A

1. Attenburrow, D. H. (2007) Drawn to Life. Alfred East Gallery, Kettering, Northants, 13 January - 24 February 2007.
2. Attenburrow, D. H. (2008) [No title]. Exhibit at: Exhibition. Spratton Hall School, Northamptonshire, 18 February - 19 March 2008.

C

1. Chapman, J. (2007) New Paintings from Life and Photography. Exhibit at: Jonathan Chapman - New Works. Roger Billcliffe Gallery, Glasgow, 31 August - 30 September 2007.
2. Chapman, J. (2007) Painting from Life and Photography. Exhibit at: Still Life Exhibition. Nuneaton Museum & Art Gallery, Nuneaton, Warwickshire, 17 November 2007 - 13 January 2008.
3. Cureton, P. (2009) Drawing: art or information design. Garden Design Journal. 89, p. 46. 1356-6458.

D

1. Devison, N., Love, J. and Shaw, M. (2009) Works on Paper. Exhibit at: Works on Paper. Library Gallery, Islington, London, 05 December 2009.

E

1. Evans, M. (2008) Art & psyche. Paper presented to: Art & Psyche : Reflections on Image, Jung Institute, San Francisco, 1-4 May 2008.
2. Evans, M. (2009) Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Exhibit at: Exchange: 2 Universities - 2 Groups of Researchers - 2 Exhibitions - 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November - 18 December 2009.
3. Evans, M. (2010) Lost for words: lost in words (abstract painting and the unspeakable unconscious). Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
4. Evans, M. (2007) New Works. Exhibit at: Painting, Technology and Transcendent in POMO Culture.
5. Evans, M. (2011) New possibilities for contemporary abstract painting. Paper presented to: Digital Hybridity, University of Derby, 17 June 2011.
6. Evans, M. (2010) Out of nothing. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010.
7. Evans, M. (2010) Separation Anxiety. Exhibit at: Separation Anxiety. Avenue Gallery, The University of Northampton, 08 February - 05 March 2010.
8. Evans, M. (2009) The Abstract Unconsious. ARAS/Art and Psyche Online Journal. 2009(4)
9. Evans, M. (2010) The preservation of the wholly other in abstract painting. Paper presented to: On the Edge: Psyche in Ethics, the Arts and Nature: A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
10. Evans, M. (2011) [No title]. Exhibit at: Viewfinder. Artspace H Gallery, Seoul, South Korea, 22 June - 05 July 2011. Also exhibited at: Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011
11. Evans, M., Harper, J., Langford, A. W. and Stedman, N. (2008) Common Ground. Exhibit at: Common Ground. Rhyl Museum & Art Gallery, 10 May - 7 June 2008.
12. Evans, M., Love, J., Brook, L., Devison, N., Dimsdale, E., Shaw, M. and Black, T. (2012) [No title]. Exhibit at: Viewfinder. Avenue Gallery, The University of Northampton, 29 April - 24 May 2012.
13. Evans, M. and Parker, D. (2007) The Abstract Unconscious. Gallery 103, North East Wales Institute of Higher Education, Wrexham, 29 October - 15 November 2007.
14. Evans, M. and Parker, D. (2008) The Abstract Unconscious. Exhibit at: The Abstract Unconscious. Avenue Gallery, The University of Northampton, 2008.

