The anxiety of origins: New Zealand and Australian literature and film

“The World and the Home”, Social Text 31-32 (1992): 141; qtd in Sheila Collingwood--Whittick, “Introduction” to The Pain of Unbelonging: Alienation and Identity in Australasian Literature, ed. Sheila Collingwood-Whittick (Amsterdam-New York: Rodopi, 2007): xiii-xliii. (xiv). Germaine Greer, “Preface” to The Pain of Unbelonging: Alienation and Identity in Australasian Literature, ed. Sheila Collingwood-Whittick (Amsterdam-New York: Rodopi, 2007): ix-xi. (x) Shirley Hazzard, The Transit Of Venus (London: MacMillan 1980): 31. For a longer discussion on which part of this article based, see Janet Wilson, “Constructing the Metropolitan Homeland: White Settler Societies of New Zealand and Australia”. In Comparing Postcolonial Diasporas, ed. Michelle Keown, David Murphy and James Proctor (London: Palgrave Macmillan): 125-45. Alan Mulgan, Home: A Colonial’s Adventure (London: Longmans, Green and Co., 1923): 3. See ??? John Berger, Cited by Jonathan Lamb in article on “Beware the Pakeha Bearing Guilts” This term is coined by Germaine Greer in her Preface to the volume of the same name edited by Sheila Collingwood-Whittick, x. ‘Introduction’ to The Pain of Unbelonging, ed. Sheila Collingwood-Whittick: xl. “Preface” to The Pain of Unbelonging: x-xi. See Stephen Slemon, “Unsettling the Empire: Resistance Theory of the Second World”, The Post-Colonial Studies Reader, ed. Bill Ashcroft, Gareth Griffiths, Helen Tiffin, 2nd ed. (London: Routledge, 2006): 102-6 (106); Alan Lawson, “Postcolonial Theory and the ‘Settler’ Subject” in Essays on Canadian Writing, ed. Diana Brydon 56 (1995), 20-36 (29). Mansfield: For this argument see Janet Wilson, “Distance and the Recovery of Identity in Recent New Zealand Literature”. In Colonies-- Missions--Cultures in the English-Speaking World: General and Comparative Studies, ed. Gerhard Stilz (Tubingen: Stauffenberg Verlag 2001): 307-317. Home Bhabha, The Location of Culture (London: Routledge, 1994): 36-39; cited by Wilson, “Distance and Recovery”: 314. Greg O’Brien, “Miserere Mitimiti: A Meeting Place”, PN Review 126 (1999): 26-32 (26-7). Cited by Wilson, op. cit. Allen Curnow, Early Days Yet: New and Collected Poems, 1941-1997 (Manchester: Carcanet, 1997): 220. Stephen Slemon, “Unsettling the Empire: Resistance Theory for the Second World”: 106. A term coined by Arthur Phillips, “The Cultural Cringe” (1950). In The Oxford Book of Australian Essays, ed. Imre Salusinszky (Melbourne: Oxford University Press, 1997): 112-5. Christina Stead, For Love Alone (Sydney: Angus and Robertson, 1978 [1944]): 295. “How remote was the foolish romantic girl who got on the boat six weeks ago”. Eric McCormick, New Zealand Literature: A Survey (Oxford University Press: London, 1959): 103. Cited in Ian Britain, Once an Australian (Melbourne and Sydney: Oxford University Press, 1997): 13. Janet Frame, The Edge of the Alphabet (New York: Brazilier, 1962): CHECK Frame, Edge of the Alphabet: 5. Frame, Edge of the Alphabet: 224. Greer, “Preface”: xi. Fleur Adcock, Poems: 1960-2000 (Newcastle: Bloodaxe, 2000): 115. See Janet Wilson, Fleur Adcock (Horndon: Northcote House publishers, 2007): 55. Janet Wilson, Fleur Adcock: 93. Murray Bail, Homesickness (London: Faber, 1980) See Rod Edmond, “ In Search of the Lost Tribe’: Janet Frame’s England”. In Other Britain, Other British, ed. Robert A. Les (London: Pluto Press, 1995): 163-73 (171). Bill Ashcroft, Gareth Griffiths, Helen Tiffin argue: “The colonial settler had to create the indigenous, to discover what they perceived to be in Emerson’s phrase ‘the original relation with the universe’”. See The Empire Writes Back: Theory and Practice in Post-Colonial Literatures, 2nd ed. (London and New York: Routledge DATE): 134. Mike King: Being Pakeha, and Being Pakeha Now REFS Peter Read, Belonging; Australians, Place and Aboriginal Ownership (Melbourne: Cambridge University Press, 2000); Gail Jones, Sorry (PUBS REFS); Ray Lawrence (dir.), Jindabyne (DATE) Read, Belonging: 1. See Janet Wilson, “Reconsidering Fered Schepisi’s The Chant of Jimmie Blacksmith (1978): the screen adaptation of Thomas Keneally’s novel (1972)”, Studies in Australasian Cinema 1.2 (2007): 191-207 (1970. Anthony Carrigan and Stephen Morton In JPW, CHECK Louise Hamby, “Thomson Times and Ten Canoes (de Heer and Djigirr, 2006)”, Studies in Australasian Cinema 1.2. ((2007): 127-46 (128). Therese Davis, “Remembering our Ancestors: Cross-cultural Collaboration and the Mediation of Aboriginal Culture and History in Ten Canoes (Rolf de Heer, 2006)”. Studies in Australasian Cinema 1.1. (2007): 5-14. (12)