Love, J. (2013) Dust: defining the visible and invisible. Other presented to: Impact 8 International Print Conference and Symposium, Dundee, 28-31 August 2013. (Submitted)
| Item Type: | Conference or Workshop Item (Other) |
|---|---|
| Abstract: | Dust: Defining the invisible ‘If absence is the most compelling form of presence, then emptiness is pregnant with fullness’ (Paul.W. Ashton, Evocations of Absence, Spring Journal Inc, 2007 back cover). My practice emerges from my recent PhD research, which examines how we understand and perceive surface and space within an image, particularly where both digital and hand-drawn marks co-exist. It investigates how the visual presence of (or illusion of) dust generates a fundamental shift in the perception and reading of the photographic printed image within contemporary fine art practice. A central aspect of the research is a body of practical work investigates the clash between our perception of the illusionistic space of the photographic image and the simultaneous emphasis on the physical picture surface created by drawing of surface dust, and suggests that this clash offers new avenues for the visual image to explore perceptions of space, temporality, and mortality |
| Subjects: |
N Fine Arts > NE Print media T Technology > TR Photography N Fine Arts > N Visual arts (General) > N7433.8 Digital art N Fine Arts > N Visual arts (General) > N61 Theory. Philosophy. Aesthetics of the visual arts |
| Creators: | Love, Jo |
| Faculties, Divisions and Institutes: | Faculties > Faculty of Arts, Science & Technology > Fine Art |
| Date: | 31 August 2013 |
| Date Type: | Presentation |
| Event Title: | Impact 8 International Print Conference and Symposium |
| Event Dates: | 28-31 August 2013 |
| Event Location: | Dundee |
| Event Type: | Conference |
| Language: | English |
| Status: | Submitted |
| Refereed: | Yes |
| URI: | http://nectar.northampton.ac.uk/id/eprint/5972 |
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