian “Minor Writer”. Paper presented to: 6th Biennial Slayage Conference on the Whedonverses (SCW6), University of California, Sacramento, 19-22 June 2014. (Unpublished)
• Starr, M. (2015) "I flung myself into futurity": H.G. Wells’s Deleuzian time machine. In: Jones, M. and Ormrod, J. (eds.) Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. North Carolina: McFarland. pp. 51-62.
• Starr, M. (2015) David Lynch's Blue Velvet: genre, surrealism and dreams. Invited Presentation presented to: Cult Film Club Screening, Errol Flynn Filmhouse, Northampton, 25 February 2015. (Unpublished)
• Starr, M. (2015) Joss Whedon and poststructural pedagogy. Paper presented to: Popular Culture Association/American Culture Association (PCA/ACA) 2015 Annual Conference, New Orleans, 01-04 April 2015. (Unpublished)
• Starr, M. and Jowett, L. (2014) Shapeshifters and monster mashups. Invited Presentation presented to: Heroes and Monsters: Extra-ordinary Tales of Learning and Teaching in the Arts and Humanities, The Lowry, Salford Quays, Manchester, 02-04 June 2014. (Unpublished)

T

• Torres Pérez, A., Hassan, A., Kaczmarczyk, S. and Picton, P. (2016) Active vibration control using mechanical and electrical analogies. Journal of Physics: Conference Series. 721(012013), pp. 1-15. 1742-6596.

W

• Wallace, R. (2016) All of them, everywhere, on the same day! Exhibit at: The Art of Punk. The University of Northampton, Avenue Campus, 21-25 November 2016.
• Wallace, R. (2015) Bloody bloody Belgium: documenting 'punk' history DIY with reflections on a contemporary international punk scene. Panel Presentation presented to: Punk now!! 2nd Annual Punk Scholars Network Conference and Postgraduate Symposium, Birmingham City University, 29-30 October 2015.
• Wallace, R. (2016) Documenting musically influenced subcultures. Invited Presentation presented to: Popular Music Studies: Methodological Conundrums of Researching Subcultures, Birmingham City University, 12 October 2016.
• Wallace, R. (2016) From protest to resistance: a selection of video stills and photography. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) Life's So Cold: a performative interpretation. Performance at: Life's So Cold NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) Modern Angels [Video]: a documentary exploration of transdermal, body art and body modification in the Kingdom of Belgium. Invited Presentation presented to: Trans-States: the Art of Crossing Over, The University of Northampton, 09-10 September 2016.
• Wallace, R. (2015) Punk for Nepal: a series of video works. Exhibit at: Northampton Music Festival. Northampton, 20 June 2015.
• Wallace, R. (2016) Screening - RISEN: a history of Amebix & Bloody Bloody Belgium. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) The second sitting: an updated visual history of anarcho-punk in the UK 1981-84. Panel Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Walsh, M. (2014) Al Jazeera - Behind the scenes. [Web video]. youtube.com: YouTube.
• Walsh, M. (2015) Book review - Media Talk and Political Elections in Europe and America. European Journal of Communication. 30(5), pp. 617-618. 0267-3231.
• Walsh, M. (2016) Reinventing the attack ad: the use of Facebook and YouTube video by political parties during the UK 2015 General Election. Paper presented to: 24th World Congress of Political Science, Poznan, Poland, 23-28 July 2016.
• Walsh, M. (2015) There now follows a party election broadcast. In: Jackson, D. and Thorsen, E. (eds.) UK Election Analysis 2015: Media, Voters and the Campaign. Poole: Centre for the Study of Journalism, Culture and Community, Bournemouth University. p. 43.
• Wilson, P. and Smith, J. (2006) The Mystique of Secrecy. [DVD]. [Live, audio visual internet mixing]
• Wiseman-Trowse, N. J. B. (2016) Babe, I'm gonna sue you. Tarred and Feathered Blog. 12/04/16
• Wiseman-Trowse, N. J. B. (2013) Book launch and discussion. Other presented to: Nick Drake: Dreaming England Book Launch, NN Cafe, Northampton, 03 October 2013. (Unpublished)
• Wiseman-Trowse, N. J. B. (2015) Gifts of unknown things: Terry Bickers. Tarred and Feathered Blog. 25/11/15
• Wiseman-Trowse, N. J. B. (2014) Goodbye Cruel World. Words For Moods website.
• Wiseman-Trowse, N. J. B. (2015) Keith Gildart, Images of England through Popular Music: Class, Youth and Rock ‘n’ Roll. Social History. 40(1), pp. 135-137. 0307-1022.
• Wiseman-Trowse, N. J. B. (2013) Nick Drake: Dreaming England. Invited Presentation presented to: Fitzwilliam College Public Lecture Series, Fitzwilliam College, The University of Cambridge, 21 November 2013. (Unpublished)
• Wiseman-Trowse, N. J. B. (2016) Prince: Don't play me. Tarred and Feathered Blog. 22/04/16
• Wiseman-Trowse, N. J. B. (2014) Repackaging national identity: Nick Drake's posthumous Englishness. Paper presented to: PopLife: The Value of Popular Music in the Twenty First Century, The University of Northampton, 06-07 June 2014. (Unpublished)
• Wiseman-Trowse, N. J. B. (2012) Review of Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Popular Music History. 7(2), pp. 233-235. 1740-7133.
• Wiseman-Trowse, N. J. B. (2013) Text-based narrative for Mod Exhibition. Exhibit at: Mod Exhibition. Northampton Museum and Art Gallery, 13 July - 29 September 2013.
• Wiseman-Trowse, N. J. B. (2015) The Holocaust and the Big Roar: summoning the dark other in noise pop. Paper presented to: Dark Sound: Destructive Pop Symposium 2015, Falmouth University, 23-25 April 2015. (Unpublished)
• Wiseman-Trowse, N. J. B. (2015) ‘You should try lying more’: the nomadic impermanence of sound and text in the work of Bill Drummond. Lecture presented to: Kingston University Research Seminar Series, Kingston University, UK, 09 February 2015.
• Wiseman-Trowse, N. J. B. and Watson, Y. (2015) Developing research practice in the undergraduate popular music studies community. Paper presented to: Research in Popular Music Education Symposium, University of Huddersfield, 23 July 2015. (Unpublished)