H

1. Horton, J. (2010) 'The best thing ever': how children's popular culture matters. Social and Cultural Geography. 11(4), pp. 377-398. 1464-9365.

N

1. Nardi, C. (2012) "Playlist value" in three local commercial radio stations. Situating Popular Musics: International Association for the Study of Popular Music (IASPM) 16th International Conference, Grahamstown, South Africa, 27 June - 01 July 2011. Liverpool: International Association for the Study of Popular Music. 2225-0301.

W

1. Watley, G. (2009) Use and consumption of cultural icons in popular music: what can the oral historian learn from contemporary musicians? Paper presented to: Oral History Society Annual Conference : Hearing Voice in Oral History, University of Strathclyde, Glasgow, 3-4 July 2009.
2. Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function of the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84.
3. Wiseman-Trowse, N. J. B. (2012) ‘You should try lying more’: the nomadic impermanence of Bill Drummond. Invited Presentation presented to: Research Seminar Programme, University of Brighton in Hastings, 21 March 2012.
4. Wiseman-Trowse, N. J. B. (2011) You should try lying more: the nomadic impermanence of Bill Drummond. Paper presented to: LitPop: Writing and Popular Music, The University of Northumbria, Newcastle upon Tyne, 24 June 2011.
5. Wiseman-Trowse, N. J. B. (2009) Stan Hawkins 'The British Pop Dandy' - Review. International Association for the Study of Popular Music website.
6. Wiseman-Trowse, N. J. B. (2008) Performing Class in British Popular Music. Basingstoke: Palgrave Macmillan. 9780230219496.
7. Wiseman-Trowse, N. J. B. (2008) Editor. International Association for the Study of Popular Music Newsletter (IASPM). Liverpool: IASPM UK and Ireland Branch.