Items where Subject is "N Fine Arts > NE Print media > NE1 Printmaking and engraving"

Book Section

• McCormack, M. (2012) 'Turning out for twenty-days amusement': the Militia in Georgian satirical prints. In: Charters, E., Rosenhaft, E. and Smith, H. (eds.) Civilians and War in Europe, 1618-1815. Liverpool: Liverpool University Press. pp. 157-181.

Conference or Workshop Item

• Greco, P. (2007) The place of printmaking within contemporary fine art practice. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 3 May 2007. [Public lecture and slide presentation] (Unpublished)
• Leahy, C. (2015) Relief in time | Time in relief. Expanded printmaking as a conduit for temporal dissonance and the anachronistic. Invited Presentation presented to: SNAP 3: 3rd International Printmaking Sympsoium, Print Association, Kloster-Bentlage, Rheine, Germany, 12-15 November 2015. (Unpublished)
• Love, J. (2013) The practice-based PhD in printmaking. Invited Presentation presented to: Impact 8 International Printmaking Conference, Dundee, 28-31 August 2013. (Unpublished)
• McCormack, M. (2009) 'Turning out for twenty-days amusement': the militia in Georgian satirical prints. Paper presented to: Civilians and War in Europe, c.1640-1815, University of Liverpool, 18-20 June 2009. (Unpublished)
• Wallace, R. (2017) All of them, everywhere, on the same day! Exhibition presented to: Images of Research 2017, Avenue Gallery, University of Northampton, 31 January - 17 February 2017. Northampton UK: Roy Wallace.

Show/Exhibition

• Attenburrow, D. H. (2010) Woman in hat. Exhibit at: 97th Annual Town and County Art Society Exhibition. Northampton Museum and Art Gallery, 30 October-12 December 2010.
• Greco, P. (2007) The personalised surface within fine art digital printmaking. Exhibit at: Collaborative research, led by P Coldwell and B Rauch. University of the Arts, London, 1 September 2007. Invited to participate through developing practice, exhibition and symposium
• Love, J. (2013) [No title]. Exhibit at: Parallel Prints. Art at Wharepuke, Kerikeri, New Zealand, 15 July-22 September 2013.
• Love, J. (2012) [No title]. Exhibit at: British Printmaking Japan: 6th International Kyoto Hanga 2012 International Print Exhibition: Process and Innovation. Kyoto City Museum of Art, Japan, 31 July - 12 August 2012.
• Love, J. (2011) [No title]. Exhibit at: Bite: Artists Making Prints. Mall Galleries, London, 04-15 September 2011.
• Love, J. (2011) [No title]. Exhibit at: Viewfinder. Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011.
• Love, J. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June – 05 July 2011.
• Love, J. (2011) Viewfinder [group exhibition]. Exhibit at: IMPACT 7: International Multi-disciplinary Printmaking Conference 2011: Intersections & Counterpoints. Monash University, Melbourne, Australia, 27-30 September 2011.
• Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.
• Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
• Love, J. (2010) [No title]. Exhibit at: Hot Plate International Print Exhibition. Pheonix Gallery, Brighton, 03 July - 15 August 2010.
• Love, J. (2010) [No title]. Exhibit at: 2nd Penang International Print Exhibition 2010. Penang State Museum and Art Gallery, Malaysia, 16 September - 15 October 2010.
• Love, J. (2009) [No title]. Exhibit at: Impact 6 International Print Conference and Symposium. Bristol, 17-19 September 2009.
• Love, J. (2009) The Personalised Surface Within Fine Art Digital Printmaking - Case study. Exhibit at: The Personalised Surface Within Fine Art Digital Printmaking Project. Online, 2009. [Case study]
• Wallace, R. (2016) All of them, everywhere, on the same day! Exhibit at: The Art of Punk. The University of Northampton, Avenue Campus, 21-25 November 2016.

Image

• Love, J. (2011) Staub 4. [Digital photograph]. Aspiracje: Pismo Warszawskich Uczelni Artystycznych: Academy of Fine Arts in Warsaw. [In: Coldwell, P: Przestrzenie kontestacji: Grafika cyfrowa i warsztatowa. Aspiracje. Summer 2011, pp. 36-37. 1732-6125.]
• Love, J. (2008) Photograph. London: A&C Black. [In: Bonnell, M., Mumberson, S. (2008) Printmaking on a budget]
• Wallace, R. (2016) Become the media. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Who Dunnit? [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gathering. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gotcha! [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Modified. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) No Future. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Pictures of Starving Children Sell Records. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Sectarian Life. [Print]. The University of Northampton: Roy Wallace.

Other

• Greco, P. (2009) The Personalised Surface within Fine Art Digital Printmaking. (Unpublished)