Items where Subject is "N8700 Art and the state. Public art"

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1. Hewitt, A. (2016) Art, its publics and an agenda of impact: the UK case. Kunstlicht. 37(1) 0921-5026. (Online supplement)
2. Hewitt, A. (2015) Public art against the 'public': does state funded art, participatory art practices and socially-engaged art benefit the public? In: Differences, Inequalities and Sociological Imagination: ESA 2015: 12th Conference of the European Sociological Association 2015: Abstract Book. European Sociological Association and Institute of Sociology of the Czech Academy of Sciences. 9788073302726. p. 152.
3. Hewitt, A., Beech, D. and Jordan, M. (2017) Slogan-badge-billboard, (and slogan writing and badge making) Freee Art Collective 2017. Exhibit at: Sound & Words. MK Gallery Project Space, Milton Keynes, 06-28 October 2017.
4. Hewitt, A., Beech, D. and Jordan, M. (2017) The National Union of Gallery Visitors and Museum Workers: manifesto and spoken choir reading. Exhibit at: Freee - The National Museum of Gallery Visitors and Museum Workers. Middlesborough Institute of Modern Art, 27 July 2017.
5. Hewitt, A., Beech, D. and Jordan, M. (2017) Citizen Ship (kiosk). Exhibit at: MK CityFest. Middleton Hall, Centre MK, Milton Keynes, 26-29 June 2017. Also exhibited at Art in the Park, Milton Keynes, 1-2 July 2017; Milton Keynes Art Centre, Great Linford, 3-8 July 2017; Margaret Powell Square, Milton Keynes, 10-14 July 2017, returning to Milton Keynes in September/October 2017.
6. Hewitt, A., Beech, D. and Jordan, M. (2016) Manifesto for art: the public sphere and the work of the Freee art collective. Seminar Presentation presented to: Beyond Art Activism: Rewriting Art's Neoliberal Value System Seminar, Irish Museum of Modern Art, Dublin, 26th October 2016.
7. Hewitt, A., Beech, D. and Jordan, M. (2015) Cutting publics out of communities. Invited Presentation presented to: Cutting Publics Out of Communities, Malmo Academy of Arts, 21-24 September 2015. (Unpublished)
8. Hewitt, A. and Jordan, M. (2015) Politicizing publics: a social framework for public artworks. In: Cartiere, C. and Zebracki, M. (eds.) Everyday Practices of Public Art: Art, Space and Social Inclusion. London: Routledge. pp. 27-44.
9. Hewitt, A., Jordan, M. and Beech, D. (2016) Working within the histories, theories and practices of the public sphere. Panel Presentation presented to: University of Leicester, School of Museum Studies 50th Anniversary International Conference: Museums in the Global Contemporary: Debating the Museum of Now, Leicester, 20-21 April 2016.
10. Hollinshead, R., Campbell, C., Jeans Houghton, B., Ray, J., Streffen, I., Weileder, W., Priest, I., Wells, R., Vincentelli, A., Robinson, A., Hearn, M. and Eisenbach, R. (2012) Magnificent Distance: Five Site-Specific Installations Washington DC 2012. Washington DC, USA; Newcastle, UK: Grit & Pearl. 9780957342507.