2013

1. Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.

2011

1. Duggan, P. (2011) Staging the impossible: severance and separation in the National Theatre’s adaptation of His Dark Materials. In: Barfield, S. and Cox, K. (eds.) Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, North Carolina: McFarland.
2. Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011.

2010

1. Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010.
2. Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010.

2007

1. Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
2. Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
3. Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.
4. Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.