A

1. Ackroyd, J. (2007) Applied Theatre: revisiting definitions. Invited Keynote presented to: International Symposium on Applied Theatre: Engagement and Transformation, Sydney, Australia, 11-12 October 2007.
2. Ackroyd, J. (2007) Applied theatre: an exclusionary discourse? Applied Theatre Researcher. 8 1470-112X.
3. Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: International Drama/Theatre and Education Association Conference, Wanchai, Hong Kong, 16-22 July 2007.
4. Ackroyd, J. (2007) Drama role play: training Diabetes Counsellors. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor
5. Ackroyd, J. (2007) Real play, real feelings and issues of protection: drama in education beyond the classroom. NJ - Drama Australia Journal. 31(1) 1326-5490.
6. Ackroyd, J. (2004) Role Reconsidered – a Re-evaluation of the Relationship Between Teacher-in-role and Acting. Stoke-on-Trent: Trentham Books. 1858563100.
7. Adams, J. P., Bacon, J. and Thynne, L. (2009) Peer review and criteria: a discussion. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan. pp. 98-111.

B

1. Bacon, J. (2011) Editor. Choreographic Practices. Bristol: Intellect. 2040-5669 (print), 2040-5677.
2. Bacon, J. (2010) Member of Editorial Board. Theatre, Dance and Performance Training. London: Routledge. 1944-3919 (electronic) 1944-3927 (paper).
3. Bacon, J. (2009) Member of Editorial Board. Body, Movement and Dance in Psychotherapy. London: Taylor and Francis. 1743-2987 (electronic) 1743-2979 (paper).
4. Bacon, J. (2009) Member of peer review body of Research Council. Austrian Science Fund (FWF).
5. Bacon, J. (2009) Seminar Leader for Practice-led Research in the Arts workshop. Arts and Humanities Research Council.
6. Bacon, J. (2010) Director. Centre for Practice-led Research in the Arts, The University of Northampton.
7. Bacon, J. (2010) Director. Choreographic Lab, The University of Northampton.
8. Bacon, J. (2012) Guest Member of Editorial Board. Journal of Dance and Somatic Practices special issue: Dance, Movement and Spiritualities. 4(1) Bristol: Intellect. 1757-1871.
9. Bacon, J. (2009) Landscape and art. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 19 November - 31 December 2009.
10. Bacon, J. (2004) Myths and Stories by Her. Performance at: Interdisciplinary Landscapes: Post-feminist Practices in the Arts University College Northampton (UCN), September 2004. Also performed at: SCUDD/SCODHE Annual Conference, UCN, March 2005; Performance Studies International Conference, Brown University, Rhode Island, April 2005
11. Bacon, J. (2009) Myths and Stories by Her. In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
12. Bacon, J. (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: Haas, B. (ed.) Der Postfeministische Diskurs. Würzberg: Königshausen & Neumann. pp. 63-78.
13. Bacon, J. (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy. Body, Movement and Dance in Psychotherapy. 2(1), pp. 17-28. 1743-2987.
14. Bacon, J. (2011) Psyche’s Witness and Sensualities. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-Based Exhibition. Avenue Gallery, The University of Northampton, 07-25 February 2011. [Also exhibited at: Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010]
15. Bacon, J. (2009) Sitting practice: expansion earth. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference 2009, University of Plymouth, 07-09 September 2009.
16. Bacon, J. (2010) Sitting/walking/practice: reflections on a woman’s creative process. Gender Forum: Gender and Performance. 31, pp. 1-5.
17. Bacon, J. (2009) The Choreographic Lab. Exhibit at: The Choreographic Lab. Beetroot Tree Gallery, Draycott, Derbyshire, 26 October-01 November 2009.
18. Bacon, J. (2006) The feeling of the experience: a methodology for performance ethnography. In: Ackroyd, J. (ed.) Research Methodologies for Drama Education. Stoke-on-Trent: Trentham Books. pp. 135-158.
19. Bacon, J. (2011) Transcendence and illumination: somatic practice-led research as transformative. Panel Presentation presented to: Dance and Somatic Practices Conference, Coventry School of Art and Design - Performing Arts, Coventry University, 08-10 July 2011.
20. Bacon, J. and Midgelow, V. (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. Paper presented to: Society of Dance History Scholars/Congress on Research in Dance Conference (SDHS/CORD), Paris, France, 20 June 2007.
21. Bacon, J. and Wainwright, R. (2007) Authentic movement. Paper presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Chair and Convenor
22. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Camden People's Theatre, 29-30 January 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
23. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Tate Modern, London, 28 May 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
24. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: The Lion, London, 11 July 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M and Stahl, M
25. Barclay, J. L. (2007) Apocryphal Theatre Lab. Performance at: Lorem Ipsum Gallery, London, 18 November 2007. Performers: Barclay, Julia L, Aitchison, B, Angelini, L, Avery, L, Blunt, A, Bouras, Z, Jorgensen, B, Kahnert, B, Munro, J, Schmidt, T, Seldes, M, Stahl, M, Coombes, M, Higgins, J and Stone, A
26. Barclay, J. L. (2007) Apocryphal theatre: holding tension. Paper presented to: Inventing Methodologies Conference, Goldsmiths College, London, 12 February 2007.
27. Barclay, J. L. (2007) Besides, You Lose Your Soul, or the History of Western Civilization. Performance at: The Brick, New York City, USA, 18 December 2007. Performers: Barclay, Julia L, Aitchison, B, Backus, F, Cino, M, Higgins, N, O'Brien, D, Reed, R, Shavers, J and Van Dok, E [Writer and director]
28. Barclay, J. L. (2007) Dramaturgies of the spectator (public space, politics). Invited Presentation presented to: European Dramaturgy in the 21st Century Conference, University of Frankfurt, Frankfurt, Germany, 26-30 September 2007. [Panel presentation]
29. Barclay, J. L. (2007) Future worlds: Tricorn init! Karawane: Or, the Temporary Death of the Bruitist, a Journal of Experimental Performance Texts. 9
30. Barclay, J. L. (2007) The Jesus Guy. Performance at: How to Act Conference Central School of Speech and Drama, London, 11-17 February 2007.
31. Black, S. and Braeuninger, R. (2010) Before mapping, tools to explore a site. In: Burkhard, H. and Walsdorf, H. (eds.) Tanz Vermittelt - Tanz Vermitteln: Tanzforschung 2010. Leipzig: Henschel. pp. 106-114.
32. Braeuninger, R. (2009) From text to the figural. Dance Research Forum Ireland (DRFI) 2nd International Conference: Mediating Movement: Communication and Dance, Co. Kerry, Ireland, 26-29 June 2008. Limerick, Ireland: Dance Research Forum Ireland.
33. Braeuninger, R. (2009) Montage, flashback and the figural the musical/choreographic analysis. In: Betzwieser, T., Mungen, A., Muenzmay, A. and Schroedter, S. (eds.) TANZ im Musiktheater - Tanz als MUSIKTHEATER: Bericht eines internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Würzburg: Königshausen & Neumann. pp. 203-213.
34. Braeuninger, R. and Seago, C. (2008) Knowledge of the body established through personal identity and exposure to dance cultures as the theme of choreographic communication. World Dance Alliance Global Summit 2008, Brisbane, Australia, 13-18 July 2008. Brisbane, Australia: Australian Dance Council and Queensland University of Technology. 1875255176.

