Northampton Electronic Collection of Theses and Research

Items where Subject is "PN2041 Performance studies"

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Number of items at this level: 114.

Article

  1. Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
  2. Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
  3. Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
  4. Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
  5. Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
  6. Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
  7. Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
  8. Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
  9. Duggan, P. (2009) The Touch and the cut: an annotated dialogue with Kira O’Reilly. Studies in Theatre and Performance. 29(3) 1468-2761.
  10. Duggan, P. (2008) NTQ Book review of: Maaike Bleeker, ed., Anatomy Live: Performance and the Operating Theatre. New Theatre Quarterly. 24(4), pp. 394-395. 0266-464x.
  11. Duggan, P. (2007) ‘Feeling performance, remembering trauma’. Platform. 2(2), pp. 44-58. 1751-0171.
  12. Duggan, P. and Wallis, M. (2011) Trauma and performance: maps, narratives and folds. Performance Research. 16(1), pp. 4-17. 1352-8165.
  13. Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
  14. Miller, L. and Whalley, J. (2007) Away from home: the curious domain of passage. Performance Research. 12(2), pp. 66-74. 1352-8165.
  15. Oddey, A. and Naish, J. (2002) Paper or practice. Contemporary Theatre Review: Special Issue on Practice as Research. 12(4), pp. 9-25. 1048-6801.
  16. Prior, R. W. (2007) Understanding actor trainers' articulation of their practice. Studies in Theatre and Performance. 27(3), pp. 295-305. 1468-2761.
  17. Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165.
  18. Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
  19. Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.
  20. Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
  21. Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.

Book Section

  1. Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.
  2. Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
  3. Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
  4. Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
  5. Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
  6. Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
  7. Chamberlain, F. (2007) Gesturing towards post-physical performance. In: Keefe, J. and Murray, S. D. (eds.) Physical Theatres: A Critical Reader. London: Routledge. pp. 117-122.
  8. Chamberlain, F. and Yarrow, R. (2002) Introduction. In: Chamberlain, F. and Yarrow, R. (eds.) Jacques Lecoq and the British Theatre. London: Routledge. pp. 1-16.
  9. Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
  10. Hewitt, A., Beech, D. and Jordan, M. (2013) Twenty-first-century political art: the Freee manifesto for art & twenty-first-century socialism. In: Cull, L. and Daddario, W. (eds.) Manifesto Now! Instructions for Performance, Philosophy, Politics. Bristol: Intellect. pp. 71-84.
  11. Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
  12. Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.
  13. Lucas, V. K. (2006) 'Shameless' - women, sexuality and violence in British Asian drama. In: Godiwala, D. (ed.) Alternatives Within the Mainstream: British, Black and Asian Theatres. Newcastle: Cambridge Scholars Publishing. pp. 363-380.

Book

  1. Duggan, P. and Ukaegbu, V., (eds.) (2013) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Bristol: Intellect. 9781783202973.
  2. Oddey, A. (2007) Reframing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan. 0230524656.

Monograph

  1. Prior, R. W., Neelands, J., Band, S., Freakley, V., Goode, T., Lindsay, G., Morris, M. and Muijis, D. (2007) Learning and Skills Council post-16 performing arts mapping study. (Unpublished)

