B

1. Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011.
2. Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
3. Bacon, J. (2010) Psyche and artistic creativity. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
4. Bacon, J. (2010) The voice of her body: somatic practices as a basis for creative research methodology. Journal of Dance and Somatic Practices. 2(1), pp. 63-74. 1757-1871.
5. Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
6. Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
7. Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
8. Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
9. Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007.
10. Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
11. Braeuninger, R. (2009) From text to the figural. Dance Research Forum Ireland (DRFI) 2nd International Conference: Mediating Movement: Communication and Dance, Co. Kerry, Ireland, 26-29 June 2008. Limerick, Ireland: Dance Research Forum Ireland.
12. Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. World Dance Alliance Global Summit 2008, Brisbane, Australia, 13-18 July 2008. Brisbane, Australia: Australian Dance Council and Queensland University of Technology. 1875255176.

C

1. Canning, R. (2009) Douglas Wright’s Ghost Dance. In: Canning, R. (ed.) 50 Gay and Lesbian Books Everybody Must Read. New York, N.Y.: Alyson Books. pp. 331-339.
2. Canning, R. (2008) The dancer and the dance: on the legacy of Rudolf Nureyev. The Gay & Lesbian Review Worldwide. 15(3) 1532-1118.

E

1. Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
2. Ellis, S. (2008) Improvisation. Performance at: Improvisation Canal Danse, Paris, 16-21 June 2008. Also performed at: Syros, Greece, 3 July 2008
3. Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
4. Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
5. Ellis, S. (2008) Running, fatigue and the jolt of the present. Exhibit at: Moves 08. Manchester, 22-26 April 2008. Also screened at: ADF's Dancing for the Camera: International Festival of Film and Video Dance at Duke University in Durham, North Carolina (July 08); Basel International Film Festival for Dance and Performance, Switzerland (September 08); EDIT2008 4th International Dance Film Festival, Budapest (October 08); Video Dance Italy 08 (curated by Gitta Wigro) in Bassano del Grappa, Ferrara, Ravenna & Civitanova Marché (December 08)
6. Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
7. Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007.
8. Ellis, S. (2006) Inert. Dancehouse, Melbourne, May 2006. Performers: Ellis, Simon and Bott, Shannon Video later screened at: Paris (Atelier de Paris-Carolyn Carlson), Northampton (Fishmarket), Findhorn Scotland (in Opensource [Video dance]), 2007
9. Ellis, S. (2006) Dad.project. [CD-ROM].

G

1. Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
2. Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
3. Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011.
4. Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration]
5. Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
6. Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. Congress on Research in Dance (CORD) Conference: Global Perspectives On Dance Pedagogy: Research and Practice, De Montfort University, Leicester, 25-27 June 2009. USA: Congress on Research in Dance.
7. Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007.
8. Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007.
9. Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
10. Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.

M

1. Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011.
2. Midgelow, V. (2011) Improvisational movement practice. [blog]
3. Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
4. Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
5. Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.
6. Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009.
7. Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.
8. Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
9. Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
10. Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
11. Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.
12. Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
13. Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
14. Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007.
15. Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.
16. Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.
17. Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004

N

1. Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

W

1. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
2. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
3. Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]