Northampton Electronic Collection of Theses and Research

Items where Division is "Faculty of Arts, Science & Technology > Performance Studies"

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Number of items at this level: 272.

A

B

  • Bacon, J. (2011) Editor. Choreographic Practices. Bristol: Intellect. 2040-5669 (print), 2040-5677.
  • Bacon, J. (2010) Member of Editorial Board. Theatre, Dance and Performance Training. London: Routledge. 1944-3919 (electronic) 1944-3927 (paper).
  • Bacon, J. (2009) Member of Editorial Board. Body, Movement and Dance in Psychotherapy. London: Taylor and Francis. 1743-2987 (electronic) 1743-2979 (paper).
  • Bacon, J. (2009) Member of peer review body of Research Council. Austrian Science Fund (FWF).
  • Bacon, J. (2009) Seminar Leader for Practice-led Research in the Arts workshop. Arts and Humanities Research Council.
  • Bacon, J. (2010) Director. Centre for Practice-led Research in the Arts, The University of Northampton.
  • Bacon, J. (2010) Director. Choreographic Lab, The University of Northampton.
  • Bacon, J. (2012) Guest Member of Editorial Board. Journal of Dance and Somatic Practices special issue: Dance, Movement and Spiritualities. 4(1) Bristol: Intellect. 1757-1871.
  • Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
  • Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
  • Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Allegue, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
  • Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Haas, Birgit Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
  • Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
  • Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
  • Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009. (Unpublished)
  • Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
  • Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
  • Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Ackroyd, Judith Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
  • Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011. (Unpublished)
  • Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007. (Unpublished)
  • Bacon, J. and Wainwright, R. (2007) Authentic movement. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor (Unpublished)
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
  • Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
  • Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007. (Unpublished)
  • Barclay, J. L. (2007) Besides, You Lose Your Soul, or the History of Western Civilization. Performance at: The Brick, New York City, USA, 18 December 2007. Performers: Barclay, Julia L, Aitchison, B, Backus, F, Cino, M, Higgins, N, O'Brien, D, Reed, R, Shavers, J and Van Dok, E [Writer and director]
  • Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation] (Unpublished)
  • Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
  • Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
  • Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Burkhard, Helga and Walsdorf, Hanna Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
  • Braeuninger, R. (2014) Anne Teresa De Keersmaeker's Vortex Temporum by Rosas & Ictus. Invited Presentation presented to: Society for Dance Research Choreographic Forum, Sadler's Wells Theatre, London, 09 June 2014. (Unpublished)
  • Braeuninger, R. (2014) Documenting choreographic process: Anne Teresa De Keersmaeker in print and DVD. Dance Chronicle - Studies in Dance and the Related Arts. 37(3), pp. 377-383. 0147-2526.
  • Braeuninger, R. (2009) From text to the figural. In: Phelan, S. A. (ed.) Phelan, Sharon A Dance Research Forum Ireland 2nd International Conference Proceedings: Mediating Movement: Communication and Dance. Limerick, Ireland: Dance Research Forum Ireland. pp. 76-82.
  • Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) Betzwieser, Thomas, Mungen, Arno, Muenzmay, Andreas and Schroedter, Stephanie TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
  • Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. In: Stock, C. F. (ed.) Stock, Cheryl F Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Brisbane, Australia: Australian Dance Council and Queensland University of Technology. 1875255176.
  • Byrne, L. and Cook, S. (2014) On Road. Performance at: Theatre Performance Event Core Theatre, Corby, October 2014.

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  • Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Bogliolo, Giovanni Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
  • Godfrey, R. (2007) Feminine singularity: the representations of young women in some early Tudor interludes. In: Happe, P. and Husken, W. (eds.) Happe, Peter and Husken, Wim Interludes and Early Modern Society: Studies in Power, Gender and Theatricality. Amsterdam: Rodopi. pp. 141-162.
  • Godfrey, R. (2002) Sin, vice and the laughter of the gods: an Erasmian perspective on an early Tudor interlude. In: Tudor Theatre. Oxford: Peter Lang. 3906769011. pp. 95-110. [Centre d’études supérieures de la Renaissance, Unité mixte de recherche "Renaissance européenne"]
  • Godfrey, R. (2006) The deity displaced?: the theater of John Rastell and a humanist agenda. In: Bordier, J.-P. and Lascombes, A. (eds.) Bordier, Jean-Pierre and Lascombes, André Dieu et les Dieux dans le Théâtre de la Renaissance: Actes du XLVe Colloque International d'Etudes Humanistes, 01-06 Juillet 2002. Turnhout: Brepols. 250351653X. pp. 485-496.
  • Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. In: Randall, T. (ed.) Randall, Tresa Global Perspectives On Dance Pedagogy: Research And Practice. USA: Congress on Research in Dance. pp. 64-71.
  • Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration] (Unpublished)
  • Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011. (Unpublished)
  • Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
  • Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
  • Gough, M. P. (2014) Hettie. Performance at: Winter Open Studio 2014 Isham Studios, The University of Northampton, 12 December 2014. Performer: Zandersona, Gundija
  • Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
  • Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007. (Unpublished)
  • Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007. (Unpublished)
  • Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
  • Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Workshop presented to: Real-time Collaborative Art Making: A Methods Network Workshop, University of Central England, Birmingham, 20 July 2007. (Unpublished)
  • Gough, M. P. and Halliday, T. (2014) 2+2=5. Performance at: Encounters III Isham Studios, The University of Northampton, 01 October 2014. Performers: Zandersona, Gundija, Pegg, Jessica, Saxby, Emily, Houston, Andrea, Darroch, Abigail and Nagy, Rachel
  • Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.