G

1. Greco, P. (2006) Eating Out. Museum of Domestic Design & Architecture (MoDA), Barnet, 24 April 2006 – 9th July 2006. [Exhibit of vinyl prints]
2. Greco, P. (2007) Garden Armoury. Yard Gallery, Welford, 1-15 September 2007. [Installation of prints and sculpture]
3. Greco, P. (2008) House and Gardens. Exhibit at: The Suburban Landscape: Two Hundred Years of Gardens and Gardening. Museum of Domestic Design & Architecture (MoDA), 19 June 2007 – 24 February 2008.
4. Greco, P. (2007) Sculpting the Suburban Landscape. Museum of Domestic Design & Architecture (MoDA), Barnet, 19 June 2007 - 30 September 2007. [Exhibit of vinyl prints]
5. Greco, P. (2010) Switch. Exhibit at: At Play 2. South Hill Park Arts Centre, Bracknell, 17 April – 20 June 2010. [Digital print installation]
6. Greco, P. (2009) The Personalised Surface within Fine Art Digital Printmaking. (Unpublished)
7. Greco, P. (2007) The personalised surface within fine art digital printmaking. Exhibit at: Collaborative research, led by P Coldwell and B Rauch. University of the Arts, London, 1 September 2007. Invited to participate through developing practice, exhibition and symposium
8. Greco, P. (2007) The place of printmaking within contemporary fine art practice. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 3 May 2007. [Public lecture and slide presentation]
9. Greco, P. (2007) Why the Turner Prize? Invited Presentation presented to: Public debate, Open University, Milton Keynes, 18 January 2007. [Invited speaker and panel member]

H

1. Harper, J. (2007) Broken and Breaking Ground. Fermynwoods Contemporary Art, 1 March - 31 October 2007.
2. Harper, J. (2008) Broken and Breaking Ground. Cromford: Research Group for Artists Publications. 9780955827310.
3. Harper, J., Langford, A. W., Evans, M. and Stedman, N. (2005) Common Ground. Exhibit at: Common Ground. Rugby Art Gallery and Museum, 6 September - 30 October 2005.
4. Harper, J., Langford, A. W., Wenden, B., Leet, K. and Kitchener, B. (2007) In-transition. J Gallery, Moulton, Northampton, 24 March - 13 April 2007.

