A

1. Andermahr, S. (2007) Member of Editorial Board. Contemporary Women's Writing. Oxford: Oxford University Press. 1754-1476.

C

1. Chamberlain, R. (2007) ‘Pale Signature’: lyric and life-writing in Dylan Thomas’s early poems. Paper presented to: Life Writing in Wales (Nineteenth Annual Conference of the Association for Welsh Writing in English), Gregynog Hall, Newton, Powys, Wales (University of Wales), 30 March - 1 April 2007.
2. Chamberlain, R. (2005) Radical Spenser: Pastoral, Politics and the New Aestheticism. Edinburgh: Edinburgh University Press. 074862192X.

F

1. Feldman, M. (2008) In defence of empirical knowledge: rejoinder to "A critique of excavatory reason", preceding Garin Dowd's "Prolegomena to a critique of excavatory reason: reply to Matthew Feldman". Samuel Beckett Today/Aujourd'Hui: Des Eléments aux Traces/Elements and Traces. 20, pp. 389-399. 0927-3131.
2. Feldman, M. (2008) How to "eff the ineffable": Samuel Beckett's "Interwar Notes" on Arnold Geulincx. Invited Keynote presented to: Centre of Contemporary Fiction and Narrative (CCFN) Seminar Series, Avenue Campus, University of Northampton, 30 January 2008.
3. Feldman, M. (2008) Beckett's Books: a Cultural History of Samuel Beckett's 'Interwar Notes'. Revised and reissued paperback of 2006 version. London: Continuum. 9780826443434.
4. Feldman, M. (2007) "...if both body and soul are foolish, what is my intelligence worth?" Beckett's manuscript transcriptions of "Geulincx, or, Effing the Ineffable". Paper presented to: Modern Manuscript Studies Seminar, Institute of English Studies, University of London, 20 February 2007.
5. Feldman, M. (2006) Beckett’s Books: A Cultural History of Samuel Beckett’s “Interwar Notes”. London: Continuum. 082649059X.
6. Feldman, M. (2006) Beckett and Popper, or "What stink of artifice": some notes on methodology, falsifiability, and criticism in Beckett studies. In: Engelberts, M., Frost, E. and Maxwell, J. (eds.) Notes Diverse Holo: Catalogues of Beckett’s Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays. Amsterdam: Rodopi. pp. 373-391.

H

1. Hardy, S. (2007) H.G. Wells the poststructuralist. In: Partington, J. S. (ed.) H. G. Wells's Fin-de-Siècle: Twenty-first Century Reflections on the Early H.G. Wells: Selections from The Wellsian. Oxford: Peter Lang. pp. 113-140.
2. Hardy, S. (2007) Review of 'The Reception of H.G. Wells in Europe', eds. Patrick Parrinder and John S. Partington. The Wellsian. 30, pp. 59-63. 0263-1776.
3. Hardy, S. (2003) A story of the days to come: H.G. Wells and the language of science fiction. Language and Literature. 12(3), pp. 199-212. 0963-9470.

L

1. Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.

M

1. McCormack, M. (2010) Review of 'Rakes, Highwaymen and Pirates: the Making of the Modern Gentleman in the Eighteenth Century' by Erin Mackie. Gender and History. 22(1), pp. 221-222. 0953-5233.

O

1. Ortenberg West-Harling, V. (2008) Eternal Chalice: The Enduring Legend of the Holy Grail, by Juliette Wood. Times Higher Education.

P

1. Phillips, L. (2011) Editor. Literary London: Interdisciplinary Studies in the Representation of London. Liverpool: The Literary London Journal. 1744-0807.
2. Phillips, L. (2009) Narrated spaces - towards a theorisation of narrative form and the city. Panel Presentation presented to: Brunel Centre for Contemporary Writing (BCCW) English Research Seminars, Brunel University, London, 18 February 2009.
3. Phillips, L. (2008) “Narrative Spaces”: towards a theorization of narrative form and the city. Paper presented to: English Literature Postgraduate Research Seminar Series, University of Westminister, London, 19 March 2008.
4. Phillips, L. (2008) Sex, violence and concrete: the post-war Dystopian vision of London in Nineteen Eighty-Four. Critical Survey. 20(1), pp. 69-79. 0011-1570.
5. Phillips, L. (2007) Introduction: A Mighty Mass of Brick and Smoke. In: Phillips, L. (ed.) A Mighty Mass of Brick and Smoke: Victorian and Edwardian Representations of London. Amsterdam and New York: Rodopi.
6. Phillips, L. (2006) London Narratives: Post-war Fiction and the City. London: Continuum. 0826484522.

R

1. Ringrose, C. (2008) Ben Okri’s In Arcadia. The Literary Encyclopedia. 1747-678X. [Online]
2. Ringrose, C. (2007) A journey backwards: history through style in children's fiction. Children's Literature in Education. 38(3), pp. 207-218. 0045-6713.
3. Ringrose, C. (2006) Assessing Ben Okri’s fiction 1995-2005. In: Tew, P. and Mengham, R. (eds.) British Fiction Today. London: Continuum. pp. 78-90.

S

1. Sandru, C. (2007) Postcolonial site and insights. English: the Journal of the English Association. 56(214), pp. 98-106. 0013-8215.
2. Sandru, C. (2007) Editor. Journal of Postcolonial Writing. Abingdon: Routledge, Taylor & Francis. 1744-9855.

W

1. Wilson, J. M. (2012) Editor. Journal of Postcolonial Writing. 43(2) Abingdon, Oxon: Routledge (Taylor and Francis Group Ltd.). 1744-9855 ; 1744-9863 (online).
2. Wilson, J. M. (2009) Writing about and back to Great Expectations: Peter Carey’s Jack Maggs (1999) and Lloyd Jones’s Mr Pip (2007). Poster presented to: The Shadow of the Precursor: Influence and Intertextuality, Flinders University, Adelaide, Australia, 7-9 December 2009.
3. Wilson, J. M. (2007) Opening address. Convenor presented to: Rerouting the Postcolonial, University of Northampton, 3-5 July 2007.
4. Wilson, J. M. and Riemenschneider, D. (2007) New Zealand/Aotearoa. In: Eckstein, L. (ed.) English Literatures Across the Globe: A Companion. Paderborn, Germany: Wilhelm Fink. pp. 201-223.