Conference or Workshop Item

  1. Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007. (Unpublished)
  2. Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
  3. Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  4. Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
  5. Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
  6. Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
  7. Campbell, P. (2013) Tracing the transcendent function in post-Grotowskian theatre. Paper presented to: Creative Encounters: Arts as Culture/ Arts as Therapy?, The University of Northampton, School of the Arts, 03 July 2013. (Unpublished)
  8. Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
  9. Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010. (Unpublished)
  10. Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010. (Unpublished)
  11. Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
  12. Cook, S. (2015) What are masks for?: For pleasure. Invited Keynote presented to: Mask Symposium: What Are Masks For?, Nottingham Trent University, 15-16 October 2015. (Unpublished)
  13. Cook, S. (2009) Performing the popular. Paper presented to: A world of Popular Entertainments, University of Newcastle, New South Wales, Australia, 10-11 June 2009. (Unpublished)
  14. Cook, S. (2007) The universality of theatrical masks. Invited Presentation presented to: Division of Performance Public Seminar Series, University of Northampton, 12 December 2007. (Unpublished)
  15. Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011. (Unpublished)
  16. Duggan, P. (2010) Trauma, performance and ethics of encounter. Panel Presentation presented to: Contemporary British Fiction: Narrating Violence, Trauma and Loss, Johannes Gutenberg University, Mainz, Germany, 17-18 September 2010. (Unpublished)
  17. Duggan, P. (2010) Theatricality and efficacy: or, why bother thinking about all this ‘dress-up’ anyway? Invited Presentation presented to: Rhizome Project, Central School of Speech and Drama, June 2010. (Unpublished)
  18. Duggan, P. (2010) Trauma-tragedy: towards cathected experience. Panel Presentation presented to: Performance Studies International conference (PSi 16): Performing Publics, Ontario College of Art and Design (OCAD) University, Toronto, 09-13 June 2010. (Unpublished)
  19. Duggan, P. (2009) Out of face: a very theatrical turbulence. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  20. Duggan, P. (2008) Citing performance, siting trauma. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2008, University of Leeds, 3 - 5 September 2008. (Unpublished)
  21. Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008. (Unpublished)
  22. Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008. (Unpublished)
  23. Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007. (Unpublished)
  24. Ewu, J. (2010) 'Performing life': the nature of performance in Theatre for Development. Invited Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in Performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  25. Ewu, J. (2007) Chair Annual Report. Chair presented to: African Theatre Association (AfTA) Annual Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. (Unpublished)
  26. Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007. (Unpublished)
  27. Ewu, J. and Ukaegbu, V. (2007) Performance and representation. Workshop presented to: Telling Tales: Migration, Identity and the Post Colonial, The University of Northampton, 14 November 2007. (Unpublished)
  28. Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation] (Unpublished)
  29. Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
  30. Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
  31. Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
  32. Holt, D., Reed, S., Preece, K. L., Pickard, A. and Childs, C. (2014) Identifying dance in UK higher education. Panel Presentation presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
  33. Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011. (Unpublished)
  34. Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
  35. Miller, L. (2007) Presentation. Paper presented to: Standing Conference of University Drama Departments (SCUDD), University of Derry, Northern Ireland, 29-30 March 2007. (Unpublished)
  36. Preece, K. L. (2014) Hammers and blind man’s sticks: re-examining the digital double. Seminar Presentation presented to: Dance Research Symposium, Isham Studios, The University of Northampton, 15 October 2014. (Unpublished)
  37. Preece, K. L. (2014) Bringing history to life: pedagogical approaches to dance history in higher education. Paper presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
  38. Prior, R. W. (2014) The language of embodiment in actor training. Paper presented to: 50th Annual Convention of the Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB 50): Embodied Cognition Conference, London, 01-04 April 2014. (Unpublished)
  39. Prior, R. W. (2010) You are what you eat: act on it. Panel Presentation presented to: The Hunger Artist: Food and the Arts: 2010 Double Dialogues Conference, Toronto, Canada, 19-21 August 2010. (Unpublished)
  40. Prior, R. W. (2008) Actor training and the university. Invited Keynote presented to: The Society for Theatre Research (STR) Conference: Directions in Theatre Research, National Theatre's Archive, London, 21-22 June 2008. (Unpublished)
  41. Prior, R. W., Seton, M. C. and Petherbridge, D. (2012) Trained, educated or ‘constructed’ for industry? Panel Presentation presented to: PSi#18, University of Leeds, 27 June – 01 July 2012. (Unpublished)
  42. Richmond, H. E. (2014) The Motley Theatre Design Course: documenting theatre design pedagogy. Invited Presentation presented to: Theatre and Performance Research Association (TaPRA) Conference 2014, Royal Holloway, University of London, London, 03-05 September 2014. (Unpublished)
  43. Somers, G. (2010) A demonstration of psychophysical approaches to acting, performance and actor training informed by ecological precepts. Invited Presentation presented to: Perforum series, University College Cork, Ireland, 09 June 2010. (Unpublished)
  44. Somers, G. (2010) On Heidegger and performance. Paper presented to: Shared Territories Public Seminar, University of Northampton, 04 May 2010. (Unpublished)
  45. Somers, G. (2009) Tipping point: issues raised by climate change, ecological thought and performance. Paper presented to: Annual Postgraduate Research Degree Student's Conference: Postgraduate Study Half-Day, Centre for European & International Studies Research (CEISR) and Portsmouth Business School, Portsmouth University, 13 May 2009. (Unpublished)
  46. Somers, G. (2007) Ecological psychology and actor training. Paper presented to: Theatre and Performance Research Association (TAPRA) Conference 2007, University of Birmingham, 07-09 September 2007. (Unpublished)
  47. Somers, G. (2007) Ecological psychology and humanist dramaturgy. Paper presented to: At The Sharp End, University of Portsmouth, 15 September 2007. (Unpublished)
  48. Somers, G. (2007) Top down or bottom up? Complex systems, improvisation and dramaturgy. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Cardiff, 12-14 April 2007. (Unpublished)
  49. Somers, G. and Savage, K. (2007) Performers and new media: a collaboration [conference paper/practice demonstration]. Invited Presentation presented to: Intermedial Theatricality, (Re)-presentation and New Media: 9th International Symposium of the Centre for Research on Intermediality (CRI) and Laboratory of New Imaging Technologies, Sound and Stage (LANTISS), University of Montréal and University of Laval, Québec, 24-29 May 2007. (Unpublished)
  50. Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair (Unpublished)
  51. Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair (Unpublished)
  52. Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation (Unpublished)