L

1. Langford, A. W. (2010) Invernaderos. Paper presented to: Emerging Landscapes: Between Production and Representation, University of Westminster, London, 25-27 June 2010.
2. Langford, A. W. (2007) Invernaderos: Almeria as a corporatized utilitarian land. Invited Presentation presented to: Global Photographies Conference, Dun Laoghaire Institute of Art, Design and Technology, Dublin, Ireland, 27-29 June 2007. [Invited speaker and paper presented]
3. Langford, A. W. (2011) Re-Moved. Symposium presented to: Land2 National Symposium, University of Hertfordshire, Hatfield, 09 December 2011.
4. Langford, A. W. (2010) Taken From the Net. Exhibit at: Arts Research in Progress. Avenue Gallery, University of Northampton, 07 June - 10 July 2010.
5. Langford, A. W. (2010) Winter growing fields. SuperMassiveBlackHole. 4/2010, pp. 18-19. 2009-2288.
6. Langford, A. W. (2008) Winter growing fields: landscape and estrangement. Exhibit at: Winter growing fields: landscape and estrangement. Avenue Gallery, The University of Northampton, 8 April - 2 May 2008.
7. Langford, A. W. and Wells, L. (2009) Exchange. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
8. Leet, K. (2008) Photograph. Exhibit at: Through the Lens: RWA 1st Open Photography Exhibition. Royal West of England Academy of Arts (RWA), Bristol, 8 June – 20 July 2008.
9. Love, J. (2013) Behind The Eyes; making pictures. Exhibit at: Behind The Eyes; making pictures. Gallery North, Newcastle-upon-Tyne, 24 January - 01 March 2013.
10. Love, J. (2008) C’est ouVert. Exhibit at: C’est OuVert group exhibition. Plouec du Trieux, France, June-October 2008. Featured 4 page photographic article in C’est ouVert exhibition catalogue
11. Love, J. (2012) Dust: Johanna Love. Exhibit at: Dust: Johanna Love. Avenue Gallery, The University of Northampton, 01-26 October 2012.
12. Love, J. (2009) Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Exhibit at: Exchange: 2 Universities – 2 Groups of Researchers – 2 Exhibitions – 2 Dialogues. Scott Building Gallery, University of Plymouth, 18 November – 18 December 2009.
13. Love, J. (2011) Gefallener Staub (Fallen Dust). Exhibit at: Jerwood Drawing Prize. Jerwood Space, London (and Touring), 14 September - 30 October 2011.
14. Love, J. (2008) Photograph. London: A&C Black. [In: Bonnell, M., Mumberson, S. (2008) Printmaking on a budget]
15. Love, J. (2008) The Art of Research: Research Narratives. Exhibit at: The Art of Research: Research Narratives. Chelsea College of Art & Design, London, 28-30 October 2008.
16. Love, J. (2008) The Personalised Surface Within Fine Art Digital Printmaking - Case study. Exhibit at: The Personalised Surface Within Fine Art Digital Printmaking Project. Online, 2008. [Case study]
17. Love, J. (2011) Viewfinder [group exhibition]. Exhibit at: IMPACT 7: International Multi-disciplinary Printmaking Conference 2011: Intersections & Counterpoints. Monash University, Melbourne, Australia, 27-30 September 2011.
18. Love, J. (2009) [No title]. Exhibit at: Impact 6 International Print Conference and Symposium. Bristol, 17-19 September 2009.
19. Love, J. (2009) [No title]. Exhibit at: 6th International Biennial of Contemporary Graphic Arts. Novosibirsk State Art Museum, Siberia, 11 September - 15 November 2009.
20. Love, J. (2009) [No title]. Exhibit at: Empirical. Avenue Gallery, University of Northampton, 12 June 2009 - 03 July 2009.
21. Love, J. (2009) [No title]. Exhibit at: Group Show. The Drawing Center, New York, May 2009.
22. Love, J. (2010) [No title]. Exhibit at: World Art College Vision Exchange (W.A.V.E) 2010: Borders & Edges. Wimbledon Space, Wimbledon College of Art, London, 10 September - 08 October 2010.
23. Love, J. (2010) [No title]. Exhibit at: Hot Plate International Print Exhibition. Pheonix Gallery, Brighton, 03 July - 15 August 2010.
24. Love, J. (2010) [No title]. Exhibit at: 2nd Penang International Print Exhibition 2010. Penang State Museum and Art Gallery, Malaysia, 16 September - 15 October 2010.
25. Love, J. (2010) [No title]. Exhibit at: Rhizomatic. Departure Gallery, off-site project at Boeing Way, London, 01 October – 12 November 2010.
26. Love, J. (2011) [No title]. Exhibit at: Viewfinder. Ruskin Gallery, Anglia Ruskin University, Cambridge, 09-24 November 2011.
27. Love, J. (2011) [No title]. Exhibit at: Scope: New Photographic Practices. Tsingua University Gallery, Beijing, China, December 2011.
28. Love, J. (2011) [No title]. Exhibit at: Bite: Artists Making Prints. Mall Galleries, London, 04-15 September 2011.
29. Love, J. (2012) [No title]. Exhibit at: British Printmaking Japan: 6th International Kyoto Hanga 2012 International Print Exhibition: Process and Innovation. Kyoto City Museum of Art, Japan, 31 July - 12 August 2012.
30. Love, J. (2012) [No title]. Exhibit at: Drawing Research Network (DRN) Conference 2012: Drawing Knowledge. Loughborough University, 10-11 September 2012.
31. Love, J., Capkova, H. and Gould, D. (2008) Talking with Ourselves. Exhibit at: Talking with Ourselves. Triangle Gallery, Chelsea College of Art & Design, London, 22-26 April 2008. [Video installation]
32. Love, J. and Evans, M. (2010) From the representation of emptiness to the emptiness of representation. Paper presented to: Land/Water Summer Symposium 2010: Land and the Metaphysical, University of Plymouth, 01-02 July 2010.
33. Love, J. and Evans, M. (2009) Grey Matters. Exhibit at: Grey Matters. Aqffin Gallery, London, 26 November -10 December 2009.

