Items where Division is "University Faculties, Divisions and Research Centres - OLD > Faculty of Arts, Science & Technology > Journalism & Media"

Article

• Jowett, L. (2018) Doctor Who and the politics of casting. Journal of Popular Television. 6(2), pp. 241-256. 2046-9861 .
• Jowett, L. (2017) Horrible histories? Vampire television, period drama and spectacle. Horror Studies. 8(2), pp. 313-328. 2040-3275.
• Jowett, L. (2017) TV 101: tips for teaching television. Critical Studies in Television (CST) Online Blog. 13/01/2017
• Jowett, L. (2018) ‘Is the future going to be all girl?' Doctor Who and the frustrations of a feminist. Critical Studies in Television (CST) Online Blog. 23/03/2018
• Jowett, L., Abbott, S. and Starr, M. (2017) Introduction: Bloodlines: hunting the vampire through TV history. Horror Studies. 8(2), pp. 175-181. 2040-3275.
• Kalpaxi, E. (2018) Sculptor and cetus. Sculptorvox. 1, pp. 84-87. 2515-7329.
• Scott, H. C. (2017) Reflections on work experience: are some newsrooms failing the next generation of journalists? Journalism Education: the Journal for the Association of Journalism Education. 6(1), pp. 49-59. 2050-3903.
• Walsh, M. (2017) Can an MP become a newspaper editor? The Huffington Post blog. 17/03/2017
• Walsh, M. (2017) Does Osborne’s Evening Standard need to reflect London’s new politics? Huffington Post blog. 09/06/2017
• Walsh, M. (2017) Understanding Labour’s ingenious campaign strategy on Facebook. British Politics and Policy Blog. 10/11/2017
• Wiseman-Trowse, N. J. B. (2017) ‘One day I am going to grow wings’: Radiohead’s abject transcendence. Revue LISA. 1762-6153. (Accepted)

Book Section

• McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. In: Pasi, M. and Otto, B.-C. (eds.) Pasi, Marco and Otto, Bernd-Christian Western Esotericism and Deviance. Leiden, The Netherlands: Brill. (Accepted)
• Simmons, D. (2016) “Bonanza was never like this..,” Quantum Leap and interrogating nostalgia. In: Jowett, L., Robinson, K. L. and Simmons, D. (eds.) Jowett, Lorna, Robinson, Kevin Lee and Simmons, David Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: IB Tauris. pp. 145-156.
• Wallace, R. (2017) Toxic Waste, Bremmen, 1984. In: Murphy, M. and McGuirk, N. (eds.) Murphy, Michael and McGuirk, Niall In Concert: Favourite Gigs of Ireland's Music Community. Ireland: Hope Publications. pp. 72-73.
• Walsh, M. (2017) The alternate and influential world of the political parties’ Facebook feeds. In: Jackson, D. and Thorsen, E. (eds.) Jackson, Daniel and Thorsen, Einar UK Election Analyis 2017: Media, Voters and the Campaign. Bournemouth: The Centre for the Study of Journalism, Culture and Community. pp. 96-97.

Book

• Jowett, L. (2017) Dancing With the Doctor: Dimensions of Gender in the Doctor Who Universe. London: I.B. Tauris. 9781784533748.
• Jowett, L., Robinson, K. L. and Jowett, L. (2016) Time on Television: Narrative Time, Time Travel and Time Travellers in Popular Television Culture. London: I.B.Tauris & Co Ltd. 9781784530136.
• Starr, M. (2017) Wells Meets Deleuze: The Scientific Romances Reconsidered. Jefferson, North Carolina: McFarland. 9781476668352.