C

1. Campbell, P. (2010) Dionisio Encarnado: Os sertões do Teatro Oficina Uzyna Uzona – para uma poética orgiástica (Embodying Dionysus: the Teat(r)o Oficina Uzyna Uzona's Os Sertões - towards an orgiastic poetics). VI Congress of the Brazilian Association of Research and Postgraduate Programmes in the Performing Arts (ABRACE), Sao Paulo, Brazil, November 2010. Sao Paulo, Brazil: ABRACE. Online ISSN: 2176-9516.
2. Campbell, P. (2010) Espelhos enigmáticos: o sujeito, o Outro e o desejo em Double do COSmino Theatre (Through a Glass Darkly: the subject, the Other and desire in COSmino Theatre’s Double). Mimus – Revista On-line de Mímica e Teatro Físico. 2(3), pp. 26-37. 2175-4888.
3. Campbell, P. (2011) Subjetividade processual pós-colonial em Os Sertões do Oficina (Processual postcolonial subjectivity in the Oficina’s Os Sertões). Repertório: Teatro & Dança. 14(16), pp. 70-93. 2175-8131.
4. Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 09 October 2010.
5. Campbell, P. (2012) Threads in the labyrinth: perception/reception in the 'other' dramaturgies of Triangle Theatre, Odin Teatret and the Teat(r)o Oficina Uzyna Uzona. Paper presented to: V International Seminar - I Colloquium Theories of Reception: Approaching the Relationship between Artwork/Spectator, Postgraduate Programme in Performing Arts, Federal University of Bahia, Brazil, 03-07 September 2012.
6. Campbell, P. (2012) Traces of the (m)other: deconstructing hegemonic historical narrative in Teat(r)o Oficina Uzyna Uzona's Os Sertões. Journal of Latin American Cultural Studies. 21(2), pp. 287-311. 1356-9325.
7. Campbell, P. (2010) Traces of the Mother: deconstructing hegemonic historical narrative in Teatro Oficina Uzyna Uzona`s 'Rebellion in the Backlands'. Paper presented to: Between the Past and the Future: Challenging Narratives of Memory in Latin America, Institute for the Study of the Americas, Senate House, University of London, 23-24 November 2010.
8. Campbell, P., Waterfield, C., Farmer, R. and Usher, J. (2012) Action learning, archiving and avant-garde theatre. Paper presented to: 19th International Conference of the Association for Learning Technology (ALT-C 2012), University of Manchester, 11-13 September 2012.
9. Chamberlain, F. (2007) Gesturing towards post-physical performance. In: Keefe, J. and Murray, S. D. (eds.) Physical Theatres: A Critical Reader. London: Routledge. pp. 117-122.
10. Chamberlain, F. (2003) Michael Chekhov. London: Routledge. 0415258782.
11. Chamberlain, F. (2003) Michael Chekhov: pedagogy, spirituality and the occult. Toronto Slavic Quarterly. Spring(4)
12. Chamberlain, F. and Yarrow, R. (2002) Introduction. In: Chamberlain, F. and Yarrow, R. (eds.) Jacques Lecoq and the British Theatre. London: Routledge. pp. 1-16.
13. Cook, S. (2009) Performing the popular. Paper presented to: A world of Popular Entertainments, University of Newcastle, New South Wales, Australia, 10-11 June 2009.
14. Cook, S. (2007) The universality of theatrical masks. Invited Presentation presented to: Division of Performance Public Seminar Series, University of Northampton, 12 December 2007.

