Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation. Leisure > GV1787 Ballet. Modern dance"

B

• Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
• Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
• Bacon, J. (2010) Psyche and artistic creativity. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010. (Unpublished)
• Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices. 2(1), pp. 63-74. 1757-1871.
• Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
• Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
• Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
• Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
• Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
• Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
• Braeuninger, R. (2014) Documenting choreographic process: Anne Teresa De Keersmaeker in print and DVD. Dance Chronicle - Studies in Dance and the Related Arts. 37(3), pp. 377-383. 0147-2526.
• Braeuninger, R. (2014) Anne Teresa De Keersmaeker's Vortex Temporum by Rosas & Ictus. Invited Presentation presented to: Society for Dance Research Choreographic Forum, Sadler's Wells Theatre, London, 09 June 2014. (Unpublished)
• Braeuninger, R. (2009) From text to the figural. In: Phelan, S. A. (ed.) Dance Research Forum Ireland 2nd International Conference Proceedings: Mediating Movement: Communication and Dance. Limerick, Ireland: Dance Research Forum Ireland. pp. 76-82.

C

• Canning, R. (2009) Douglas Wright’s Ghost Dance. In: Canning, R. (ed.) 50 Gay and Lesbian Books Everybody Must Read. New York, N.Y.: Alyson Books. pp. 331-339.
• Canning, R. (2008) The dancer and the dance: on the legacy of Rudolf Nureyev. The Gay & Lesbian Review Worldwide. 15(3) 1532-1118.
• Clegg, H., Owton, H. and Allen-Collinson, J. (2018) Attracting and retaining boys in ballet: a qualitative study of female dance teachers. Journal of Dance Education. 1529-0824. (In Press)
• Clegg, H., Owton, H. and Allen-Collinson, J. (2017) Challenging conceptions of gender: UK dance teachers' perceptions of boys and girls in the ballet studio. Research in Dance Education. 19(2), pp. 128-139. 1464-7893.

E

• Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
• Ellis, S. (2008) Improvisation. Performance at: Improvisation Canal Danse, Paris, 16-21 June 2008. Also performed at: Syros, Greece, 3 July 2008
• Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
• Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
• Ellis, S. (2008) Running, fatigue and the jolt of the present. Exhibit at: Moves 08. Manchester, 22-26 April 2008. Also screened at: ADF's Dancing for the Camera: International Festival of Film and Video Dance at Duke University in Durham, North Carolina (July 08); Basel International Film Festival for Dance and Performance, Switzerland (September 08); EDIT2008 4th International Dance Film Festival, Budapest (October 08); Video Dance Italy 08 (curated by Gitta Wigro) in Bassano del Grappa, Ferrara, Ravenna & Civitanova Marché (December 08)
• Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
• Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007. (Unpublished)
• Ellis, S. (2006) Inert. Dancehouse, Melbourne, May 2006. Performers: Ellis, Simon and Bott, Shannon Video later screened at: Paris (Atelier de Paris-Carolyn Carlson), Northampton (Fishmarket), Findhorn Scotland (in Opensource [Video dance]), 2007
• Ellis, S. (2006) Dad.project. [CD-ROM].

G

• Gough, M. P. (2014) Hettie. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014. Performer: Zandersona, Gundija
• Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
• Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
• Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
• Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration] (Unpublished)
• Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
• Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. In: Randall, T. (ed.) Global Perspectives On Dance Pedagogy: Research And Practice. USA: Congress on Research in Dance. pp. 64-71.
• Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
• Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
• Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
• Gough, M. P. and Halliday, T. (2014) 2+2=5. Performance at: Encounters III Isham Studios, The University of Northampton, 01 October 2014. Performers: Zandersona, Gundija, Pegg, Jessica, Saxby, Emily, Houston, Andrea, Darroch, Abigail and Nagy, Rachel
• Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.

M

• Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011. (Unpublished)
• Midgelow, V. (2011) Improvisational movement practice. [blog]
• Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
• Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
• Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.
• Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009. (Unpublished)
• Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.
• Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
• Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
• Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
• Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.
• Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
• Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
• Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007. (Unpublished)
• Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.
• Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.
• Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004

N

• Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

P

• Preece, K. L. (2015) Epitaxy 1. Performance at: Playgrounds Dance Company Choreographic and Sound Art Collaboration NN Gallery, Northampton, 31 January 2015.
• Preece, K. L. (2014) Fall and Swell. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014.
• Preece, K. L. (2014) Choreography and pedagogy: a provocation. Other presented to: Instigating, Creating and Responding Roundtable, Isham Studios, The University of Northampton, 08 November 2014. (Unpublished)
• Preece, K. L. (2014) Hammers and blind man’s sticks: re-examining the digital double. Seminar Presentation presented to: Dance Research Symposium, Isham Studios, The University of Northampton, 15 October 2014. (Unpublished)
• Preece, K. L. (2014) Bringing history to life: pedagogical approaches to dance history in higher education. Paper presented to: World Dance Alliance (WDA) Global Summit 2014: Contemporising the Past, Envisaging the Future, Centre National De Danse Contemporaine, Angers, France, 06-11 July 2014. (Unpublished)
• Preece, K. L. (2014) And Now for Something Completely Different. Performance at: Newsgrounds 2014 The Core, Corby, Northants, 05-06 June 2014. Performers: Thomas, Lily, Chubb, Fern, Herbert, Sophie, Durham, Lois, Denial, Freya, Morris, Jayne, Lawson, Jessica, Lenton, Charlotte, Pickford, Hannah, Fosh, Emma, Smith, Nicola, Fleming, Jade, Dero, Dija, Sharpe, Jessica and Lambert, Teri
• Preece, K. L. (2013) On the value of Candoco's Teacher Training Intensive. Candoco Dance Company. [Blog post]

W

• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]