Northampton Electronic Collection of Theses and Research

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Number of items: 40.

Article

  1. Ukaegbu, V. (2012) Review of The Female King of Colonial Nigeria: Ahebi Ugbabe, by Nwando Achebe. Leeds African Studies Bulletin. 74, pp. 103-105. 0024-0249.
  2. Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165.
  3. Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
  4. Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
  5. Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1) 1753-5964.
  6. Ukaegbu, V. (2007) Written over, written out: the gendered misrepresentation of women in modern African performances. African Performance Review. 1(1), pp. 7-23. 1753-5964.
  7. Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.

Book Section

  1. Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.
  2. Ukaegbu, V. (2010) Anansegoro: modern storytelling as narrative trope in contemporary Ghanaian literary theatre. In: Makokha, J. K. S., Barasa, R. S. and Daramola, A. (eds.) Tales, Tellers, and Tale-Making: Critical Studies on Literary Stylistics and Narrative Styles in Contemporary African Literature. Berlin: Verlag Dr. Muller (VDM). pp. 246-265.
  3. Ukaegbu, V. and Ewu, J. (2010) Performing histories, voices of black rural community; from oral history to ethnodrama: the journey of the spoken word. In: Ackroyd, J. and O'Toole, J. (eds.) Performing Research: Tensions, Triumphs and Trade-offs of Ethnodrama. Stoke-on-Trent: Trentham. pp. 169-185.
  4. Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.
  5. Ukaegbu, V. (2006) Mythological and patriarchal constraints: the tale of Osofisan's revolutionary women. In: Adeyemi, S. (ed.) Portraits for an Eagle: a Festschrift in Honour of Femi Osofisan. Bayreuth: Bayreuth African Studies. pp. 179-192.
  6. Ukaegbu, V. (2006) Talawa Theatre Company: the 'likkle' matter of black creativity and representation on the British stage. In: Godiwala, D. (ed.) Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press. pp. 123-152.
  7. Ukaegbu, V. (2001) Femi Osofisan’s Once Upon Four Robbers: continuing the intercultural debate. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre: Playwrights & Politics. Oxford: Currey. pp. 42-56.

Book

  1. Duggan, P. and Ukaegbu, V., (eds.) (2013) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Bristol: Intellect. 9781783202973.
  2. Ukaegbu, V. (2007) The Use of Masks in Igbo Theatre in Nigeria: The Aesthetic Flexibility of Performance Traditions. Lewiston, N.Y.; Lampeter: Edwin Mellen Press. 9780773451759.

Conference or Workshop Item

  1. Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011. (Unpublished)
  2. Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010. (Unpublished)
  3. Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  4. Ukaegbu, V. (2010) New directions in African theatre and performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
  5. Ukaegbu, V. (2009) New directions in African theatre and performance. Paper presented to: International Conference of the African Theatre Association (AfTA): New Directions in African Theatre and Performance, University of Northampton, Northampton, 30 July – 02 August 2009. (Unpublished)
  6. Ukaegbu, V. and Ewu, J. (2008) Making the most of it: black history and British education. Lecture presented to: Black and Asian Studies Association (BASA) Annual Conference, The University of Northampton, 12 July 2008. (Unpublished)
  7. Ukaegbu, V. (2008) Beyond postcolonial, post-militarist tropes: Osofisan’s theatre of popular revolution. Panel Presentation presented to: Professor Femi Osofisan International Conference on Performance: Relevant Arts for Sustainable Global Development, University of Ibadan, Nigeria, 17-21 June 2008. (Unpublished)
  8. Ewu, J. and Ukaegbu, V. (2007) Performance and representation. Workshop presented to: Telling Tales: Migration, Identity and the Post Colonial, The University of Northampton, 14 November 2007. (Unpublished)
  9. Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007. (Unpublished)
  10. Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair (Unpublished)
  11. Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair (Unpublished)
  12. Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation] (Unpublished)
  13. Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation (Unpublished)

Thesis

  1. Green, J., Andermahr, S., Braeuninger, R., Ukaegbu, V. and Campbell, P. (In)authentic Participation: Contemporary Participatory Performance Practice, Social Media & Neoliberalism. PhD thesis. University of Northampton.
  2. Readman, G., Ewu, J. and Ukaegbu, V. What does the Applied Theatre Director do? Directorial intervention in theatre-making for social change. PhD thesis. University of Northampton.
  3. Kafaru, A. B., Staff, C. and Ukaegbu, V. An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria. PhD thesis. University of Northampton.

Performance

  1. Ewu, J., Ukaegbu, V. and Hollingum, R. (2013) Production of: Such a Long Journey, by Dipo Agboluaje. Performance at: Such a Long Journey Inspiration FM 107.8, 18-19 July 2013.
  2. Ewu, J. and Ukaegbu, V. (2008) Who Can Tell ...!: practical research performance exploring Black History experiences by JAWI Theatre Collective. Performance at: Who Can Tell ...! University of Northampton, 22-23 May 2008. Performers: Baptiste, Weekes, Agboluaje, Oladipo, Adewole, Funmi, Elliot, Jerry, McKenzie, Robert, Heathcote, David, Adams, Darren, Roach, Myrle, Franklin, Kascion, Aderoyeje, Florence, Marshall, Myles, Hawker, Christian and Berrill, Colleen
  3. Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A

Honorary role

  1. Ukaegbu, V. (2013) Member of Editorial Board. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2465.
  2. Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.
  3. Ukaegbu, V. (2013) General Secretary. African Theatre Association.
  4. Ewu, J. and Ukaegbu, V. (2009) Joint Convener and Co-Chair. African Theatre Association (AfTA) International Conference: New Directions in African Theatre and Performance, University of Northampton.

Other

  1. Ukaegbu, V. (2012) [Contributing researcher] World Scenography : 1975-1990. Taiwan: International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT). 9781848422797.
This list was generated from NECTAR on Wed Mar 4 10:36:12 2026 GMT.