D

1. Duggan, P. (2008) Citing performance, siting trauma. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2008, University of Leeds, 3 - 5 September 2008.
2. Duggan, P. (2010) Encounters at the limits of the theatrical. Panel Presentation presented to: Theatre Applications Conference: Performance with Purpose, Central School of Speech and Drama, University of London, 21-23 April 2010.
3. Duggan, P. (2008) Mimetic flickering and the performative punctum: trauma and the theatrical sublime in contemporary performance. Paper presented to: Trauma and the Sublime: An International Interdisciplinary Conference, University of Swansea, 6-8 August 2008.
4. Duggan, P. (2008) NTQ Book review of: Maaike Bleeker, ed., Anatomy Live: Performance and the Operating Theatre. New Theatre Quarterly. 24(4), pp. 394-395. 0266-464x.
5. Duggan, P. (2009) Out of face: a very theatrical turbulence. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2009, University of Plymouth, 07-09 September 2009.
6. Duggan, P. (2011) Staging the impossible: severance and separation in the National Theatre’s adaptation of His Dark Materials. In: Barfield, S. and Cox, K. (eds.) Critical Perspectives on Philip Pullman's His Dark Materials: Essays on the Novels, the Film and the Stage Productions. Jefferson, North Carolina: McFarland.
7. Duggan, P. (2009) The Touch and the cut: an annotated dialogue with Kira O’Reilly. Studies in Theatre and Performance. 29(3) 1468-2761.
8. Duggan, P. (2010) Theatricality and efficacy: or, why bother thinking about all this ‘dress-up’ anyway? Invited Presentation presented to: Rhizome Project, Central School of Speech and Drama, June 2010.
9. Duggan, P. (2010) Trauma, performance and ethics of encounter. Panel Presentation presented to: Contemporary British Fiction: Narrating Violence, Trauma and Loss, Johannes Gutenberg University, Mainz, Germany, 17-18 September 2010.
10. Duggan, P. (2008) Trauma-tragedy: Sarah Kane after Williams. Paper presented to: Sarah Kane: A Reassessment, University of Cambridge, 16 February 2008.
11. Duggan, P. (2009) Trauma-tragedy: towards an understanding of trauma in contemporary performance. Doctoral thesis. University of Leeds.
12. Duggan, P. (2010) Trauma-tragedy: towards cathected experience. Panel Presentation presented to: Performance Studies International conference (PSi 16): Performing Publics, Ontario College of Art and Design (OCAD) University, Toronto, 09-13 June 2010.
13. Duggan, P. (2007) ‘Feeling performance, remembering trauma’. Platform. 2(2), pp. 44-58. 1751-0171.
14. Duggan, P. (2011) ”You will still write, won’t you?”: on the ethics of the Paper Birds' performance, Others. Paper presented to: Theatre and Performance Research Association (TaPRA) Conference 2011, Kingston University, London, 07-09 September 2011.
15. Duggan, P. and Wallis, M. (2011) Trauma and performance: maps, narratives and folds. Performance Research. 16(1), pp. 4-17. 1352-8165.

E

1. Ellis, S. (2006) Dad.project. [CD-ROM].
2. Ellis, S. (2007) Four Acts of Violence Leading Up To Now. Performance at: Derby Dance Platform Derby, 29-30 November 2007. Also performed at Melbourne (Dancehouse), Perth (Breadbox Gallery), Northampton (Isham Studio), Birmingham (as performative-presentation The Timed Body for TaPRA Conference), Newcastle (premiere of then/now – dance on screen outcome)
3. Ellis, S. (2008) Gertrud. Performance at: The Place Prize The Place, London, 17-27 September 2008.
4. Ellis, S. (2008) How close is too close? A performance about intimacy and helplessness. Performance at: Moves 08 Manchester, UK, 22-26 April 2008.
5. Ellis, S. (2008) Improvisation. Performance at: Improvisation Canal Danse, Paris, 16-21 June 2008. Also performed at: Syros, Greece, 3 July 2008
6. Ellis, S. (2005) Indelible - a Hypermedia Remembering. [DVD].
7. Ellis, S. (2006) Inert. Dancehouse, Melbourne, May 2006. Performers: Ellis, Simon and Bott, Shannon Video later screened at: Paris (Atelier de Paris-Carolyn Carlson), Northampton (Fishmarket), Findhorn Scotland (in Opensource [Video dance]), 2007
8. Ellis, S. (2008) Running, fatigue and the jolt of the present. Exhibit at: Moves 08. Manchester, 22-26 April 2008. Also screened at: ADF's Dancing for the Camera: International Festival of Film and Video Dance at Duke University in Durham, North Carolina (July 08); Basel International Film Festival for Dance and Performance, Switzerland (September 08); EDIT2008 4th International Dance Film Festival, Budapest (October 08); Video Dance Italy 08 (curated by Gitta Wigro) in Bassano del Grappa, Ferrara, Ravenna & Civitanova Marché (December 08)
9. Ellis, S. (2008) The Timed body. Extensions: The Online Journal of Embodiment and Technology. 4
10. Ellis, S. (2007) The timed body. Paper presented to: Theatre and Performance Research Association (TaPRA) Annual Conference, Birmingham, 5-7 September 2007.
11. Ewu, J. (2009) Member of Editorial Board. African Performance Review. London: Adonis and Abbey. 1753-5964.
12. Ewu, J. (2007) Chair Annual Report. Chair presented to: African Theatre Association (AfTA) Annual Conference, Goldsmiths College, University of London, 30 August - 1 September 2007.
13. Ewu, J. and Ukaegbu, V. (2007) The journey of the spoken word: who am I? A collage on tales of migration and representation. Practical presented to: Telling Tales: Migration, Identity and the Postcolonial Conference, University of Northampton, 14 November 2007.
14. Ewu, J. and Ukaegbu, V. (2008) Who Can Tell ...!: practical research performance exploring Black History experiences by JAWI Theatre Collective. Performance at: Who Can Tell ...! University of Northampton, 22-23 May 2008. Performers: Baptiste, Weekes, Agboluaje, Oladipo, Adewole, Funmi, Elliot, Jerry, McKenzie, Robert, Heathcote, David, Adams, Darren, Roach, Myrle, Franklin, Kascion, Aderoyeje, Florence, Marshall, Myles, Hawker, Christian and Berrill, Colleen
15. Ewu, J. and Ukaegbu, V. (2007) Whose history is it anyway?: Performance and the deconstruction of history. Panel Presentation presented to: Northampton Black Histories Project, Division of Performance Public Seminar Series, University of Northampton, 20 June 2007. [Practical and panel presentation]