Conference or Workshop Item

• Godfrey, S. and McLaughlin, C. (2017) Phototerragrams: organic and photo-chemical collaborations with the earth. Invited Presentation presented to: Monad Symposium & Journal Launch, Northampton, 09 November 2017.
• Jowett, L. (2017) The Final Girl? Isolated heroines and the absence of female friendship in teen horror. Panel Presentation presented to: Investigating Identities in Young Adult (YA) Narratives, The University of Northampton, 13 December 2017.
• Jowett, L., Abbott, S. and Calvert, B. (2017) Buffy at 20 - a round table discussion with some senior Scoobies. Panel Presentation presented to: Fan Studies Network 2017 Conference, University of Huddersfield, 24-25 June 2017.
• Jowett, L., Abbott, S. and Janicker, R. (2017) Twenty-first century television horror's terrible places: a roundtable discussion. Panel Presentation presented to: At Home with Horror: Terror on the Small Screen, University of Kent, Canterbury, 27-29 October 2017.
• McLaughlin, C. (2017) Art and the other: concealing and revealing the ineffable. Invited Presentation presented to: Art = Praxis Symposium, Glastonbury, 15 October 2017.
• McLaughlin, C. (2017) Occultural intrusions: signposting and mediating ineffable otherness. Panel Presentation presented to: 6th International European Society for the Study of Western Esotericism (ESSWE) Conference: Western Esotericism and Deviance, Erfurt, Germany, 01-03 June 2017.
• McLaughlin, C. (2016) Open-source occultism now: implications for practitioners of Western esotericism. Invited Presentation presented to: The Occult Conference 2016: Time of the Gods, Glastonbury, 08-10 April 2016.
• McLaughlin, C. (2018) Paranormality and occultural production. Invited Presentation presented to: Conjuring Creativity: Art and the Esoteric, Stockholm, Sweden, 28-29 April 2018.
• McLaughlin, C. (2016) The (forbidden) art of punk: from practice to theory. Invited Presentation presented to: 3rd Annual Punk Scholars Network Conference and Postgraduate Symposium: The Art of Punk, The University of Northampton, 25 November 2016.
• Scott, H. C. (2016) Work experience: are some newsrooms failing the next generation of journalists? Invited Presentation presented to: Association for Journalism Education (AJE) Annual Conference 2016, Newcastle University, 23-24 June 2016.
• Shadrack, J. H. (2016) Mater omnium and the cosmic womb of the abyss: nomadic interiorities and matrifocal black metal performance. Invited Presentation presented to: Metal in Strange Places: Aural, Emotional, Tactile, Visual, University of Dayton, Ohio, USA, 20-22 October 2016.
• Simmons, D. (2016) “The future’s so bright and I owe it all to you”: considering negative capability in relation to Joss Whedon’s unfinished oeuvre. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016. (Unpublished)
• Starr, M. (2016) “It’s the end of the World. It’s rather important really”: Accelerationist aesthetics of the Whedonverses. Paper presented to: 7th Biennial Slayage Conference on the Whedonverses (Euroslayage), Kingston University, Kingston upon Thames, 07-10 July 2016.
• Wallace, R. (2017) A History of the Protest Song. Workshop presented to: A History of the Protest Song, NN Contemporary Art Gallery, Northampton, 24 June 2017.
• Wallace, R. (2017) All of them, everywhere, on the same day! Exhibition presented to: Images of Research 2017, Avenue Gallery, University of Northampton, 31 January - 17 February 2017. Northampton UK: Roy Wallace.
• Wallace, R. (2017) An inventory of traces: documenting Punk through the use of image, audio, graphic and text. Invited Presentation presented to: Punk is Not Dead, Cite de la Musique, Philharmonie de Paris, 13 October 2017.
• Wallace, R. (2017) Assembly required. Exhibition presented to: Fourth Punk Scholars Network Conference and Post Graduate Symposium, University of Bolton, 12-13 December 2017.
• Wallace, R. (2017) Goodbye Ballyhightown: oral history and time. Paper presented to: Afterlives of Violence: Contested Geographies of Past, Present and Future, University of Brighton, 29 June 2017.
• Wallace, R. (2017) Phuturepunk. Symposium presented to: Future Imperfect, Plymouth University, 01 April 2017.
• Wallace, R. (2018) Riding down the h@rd road: DIY approaches to documenting punk as political resistance. Paper presented to: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures, University of Porto, Portugal, 03-07 July 2018.
• Wallace, R. (2017) Sectarian life (working title). Invited Keynote presented to: Celebration Factory, Luxemburg, 29 September 2018. (Accepted)
• Wallace, R. (2018) The politics of documentary punk curation. Panel Presentation presented to: Curating Resistance: Punk as Archival Method, University of California, Los Angeles, 09-10 February 2018.
• Wallace, R. and Johnson, D. (2018) Sounds of oppression: the lost inheritance of the UK reggae scene. Paper presented to: Reggae Innovation and Sound System Culture International Conference, Royal Birmingham Conservatoire, Birmingham, 04-05 April 2018.
• Wallace, R., McLaughlin, C., Ruiz Brussain, C., Blakemore, H., Robène, L. and Serre, S. (2017) Monad journal launch discussion panel. Panel Presentation presented to: Monad Journal of Transformative Practice Launch, The University of Northampton, 09 November 2017. Northampton: Monad.
• Walsh, M. (2017) Snap election surprises - a quantitative analysis of Facebook use by political actors in the 2017 UK General Election. Paper presented to: Journalism, Society and Politics in the Digital Media Era, Limassol, Cyprus, 01-03 September 2017.
• Wiseman-Trowse, N. J. B. (2017) 'One day I am gonna grow wings': Radiohead's abject transcendence. Paper presented to: OK Computer 20 Years On: Radiohead's Musical, Cultural and Political Legacies, University Rennes 2, France, 18 May 2017.
• Wiseman-Trowse, N. J. B. (2017) Writing/Imagining/Using Bowie. Invited Keynote presented to: Bowie's Books: David Bowie and Literature, The University of Northampton, 13-14 January 2017.

