Items where Subject is "M Music and Books on Music > ML Literature on music > ML3800 Philosophical and societal aspects of music > ML3916 Social and political aspects of music"

Article

• Canning, R. (2013) Ziggy Stardust memories. The Gay & Lesbian Review Worldwide. XX(5), pp. 27-29. 1532-1118.
• Shadrack, J. H. (2018) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Metal Music Studies. 4(2), pp. 281-292. 2052-3998.

Book Section

• Shadrack, J. H. (2017) Gratiae salutaris percipiendae: exhumation through catharsis or how the darkness gave me light. In: Scott, N. and Shadrack, J. H. (eds.) Helvete 4. New York: Punctum Books. (In Press)
• Shadrack, J. H. (2017) From enslavement to obliteration: extreme metal's problem with women. In: Jones, R. E. and Davies, E. (eds.) Under My Thumb: Songs that Hate Women and the Women who Love Them. London: Repeater Books. pp. 170-184.

Book

• Shekhovtsov, A. and Jackson, P., (eds.) (2012) White Power Music: Scenes of Extreme Right Cultural Resistance. Ilford: Searchlight Magazine. 9780952203896.
• Wiseman-Trowse, N. J. B. (2008) Performing Class in British Popular Music. Basingstoke: Palgrave Macmillan. 9780230219496.

Conference or Workshop Item

• Allen, C. and Wallace, R. (2016) Closing remarks by the conference organisers. Other presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Shadrack, J. H. (2016) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Invited Presentation presented to: Metal in Strange Places: Aural, Emotional, Tactile, Visual, University of Dayton, Ohio, USA, 20-22 October 2016.
• Wallace, R. (2018) Riding down the h@rd road: DIY approaches to documenting punk as political resistance. Paper presented to: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures, University of Porto, Portugal, 03-07 July 2018.
• Wallace, R. (2018) The politics of documentary punk curation. Panel Presentation presented to: Curating Resistance: Punk as Archival Method, University of California, Los Angeles, 09-10 February 2018.
• Wallace, R. (2017) An inventory of traces: documenting Punk through the use of image, audio, graphic and text. Invited Presentation presented to: Punk is Not Dead, Cite de la Musique, Philharmonie de Paris, 13 October 2017.
• Wallace, R. (2017) Sectarian life (working title). Invited Keynote presented to: Celebration Factory, Luxemburg, 29 September 2018. (Accepted)
• Wallace, R. (2017) A History of the Protest Song. Workshop presented to: A History of the Protest Song, NN Contemporary Art Gallery, Northampton, 24 June 2017.
• Wallace, R. (2016) The second sitting: an updated visual history of anarcho-punk in the UK 1981-84. Panel Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Wallace, R. (2016) Documenting musically influenced subcultures. Invited Presentation presented to: Popular Music Studies: Methodological Conundrums of Researching Subcultures, Birmingham City University, 12 October 2016.
• Wallace, R. (2015) Bloody bloody Belgium: documenting 'punk' history DIY with reflections on a contemporary international punk scene. Panel Presentation presented to: Punk now!! 2nd Annual Punk Scholars Network Conference and Postgraduate Symposium, Birmingham City University, 29-30 October 2015.
• Wallace, R. and Johnson, D. (2018) Sounds of oppression: the lost inheritance of the UK reggae scene. Paper presented to: Reggae Innovation and Sound System Culture International Conference, Royal Birmingham Conservatoire, Birmingham, 04-05 April 2018.
• Wiseman-Trowse, N. J. B. (2014) Repackaging national identity: Nick Drake's posthumous Englishness. Paper presented to: PopLife: The Value of Popular Music in the Twenty First Century, The University of Northampton, 06-07 June 2014. (Unpublished)

Show/Exhibition

• Wallace, R. (2018) Bloody Bloody Belgium - a history of the underground music scene in Belgium 1977-2014. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2018) Bloody, Bloody Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018.
• Wallace, R. (2016) Screening - RISEN: a history of Amebix & Bloody Bloody Belgium. Exhibit at: Life's So Cold. NN Cafe, Northampton, 31 October 2016.
• Wallace, R. (2016) Punk in Antwerp. Exhibit at: Punk in Antwerp. M HKA (Museum van Hedendaagse Kunst Antwerpen), May - July 2016.
• Wallace, R. (2015) Punk for Nepal: a series of video works. Exhibit at: Northampton Music Festival. Northampton, 20 June 2015.
• Wallace, R. and Markiewicz, F. (2017) Shot by both sides. Exhibit at: Celebration Factory. Luxemburg, 28 September 2018.

Video

• Wallace, R. (2016) The Day the Country Died: The Second Sitting. [Online Video]. UK: Punk Scholars Network.
• Wallace, R. (2016) Bloody Bloody Belgium: a History of the Underground Music Scene. [Online Video]. UK: Punk Scholars Network.