Conference Proceedings

  1. Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). In: Annals of the VI Congress of the Brazilian Association of Research and Post-Graduate Programmes in the Performing Arts (ABRACE). Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.

Thesis

  1. Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
  2. Duncan, R. (2005) Genital sensation: abrasive bodies in feminist performance. Doctoral thesis. University of Leicester.
  3. Ladan, V. L. (2010) Towards an endogenous model: contemporary practice of Theatre for Development in Kenya. Doctoral thesis. The University of Northampton.
  4. Sotelo Castro, L. C. (2009) Participation cartography: performance, space, and subjectivity. Doctoral thesis. The University of Northampton.

Show/Exhibition

  1. Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
  2. Bacon, J. (2010) Psyche’s Witness. Exhibit at: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology. Cornell University, Ithaca, New York, 10-14 August 2010.
  3. Bacon, J. (2010) Sitting practice. Leamington Spa Gallery, May 2010. Also exhibited at: International Society of Jungian Studies Conference, in exhibition ‘Arts and Psyche’, Cornell University, August 2010

Performance

  1. Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
  2. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
  3. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  4. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  5. Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
  6. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  7. Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
  8. Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
  9. Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena
  10. Somers, G. (2007) Theatre words: productions of 2 new plays by Italian playwrights in Como and Milan. Performance at: Theatre Words Auditorium Don Guanella, Como, 27-28 September 2007. Also performed at: Teatro Studio Frigia Cinque, Milan, 29-30 September 2007
  11. Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A
  12. Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
  13. Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne

Video

  1. Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].

Honorary role

  1. Ewu, J. (2009) Member of Editorial Board. African Performance Review. London: Adonis and Abbey. 1753-5964.
  2. Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.

Other

  1. Ukaegbu, V. (2012) [Contributing researcher] World Scenography : 1975-1990. Taiwan: International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT). 9781848422797.
This list was generated from NECTAR on Fri Oct 10 02:22:21 2025 BST.