G

1. Godfrey, R. (2002) England making up to Europe, 16th century style. In: Bogliolo, G. (ed.) Studi Urbinati B, Anno LXXI-LXXII, 2001-2002 (rivista annuale di Scienze Umane e Sociali). Italy: Edizioni QuattroVenti. pp. 469-482.
2. Godfrey, R. (2007) Feminine singularity: the representations of young women in some early Tudor interludes. In: Happe, P. and Husken, W. (eds.) Interludes and Early Modern Society: Studies in Power, Gender and Theatricality. Amsterdam: Rodopi. pp. 141-162.
3. Godfrey, R. (2002) Sin, vice and the laughter of the gods: an Erasmian perspective on an early Tudor interlude. 8th Table Ronde on Tudor Drama, Tours, France, June 2000. Oxford: Peter Lang. 3906769011. [Centre d’études supérieures de la Renaissance, Unité mixte de recherche "Renaissance européenne"]
4. Godfrey, R. (2006) The deity displaced?: the theater of John Rastell and a humanist agenda. 45th Colloque International d'Etudes Humanistes, Tours, France, 1-6 July 2002. Turnhout: Brepols. 250351653X.
5. Gough, M. P. (2009) A Neo-Structuralist pedagogy for contact improvisation. Congress on Research in Dance (CORD) Conference: Global Perspectives On Dance Pedagogy: Research and Practice, De Montfort University, Leicester, 25-27 June 2009. USA: Congress on Research in Dance.
6. Gough, M. P. (2010) Contact improvisation; from practice to pedagogy. Lecture presented to: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice, Firkin Crane, Cork, Ireland, 24-27 June 2010. [Lecture demonstration]
7. Gough, M. P. (2011) Dramaturgy of minimalist dance works. Paper presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspectives and Memory, York University, & University of Toronto, Canada, 23-26 June 2011.
8. Gough, M. P. (2011) Extant - Hidden Love Song. Performance at: Student International Festival of Dance (SifDans) University of Bedfordshire, 27-29 June 2011. Performers: Askew, Jade, Firth, Laura, Frizzell, Samantha and Maganzini, Giorgia
9. Gough, M. P. (2011) Extant - On the Grazing. Performance at: Inter-University Winter Sharing 2011 University of Northampton, 10 December 2011. Performers: Clough, Hayley, Duckworth, Leonie, Firth, Laura, McCallion, Heidi, Singleton, Victoria, Cong, Wang and Benton, Ami
10. Gough, M. P. (2010) Mass/volume. Performance at: Springboard The Castle, Wellingborough, Northants, 09 July 2010. Performers: Lindley, Kate and Williamson, Lucy
11. Gough, M. P. (2007) Re-shoeing Terpsichore: contextualising modernity and concert dance. Paper presented to: Society for Dance Research - New Scholars Conference, London College of Fashion, 30 June 2007.
12. Gough, M. P. (2007) Reverberation, resonance, and transcription. Symposium presented to: Dance Research Forum Ireland (DRFI) Student Symposium, University of Limerick, Republic of Ireland, 23 March 2007.
13. Gough, M. P. and Frizzell, S. (2011) Extant - When I Woke. Performance at: Dance Research Forum Ireland (DRFI) Student Symposium University of Limerick, Republic of Ireland, 15 April 2011. Performer: Frizzell, Samantha
14. Gough, M. P., Green, J., Grubham, S. and Williams, K. (2007) Real-time collaborative art making. Workshop presented to: Real-time Collaborative Art Making: A Methods Network Workshop, University of Central England, Birmingham, 20 July 2007.
15. Gough, M. P. and Motiejunaite, Z. (2010) Kronos. Performance at: Dance Research Forum Ireland 3rd International Conference: Capturing Composition: Improvisation in Dance Research and Practice Firkin Crane, Cork, Ireland, 24-27 June 2010.

J

1. Jowett, L. (2010) Biting humor: harmony, parody and the female vampire. In: Comeford, A. and Burnett, T. (eds.) The Literary Angel: Essays on Influences and Traditions Reflected in the Joss Whedon Series. Jefferson, NC: McFarland. pp. 17-29.

K

1. Kirk, C. (2007) Schools We Will Rock You. [Technical Consultant at Cripps Theatre, Northampton, 26-30 March 2007] (Unpublished)
2. Kirk, C. (2007) Schools We Will Rock You. [Technical consultant and lighting designer for Masque Theatre, Burton Latimer, 5-10 November 2007] (Unpublished)

L

1. Lucas, V. K. (2006) 'Shameless' - women, sexuality and violence in British Asian drama. In: Godiwala, D. (ed.) Alternatives Within the Mainstream: British, Black and Asian Theatres. Newcastle: Cambridge Scholars Publishing. pp. 363-380.
2. Lucas, V. K. (2007) 'There’s no justice – just us': black Britons, British Asians, and the criminal justice system in verbatim drama. In: Arana, R.V. (ed.) "Black" British Aesthetics Today. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 262-282.
3. Lucas, V. K. (2006) Hidden Voices. Roy Bowen Theatre, Columbus, Ohio State University, February 9-12; 16-19 2006.
4. Lucas, V. K. (2007) Performing British identity: Fix Up and Fragile Land. In: Kuortti, J. and Nyman, J. (eds.) Reconstructing Hybridity: Post-Colonial Studies in Transition. Amsterdam and New York: Rodopi Press. pp. 241-255.

