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The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands

Campbell, P. (2010) The Trans-Man: re-writing subjectivity in Teatro Oficina Uzyna Uzona`s Rebellion in the Backlands. Paper presented to: Merging Interactions Colloquium, Central School of Speech and Drama, London, 2010-10-01.

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Campbell_Patrick_2010_The_Trans_Man_re_writing_subjectivity_in_Teatro_Oficina_Uzyna_Uzonas_Rebellion_in_the_Backlands
Campbell_Patrick_2010_The_Trans_Man_re_writing_subjectivity_in_Teatro_Oficina_Uzyna_Uzonas_Rebellion_in_the_Backlands.pdf - Accepted Version
Information
Abstract:
This paper focuses on the way in which renowned São Paulo-based theatre company Teatro Oficina Uzyna Uzona challenges and deconstructs hegemonic concepts of subjectivity in their 2000 - 2007 25 hour-long production of Euclides da Cunha’s seminal Brazilian novel Os sertões (“Rebellion in the Backlands”), and how this radical re-writing of the subject has a profound effect on the internal structures of the performance text itself.
Uncontrolled Keywords:
Trans-Man, Brazilian Theatre, Teat(r)o Oficina Uzyna Uzona, Os Sertões
Creators:
Campbell, P.
Faculties, Divisions and Institutes:
Faculties > Faculty of Arts, Science & Technology > Journalism, Media & Performance
Date:
1 October 2010
Date Type:
Publication
Page Range:
pp. 1-18
Journal or Publication Title:
Merging Interactions Colloquium
Event Title:
Merging Interactions Colloquium
Event Dates:
2010-10-01
Event Location:
Central School of Speech and Drama, London
Event Type:
Other
Number of Pages:
18
Language:
English
Status:
Published / Disseminated
Refereed:
No
Related URLs:
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