Items where Subject is "P Language and Literature > PS American literature > PS700 Individual authors > PS3550 1961-2000"

A

• Allen, C. (2016) Grandma Smith and Grandpa Cooper Clarke: investigating the godparents of punk poetry: Patti Smith and John Cooper Clarke. Paper presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Allen, C. (2009) Wampeters and foma? Misreading religion in Cat's Cradle and The Book of Dave. In: Simmons, D. (ed.) New Critical Essays on Kurt Vonnegut. Basingstoke: Palgrave Macmillan. pp. 213-226.
• Andermahr, S. (2012) Mourning, melancholia and melodrama in contemporary women's grief fiction: Kim Edwards' 'The Memory Keeper's Daughter'. Paper presented to: Interrogating Trauma in the Humanities, University of Lincoln, 20-23 August 2012. (Unpublished)
• Andermahr, S. (2011) Mourning, melancholia and maternal loss: Kim Edwards’s 'The Memory Keeper’s Daughter‘. Invited Keynote presented to: Mothers at the Margins: 6th Australian International, Interdisciplinary Conference on Motherhood, University of Queensland, Australia, 27-30 April 2011. (Unpublished)
• Andermahr, S. (2011) Sarah Schulman's queer diasporas: Empathy and People in Trouble. Textual Practice. 25(4), pp. 711-729. 0950-236X.
• Andermahr, S. (2008) Sarah Schulman's queer diasporas: People in Trouble and Empathy. Invited Presentation presented to: Unsettling Women: Contemporary Women's Writing and Diaspora. 2nd Biennial Conference of the Contemporary Women's Writing Network, University of Leicester, 11-13 July 2008. (Unpublished)

B

• Brigley, Z. (2007) The big grey ir-elephant: the play of language in the Marx Brothers’ scripts and in Charles Bernstein’s L=A=N=G=U=A=G=E poetry. In: Mills, J. (ed.) A Century of the Marx Brothers. Cambridge: Cambridge Scholars. pp. 164-175.
• Brown, M. (2011) A portrait of a soul in ruins: Paul Auster's 'The Book of Illusions'. In: Ciocia, S. and Gonzalez, J. A. (eds.) The Invention of Illusions: International Perspectives on Paul Auster. Newcastle: Cambridge Scholars Press. pp. 219-238.
• Brown, M. (2009) Paul Auster: poet of solitude. In: Seed, D. (ed.) A Companion to Twentieth-Century United States Fiction. Oxford: Wiley-Blackwell. pp. 530-538.
• Brown, M. (2008) Paul Auster’s 'urban imaginary'. Invited Presentation presented to: Architexture, Strathclyde University, 15-17 April 2008. (Unpublished)
• Brown, M. (2007) Paul Auster. Manchester: Manchester University Press. 9780719073977.
• Brown, M. (2003) “We don’t go by numbers”: baseball and Brooklyn in the films of Paul Auster. In: Manbeck, J. B. and Singer, R. (eds.) The Brooklyn Film: Essays in the History of Filmmaking. Jefferson, N.C.: McFarland. pp. 142-153.
• Brown, M. (2003) The poetics of place: New York and identity in the works of Paul Auster. Doctoral thesis. University of Leicester.

C

• Canning, R. (2014) A touching farewell as the Tales come to the end of the road. The Independent. 29 Jan
• Canning, R. (2014) An Irish novelist lands in New York: James McCourt's Lasting City. The Gay & Lesbian Review Worldwide. 21(1) 1532-1118.

E

• Edwards, A. (2007) Themes of transpersonal quest in Dan Brown’s The Da Vinci Code. Transpersonal Psychology Review. 11, pp. 70-79. 1366-6911.

H

• Heffernan, N. (2008) 'Money is talking to itself': finance capitalism from Players to Cosmopolis. Critical Engagements. 1(2), pp. 53-78. 1754-0984.

J

• Jowett, L. (2009) Folding time: history, subjectivity, and intimacy in Vonnegut. In: Simmons, D. (ed.) New Critical Essays on Kurt Vonnegut. Basingstoke: Palgrave Macmillan. pp. 133-146.

R

• Reese, S. V. H. and Kingston-Reese, A. (2016) Teju Cole and Ralph Ellison’s aesthetics of invisibility. Mosaic: an Interdisciplinary Critical Journal. 50(4), pp. 103-119. 0027-1276. (Accepted)

S

• Simmons, D. (2017) 'The crazed nonsense that paid the bills': reading Stephen King’s The Dark Half (1989) as a critique of the commercial imperative behind popular fiction. Invited Presentation presented to: Rereading Stephen King: Navigating the Intertextual Labyrinth, Kingston University, Kingston upon Thames, 11 November 2017.
• Simmons, D. (2014) 'Hundred-per-cent American con man': character in Ken Kesey's One Flew Over the Cuckoo's Nest. In: Allen, N. and Simmons, D. (eds.) Reassessing the Twentieth Century Canon: from Joseph Conrad to Zadie Smith. Basingstoke: Palgrave Macmillan. pp. 175-186.
• Simmons, D. (2010) "The war parts, anyway, are pretty much true": negotiating the reality of World War II in Slaughterhouse-Five and Catch-22. In: Mustazza, L. (ed.) Slaughterhouse-Five, Kurt Vonnegut. California: Salem Press. pp. 64-79.
• Simmons, D. and Allen, N. (2009) Reading Chuck Palahniuk’s Survivor (2000) and Haunted (2005) as critique of ‘The Culture Industry'. In: Kuhn, C. and Rubin, L. (eds.) Reading Chuck Palahniuk: American Monsters and Literary Mayhem. New York and London: Routledge. pp. 116-128.

V

• Vizcaya Echano, M. (2003) "Somewhere between Puerto Rico and New York": the representation of individual and collective identities in Esmeralda Santiago's When I was Puerto Rican and Almost a Woman. Prose Studies. 26(1-2), pp. 112-130. 0144-0357.

W

• Wilson, J. M. (2017) Mohsin Hamid and the transnational novel of globalization. In: Acheson, J. (ed.) The Contemporary British Novel since 2000. Edinburgh: Edinburgh University Press. pp. 177-187.
• Wilson, J. M. (2014) Toxic rhetoric: the language of The Turner Diaries: A Novel. In: Feldman, M. and Jackson, P. (eds.) Doublespeak: The Rhetoric of the Far Right Since 1945. Stuttgart: Ibidem Verlag. pp. 61-80.
• Wilson, J. M. (2009) Far right rhetoric in popular fiction: William Pierce, The Turner Diaries. Invited Presentation presented to: Speaking with Forked Tongues: The Rhetoric of Right Wing Extremism Today, Northampton, 26 June 2009. (Unpublished)