M

1. Midgelow, V. (2010) Editor. Conversations Across the Field of Dance Studies. Birmingham: Society of Dance History Scholars.
2. Midgelow, V. (2010) Member of Editorial Board. Society of Dance History Scholars.
3. Midgelow, V. (2010) Member of Board of Directors. Society of Dance History Scholars.
4. Midgelow, V. (2009) 1. Ways of Knowing: A brief overview of a movement practice (written catalogue entry) 2. Threshold: Fleshfold – a few reflective notes (DVD / slide show /text). In: Allegue, L., Jones, S., Kershaw, B. and Piccini, A. (eds.) Practice-as-Research in Performance and Screen. London: Palgrave Macmillan.
5. Midgelow, V. (2007) A little fleshy philosophy: dance improvisation as research. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Pontypridd, Wales, 12 April 2007.
6. Midgelow, V. (2009) Articulating Improvisation: the beginnings of an ontology. Panel Presentation presented to: Society of Dance History Scholars (SDHS) 32nd Annual International Conference, Stanford University, USA, 19-22 June 2009.
7. Midgelow, V. (2006) Choreographies of flesh and seduction: postfeminist corporealities in contemporary European dance. In: Haas, B. (ed.) Der Postfeministische Diskurs. Wurzburg: Konigshausen & Neumann. pp. 179-204.
8. Midgelow, V. (2011) Improvisational movement practice. [blog]
9. Midgelow, V. (2011) Improvisational practices and dramaturgical strategies. Workshop presented to: Society of Dance History Scholars Conference 2011: Dance Dramaturgy: Catalyst, Perspective and Memory, York University, Toronto, Canada, 23-26 June 2011.
10. Midgelow, V. (2007) Reworking the Ballet: Counter Narratives and Alternative Bodies. London, New York: Routledge, Taylor and Francis Group. 9780415976039.
11. Midgelow, V. (2010) Reworking the ballet: stillness and queerness in Swan Lake, 4 acts. In: Carter, A. and O'Shea, J. (eds.) The Routledge Dance Studies Reader. 2nd ed. London: Routledge. pp. 47-98.
12. Midgelow, V. (2010) Screenbody 1; Screenbody 2. Exhibit at: Sensualities: Screen/Movement/Experience: a Screen-based exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 01-14 November 2010.
13. Midgelow, V. (2011) Sensualities: experiencing/dancing/writing. Paper presented to: TAPRA (Theatre and Performance Research Association) 2011 Conference, Kingston University, London, 07-09 September 2011.
14. Midgelow, V. (2008) TRACE: articulating improvisation. Performance at: Writing Encounters York St John University, York, 11 – 13 Sept 2008.
15. Midgelow, V. (2008) TRACE: articulating improvisation, challenging ‘the document’. Performance at: Society of Dance History Scholars Thirty-first Annual Conference Saratoga Springs, New York, 12-15 June 2008.
16. Midgelow, V. (2007) TRACE: playing with/out memory, and TRACE: Improvisation in a Box. [DVD, with booklets, cards]. Draycott: Artfully Bound.
17. Midgelow, V. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. [Video]. Music composed by Tom Williams
18. Midgelow, V. (2008) Voice (a retracing). [DVD]. Northampton: University of Northampton.
19. Midgelow, V., O'Connor, B. and Wilsmore, R. (2004) Threshold: Fleshfold. Performance at: Beetroot Tree Gallery Derbyshire, April 2004. Also performed at: Black Hole Studio, Manchester Metropolitan University; PARIP Midlands and Northwest Regional Conference, July 2004
20. Midgelow, V., O'Connor, B. and Wilsmore, R. (2005) Threshold: Fleshfold. Performance at: Practice as Research in Performance (PARIP) 2005 International Conference Bretton Hall, University of Leeds, 29 June - 3 July 2005.
21. Miller, L. (2007) Presentation. Paper presented to: Standing Conference of University Drama Departments (SCUDD), University of Derry, Northern Ireland, 29-30 March 2007.
22. Miller, L. and Whalley, J. (2007) Away from home: the curious domain of passage. Performance Research. 12(2), pp. 66-74. 1352-8165.

N

1. Nichol, C. (2011) Installations: 1.Pin Hole 2.Self Image 3.Worlds Apart. Exhibit at: 'Rooms' Exhibition. Beetroot Tree Gallery, Draycott, Derbyshire, 17 September - 30 October 2011.
2. Nichol, C. and Marcevska, E. (2011) Dia. Performance at: Circuit Festival De Montfort University, Leicester, 02-03 June 2011. Performers: Nichol, Charlotte and Marcevska, Elena

O

1. Oddey, A. (2006) Different directions: the potentials of autobiographical space. In: Oddey, A. and White, C. A. (eds.) The Potentials of Spaces: The Theory and Practice of Scenography and Performance. Bristol: Intellect. pp. 33-49.
2. Oddey, A. (2005) Performing Women: Stand-Ups, Strumpets and Itinerants. 2nd ed. Basingstoke: Palgrave Macmillan. 1403948771.
3. Oddey, A. (2007) Reframing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan. 0230524656.
4. Oddey, A. and Naish, J. (2002) Paper or practice. Contemporary Theatre Review: Special Issue on Practice as Research. 12(4), pp. 9-25. 1048-6801.

P

1. Prior, R. W. (2012) Principal Editor. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2457.
2. Prior, R. W. (2012) Advisory Board Member. Institute for Arts and Health (IAH), Lesley University, USA.
3. Prior, R. W. (2013) International Advisory Board Member. International Health Humanities Network.
4. Prior, R. W. (2008) Actor training and the university. Invited Keynote presented to: The Society for Theatre Research (STR) Conference: Directions in Theatre Research, National Theatre's Archive, London, 21-22 June 2008.
5. Prior, R. W. (2009) Applied arts – using applied research in multi/interdisciplinary ways. Invited Presentation presented to: East Midlands Universities Association (EMUA) Conference 2009: Beyond Boundaries: Facing Interdisciplinary Challenges in Humanities, Loughborough University, 22 September 2009.
6. Prior, R. W. (2007) Chair and convenor at: Inspiring Transformations: The Arts and Health Conference. Chair presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007.
7. Prior, R. W. (2010) Connected to Music evaluation report. UK: The University of Northampton and Orchestras Live.
8. Prior, R. W. (2008) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008.
9. Prior, R. W. (2009) Contextual dimensions of drama in education: a case for valuing tacit knowledge and clear pedagogy. 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639.
10. Prior, R. W. (2005) Drama teaching: the teaching of practice: introducing teachers to drama as a learning medium. NJ (Drama Australia Journal). 29(2), pp. 73-82. 1445-2294.
11. Prior, R. W. (2009) Editorial. Journal of Applied Arts and Health. 1(1), pp. 3-6. 2040-2457.
12. Prior, R. W. (2011) Editorial. Journal of Applied Arts and Health. 2(1), pp. 3-5. 2040-2457.
13. Prior, R. W. (2010) Editorial. Journal of Applied Arts and Health. 1(3), pp. 237-239. 2040-2457.
14. Prior, R. W. (2011) Editorial. Journal of Applied Arts & Health. 2(3), pp. 203-206. 2040-2457.
15. Prior, R. W. (2012) Editorial. Journal of Applied Arts and Health. 3(1), p. 3. 2040-2457.
16. Prior, R. W. (2013) Editorial. Journal of Applied Arts and Health. 3(3), pp. 239-242. 2040-2457.
17. Prior, R. W. (2009) HE for me …? Researching drama as a tool for university widening participation in the United Kingdom. Paper presented to: 6th International Drama in Education Research Institute Conference (IDIERI 6): Drama Research Futures: Examining Our Past, Critiquing Our Present, Imagining Tomorrow, Sydney, Australia, 14 – 19 July.
18. Prior, R. W. (2009) Inspiring Transformations: Applied Arts and Health Conference. Inspiring Transformations: Applied Arts and Health Conference, University of Northampton, 8-10 September 2009. [Convenor and Chair]
19. Prior, R. W. (2011) Knowing what is known: education, training and research issues in applied arts for health and well-being. Paper presented to: Knowing Ways: Critical Learning in Arts Practice, Edinburgh, Scotland, 08-10 September 2011.
20. Prior, R. W. (2005) Looking around in awareness: playbuilding on HIV-AIDS. Research in Drama Education. 10(1), pp. 55-64. 1470-112X.
21. Prior, R. W. (2008) Productive drama - exploring tacit understanding. Workshop presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008.
22. Prior, R. W. (2009) Productive drama - exploring tacit understanding. Paper presented to: 6th Athens International Theatre/Drama & Education Conference "Theatre & Education at Centre Stage", Athens, Greece, 27-30 March 2008. Athens, Greece: Hellenic Theatre/Drama & Education Network. 9789609846639.
23. Prior, R. W. (2012) Teaching Actors: Knowledge Transfer in Actor Training. Bristol, UK/Chicago, USA: Intellect and University of Chicago Press. 9781841505701.
24. Prior, R. W. (2001) Tension, power and control: creating effective participatory drama. NJ (Drama Australia Journal). 25(2), pp. 23-33. 1445-2294.
25. Prior, R. W. (2007) The language of actor training. Paper presented to: International Drama/Theatre and Education Association Conference (IDEA2007), Wanchai, Hong Kong, 16-22 July 2007.
26. Prior, R. W. (2007) Understanding actor trainers' articulation of their practice. Studies in Theatre and Performance. 27(3), pp. 295-305. 1468-2761.
27. Prior, R. W. (2010) Using forum theatre as university widening participation (WP) for social wellbeing agendas. Journal of Applied Arts and Health. 1(2), pp. 179-203. 2040-2457.
28. Prior, R. W. (2011) Why me? The bully menace and applied theatre: a British and European perspective. Invited Keynote presented to: The Bully Menace and Applied Theatre Symposium, New York, USA, 15 April 2011.
29. Prior, R. W. (2010) You are what you eat: act on it. Panel Presentation presented to: The Hunger Artist: Food and the Arts: 2010 Double Dialogues Conference, Toronto, Canada, 19-21 August 2010.
30. Prior, R. W., Neelands, J., Band, S., Freakley, V., Goode, T., Lindsay, G., Morris, M. and Muijis, D. (2007) Learning and Skills Council post-16 performing arts mapping study. (Unpublished)
31. Prior, R. W., Seton, M. C. and Petherbridge, D. (2012) Trained, educated or ‘constructed’ for industry? Panel Presentation presented to: PSi#18, University of Leeds, 27 June – 01 July 2012.

R

1. Reim, L. (2006) Democratia.
2. Reim, L. (2007) Electroacoustic Music Studies Conference (EMS07). Other presented to: Electroacoustic Music Studies Conference (EMS07), De Montfort University, Leicester, 12-15 June 2007.
3. Reim, L. (2002) Fairytales.
4. Reim, L. (2006) Pebbles.
5. Reim, L. (2007) Pebbles. Performance at: Logos Tetrahedron Foundation Concert Tetrahedron Foundation, Ghent, 9 October 2007.
6. Reim, L. (2001) The Lasting Rite.

S

1. Somers, G. (2010) A demonstration of psychophysical approaches to acting, performance and actor training informed by ecological precepts. Invited Presentation presented to: Perforum series, University College Cork, Ireland, 09 June 2010.
2. Somers, G. (2007) Ecological psychology and actor training. Paper presented to: Theatre and Performance Research Association (TAPRA) Conference 2007, University of Birmingham, 07-09 September 2007.
3. Somers, G. (2007) Ecological psychology and humanist dramaturgy. Paper presented to: At The Sharp End, University of Portsmouth, 15 September 2007.
4. Somers, G. (2010) On Heidegger and performance. Paper presented to: Shared Territories Public Seminar, University of Northampton, 04 May 2010.
5. Somers, G. (2007) Theatre words: productions of 2 new plays by Italian playwrights in Como and Milan. Performance at: Theatre Words Auditorium Don Guanella, Como, 27-28 September 2007. Also performed at: Teatro Studio Frigia Cinque, Milan, 29-30 September 2007
6. Somers, G. (2009) Tipping point: issues raised by climate change, ecological thought and performance. Paper presented to: Annual Postgraduate Research Degree Student's Conference: Postgraduate Study Half-Day, Centre for European & International Studies Research (CEISR) and Portsmouth Business School, Portsmouth University, 13 May 2009.
7. Somers, G. (2007) Top down or bottom up? Complex systems, improvisation and dramaturgy. Paper presented to: Improvisation Continuums Conference, University of Glamorgan, Cardiff, 12-14 April 2007.
8. Somers, G., Daris, G. and Katsura, K. (2007) Dasien. Performance at: DASEIN Espace Culturel Bertin Poirée, Paris, 22-23 June 2007.
9. Somers, G. and Savage, K. (2007) Performers and new media: a collaboration [conference paper/practice demonstration]. Invited Presentation presented to: Intermedial Theatricality, (Re)-presentation and New Media: 9th International Symposium of the Centre for Research on Intermediality (CRI) and Laboratory of New Imaging Technologies, Sound and Stage (LANTISS), University of Montréal and University of Laval, Québec, 24-29 May 2007.

