Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater > PN2181 Modern"

B

• Barclay, J. L. (2007) Besides, You Lose Your Soul, or the History of Western Civilization. Performance at: The Brick, New York City, USA, 18 December 2007. Performers: Barclay, Julia L, Aitchison, B, Backus, F, Cino, M, Higgins, N, O'Brien, D, Reed, R, Shavers, J and Van Dok, E [Writer and director]
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
• Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
• Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
• Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
• Bathurst, L. (2005) Contemporary gay drama: the end of a modern crusade? Doctoral thesis. University of Leicester.
• Byrne, L. and Cook, S. (2014) On Road. Performance at: Theatre Performance Event Core Theatre, Corby, October 2014.

C

• Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012. (Unpublished)
• Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
• Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012. (Unpublished)
• Cook, S. (2015) Down in One. Performance at: Theatre Performance Event The University of Northampton, April 2015. Performers: Dowsing, Joseph, Ensore, Lara, Freeman, Marvin, Heseltine, Matthew, Reid, Stuart and Richards, Jess
• Cook, S. (2014) The Canterbury Tales: a new adaptation by Impulse Collective. Performance at: Inside Out Festival Curve Theatre, Leicester, 10-19 April 2014. Performers: Dowsing, Joseph, Ensore, Lara, Heseltine, Matthew, Reid, Stuart and Richards, Jess

D

• Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011. (Unpublished)
• Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
• Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008. (Unpublished)
• Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008. (Unpublished)
• Duncan, R. (2005) Genital sensation: abrasive bodies in feminist performance. Doctoral thesis. University of Leicester.

E

• Ewu, J. (2010) 'Performing life': the nature of performance in Theatre for Development. Invited Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in Performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)

L

• Ladan, V. L. (2010) Towards an endogenous model: contemporary practice of Theatre for Development in Kenya. Doctoral thesis. The University of Northampton.
• Lucas, V. K. (2006) Hidden Voices. Roy Bowen Theatre, Columbus, Ohio State University, February 9-12; 16-19 2006.

M

• McLaughlin, J. A. (2014) The spontaneity drain: the social pressures that shaped and then exiled Keith Johnstone's improvisation. Panel Presentation presented to: Comedy and Society Symposium, School of Drama, Music and Screen, University of Hull, 22-23 November, 2014. (Unpublished)

P

• Preece, K. L. (2014) And Now for Something Completely Different. Performance at: Newsgrounds 2014 The Core, Corby, Northants, 05-06 June 2014. Performers: Thomas, Lily, Chubb, Fern, Herbert, Sophie, Durham, Lois, Denial, Freya, Morris, Jayne, Lawson, Jessica, Lenton, Charlotte, Pickford, Hannah, Fosh, Emma, Smith, Nicola, Fleming, Jade, Dero, Dija, Sharpe, Jessica and Lambert, Teri

R

• Rose, R. and Vollmar, J. (2018) Letters to Lucia. Performance at: Letters to Lucia Kingsthorpe Cemetery, Northampton, 16 June 2018. Performers: Haines, Fraser, Molumby, Gerry, O'Byrne, Deirdre, Hart, Bernadette and Smith, Andrew

U

• Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.
• Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011. (Unpublished)
• Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010. (Unpublished)
• Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010. (Unpublished)
• Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.
• Ukaegbu, V. (2006) Talawa Theatre Company: the 'likkle' matter of black creativity and representation on the British stage. In: Godiwala, D. (ed.) Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press. pp. 123-152.

W

• Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
• Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne