Items where Subject is "P Language and Literature > PN Literature (General) > PN3427 Special kinds of fiction. Fiction genres > PN3433.5 Science fiction"

2016

• Starr, M. (2016) “It’s the end of the World. It’s rather important really”: Accelerationist aesthetics of the Whedonverses. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016.

2015

• Starr, M. (2015) “The stubborn beast-flesh grows day by day back again”: becoming-animal and H.G. Wells’s The Island of Doctor Moreau. Invited Presentation presented to: The Company of Wolves: Sociality, Animality, and Subjectivity in Literary and Cultural Narratives - Werewolves, Shapeshifters and Feral Humans, University of Hertfordshire, 03-05 September 2015. (Unpublished)
• Starr, M. (2015) "I flung myself into futurity": H.G. Wells’s Deleuzian time machine. In: Jones, M. and Ormrod, J. (eds.) Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. North Carolina: McFarland. pp. 51-62.

2014

• Jowett, L. (2014) Costume, character and connotation: the legacy of leather pants. Panel Presentation presented to: 6th Biennial Slayage Conference on the Whedonverses (SCW6), California State University, Sacramento, 19-22 June, 2014. (Unpublished)
• Jowett, L. (2014) Stuffing a rabbit in it: character, narrative and time in the Whedonverses. In: Wilcox, R. V., Cochran, T. R., Masson, C. and Lavery, D. (eds.) Reading Joss Whedon. Syracuse, New York: Syracuse University Press. pp. 297-311.
• Starr, M. (2014) "I've watched you build yourself from scratch": the assemblage of Echo. In: Ginn, S., Buckman, A. R. and Porter, H. M. (eds.) Joss Whedon's Dollhouse: Confounding Purpose, Confusing Identity. Maryland: Rowman & Littlefield. pp. 3-20.

2012

• Jowett, L. (2012) ‘I love him ... Is that real?’: interrogating romance in Dollhouse. Paper presented to: 5th Biennial Slayage Conference on the Whedonverses (SC5), University of British Columbia, Vancouver, Canada, 12-15 July 2012. (Unpublished)
• Jowett, L. (2012) Lindsey and Angel: reflecting masculinity. In: Money, M. A. and PopMatters Media (eds.) Joss Whedon: the Complete Companion : the TV Series, the Movies, the Comic Books and More. London: Titan Books. pp. 161-181.

2011

• Simmons, D. (2011) Hammer Horror and science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. North Carolina: McFarland. pp. 50-59.
• Starr, M. (2011) Striating the stubborn beast-flesh: H.G. Wells’s The Island of Doctor Moreau and Deleuzoguattarian space. Invited Presentation presented to: School of The Arts Internal Seminar Series, University of Northampton, 08 December 2011. (Unpublished)

2010

• Jowett, L. (2010) Stuffing a rabbit in it: character, narrative and time in the Whedonverses. Keynote presented to: The Slayage Conference on the Whedonverses 4 (SC4), St Augustine, Florida, USA, 03-06 June 2010. (Unpublished)
• Starr, M. (2010) Becoming Echo: deterritorializing Joss Whedon’s Dollhouse. Paper presented to: The Slayage Conference on the Whedonverses 4 (SC4), St Augustine, Florida, USA, 03-06 June 2010. (Unpublished)

2009

• Jowett, L. (2009) “Not like other men?” The vampire body in Joss Whedon’s Angel. Studies in Popular Culture. 32(1), pp. 37-51. 0888-5753.
• Jowett, L. (2009) Plastic fantastic? Genre, technology, science and magic in Angel. In: Geraghty, L. (ed.) Channeling the Future: Essays on Science Fiction and Fantasy Television. Lanham, Maryland: Scarecrow Press. pp. 167-181.

2008

• Jowett, L. (2008) Mad, bad, and dangerous to know? Negotiating stereotypes of science. In: Potter, T. and Marshall, C. W. (eds.) Cylons in America: Critical Studies in Battlestar Galactica. London: Continuum. pp. 64-75.

2007

• Alessio, D. and Langer, J. (2007) Nationalism and postcolonialism in Indian science fiction: Bollywood's Koi … Mil Gaya (2003). New Cinemas: Journal of Contemporary Film. 5(3), pp. 217-229. 1474-2756.

2005

• Alessio, D. (2005) Redemption, 'race', religion, reality and the far right: science fiction film adaptations of Philip K. Dick. In: Brooker, W. (ed.) The Blade Runner Experience: The Legacy of a Science Fiction Classic. London: Wallflower Press. pp. 59-75.
• Jowett, L. (2005) To the Max: embodying intersections in Dark Angel. Reconstruction: Studies in Contemporary Culture. 5(4) 1547-4348.

2002

• Alessio, D. (2002) Close encounters of the earliest kind: a postcolonial sighting of aliens from the planet Venus and the first human colony in Science Fiction (1881). ARIEL: A Review of International English Literature. 33(1), pp. 15-36. 0004-1327.