U

1. Ukaegbu, V. (2013) Associate Editor. African Performance Review. London: Adonis and Abbey Publishers & African Theatre Association (from 2010) . 1753-5964.
2. Ukaegbu, V. (2013) Member of Editorial Board. Journal of Applied Arts and Health. Bristol: Intellect. 2040-2465.
3. Ukaegbu, V. (2013) General Secretary. African Theatre Association.
4. Ukaegbu, V. (2011) African funeral rites: sites for performing, participating and witnessing of trauma. Performance Research: A Journal of the Performing Arts [Special Issue]: On Trauma. 16(1), pp. 131-141. 1352-8165 ; 9780415674423.
5. Ukaegbu, V. (2010) Anansegoro: modern storytelling as narrative trope in contemporary Ghanaian literary theatre. In: Makokha, J. K. S., Barasa, R. S. and Daramola, A. (eds.) Tales, Tellers, and Tale-Making: Critical Studies on Literary Stylistics and Narrative Styles in Contemporary African Literature. Berlin: Verlag Dr. Muller (VDM). pp. 246-265.
6. Ukaegbu, V. (2008) Beyond postcolonial, post-militarist tropes: Osofisan’s theatre of popular revolution. Panel Presentation presented to: Professor Femi Osofisan International Conference on Performance: Relevant Arts for Sustainable Global Development, University of Ibadan, Nigeria, 17-21 June 2008.
7. Ukaegbu, V. (2010) Contorted fragments: re-narrating otherness in Black diaspora British playwriting. Panel Presentation presented to: 2nd International Conference of the Beyond the Linear Narrative Project: Transformations of Narrative in the Postcolonial Era, Goldsmiths College, University of London, 11-13 November 2010.
8. Ukaegbu, V. (2001) Femi Osofisan’s Once Upon Four Robbers: continuing the intercultural debate. In: Banham, M., Gibbs, J. and Osofisan, F. (eds.) African Theatre: Playwrights & Politics. Oxford: Currey. pp. 42-56.
9. Ukaegbu, V. (2007) Grey silhouettes: black queer theatre on the post-war British stage. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-war Britain. Newcastle: Cambridge Scholars Press. pp. 322-338.
10. Ukaegbu, V. (2013) Introduction. In: Walby, A. (ed.) Oladipo Agboluaje: Plays One. London: Oberon Books. pp. 7-16.
11. Ukaegbu, V. (2007) Mediating space and venue in traditional African performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference, Goldsmiths College, University of London, 30 August - 1 September 2007. Panel presentation and chair
12. Ukaegbu, V. (2006) Mythological and patriarchal constraints: the tale of Osofisan's revolutionary women. In: Adeyemi, S. (ed.) Portraits for an Eagle: a Festschrift in Honour of Femi Osofisan. Bayreuth: Bayreuth African Studies. pp. 179-192.
13. Ukaegbu, V. (2010) New dialogues: contextualising Africa-diaspora relations in black British playwriting. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010.
14. Ukaegbu, V. (2009) New directions in African theatre and performance. Paper presented to: International Conference of the African Theatre Association (AfTA): New Directions in African Theatre and Performance, University of Northampton, Northampton, 30 July – 02 August 2009.
15. Ukaegbu, V. (2010) New directions in African theatre and performance. Panel Presentation presented to: African Theatre Association (AfTA) Annual International Conference 2010: Performing Africa/ Africa in performance: Theatre, Culture and Society in Africa, Makerere University, Kampala, Uganda, 29 July-01 August 2010.
16. Ukaegbu, V. (2007) Performative encounters: performance intervention in marketing health products in Nigeria. Panel Presentation presented to: Inspiring Transformations: The Arts and Health Conference, University of Northampton, 3-7 September 2007. Panel presentation and chair
17. Ukaegbu, V. (2010) Performative encounters: performance intervention in marketing health products in Nigeria. Journal of Applied Arts and Health. 1(1), pp. 35-51. 2040-2457.
18. Ukaegbu, V. (2002) Performing postcolonially: contextual changes in the adaptations of Wole Soyinka's Death and the King's Horseman and Femi Osofisan's Once Upon Four Robbers. World Literature Written in English. 40(1), pp. 71-85. 0093-1705.
19. Ukaegbu, V. (2008) Review of Osita Okagbue (2007) 'African Theatres and Performances'. African Performance Review. 2(1), pp. 90-95. 1753-5964.
20. Ukaegbu, V. (2012) Review of The Female King of Colonial Nigeria: Ahebi Ugbabe, by Nwando Achebe. Leeds African Studies Bulletin. 74, pp. 103-105. 0024-0249.
21. Ukaegbu, V. (2006) Talawa Theatre Company: the 'likkle' matter of black creativity and representation on the British stage. In: Godiwala, D. (ed.) Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press. pp. 123-152.
22. Ukaegbu, V. (2007) The Use of Masks in Igbo Theatre in Nigeria: The Aesthetic Flexibility of Performance Traditions. Lewiston, N.Y.; Lampeter: Edwin Mellen Press. 9780773451759.
23. Ukaegbu, V. (2007) Voice, text and stage: mediating biographical narratives. Panel Presentation presented to: Northampton Black Histories Project, The Castle Art Education Workshop, The Castle Theatre, Wellingborough, 4 May 2007. Practical and panel presentation
24. Ukaegbu, V. (2011) Witnessing to (in), and from the Centre in Black British theatre: Dipo Agboluaje and the Theatre of Dialogic Centrism. Panel Presentation presented to: International Conference of the African Theatre Association (AfTA) 2011, Centre for Innovative Performance Practice & Research, Swansea Metropolitan University, 21-23 July 2011.
25. Ukaegbu, V. (2007) Written over, written out: the gendered misrepresentation of women in modern African performances. African Performance Review. 1(1), pp. 7-23. 1753-5964.
26. Ukaegbu, V. and Bennett, P. (2007) Shakespeare's Merchant of Venice. Performance at: Masque Theatre Open Air Productions Museum Courtyard, Northampton, 26 July - 4 August 2007. Performers: Kendall, R, Street, M, French, K, Smith, J, Bannister, E, Hill, P, Bedford, R, Stringer, S, Walker, R, Ukaegbu, Victor, Chappell, D, Spiby, I, Dougall, B, Hillman, B L, Pollitt, S, Vaughan, R, Clarke, I, Robinson, P, Nobre, M, Nobre, V, Wright, D and Nettleship, A
27. Ukaegbu, V. and Ewu, J. (2008) Making the most of it: black history and British education. Lecture presented to: Black and Asian Studies Association (BASA) Annual Conference, The University of Northampton, 12 July 2008.
28. Ukaegbu, V. and Ewu, J. (2010) Performing histories, voices of black rural community; from oral history to ethnodrama: the journey of the spoken word. In: Ackroyd, J. and O'Toole, J. (eds.) Performing Research: Tensions, Triumphs and Trade-offs of Ethnodrama. Stoke-on-Trent: Trentham. pp. 169-185.

