B

1. Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
2. Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
3. Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
4. Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
5. Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. World Dance Alliance Global Summit 2008, Brisbane, Australia, 13-18 July 2008. Brisbane, Australia: Australian Dance Council and Queensland University of Technology. 1875255176.

C

1. Canning, R. (2009) Douglas Wright’s Ghost Dance. In: Canning, R. (ed.) 50 Gay and Lesbian Books Everybody Must Read. New York, N.Y.: Alyson Books. pp. 331-339.
2. Canning, R. (2008) The dancer and the dance: on the legacy of Rudolf Nureyev. The Gay & Lesbian Review Worldwide. 15(3) 1532-1118.

E

1. Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
2. Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].

M

1. Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009.
2. Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
3. Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
4. Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
5. Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.

W

1. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
2. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
3. Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]