Items where Subject is "T Technology > TR Photography"

Article

• Coldwell, P. and Love, J. (2012) Paul Coldwell introducing Jo Love. Grabado Y Edicion - Print and Art Edition Magazine. 35, pp. 62-67.
• Kalpaxi, E. (2018) Sculptor and cetus. Sculptorvox. 1, pp. 84-87. 2515-7329.
• Leet, S.-K. (2013) Nature as construct: a conservation project in Singapore. Photography and Culture. 6(2), pp. 235-243. 1751-4517.
• Leet, S.-K. (2013) A Passage through place: migrant homes in London. Visual Ethnography. 2(1) 2281-1605.

Book

• Leet, S.-K., (ed.) (2011) Reading Photography: a Sourcebook of Critical Texts, 1921-2000. London: Lund Humphries. 9780853319764.
• Harper, J. (2008) Broken and Breaking Ground. Cromford: Research Group for Artists Publications. 9780955827310.
• Hoon, W. and Robinson, P. J. (2003) Football Days: Classic Football Photographs. London: Mitchell Beazley. 1840008431.

Conference or Workshop Item

• Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
• Langford, A. W. (2007) Invernaderos: Almeria as a corporatized utilitarian land. Invited Presentation presented to: Global Photographies Conference, Dun Laoghaire Institute of Art, Design and Technology, Dublin, Ireland, 27-29 June 2007. [Invited speaker and paper presented] (Unpublished)
• Leet, S.-K. (2014) Archives, art and text - 'I dream of home': constructing an archive of the intangible. Paper presented to: Anthropology and Photography Conference, British Museum, London, 29-31 May 2014. (Unpublished)
• Leet, S.-K., Fowley, C., Katz, S. and Coley, T. (2015) Homeplaces: photography, migration and memory. Invited Presentation presented to: Inaugural Age-Friendly Universities Conference, Dublin City University, Ireland, 02-03 November 2015. (Unpublished)
• Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
• Murphy, A. C. (2016) Presenting the spectacular double act of the photograph and the taxidermy specimen. Paper presented to: 2016 Annual Conference of the British Association for Victorian Studies (BAVS): Consuming (the) Victorians, Cardiff University, Wales, 31 August - 02 September 2016. (Unpublished)
• Murphy, A. C. (2016) Taxidermy and the photograph. Paper presented to: The New and the Novel in the 19th Century, Lincoln, Nebraska, United States, 14-16 April 2016. (Unpublished)

Thesis

• Love, J. (2013) Dust: Exploring the relationship between contemporary modes of viewing the photographic printed image. Doctoral thesis. Chelsea College of Art & Design, University of Arts, London.

Show/Exhibition

• Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
• Harper, J. (2007) Landmarks & Signs. Burghley House Sculpture Garden, 1 April - 31 October 2007. Also exhibited at Nene Valley Park, Corby 2006; Dusseldorf Kunstacademie 2005
• Harper, J. (2007) Broken and Breaking Ground. Fermynwoods Contemporary Art, 1 March - 31 October 2007.
• Harper, J., Chamberlain, F., Moss, P. and Childerley, Z. (2004) 'Photography and The Rural Community' and 'Foursite'. Project Office, ACE; University of Northampton Gallery. Presentations at Nottingham Trent University; Derby, 2004.
• Jones, D. (2010) Face Values: an exhibition of portrait and documentary photography. Menier Gallery, Southwark, London, 6 April 2010.
• Keskeys, D. J. (2007) Altered Images. Exhibit at: Altered Images. University of Northampton, 23 October - 10 November 2007. [exhibition of photographic work]
• Langford, A. W. (2008) Winter growing fields: landscape and estrangement. Exhibit at: Winter growing fields: landscape and estrangement. Avenue Gallery, The University of Northampton, 8 April - 2 May 2008.
• Langford, A. W. (2006) Invernaderos. Exhibit at: Format06 International Photography Festival. Gallery Déda, Derby Dance Centre, Derby, 22 September - 22 October 2006.
• Langford, A. W. (2004) Falling Away (within collaborative exhibition 'Common Ground'). Exhibit at: Common Ground. Rugby Art Gallery and Museum, January 2004.
• Langford, A. W. (2001) Uncertain terrain. Exhibit at: Uncertain Terrain. Yard Gallery, Nottingham, 2001. Also exhibited at: Castle Museum and Art Gallery, Nottingham, 2001
• Leet, S.-K. (2014) I Dream of Home. Exhibit at: I Dream of Home. Avenue Gallery, The University of Northampton, April 2014.
• Leet, S.-K. (2008) Photograph. Exhibit at: Through the Lens: RWA 1st Open Photography Exhibition. Royal West of England Academy of Arts (RWA), Bristol, 8 June – 20 July 2008.
• Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
• Love, J. (2012) Dust: Johanna Love. Exhibit at: Dust: Johanna Love. Avenue Gallery, The University of Northampton, 01-26 October 2012.
• Love, J. (2011) Scope: New Photographic Practices. Exhibit at: Scope: New Photographic Practices. Visual Art Centre Gallery, Tsinghua University, Beijing, China, 09 - 20 December 2011.
• Love, J. (2011) [No title]. Exhibit at: Scope: New Photographic Practices. Tsingua University Gallery, Beijing, China, December 2011.
• Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
• Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.
• Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
• Wallace, R. (2018) Dear Little Dinosaur. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2016) From protest to resistance: a selection of video stills and photography. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.

Image

• Wallace, R. (2017) Testing skin for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scalpel: a question of documentary ethics. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Neck bolts. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Inserting hooks in back for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Live head piercing during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Head staples being inserted. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Fun with ears. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finished scarwork. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Tongue piercing. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scarring shoulder during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) All over face tattoo. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finger through tongue. [Photographic Image]. Northampton: Roy Wallace.