P

1. Parker, D. (2009) Illness and Epiphany: An Awakening Spirit. Exhibit at: Illness and Epiphany: an Awakening Spirit. Avenue Gallery, University of Northampton, 21 September - 16 October 2009.
2. Parker, D. (2007) Insider/outsider: exploring boundaries between mainstream and marginal arts. Invited Presentation presented to: Art Talks, Rugby Museum and Art Gallery, Rugby, 24 May 2007. Also presented at: Milton Keynes Gallery, May 2007
3. Parker, D. (2009) Leon Martindale: illness and epiphany. Raw Vision. Winter 2009/2010(68)
4. Parker, D. (2008) On painting substance and psyche. In: Rowland, S. (ed.) Psyche and the Arts: Jungian Approaches to Music, Architecture, Literature, Painting and Film. London: Routledge. pp. 45-55.
5. Parker, D. (2013) Outsider Art and Alchemy. In: Arya, R. (ed.) Contemplations of the Spiritual in Art. Oxford: Peter Lang Internationaler Verlag der Wissenschaften. pp. 97-110.
6. Parker, D. (2004) Outsider Art: a brief account. Asylum. 14(1), pp. 5-7. 0955-2030.
7. Parker, D. (2013) Passage (detail). [Print]. Oxon: Routledge, Taylor & Francis.
8. Parker, D. (2011) Psyche in the Arts Research Network Symposium exhibition. Exhibit at: Psyche in the Arts Research Network Symposium. The University of Northampton, 24 September 2011. (Unpublished)
9. Parker, D. (2006) Recollections. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
10. Parker, D. (2010) Skeletons in closets: outsider art, art brut and the a-cultural other - an enquiry into culture and psyche. Paper presented to: International Association of Jungian Studies (IAJS) and Jungian Society for Scholarly Studies (JSSS) International conference: On the Edge: Psyche in Ethics, the Arts and Nature : A Conference of Research in Jung and Analytical Psychology, Cornell University, Ithaca, New York, 10-14 August 2010.
11. Parker, D. (2010) Spirituality & trans-cultural phenomena: art, alchemy and the outsider. Paper presented to: Contemplations of the Spiritual in Contemporary Art, Liverpool Cathedral, Liverpool, 10-11 December 2010.
12. Parker, D. (2008) The abstract unconscious in painting. Paper presented to: Art and Psyche: Reflections on Image, C G Jung Institute, San Francisco, California, 1-4 May 2008.
13. Parker, D. (2009) The abstract unconscious in painting. Art and Psyche Online Journal. 2, pp. 1-17.
14. Parker, D. (2009) [No title]. Exhibit at: Exchange: Two Universities, Two Groups of Researchers, Two Exhibitions, Two Dialogues. The University of Plymouth & The University of Northampton, 18 November - 18 December 2009.
15. Parker, D. (2008) ‘Eye of Faith’ (Detail), cover image in: ‘Psyche and the Arts’ : Jungian Approaches to Music, Architecture, Literature, Painting and Film. (Ed. Rowland. S.) ISBN10 - 0415438365, ISBN13 – 978-0415438360 London, Routledge, 2008. [Book]. London: Routledge.
16. Parker, D., Bacon, J. and Evans, M. (2011) Enchantment: contemporary arts and depth experience. Panel Presentation presented to: Enchantment & Disenchantment: The Psyche in Transformation: Regional Conference of the International Association for Jungian Studies, School of Oriental and African Studies, University of London, UK, 15-16 July 2011.
17. Parker, D. and Evans, M. (2009) Lost for words/lost in words: painting and the unspeakable unconscious. Paper presented to: 2nd International Conference of the International Association for Jungian Studies (IAJS) : Psyche, Power and Society, Cardiff University, 9 - 12 July 2009.

