Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation. Leisure > GV1782 Choreography"

B

• Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
• Bacon, J. and Midgelow, V. (2010) Articulating choreographic practices, locating the field: An introduction. Choreographic Practices. 1(1), pp. 3-19. 2040-5669 (print), 2040-5677 (online).
• Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
• Braeuninger, R. (2014) Documenting choreographic process: Anne Teresa De Keersmaeker in print and DVD. Dance Chronicle - Studies in Dance and the Related Arts. 37(3), pp. 377-383. 0147-2526.
• Braeuninger, R. (2014) Anne Teresa De Keersmaeker's Vortex Temporum by Rosas & Ictus. Invited Presentation presented to: Society for Dance Research Choreographic Forum, Sadler's Wells Theatre, London, 09 June 2014. (Unpublished)
• Braeuninger, R. (2014) Structure as process: Anne Teresa de Keersmaeker’s Fase (1982) and Steve Reich’s music. Dance Chronicle - Studies in Dance and Related Arts. 37(1), pp. 47-62. 0147-2526.
• Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.

C

• Canning, R. (2009) Douglas Wright’s Ghost Dance. In: Canning, R. (ed.) 50 Gay and Lesbian Books Everybody Must Read. New York, N.Y.: Alyson Books. pp. 331-339.
• Canning, R. (2008) The dancer and the dance: on the legacy of Rudolf Nureyev. The Gay & Lesbian Review Worldwide. 15(3) 1532-1118.

E

• Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
• Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].

M

• Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009. (Unpublished)
• Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
• Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
• Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
• Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.

P

• Preece, K. L. (2015) Embedding digital documentation in creative and pedagogical processes. Paper presented to: Digital Echoes 2015, Institute for Creative Enterprise, Coventry University, 13 February 2015. (Unpublished)
• Preece, K. L. (2014) Choreography and pedagogy: a provocation. Other presented to: Instigating, Creating and Responding Roundtable, Isham Studios, The University of Northampton, 08 November 2014. (Unpublished)

W

• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
• Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]