"I always watch what I say. I am what I say”: Joss Whedon as Deleuzian “Minor Writer”

Starr, M. (2014) "I always watch what I say. I am what I say”: Joss Whedon as Deleuzian “Minor Writer”. Paper presented to: 6th Biennial Slayage Conference on the Whedonverses (SCW6), University of California, Sacramento, 19-22 June 2014. (Unpublished)

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Item Type:	Conference or Workshop Item (Paper)
Abstract:	No recent television creator, no recent author, has acquired as devoted a cult following as Joss Whedon (Lavery and Burkhead viii). However, Whedon’s position as a cult auteur has recently been complicated by the success of The Avengers (2012), which has arguably sealed his reputation as major filmmaker, resulting in tensions as to whether notions of the “Whedonesque” can still exist outside of their cult origins. By means of negotiating such issues, the proposed paper positions Whedon in terms of the “Minor Writer”, a concept developed by poststructuralist philosopher Gilles Deleuze (1925-1995). In these terms, “Minor” is not simply defined as a literature written from the perspective of an oppressed group, nor is it secondary or neglected writing. Instead, Minor writing takes the language of the dominant culture and warps it to new purposes, thus creating “lines of flight” in terms of creative new trajectories that depart from dominant identities, inventing new forms of collective life, consciousness, and affectivity. To this end, Deleuze defines a Minor Literature through three main characteristics; the deterritorialization of language, the political element, and the collective value. In accordance, the paper conceptualizes various elements of Whedon’s oeuvre in these terms; for example, Whedon’s creativity with language in BTVS and Firefly, his social activism and self-declared Feminist agenda, and the nature of his collaborations, both in terms of his alliance with other creative partners, and the manner in which he sees his audience as “immediate partners and collaborators” (Batchelor 169). Deleuze maintains that any work of art “points a way through life, finds a way through the cracks” (Deleuze Negotiations 143), and how Whedon engages with this process is ultimately demonstrated, placing him as a writer who exists “in-between” spaces, hence functioning as an exemplification of the Minor Literature concept that informs Deleuzian literary theory.
Subjects:	P Language and Literature > PN Literature (General) > PN45 Theory. Philosophy. Esthetics P Language and Literature > PN Literature (General) > PN1992 Television broadcasts P Language and Literature > PN Literature (General) > PN3427 Special kinds of fiction. Fiction genres
Creators:	Starr, Mike
Faculties, Divisions and Institutes:	University Faculties, Divisions and Research Centres - OLD > Research Centre > Centre for Critical and Creative Writing University Faculties, Divisions and Research Centres - OLD > Faculty of Arts, Science & Technology Research Centres > Centre for Critical and Creative Writing
Date:	22 June 2014
Date Type:	Presentation
Event Title:	6th Biennial Slayage Conference on the Whedonverses (SCW6)
Event Dates:	19-22 June 2014
Event Location:	University of California, Sacramento
Event Type:	Conference
Language:	English
Status:	Unpublished
Related URLs:	Conference
URI:	http://nectar.northampton.ac.uk/id/eprint/6980

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