S

1. Staff, C. (2008) 'Speaking in the vernacular: insularity, British art and modernism'. In: Osgerby, W., Esser-Hall, G., Myers, M. and Staff, C. (eds.) Tracing Britishness: Exploring the Notion of 'Britishness' in the 21st Century by Tracing Themes of Stoicism, Nostalgia, Insularity and Ourselves and Others Through a Selection of Works from the Rugby Collection. Rugby: Rugby Art Gallery and Museum.
2. Staff, C. (2011) A Poetics of becoming: the mythography of Cy Twombly. In: Wallace, I. L. and Hirsh, J. (eds.) Contemporary Art and Classical Myth. Farnham: Ashgate. pp. 43-55.
3. Staff, C. (2007) An e-mail conversation between Slavka Sverakova and Craig Staff, May 2007. CIRCA Art Magazine. 0263-9475. Online article
4. Staff, C. (2010) Ancient Egyptian Art; Inspecting the Fields for Nebamun; Abstract Expressionism; Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949, Mark Rothko; The Big Night Down the Drain, 1962-63, Georg Baselitz; European Lyrical Abstraction; Nice, 1954 Nicolas De Stael; Portable War Memorial, 1968, Ed Kienholz; Neo-Expressionism; Café Deutschland (Lift/Tremble/Back), 1984 Jorg Immendorf. In: Farthing, S. (ed.) Art: The Whole Story. London: Thames & Hudson. pp. 28-547.
5. Staff, C. (2002) As Long As It Takes. In: Dean, D. and Lillington, D. (eds.) As Long As It Takes. Nottingham: Angel Row Gallery. 0-0.
6. Staff, C. (2009) Embodiment, ambulation and duration. In: Oddey, A. and White, C. (eds.) Modes of Spectating. Bristol: Intellect. 0-0.
7. Staff, C. (2007) Embodiment, ambulation and duration: the coalescent space of painting. Invited Presentation presented to: Modes of Spectating Conference, Anglia Ruskin University, Cambridge, 30 March 2007.
8. Staff, C. (2011) Modernist Painting and Materiality. Jefferson, N.C.: McFarland. 9780786447145.
9. Staff, C. (2009) Natural Responses - Transformations. Chair presented to: X6 Transformations Seminar Day, Fermynwoods Contemporary Art, 12 October 2009.
10. Staff, C. (2007) Notes towards a differential ontology of painting. A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006. Manchester: MIRIAD. 9781905476169.
11. Staff, C. (2013) Painting and performance. I.B.Tauris Blog.
12. Staff, C. (2004) Painting apart from itself. Dwelling. 1741-1467.
13. Staff, C. (2006) Recollection. Exhibit at: ReCollection. Rugby Art Gallery and Museum, 28 March - 25 June 2006.
14. Staff, C. (2006) Towards a differential ontology of painting. Paper presented to: A Future for Modernism? : The Possibilities of Re-inhabiting an Abandoned Critical Position, APT Gallery, Deptford, London, 17 March 2006.
15. Staff, C. (2009) What is an artist? Invited Presentation presented to: What is an artist?, Milton Keynes Gallery, 28 May 2009.
16. Staff, C. (2008) [Contribution]. In: Farthing, S. (ed.) 501 Great Artists: A Comprehensive Guide to the Giants of the Art World. New York: Barron's Educational Series.
17. Staff, C. (2006) [Contribution]. In: Farthing, S. (ed.) 1001 Paintings You Must See Before You Die. London: Cassell.
18. Staff, C. (2004) ‘Extended Painting’ at Victoria Miro. CIRCA Art Magazine. 108(Summer), pp. 88-89. 0263-9475.
19. Staff, C. (2009) 絵画の示差的存在論のための覚書* Towards a differential ontology of painting. Rear 21.
20. Staff, C. and Cureton, P. (2009) Of blood, of trade, authority, agency: sought after forms and drawing today. Paper presented to: Association of Art Historians (AAH) 35th Annual Conference and Bookfair, Manchester Metropolitan University, 2-4 April 2009.
21. Staff, C. and Cureton, P. (2009) The life of Paolo Uccello: drawing transitions through curriculums. Paper presented to: Transitions: Learning and Teaching Conference, University of Northampton, 13 May 2009.
22. Staff, C. and Cureton, P. (2008) Without The Walls Which Do Not Last. Exhibit at: Without The Walls Which Do Not Last. Avenue Campus Gallery, University of Northampton, 22 September - 17 October 2008. [Exhibition curators]
23. Staff, C. and Seki, T. (2008) Returning by a Shorter Path. Exhibit at: Returning by a Shorter Path. Avenue Gallery, 27 October - 21 November 2008.

W

1. Whittaker, R., Harrison Whittaker, R., Parker, D. and Evans, M. (2009) The vital image : interview with Michael Evans and David Parker. Jung Journal: Culture & Psyche. 3(3), pp. 87-115. 1934-2039.