J

  • Jowett, L. (2010) Biting humor: harmony, parody and the female vampire. In: Comeford, A. and Burnett, T. (eds.) Comeford, AmiJo and Burnett, Tamy The Literary Angel: Essays on Influences and Traditions Reflected in the Joss Whedon Series. Jefferson, NC: McFarland. pp. 17-29.

K

  • Kirk, C. (2007) Schools We Will Rock You. [Technical Consultant at Cripps Theatre, Northampton, 26-30 March 2007] (Unpublished)
  • Kirk, C. (2007) Schools We Will Rock You. [Technical consultant and lighting designer for Masque Theatre, Burton Latimer, 5-10 November 2007] (Unpublished)

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M

N

  • Nichol, C. (2011) Installations: 1.Pin Hole 2.Self Image 3.Worlds Apart. Exhibit at: 'Rooms' Exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 17 September - 30 October 2011.
  • Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

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  • Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
  • Ward, A., Parkes, J. and Prior, R. W. (2013) Developing a creative and theatre based intervention for young people with dementia and their carers. Invited Presentation presented to: 23rd Alzheimer Europe Conference, St. Julian's, Malta, 10-12 October 2013. (Unpublished)
  • Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.
  • Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne
  • Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
  • Williams, T. (2004) Break.
  • Williams, T. (2008) Mbira Prism. Performance at: EMTWO: A Concert of Electronic Music Sursa Hall, Ball State University, Indiana, 18 November 2008.
  • Williams, T. (2006) Shelter.
  • Williams, T. (2007) Shelter. Performance at: Electronic Music Studies Conference De Montfort University, Leicester, 12 June 2007.
  • Williams, T. (2007) Shelter. Performance at: Bowling Green State University Ohio, USA, 9 October 2007.
  • Williams, T. (2007) Shelter. Performance at: Oberlin Conservatory of Music Ohio, USA, 10 October 2007. [Performance and lecture]
  • Williams, T. (2007) Shelter. Performance at: Electronic Music Midwest Festival and Conference Kansas City Kansas Community College (KCKCC), Kansas City, USA, 12 October 2007.
  • Williams, T. (2006) Smallcoombe Spring.
  • Williams, T. (2007) Smallcoombe Spring. Performance at: Seamus Conference Iowa State University, Ames, USA, 7-11 March 2007.
  • Williams, T. (2007) Smallcoombe Spring. Performance at: Soundings International Festival of Sonic Art Reid Hall, Edinburgh University, 2 November 2007.
  • Williams, T. (2007) Smallcoombe Spring. Performance at: Radio/web broadcast by Elektramusic.com Bourge, France, Playlist for January 2007.
  • Williams, T. (2007) Smallcoombe Spring. Performance at: WOBC91.5 radio with web broadcast by Foldover Oberlin, Ohio, USA, 10 December 2007.
  • Williams, T. (2007) Smallcoombe Spring. Performance at: International Computer Music Conference Aalborg University, Copenhagen, Denmark, 27-31 August 2007.
  • Williams, T. (2008) Smallcoombe Spring. Performance at: Sweetwater Electroacoustic Music Concert Series no 2 Sweetwater Performance Theater, Fort Wayne, Indiana, 9 June 2008.
  • Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]
  • Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
  • Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
  • Williams, T. (2007) Taking Shelter. [Music CD]. Northampton: University of Northampton. Production of CD (featuring 6 recent Sonic Arts Works)
  • Williams, T. (2004) Three Points of Dislocation. Performance at: SoundCircus Conference De Montford University, Leicester, 11- 14 June 2004. Also presented at: International Computer Music Conference, University of Miami, 2004
  • Williams, T. (2008) Voice. Performance at: International Computer Music Conference (ICMC) Queens University, Belfast, 17 - 23 August 2008.
  • Williams, T. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. With Video - dance performance by Vida Midgelow
  • Wilson, J. M. (2010) Visits and Visitors. In: Frank Sargeson’s Stories. Auckland: Cape Catley Ltd. pp. 353-356.
This list was generated from NECTAR on Fri Oct 19 02:06:48 2018 BST.