Show/Exhibition

• McLaughlin, C. (2017) Oath of the Abyss. Exhibit at: Monad Journal of Transformative Practice Launch and Symposium. The University of Northampton, 09 November 2017.
• Wallace, R. (2018) Bloody Bloody Belgium - a history of the underground music scene in Belgium 1977-2014. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2018) Bloody, Bloody Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018.
• Wallace, R. (2018) Dear Little Dinosaur. Exhibit at: Keep It Simple, Make It Fast! (KISMIF) International Conference 2018: Gender, Differences, Identities and DIY Cultures. University of Porto, Portugal, 03-07 July 2018. (Accepted)
• Wallace, R. (2017) Modern Angels [film screening]. Exhibit at: Transition: Identity. The Underground, Northampton, 25 May 2017.
• Wallace, R. (2016) Punk in Antwerp. Exhibit at: Punk in Antwerp. M HKA (Museum van Hedendaagse Kunst Antwerpen), May - July 2016.
• Wallace, R. (2018) Punk in Belgium. Exhibit at: Naughty Kids - Punk in Antwerp 1978-2018. Royal Academy of Fine Arts Antwerp, 06-22 September 2018. [Painting]
• Wallace, R. and Markiewicz, F. (2017) Shot by both sides. Exhibit at: Celebration Factory. Luxemburg, 28 September 2018.

Performance

• Shadrack, J. H. (2017) Performance of Dido and Aeneas. Performance at: Purcell's Dido and Aeneas The Royal Theatre, Northampton, 10 June 2017.

Image

• Wallace, R. (2017) A Triptych of transformation. [Mirror/Print]. Northampton: We Make Things Happen. (Accepted)
• Wallace, R. (2017) All over face tattoo. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Become the media. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Finger through tongue. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Finished scarwork. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Fun with ears. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Gathering. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Gotcha! [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Head staples being inserted. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Inserting hooks in back for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Live head piercing during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Modified. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Neck bolts. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) No Future. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2016) Pictures of Starving Children Sell Records. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Scalpel: a question of documentary ethics. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Scarring shoulder during performance. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Sectarian Life. [Print]. The University of Northampton: Roy Wallace.
• Wallace, R. (2017) Testing skin for hanging. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2017) Tongue piercing. [Photographic Image]. Northampton: Roy Wallace.
• Wallace, R. (2016) Who Dunnit? [Print]. The University of Northampton: Roy Wallace.

Video

• McLaughlin, C., Weidner, J. and Sparham, S. (2017) Monad [Film]. [Exhibition Screening]. Northampton: Trans-States Media.
• Wallace, R. (2016) Bloody Bloody Belgium: a History of the Underground Music Scene. [Online Video]. UK: Punk Scholars Network.
• Wallace, R. (2016) The Day the Country Died: The Second Sitting. [Online Video]. UK: Punk Scholars Network.

Honorary role

• Wallace, R. (2017) Steering Committee Member.
• Wallace, R. and McLaughlin, C. (2017) Co-Founder. Monad Journal of Transformative Practice. Northampton: Monad. 2515-6217.