W

1. Wallis, M. and Duggan, P. (2011) Editorial: On Trauma. Performance Research. 16(1), pp. 1-3. 1352-8165.
2. Whalley, J. and Miller, L. (2005) A Dwelling in the screen: at least for a little while. Performance Research. 10(4), pp. 138-147. 1352-8165.
3. Whalley, J. and Miller, L. (2005) Re-Commit to Memory: Replacing Site. Performance at: PARIP (Practice as Research in Performance) International Conference University of Leeds, Bretton Hall Campus, 29 June - 03 July 2005. Performers: Miller, Lee and Whalley, Joanne
4. Whalley, J. and Miller, L. (2006) Re: Incident On and Off. Performance at: 'Liverpool Live’, 2006 Liverpool International Biennial Gee's Bathroom Shop, Liverpool, 26 - 29 October 2006. Performers: Miller, Lee and Whalley, Joanne
5. Williams, T. (2004) Break.
6. Williams, T. (2008) Mbira Prism. Performance at: EMTWO: A Concert of Electronic Music Sursa Hall, Ball State University, Indiana, 18 November 2008.
7. Williams, T. (2006) Shelter.
8. Williams, T. (2007) Shelter. Performance at: Electronic Music Studies Conference De Montfort University, Leicester, 12 June 2007.
9. Williams, T. (2007) Shelter. Performance at: Bowling Green State University Ohio, USA, 9 October 2007.
10. Williams, T. (2007) Shelter. Performance at: Oberlin Conservatory of Music Ohio, USA, 10 October 2007. [Performance and lecture]
11. Williams, T. (2007) Shelter. Performance at: Electronic Music Midwest Festival and Conference Kansas City Kansas Community College (KCKCC), Kansas City, USA, 12 October 2007.
12. Williams, T. (2006) Smallcoombe Spring.
13. Williams, T. (2007) Smallcoombe Spring. Performance at: Seamus Conference Iowa State University, Ames, USA, 7-11 March 2007.
14. Williams, T. (2007) Smallcoombe Spring. Performance at: Soundings International Festival of Sonic Art Reid Hall, Edinburgh University, 2 November 2007.
15. Williams, T. (2007) Smallcoombe Spring. Performance at: Radio/web broadcast by Elektramusic.com Bourge, France, Playlist for January 2007.
16. Williams, T. (2007) Smallcoombe Spring. Performance at: WOBC91.5 radio with web broadcast by Foldover Oberlin, Ohio, USA, 10 December 2007.
17. Williams, T. (2007) Smallcoombe Spring. Performance at: International Computer Music Conference Aalborg University, Copenhagen, Denmark, 27-31 August 2007.
18. Williams, T. (2008) Smallcoombe Spring. Performance at: Sweetwater Electroacoustic Music Concert Series no 2 Sweetwater Performance Theater, Fort Wayne, Indiana, 9 June 2008.
19. Williams, T. (2007) TRACE: playing with/out memory. Performance at: Performance reading University of Winchester, 6 December 2007. Performer: Midgelow, Vida [Soundscape with Midgelow V, dance.]
20. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Chester, CAPRA Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
21. Williams, T. (2007) TRACE: playing with/out memory. Performance at: University of Surrey, Dance Department Performer: Midgelow, Vida [Soundscape with Midgelow V, dance]
22. Williams, T. (2007) Taking Shelter. [Music CD]. Northampton: University of Northampton. Production of CD (featuring 6 recent Sonic Arts Works)
23. Williams, T. (2004) Three Points of Dislocation. Performance at: SoundCircus Conference De Montford University, Leicester, 11- 14 June 2004. Also presented at: International Computer Music Conference, University of Miami, 2004
24. Williams, T. (2008) Voice. Performance at: International Computer Music Conference (ICMC) Queens University, Belfast, 17 - 23 August 2008.
25. Williams, T. (2008) Voice (a retracing). Performance at: Electronic Music Midwest Festival (EMM) Lewis University, Illinois, USA, 16-28 October 2008. With Video - dance performance by Vida Midgelow
26. Wilson, J. M. (2010) Visits and Visitors. In: Frank Sargeson’s Stories. Auckland: Cape Catley Ltd. pp. 353-356.